Spike (Preview)

PROMETHEAN EDITIONS
JOHN PSATHAS
Spike
Marimba, Vibraphone and Piano

John Psathas
Spike
Marimba, Vibraphone and Piano
PROMETHEAN EDITIONS
WELLINGTON

Spike (PE019), for Marimba, Vibraphone and Piano by John Psathas
(1998)
© John Psathas 1998
Published exclusively by Promethean Editions Limited
First edition © 1998 Promethean Editions Limited (201507)
Series Editor: Ross Hendy
Editor: Thomas Liggett
ISBN: 978-1-877218-19-4 (print)
ISBN: 978-1-77660-019-2 (ebook)
ISMN: 979-0-67452-092-8
Promethean Editions Limited
PO Box 10-143
Wellington
NEW ZEALAND
http://www.promethean-editions.com
No part of this publication may be reproduced in any form or by
any means without permission in writing from the Publisher.
PE019 – ii

John Psathas (1966)
John Psathas is one of New Zealand’s most frequently performed composers. With works
in the repertoire of such high profile musicians as Evelyn Glennie, Michael Brecker, Pedro
Carneiro, Michael Houstoun, Joshua Redman, Federico Mondelci, the Takács Quartet, the
Netherlands New Blazers Ensemble, the Hallé Orchestra and others, he has established an
international profile and is receiving regular commission offers from outside New Zealand.
Psathas grew up in Taumaranui and then Napier, and left high school early to study
composition and piano at Victoria University of Wellington. Psathas studied further with
composer Jacqueline Fontyn in Belgium before returning to New Zealand, where he has since
lectured in music at the New Zealand School of Music and continued to fulfil a busy schedule
of commissions.
Early success came in 1991 with Matre’s Dance, a maximum-energy duet for percussion and
piano that has since made Psathas’ name internationally known through having been taken
up and championed by percussionist Evelyn Glennie. This work and Drum Dances are now
standard repertoire for percussionists throughout the world.
In August 2000, the premiere of his saxophone concerto, Omnifenix, by legendary jazz
saxophonist Michael Brecker in Bolgna, Italy, brought international acclaim; further
prominent performances of his works have included the 2001 Klangspuren Schwaz Festival
of Contemporary Music in Austria; Psyzygysm, performed by Pedro Carneiro with Strike and
Stroma in the 2002 New Zealand Festival; the premiere of View From Olympus at the 2002
Royal Gala Concert in Manchester, and the premiere of Orpheus in Rarohenga in November
2002. This last, a major work for choir, soloists and orchestra, was a joint commission from
poet Robert Sullivan and John Psathas by the Orpheus Choir of Wellington. In April 2004,
pianist Stephen Gosling first performed Psathas’ piano concerto, Three Psalms, with the New
Zealand Symphony Orchestra, who commissioned the work for pianist Michael Houstoun.
Saxophonist Federico Mondelci commissioned Psathas to write his second saxophone
PE019 – iii

concerto, Zahara, which he first performed with the New Zealand Symphony Orchestra,
conducted by David Atherton, at the Michael Fowler Centre, Wellington, New Zealand on
22 September 2006. In 2008, Chamber Music New Zealand commissioned Psathas to write
a string quartet, A Cool Wind, for the world renown Takács Quartet, who presented the first
performance in the Auckland Town Hall, Auckland, New Zealand on 23 July 2008.
Psathas’ recent career highlights include the creation of key ceremonial music for the
2004 Athens Olympic Games and more recently Zeibekiko, an entire programme of music
celebrating the heritage of Greek music from antiquity and the present day. Zeibekiko was
commissioned by the Eduard van Beinum Foundation at the request of the Nederlands
Blazers Ensemble and toured Holland in 2004. It was a highlight of both the 2004 Bath
Festival (UK) and the 2006 New Zealand International Festival of the Arts.
Psathas’ inclination to work in a collaborative capacity with artists from a wide range of
musical genres and backgrounds has resulted in projects such as Elect the Dead Symphony
with Serj Tankian, and Pounamu with New Zealand roots musician Warren Maxwell. In 2011,
Psathas produced his first film score for the feature-film, Good for Nothing, and further film
music followed with White Lies in 2013. Psathas’ involvement with Booktrack—a company
focused on developing synchronised soundtracks for eBooks—saw the opportunity to write
music for the Salman Rushdie novel, In the South.
Psathas has received a number of awards and honours, including twice winning the SOUNZ
Contemporary APRA Silver Scroll Award (2002 and 2004) for individual works and taking
three Classical CD of the Year awards (2000, 2004 and 2007) in the NZ Music Awards. In 2003
he was made a New Zealand Arts Foundation Laureate and in 2005 was appointed an Officer
of the New Zealand Order of Merit (ONZM).
In 2014 Victoria University of Wellington awarded Psathas a Higher Doctorate in the degree of
Doctor of Music (DMus) for the immense body of work he has contributed to his field.
Latest information about the composer may be found at www.johnpsathas.com.
PE019 – iv

Spike (1998)
Spike was originally Rhythm Spike, commissioned by Creative New Zealand as a solo piano
work for Swedish concert pianist Peter Jablonski. It was premiered by Jablonski at the
1994 New Zealand International Festival of the Arts, in Wellington, New Zealand and
has also been performed as a piano solo by Dame Evelyn Glennie. This arrangement for
marimba, vibraphone and piano was completed in 1998.
The composer writes:
“Written at a time when I was employed as a professional multilingual arguer at a crooked
exchange shop in Brussels, Spike, as a solo piece, has been described as a one for which
‘nothing in the piano repertoire can prepare the performer’.
For this piece to have a life I had the choice of either waiting for genetic modification
to produce twelve-fingered pianists with increased stamina, or to transcribe the work
for more than one instrument. And so Rhythm Spike — as it was originally named —
became Spike, for mallet percussion and piano. Taking as its starting point the most
primitive of musical ideas — the repetition of a single note — Spike moves through many
environments, rising and falling in waves of intensity, some ecstatic, some dark, some
effervescent, all the while maintaining this primary impulse, tapping out a one-note
rhythm. I once received an e-mail message from a music student who claimed to have
deciphered the Morse code messages embedded in the piece.”
Spike received its premiere performance from Brian Resnick (marimba, vibraphone)
and Stephen Gosling (piano) at the The Juilliard School, New York, USA on 21 February
1999. A recording of Spike, also performed by Resnick and Gosling, appears on the Rattle
Records album John Psathas – Rhythm Spike (RAT-D008), alongside Psathas’ Drum Dances
(PE008) and Stream 3.
PE019 – v

PE019 – vi

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Spike © 1998 John Psathas
This edition © 1998 Promethean Editions Limited PE019 – 1
ISMN: 979-0-67452-092-8

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PE019 – 3

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cresc. poco a poco
Mar
Pn
53
>
# CY C C C C CC C C C C C C C> C
>
CY C
> C C C C CC C C C C C C C C C C C
sfz
sfz
> >
> >
# CY CO C CC C C C C C O C Y CC C C C C
Y CO
C CBO
C C C C C C C CC C
sfz
sfz
#
Y CO
BO
Y C > > BO
Y A >
d
PE019 – 6

TU
TU
d
d
d
TU
d
Mar
Pn
Mar
Pn
Mar
Pn
55
57
59
# CY C C >
#
# C
C
Y CO
>
!
#
#
C C C
C
C C C C C C CYC
C C C C C > Y C
sfz
sfz
> >
> >
CY
C
C BO
CO
C C C C C C C CY C C C C CY
C C
sfz
sfz
Y B
>
CY
C
CY
C
Y CO
Y C > O C CO
Y C > C
Y CY
C
sfz > Y C
sfz > Y C
C C C C C C C C > C C C C C C C> C
Y C
Y C C > Y C
sfz
> >
> >
Y C
Y
C
Y
C BO
C C C Y C C C C C C C C C C Y C
Y C C
C
sfz sfz
sfz
Y C C
Y CO > Y C
Y CO
C> O
>
>
C> C
C C C C C C C C C C C C
BO
C Y C C C C C C Y C C C C C
C C CY
C
B
B
C C C C C
C C C C C C C C
Y C
BO
C C C C C C C Y C C
Y C
> C > O C> C
! C
sfz > C YC
C C YC
C C CC > C C C CC > C C C C C C CW CC
sfz > C C W C
W C >
C C C C
> C C C C C C C
> >
f C CO
B C W >
A
# Y C C C Y C C C Y C C Y C C C C
C
X C C C CC C C C C CC CC
sfz
sfz f p
#
Y C
sfz
Y C > C C > C > C > C >
X A
CY C > C > X A>
d
d
C
C C
Mar
61
! W C
C C C W C CO
W C C C C W CO W C C
dim.
# Q Q
C
C
C
C
# C C C C C C C C C C C C CC C C C C C C C C CC C C C C
Pn
#
dim.
A
A
A
A
PE019 – 7

C
C
C
C
C
C
>
>
C
C
ig
C
C
C
C
C
B
C
A
C
C
C
C
Mar
63
!
W
W
O C C C
W
O
O
W
To vibes
# C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C
Pn
#
A
A
A
A
A
A
Vb
Pn
Vb
Pn
66
69
Vibes
! R S TO
with pedal W C W O C C C C C C C C W C
ppp mp
> C C C C C C C C C C
# C C C C C C C C C C C C C
Q Q
!
pp
ppp
#
C C C C C C C C C C C C C C C C WC
C C O C C C C C
A
A
Ì
! W C C C C C C C C W C
W
> C C C C C C C C
W C W C C C C C C C C
ppp
mp
ppp
mp > C C C
! Q Q Q
# W mp >
ppp
mp
C C C C C C C C C C C
>
ppp
C C C C C C C C C C C C C C C C C C C C C W
Vb
Pn
72
!
(X) C C C C C C
W C C C C C
> C C C C C W C W C C C W C C C C C C
ppp mp ppp
mp > C C C
! Q Q Q
pp
ppp mp
ppp
# WC
C C C C C C C C>
W C C C C C C C
WC
C C C C C C C C C C W C
C C
Vb
Pn
75
!
W C C C C C W C C C C C C W C > C C C C C
W C C C C C W C C C C C
ppp
mp ppp mp
> C C C C
! Q Q Q
mp
ppp mp >
ppp
#
C C C C C C C C C C O (X) C C C C C C C C C (X) C C C C W C C C C C C C C
PE019 – 8

C
C
C
>
C
C
C
C
C
C
>
C
>
>
C
>
C
C
C
C
C
C
C
C
C
>
C
C
Vb
Pn
78
!
W C C C C W C C C C C W C
ppp
mp
> C C C C C C C W C C C W C C C C C
ppp
mp
> C C C C C
! Q Q Q
mp
# W C C C C
C C C C C C W C
ppp mp
C C C C C C
ppp C C C C C C
C C C C WC
C C C C
Vb
Pn
81
!
W W C C C C C C
ppp
mp
> C C C W C C C C C
W C C C C W C > C C C C C X C C C
ppp mp ppp
! Q Q Q
mp
# C C C > ppp
mp
ppp mp
C C C C C C C C C C C C C C > (X) O C C C C C C>
C C C
C C C C C C
Vb
Pn
84
! C C C C >
mp
C C C C C Y C
ppp
Y C C C C C C
mp
> C C C CY C C CY
C
C C C C C C
ppp
! Q
Y Y C C C C
ppp mp
> C C C C C
ppp mp
C C
# C C C C C C C C C>
C C C C C C
Q
Ì
Vb
Pn
87
! C Y C
C
mp
> C C C C C C
C C C C C C C C C
X
ppp
mp
C C C C C C C C X C
ppp C C C
! C O C C C C C C C C C C C C C C C C C W C W C C C C C
ppp
mp
ppp
mp
> C C C C C C
# Q Q Q
Vb
90
! C C C >
mp
C C C C C C
W
ppp
W C C C C C C
mp
C C C C W C C C C W C
ppp
C C
mp
C C C
Pn
! W C C C
ppp C C C C C C C C
mp
> C C C C C
ppp C C C C C C C C C C C mp
C>
C C C C C
# Q Q C
d
PE019 – 9

!
#
#
d
A
C
C
>
C
>
C
C
C
C
C
C
C
C
C
C
C
C
>C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
>C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
>C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
*
Mar
93
# Q C
Marimba
pp
C C C C C C C C C C C C C C C C C C C C
Vb ! Q Q
pp
Pn
pp
# C
( )
To marimba
C C C C C C C
O
C C C
C
C
Mar
96
# C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C
molto
Pn
! Q Q
C C C
C
C
C
C
O
molto
C C C
Mar
Pn
99
D
! W C C
sfz f
C C C C C C C C W C C C C
W >
C
C C C C
C
(very strong accents)
C
C
C
C
W C C
W C C
! Q Q Q
W .
C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C
W
sfz f
> C
C
C
C
C
C
C
C
C
C C C C
C C
(very strong accents)
Mar
Pn
102
! W C
W
C C C
C
> C
C
C
C
C
C
>C
W
W
C C C
C
>
C
C
C
C
C
>C
W
W C
C C C C C C
C C
> C > C C
C
> X C
! Q Q Q
# C C C
W C
C
C
C
>
Y
X
C
C
C
C
X C
W C >
C
C
C
> C
Y
C C
X C >
C
C
C
C
>
C
(X ) C C > C
C
C
Y > Y C
> C C
C
C C > C
PE019 – 10

d
S
d
U
d
d
d
d
Mar
105
! C > C W >
C W C C > C > C C
X C
>
C >
X C
T C C C> C > C > C
CY
C C C C> > C C C C > > C > C> C >
C C C C C CC
C > Y C
> > C
C C
> C W C
>
Pn
! Q Q Q
Y C X C > C> C
# Y CX
C C CC
C C > C Y C >
C Y C
> C C> C >
C C C
>
C C > X C C C C C > > C C C
C
Y C C Y C C> > C C > C> C C C > Y C C C
C > C Y C>
C
> C C> Y C >
C C Y C>
Y C
Mar
108
WW > C
! W C W C
C > C> C C
W C X CX
> C
C C > C W C
>> C C C C > C
W >
W CW
C W C
> C
C>
C
C C > W CX
> C X C
C > X C
> C
W
W > W
C
C>
C
Pn
Mar
Pn
110
!
eab
! Q Q
# X C
X C
>>>
C
C>
C
C>
C
W C
C
>
eab
C>
C
C
C
C>
C
C
C>
X C
>
W C
C
> W C
C
C> C
C
C>
C
C
C
C >
C>
C
C C
C>
X C
C > C
C
C C W C
C
> W C C
C>
C C C> C C>
C>
Q Q
TU
!
#
C>
C C > C>
>
C C
>
C C C
C C
W C
C C C> W C C C
> C>
C C
C> C C C C W C C>
C C C>
C
C
C>
C
C
C
C
C
C>
C
W C
W W C C
W C
C>
C
W CW C C
C C W C W C C>
C> C > >
W > C To vibes
C
X >
C X sfz
W C C
C C X C C> C>
Y C C> C> Ysfz C >
Vb
Pn
E
112
Violently
! R
Violently
g i
! TO Y C
# U T
(big cresc.)
(big cresc.)
d
Vibes
C
C C C C >
C
C C C > W C
C C C TO g i
S R
> C C C C C> X C C C C >
XC
C C C
> C C C C > Y C
C C C C >
TO
W C
jh
d
C
C C C C > C C C CC
C
>
C C C > C
d
C C C > C
C
C
C
C
C
C
C
C
PE019 – 11

Vb
114
! C
C C >
pedal sim.
C
>
C C C C
C
C C C > C
C C
C C > C W C C C C C > W C
! Q Q
C C C C> WC
C C C >
Pn
#
YC
C C C C
C > C C C C C > Y C C C C
X C C C C C
> X C C C C C>
C>
eab
pedal sim.
WC
C C C C > C
C C C C C >
Vb
116
!
C C CC C
C> WC
> XC
C C C C > C C C X C
W C C WC
C > W C C C CC > WC
C
C > WC
C C C > C
C
C C
Pn
! Q Q
#
WC
C C C >
C C C > Y C
Y C
C Y C
eab
C
C
C > C
X C C C C
X C C C C>
XC
C C C Y C
C C C C C
> C C C C C> C C C CC X C > Xeab C
Vb
118
!
X C
> C C C C > C C C C C
> C C C C>
C C C C
C> Y C
C C C YC
C C C CY C C C CC
> > Y C C >
! Q Q
Pn
# C
C
C
C
C
C
C
C> C
eab
C C C >
C C C C > C
C C C CC > Y C C Y C C C YC
Y C C Y C C C>
C C C > C X C
X C
C
C
C
C
Vb
120
! WC
C C C > C C C C C >
C C C WC
W C>
C C C
C W >
XC
C C C C C C C C WC
C> C>
C C
W C
C
C>
C
C
C
C>
C
C
! Q Q
Pn
#
C
C>
C
C C C C C C C C C C C C C Y C
> C C C C C> C C C C C> Y C
eab
Y C
Y C
C C C C C C C C>
Y C C C C C C C C C C C> Y C C C C> C C C>
PE019 – 12

C
C
C
>
C
C
C
>
C
C
C
CC
C
C
C
C>
C
C
C
C
C
C
C
>C
C
C
C
C
C
C
C
C
C
C
C C
CC
C
C
C
CC
C
C>C
C
C
CC
> C
C
>
C
CC
C
C
C
CC
C
C
C
C
C>C
C
C
C
CC
S
C
C
C
CC
C
C
C
CC
C
>C
C
C
C
C
C
CC
C
C
C
T
CC
C
C>C
C
C
>C
CC
C
CC
C
C
CC
T
C
C
C
C>C
C
C
C
C
CC
>C
C
C
C
C
C
CC
T
C
C
C
C>C
S
C
C
C>C
C
C
>C
C
Vb
Pn
122
!
sfz sfz
>C
C T S
C C C C
C >
C
Y C C C C C >
C C
C
C
Y C C C Y C C >
C C
C
C
C C C >
C C C C Y
C C > C
!
Y
C C C C
Y C C C C YY C
# YX C C C > C Y C C C
Q
X C Y C
C
C
C
C C C C C
C
C
C
>C
X
Vb
124
!
C>
C
X C C W C C
C C
>C
W C C C C > W C
C C C C C C > W C C
C
C
Y C C Y C C C > C C C
Y
C C C C C
C C C C
Pn
!
#
W C
C C
C C
C C
C
W CC
C
C C C
C C C
C C C
>
CC
C
#
U T
C C C
W C
> .
W > C- C W C > > . W C > - C C > > . W C >
W C
W C
> .
eab
U T
W C
W C
> .
U T
C
C>.
Y C Y C Y C > . Y C
C
C
C
C
!
Vb
126
!
Y > YY
O
C C C C Y C
C
>C
YC
C C
YY C C
>CC C
C C C
Y C
Y
C C
Y
Y Y C >
X C C
XW C
C C
>CC C
X C X C X C C
C
>C
CCC
Y C C
! Q Q
Pn
# Y C
Y C>
eab
Y C
Y C
C
C
C
>C
C
C
C
C
C
C
C
C
C
>C
(X)
(X)
C
C
C
C
C
C
C
>C
(X)
(X)
C
C
C
C
C
C
C
>C
C
C
C
C
C
C
C
C
C
>C
Y C
Y C
C
C
C
C
C
>C
Y
C
C
Y
C
C
C
C
Vb
128
!
W C C
XW C
>C
C
C
C
W C
Y > C C YX C
Y C C
YX C
X C
XW C C
YX C
! Q Q
Pn
# Y C C Y C>
C
eab
C
C
C
C
C
C
C
>C
C
C
C
C
C
C
C
C
C
>C
C
C
C
C
C
>C
C
C
C
C
C
>C
Y
C
C
Y
C
C
C
>C
X C
X C
C
>C
C
C
C
>C
C
C
C
>C
PE019 – 13

d
R
T
Vb
Pn
130
!
Y C
Y CC
C C
CYYY C
> C C
Y CC
C C C
C>
C C
C C
C C C
C
Y CC
Y C
> C
Y C
Y C
! Q
Y
Y C C C C C C C C X C Y Y X C C C C X C C C
TU
C>
C>
# CW C X C X C > !
C W C X C X CY
CC CC CC CC C> YY
CCC
C C C C C C C > C S S T O YY
C
C
> >
C
C>
C
Y
C C
Y
C
C C
C > C C
C C
C> >
Y C
Y
C
>C
C
C C C > C C > C C C
F
Marimba
132
>
1
>
>
# Q
Mar
W C C CC C C CC C C CC C C CC W C C CC C
pp
C> C > mp pp mp pp mp
> C > C>
Y C C To marimba
Vb ! h T
Q Q
C>
C > C>
Y C
C C> C C> C
Pn
Mar
135
!
!
C>
YY
CCC
# W C
pp
#
C>
C CC
C>
C CC C> C
>
C CC C
mp
#
X
X X C >
sffz
# CC CC
> W C CC X >
eab
3
C CC C
pp
B
B
B
C
C
C
>
C CC C C CC
mp
Ì
W C
pp
>
C CC C
mp
4
C CC C
pp
>
C CC C C CC
mp
W C
pp
>
C CC C
mp
2
C CC C
pp
5
C CC C
pp
>
C CC C
mp
C CC
>
C CC C C CC
mp
Pn
#
Mar
Pn
138
# W C
pp
#
#
>
C CC C
mp
6
C CC C
pp
>
C CC C C CC
mp
W C
pp
>
C CC C
mp
7
C CC C
pp
>
C CC C C CC
mp
W C
pp
!
U T
W CO
ppp
>
C CC C
mp
8
C CC C
pp
>
C CC C C CC
mp
CO
C C C CC-
O
mp
PE019 – 14

d
d
S
d
d
d
Mar
Pn
141
# W C
pp
>
C CC C
mp
9
C CC C
pp
! W CO
C C C CCO
#
>
C CC C C CC
mp
O C
C
ppp
W C
pp
>
C CC C
mp
10
C CC C
pp
>
C CC C C CC
mp
W C
pp
>
C CC C
mp
A S U T
11
C CC C
pp
W CC
O
mf >
CCOO
>
C CC C C CC
mp
C C
C C
C C
Mar
Pn
Mar
Pn
Mar
Pn
Mar
Pn
144
147
# W C
pp
! C C
>
C CC C
mp
CCOO
CCOO
12
C CC C
pp
C C
B B
>
C CC C C CC
mp
W C
pp
>
C CC C
mp
13
C CC C
pp
>
C CC C
mp
C CC
W C
pp
>
C CC C
mp
14
C CC C
pp
C
pp C C C mp
C C C C C
pp C C C mp
C C C C C C C C BO
ppp
# Q Q
# W C
pp
>
C CC C
mp
15
C CC C
pp
>
C CC C C CC
mp
W C
pp
>
C CC C
mp
>
16
C CC C
pp
! Q Q
mf
mp
# TU
CO
>
(loco)
150
# W C C
pp
CO
C C C C CO
>
C C C
mp
>
! W C C C C C
WppC
C C C C
mp
152
#
# Q
d
!
WC
sim.
>
C C C C
>
W C C C C C
W C C C C C
A
A >
18 >
C C C C C C C C
pp mp
>
C C CW C C C C C
C C CWppC
C C C
mp
>
C C C C C CC C
C
C
C
C
C
C C C C C C
>
C C C W C
pp
C
C
C
C
C
C
C C C WC
C C C
#
>
>
C CC C C CC
mp
C
W C C C C
WppC
C C C
>
C CW
C C
mp
>
C
C
mp
>
C C C C
W C C CC
pp
>
C
mp
W C C C WCC
pp mp
W C >
C
C C C
pp
C C CW C
C C CW C
pp
W C > C C C C
17
C CC C
pp
>
C CC C C CC
mp
>
C CC C
mp
>
C C C C
pp C C C C mp
>
C C C C
mp
>
C C C C
C C C
mp
d
>
C C C C
C C C C C CC C
C
C CC
C C C
C C
C
C C C
C C C
W C C C C
W C C C C > >
# sim. W C C C C W C C C C
W C C C C W C C > C C >
eab
C
C C
PE019 – 15

d
d
d
d
Mar
154
# WC
>
C C C C
>
C C C C C C C C
C C C WW CC
C C CC
>
CC
C
>
C CC W C C CC
C C
C
CC
C
# W C
W C >
>
C
C C
C C
C W C
W C
W C
> W C C
C C > C
Pn
# W C C C C W C C W C
W C C > C C > W C C> W C
eab
C>
C
Mar
156
>
# X W C C C C C C
C
CC
C C C
>
C C C C
C
CC
C
X CC
C C C C CC > C C C C W CC
C C CC
>
CC
C
C CC
W C
# W C C > C C
C C > C C
C C > C W C
W C
>
C
C
Pn
#
X C C C C C C C C
X C C > C C C C > pedal sim.
> C C >
eab
Mar
Pn
158
# W C C
>
CC
C C
C
CC
C C C
>
CC
C C
C
CC
C
W CC
C
C CC
>
CC
C
C CC C C
>
CC
C C
# W C
W C
C > C C C C > C W C
W C
C > C C
C C > C
#
eab C C C C C C C C C C
> C C >
C C > C C >
C
CC
C
Mar
160
#
C
C
C C
C
C C > C
C C CW C W C
C C C
C C > C
C C C
C
W
W C
C C C
C C > C
C C C X C C C C C > C C C
C
# C C > C W C
W C C > C W C > C X C
W C C X C
>
C
C
Pn
# C C W C C W C C C C
C C > W C
W C C C C C>
> >
eab
PE019 – 16

Mar
162
#
W C C C C C > C C C C C C C C > C C C
C W C
C CC
C CC >
C C C
C C C C C C > C C C C
# W C
W C >
>
C
C C
C >
C
C W C
W C
C
C C
C C > C
Pn
Mar
#
164
#
C C C C C C C C
C C
(loco) > C C >
C C > C C >
C C C C C > C C CW C C C C > C C C W C C C C W C
W C
C C C C > C C C X C C C C C > C C C
C
# C C > C W C
W C C > C W C > C X C
W C C X C
>
C
C
Pn
#
C C C C C > C C CW C C C C C > C C C WC
C C C > C C C C C C C C > C C C C
Mar
166
#
W C C C C C > C C C C C C C C > C C C
C W C
C CC
C CC >
C C C
C C C C C C > C C C C
# W C
W C
C > C C C C > C W C
W C
C > C C
C C > C
Pn
#
C C C C > C C C C C C CC > C C C C C C CC
>
C
C C C C C CC C >
C C C
Mar
168
#
C
C
C C
C
C C > C
C C CW C W C
C C C
C C > C
C C C
C
W W C
C C C
C C > C
C C C X C C C C C > C C C
#
C
C
C
C
C
C
C
C
C>
C
C
C
C
C
CW C W C
C C
C C
C C
C > C
C
C
C
W W C
C C
C C
C C
C > C
C
C
X C C C C C C > C C C
Pn
# Q Q
Mar
170
#
molto rit
W C C C C C > C C C C C C C C > C C C
C W C
C CC
C CC >
C C C
C C C C C C > C C C C
#
W C C C C C > C C C C C C C C > C C C
C W C
C C
C C
CC
CC >
C C
C C
C C
C C C C C > C C C C
!
Pn
# Q Q
PE019 – 17

C
C
C
C
C
C
C
C
T
C
C
>C
>C
C
C
C
T
C
T
C
C
>C
>C
C
T
C
C
C
C
C
C
C
C
C
C
C
C
T
C
g
C
C
C
C
C
C
T
S
>C
C
S
C
C
C
>C
C
C
R
T
>C
C
T
>C
C
C
C
C
T
>C
>C
C
C
Mar
Pn
172
!
G
a tempo
Y
f
C C C > C C C C C C C C > C C C YC
C C C C > C C C C C C C C > C C C YC
C C C C > C > C C C C C C C > C > C C
poco cresc.
! Q Q Q
f poco cresc.
# Y O
Y C C C Y
Y > C O C C C O Y C C C C C Y C C C
C C
light pedal
Mar
Pn
175
! T
YC
C C C C > C C > C C > C C C C> C C C C > C C > C C C C > C Y
sfz
>
! Q Y C
g
Y
sfz
> .
# Y
Y
Y
C C C C Y C > .
eab
To vibes
U T
C>. C > .
C. C
C>.
C>C .
C
U T
C>.
Pn
177
! C Y > . C > .
# U T
eab
Y
Y C > .
U T
C>. C
U T
T g
C C > . C > C>. YC
C C > . C > . C. C C > . C C
C>. C
C>. C
Y C > .
Y C >
U T
C>. C > .
C>C >
U T
>. C C
C>.
Vb
Pn
179
! R
! U T
# C Y > .
eab
Y C >
Y C >
U T
C>.
U T
Y
C>C
C
> C . >
Vibes
Y
Y
C
>
C
C
>
G
C>C >
G
C
>C
G
C
>C
C
>
Y C
>
C>C Y > .
C
>C
Y C
Y C>
C > .
C Y C>
YC
C C C C C
C
>
C> C >
C C C >
YC
C C C C
C>.
YC
C C C C
Y C >
PE019 – 18

C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
>
C
C
>C
C
C
>
C
C>C
C
C
T
T
> C
C
C
C
>C
C
>
C
C
C
C
C
T
C
C
C
C
C
C
T
TU
C
C
C
C
C>C
C
C
>C
C
C
>
C
C
S
C
>C
C
T
C
C
C
C
C
C
>C
C
C
>C
C
C
C
C
C
C
C
C
>C
CC
C
C
C
CC
C
>C
CC
CC
C
C
T
T
C
C
>C
CC
C
>C
Vb
Pn
181
! TU
! U T
G
TO
Y > C C
>
Y C>
C > C >
G
Y C . C > > C C C >
Y C > C >
# Y C . C > C > Y C
eab
C
>
Y C
>
C
>
G
U T C C>
C>C > C C
>
C
C. > C . >
T
Y Y C
Y C TU
> C> C C C C Y C >
Y C >
Y
Y C . Y C C C C C >
C
>
Y C C C C C
T
Y C . >
>C.
C
>C
U T
C. >
C
>
C
C. C
> C >
C.
Vb
183
G
! Y C > C >
Y C C T Y C .
C>C > >
Y .
C C Y C
U T
Y C U
Y > C C T
Y C C C Y C
U T
Pn
G
! Y C > C >
G
# Y C C Y C>
eab
>C
C>C >
T
Y
C
C>C >
C C > C
U T
U T
Y C C> C > C Y C C Y C
C. C
C
> C.
YC
C C Y C
Y C.
>
Y C >
>C.
Y
TU
C C
C
Y C
C
TU
C Y C
U T C Ċ > C > C C >
C
Vb
Pn
Vb
Pn
185
!
Y > Y C Y > C C C > C > C > U C C C C C Y C Y C
5 Y C C C C Y Y
C
C C C C C
4 4 G G
Y > Y Y >
! C C C > C> Y >CC
Y C>C C >
C C U C C C Y C > C C CC>. Y
CC>.
> T 5 Y
Y CCOO
4 4 G G
G G
# Y Y C
5 4 > Y Y C > C C C C > Y 4
Y C C C C C C C C C C C C C
. >
>C. C
>C. Y C > . C>. C>. >C C>. >C >C >C >C >C >C >C
eab
H W C
187! >
4 > W O
! 4 TO W C
f
W C
! 4 T W C
sfz f
# 44
X C
X C>
C
legato
C
C
O
C
C
C
C
W
W >
O
Foreground melody
Foreground melody
O
C
C
C
C
W >
O
C C C W O C WC
C O C C C W O C WC
C>C
C
>
C C
C C C C
> C
C>C >
C C
O
O
C W > C C
C W O C C
CCO
C C C
W > O C C C
W C C C C WC
C C O
W C C C C WC
C C O
C C
>
C
C C C C
> C >
C C >
C
C
C
W
W >
O
O
W C W O
W C W O
C
>
C C
>C
C
C
PE019 – 19

T
U
Mar
Vb
Pn
Marimba
190
! Q T CW C C C C C C C C C C C
C W C C C C C C C C C C C
C CW C C C C C C C C
C CW C C C C C C C C
! C To marimba
B
W C C C
Q Q
O
! CO
C C B
Q Q
! CO
C C W C
#
C>
C
> C C C C
> C >
G
W W C
G
C
C C C
W C C C C
X W C C O
sfz > >
C C WC
C C C C > C
C
>
C CW > CO
CO
C C
C
C
C>
C
C
O C>
O C
C
C> C C C C >
U T C C >
C C C
C
C
W CO
C C
> O
C
C
> C C C
C C> C > C>
C
Mar
Pn
193
!
!
#
C
C C C
O C>
O C
C
C
Y C C C C C
C C C C C Y C
Y C C C C C
C C
C C C C C Y C C C C C C C C C C Y C
C C C C C C C C C C C Y C
C
C
C
C C> O
CO
C
C
C C> COC
Y C C C
Y C>
C >
C
C >
C C C Y >
C
C C> C>
C
C
C
C
C> C O
C Y C>
C C > C > C C C> C >
C
C C eva
C C >
Y CO
C
Y C
Y C>
CY C C C C C eva
C Y C C C C C C C
Y C C C C C C
cresc.
C
C CO O
C
cresc.
C
C C
C Y CO
C > O
C
C
C
C
C
C>
C
C
C > C C > C C> C
Mar
Pn
196
!
!
#
eva
CY C C C CY C
C Y C C C C Y C
eva
CO
Y
C
O
C C
CO
O
C
Y C C C C
Y C > > >
CY C C C C
C Y C C C C Y C
C COC
C
C C C
Y C
C
C> C C
C>
C C > C
CX CY C
C X C Y C
fff
C C T CC
CTO
fff
Y C
Y C
eab
X C C C C C
X C C C C C C U C T
C C C T
C C C
C
C
C C CT
C
C C C
C
CC
C
C
C C
CC
C
C
C C
C
CY C C
C Y C C
C C
C C C
C C
C C
C C C C C
C C C C C C
C C T C C
Y C
Y C
T C C
C C
C C C C C C C
C C CT
C C C
C C C C
PE019 – 20

d
C
CC
C
S
C
T
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
d
d
C
C
d
C
C
C
C
C
C
C
C
C
C
T
C
C
C
C
C
C
d
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
d
d
C
C
d
g
C
C
C
C
C
C
C
C
C
T
C
C
C
C
C
C
C>C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
>C
C
C
C
C
C
C
C
C
C
C
C
C
Mar
Pn
Mar
199
!
!
#
201
eva
C
C
eva
C C
Y C
Y C
eab
Y
C
C
Y
C
C
C
C
C
C
CC
C C U T
C C C
C C C
C
C
CC
C C
C
C
CC
C C U T
C
C
C C C C C C
C
C
CC
C C
C
C
C
C
CC
C C U T
C C
C C
C
C
CC
C C
C
C
CC
C C
C C > Y C C
C
C
CC
C C
C
C
C>C
C C
Y C
Y C
C
C
C C Y C
C
C
Y C >
C C C Y C
Y C >
Y > C
Y Y C C T W W C C
W C >
Y C
Y C
Y C C X C
Y C C X C
! W Q Q
> W
S R
>
X
# > W > W > To vibes
C S
Q Q
Y
X C
X C
Y
I
Y
U T
C
C
X
W
X C >
C X C
X
X
X
Y C C C C
>
C T Y
X C
C C C T Y C C > C>
C
C
X C
X C
C
C
Y C
Y C
C
C
C
C
C
C
Vb ! Q R
Pn
Vb
!
WW CC
W C W C C > W C>
# C W C C W C
eab
#
W C C W C
X X C
X C >
Y C
Y C
W
W W C C>
X C
X C
W C
W C
W CC CC
W C > C
C
C
C
C
C
Y C
C >
>
C
C C
Y C
Y C>
O C O
CCO
Vibes
Y B ___
Y . >
*
C C > C Y
BB B ! Y C
g T S R
Y > .
sfz f
Y C C
Y C>
C
204
! C C C C C C Y C C C C Y C C
C C C C C C C C C C C C
C C
*
cresc.
! Q Q Q
C
C
C
C
C
C
C
C
C
C
C
C
C
C
Y
Y > .
C
d
C C C C C C C C
f
d
C C C C C C C
C C
C C
Pn
#
YC
C C C C C C C C C C
Y
Y
Y
cresc.
C C C
C
C C
C C
C Y
d
Y
C C
C C
C C
Vb
207
! W C
C C C C
C C
C C
C C C C C C C C C C
C C C C C C
d
! Q Q Q
C C
Pn
#
X
C C
C C
C C
C C
Y C
Y C
d
eab
C C
C C
C C
C
C
C C
C C
C C
C C
C C
PE019 – 21

d
d
d
Vb
Pn
Vb
Pn
Vb
Pn
210
213
C C C C C C C C C C C C C C C
C C C C
C X C C C C C C C C C C C CC
C C W C C C C d
! Q Q Q
! W C
d
#
C
C
eab d
>
W C
fff
C
C CC
C
C
C
C
C
C
C
C
C CC
C
C C
C
Y C
Y C
d
C
C
C
C C
C C C
C C
C
C> C> C> C> C> C> C> C> C> C> C> C> C> C> C>
! Q #
C C C C C C C C C C C C C C C
W CO
pedal off slowly ppp
C
C
C
C
C
C
C
C
C
C
C C C C C C C C C C C C C C C C C C
C WC
C
C C C C C C C
C C
C C C C C
C C
C
C C C CCC
! Q T g
fff
W C C C C C C C C C C CW C > C C C C C C C C C
ppp
mp
# W
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
Q
C> C> C> C> C> C> C> C> C> C> C> C> C> C> C> C> A
(pedal still on)
eab
WC
C C
>
C C C C C C C C
!
mp
ppp
W CO C C C C CO
C C C
sim.
216
#
! Q Q
#
CO
C C C C CC C C C C C C > C C C C C C CO
C
C C C
CC C
sim.
Vb
218
!
W C C > C C C C C C C C C CO
C C C CC C C C
Pn
! Q Q
# W C C C CO
C C C C C C W C
> C C C C C C C CO
C
Vb
Pn
220
! C C C > C C C C C C C C C W C C C C C C C C C C
! Q Q
# C
C C C C C C C C C C > C C C C C C C C C
pedal off slowly
PE019 – 22

Vb
222
!
W C > C C C C C C C C WC
C WC
C C C C C C C C C
Pn
! Q Q
# CW
C
*
d
C C C C C C C C W C C > C C C C C C C
Vb
Pn
224
! WC
C > C C C C CO
>
! C C C C C C C C C C C C
C
O
W C C WC
C C C C C C C C
# Q
Q
C C C C C C C C C
Vb
226
! W C > C C C C C C C C CO
X C > C C C C C C C C C C
! C
>
C C C C C C C C CC C C
C C C C C C C CO
Pn
# Q Q
Vb
228
! C > C CC C C C CCO
W CO
C C C C CC C CC C > C C C CC C CCO
C
O
C
! C C C C C CC C C C C > C C C CCO
CO
C C C CO
C C C C C CCO
Pn
# Q Q Q
Vb
Pn
231
?
! C WC
C C C C C O C C C W CO
B W A
! CO
C CO
C C C C C C C CO
C A ?
# Q Q Q ? *
*
PE019 – 23

PROMETHEAN EDITIONS