Artist Talk Magazine - issue 11
Milne Publishing is proud to present Artist Talk Magazine issue 11. Once again, I am pleased to showcase more incredible artists from around the globe. All of the artists featured within this issue have given interesting, in-depth and honest accounts about themselves, their work, views and ideas. In addition to the amazing images of the work they produce, which I know you the reader will enjoy and be inspired by. We have lots of incredible talent within this issue, with a wide range of subject matter for you to explore and enjoy. This issue’s cover is by Anna Mikheeva. Some of the work produced by Anna is done in black, succinctly minimalistic. Only at an angle are details showing the inner drama visible … The black answer, is capable of reflecting millions of colours and incredibly revealing in different angles of view, like that of life. Thanks for reading.
Milne Publishing is proud to present Artist Talk Magazine issue 11.
Once again, I am pleased to showcase more incredible artists from around the globe. All of the artists featured within this issue have given interesting, in-depth and honest accounts about themselves, their work, views and ideas. In addition to the amazing images of the work they produce, which I know you the reader will enjoy and be inspired by.
We have lots of incredible talent within this issue, with a wide range of subject matter for you to explore and enjoy. This issue’s cover is by Anna Mikheeva. Some of the work produced by Anna is done in black, succinctly minimalistic. Only at an angle are details showing the inner drama visible … The black answer, is capable of reflecting millions of colours and incredibly revealing in different angles of view, like that of life.
Thanks for reading.
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GEORGIA O’KEEFFE (1887-1986), MUSIC, PINK AND BLUE NO. 2, 1918. OIL ON CANVAS.
WHITNEY MUSEUM OF AMERICAN ART, NEW YORK; GIFT OF EMILY FISHER LANDAU IN HONOR OF TOM ARMSTRONG 91.90.
© 2019 GEORGIA O’KEEFFE MUSEUM / ARTISTS RIGHTS SOCIETY (ARS), NEW YORK
For many vanguard artists in the
early twentieth century, music
offered a model for expressing
nonverbal emotional states and
sensations.
Georgia O’Keeffe was fascinated
with what she called “the idea that
music could be translated into
something for the eye,” but her
references to music in the titles of
her paintings derived equally from
her belief that visual art, like music,
could convey powerful emotions
independent of representational
subject matter.
In Music—Pink and Blue II, the
swelling, undulating forms imply
a connection between the visual
and the aural, while also suggesting
the rhythms and harmonies that
O’Keeffe perceived in nature.
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