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Artist Talk Magazine - issue 11

Milne Publishing is proud to present Artist Talk Magazine issue 11. Once again, I am pleased to showcase more incredible artists from around the globe. All of the artists featured within this issue have given interesting, in-depth and honest accounts about themselves, their work, views and ideas. In addition to the amazing images of the work they produce, which I know you the reader will enjoy and be inspired by. We have lots of incredible talent within this issue, with a wide range of subject matter for you to explore and enjoy. This issue’s cover is by Anna Mikheeva. Some of the work produced by Anna is done in black, succinctly minimalistic. Only at an angle are details showing the inner drama visible … The black answer, is capable of reflecting millions of colours and incredibly revealing in different angles of view, like that of life. Thanks for reading.

Milne Publishing is proud to present Artist Talk Magazine issue 11.

Once again, I am pleased to showcase more incredible artists from around the globe. All of the artists featured within this issue have given interesting, in-depth and honest accounts about themselves, their work, views and ideas. In addition to the amazing images of the work they produce, which I know you the reader will enjoy and be inspired by.

We have lots of incredible talent within this issue, with a wide range of subject matter for you to explore and enjoy. This issue’s cover is by Anna Mikheeva. Some of the work produced by Anna is done in black, succinctly minimalistic. Only at an angle are details showing the inner drama visible … The black answer, is capable of reflecting millions of colours and incredibly revealing in different angles of view, like that of life.

Thanks for reading.

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by renowned restaurateur Danny

Meyer and his Union Square

Hospitality Group.

Mr. Piano’s design takes a strong

and strikingly asymmetrical form—

one that responds to the industrial

character of the neighboring loft

buildings and overhead railway

while asserting a contemporary,

sculptural presence. The upper

stories of the building overlook the

Hudson River on its west, and step

back gracefully from the elevated

High Line Park to its east.

ABOUT RENZO PIANO

WHITNEY MUSEUM OF AMERICAN ART, PHOTOGRAPH BY BEN GANCSOS ©2016

THE BUILDING

Designed by architect Renzo

Piano, the Whitney’s building in

the Meatpacking District includes

approximately 50,000 square

feet of indoor galleries and 13,000

square feet of outdoor exhibition

space and terraces facing the High

Line. An expansive gallery for

special exhibitions is approximately

18,000 square feet in area,

making it the largest columnfree

museum gallery in New York

City. Additional exhibition space

includes a lobby gallery (accessible

free of charge), two floors for the

permanent collection, and a special

exhibitions gallery on the top floor.

Mr. Piano remarked in 2011, “The

design for the new museum

emerges equally from a close study

of the Whitney’s needs and from

a response to this remarkable site.

We wanted to draw on its vitality

and at the same time enhance

its rich character. The first big

gesture, then, is the cantilevered

entrance, which transforms the

area outside the building into a

large, sheltered public space. At

this gathering place beneath the

High Line, visitors will see through

the building entrance and the

large windows on the west side to

the Hudson River beyond. Here,

all at once, you have the water,

the park, the powerful industrial

structures and the exciting mix

of people, brought together and

focused by this new building and

the experience of art.”

The dramatically cantilevered

entrance along Gansevoort Street

shelters an 8,500-square-foot

outdoor plaza or “largo,” a public

gathering space steps away from

the southern entrance to the High

Line. The building also includes an

education center offering stateof-the-art

classrooms; a multi-use

black box theater for film, video,

and performance with an adjacent

outdoor gallery; a 170-seat theater

with stunning views of the Hudson

River; and a Works on Paper Study

Center, Conservation Lab, and

Library Reading Room.

A retail shop on the ground-floor

level contributes to the busy street

life of the area. A ground-floor

restaurant, Untitled, and the topfloor

Studio Cafe are operated

Renzo Piano was born in Genoa,

Italy, in 1937, into a family of

builders. In his home city he

has strong roots, sentimental

and cultural, with its historic

center, the port, the sea, and

with his father’s trade. During

his time at university, the Milan

Polytechnic, he worked in the

studio of Franco Albini. He

graduated in 1964 and then

began to work with experimental

lightweight structures and basic

shelters. Between 1965 and 1970

he traveled extensively in America

and Britain. In 1971, he founded

the studio Piano & Rogers with

Richard Rogers, and together

they won the competition for the

Centre Pompidou in Paris, the city

where he now lives. From the early

70s until the 90s, he collaborated

with the engineer Peter Rice,

forming Atelier Piano & Rice,

between 1977 and 1981. Finally, in

1981, he established Renzo Piano

Building Workshop, with a hundred

people working in Paris, Genoa,

and New York.

DISCOVER MORE

https://whitney.org/

Whitney Museum of

American Art

99 Gansevoort Street

New York, NY 10014

(212) 570-3600

65

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