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STYLE | architecture 51<br />

RSA secretary Garry House<br />

and architect Michael<br />

O’Sullivan shared more than<br />

a few laughs on the project.<br />

The stunning ocular<br />

window where<br />

members can watch<br />

bowls and the sunset.<br />

Image: Charlie Rose Creative<br />

Image: Bull O’Sullivan Architecture<br />

So, he headed out to Lyttelton to recruit Michael in person.<br />

He found Michael welding up a drawing board at his new,<br />

soon-to-be award-winning, architecture studio. Michael<br />

remembers the day well.<br />

“In walked this guy that was on fire, fizzing with energy.<br />

I didn’t know anyone in Canterbury and in walks this guy,<br />

this magic man. He was the first guy to walk in the door<br />

and go, ‘Would you like to draw up something for us?’ And<br />

I was almost in tears with satisfaction,” he says.<br />

The games room wasn’t Michael’s typical sort of project.<br />

In spite of the payout, there wasn’t a lot of money to<br />

throw around.<br />

“They had bugger all. We basically scrimped and extorted<br />

people we knew to help get the project across the line.<br />

“Most of these guys [at the club] are retired and rely on<br />

the pension to buy their beer. You know? That’s the reality.<br />

But I was really taken by these guys.”<br />

So, Michael set to work. He wanted to design something<br />

worthy of those he had met.<br />

“It was basically building a cave for these men and<br />

women to go into and play billiards. Gone are the days<br />

of the smoke-filled rooms of Boston, Lower Manhattan<br />

and Detroit where billiards was where you concurrently<br />

organised some illegal activity and played billiards. But that’s<br />

not to say you can’t compress a space and make it intimate<br />

without the smoke and the maniacal nonsense.”<br />

To save more money, he admits he did things most<br />

architects wouldn’t do.<br />

“We project managed it. It is a really dangerous thing to<br />

do as an architect because you take on a lot of liability. But<br />

it was the only way they could’ve afforded to do it. We<br />

were begging and asking for favours from everyone.”<br />

Michael also built the suspended steel frame for the lights<br />

above the billiards table. Had they bought it, he estimates it<br />

would have cost $18,000. It cost Michael roughly $300. He<br />

also built the stunning ocular window.<br />

“Most conservative people would go, ‘Architects can’t<br />

possibly make lights, we’ll buy them instead.’ But, of course<br />

you can,” he says.<br />

And slowly, as the cave’s construction continued,<br />

camaraderie built up between those involved in the<br />

project.<br />

“They are bloody hilarious,” Michael says of the<br />

members.<br />

Down the end of a dead-end street in New Brighton, the<br />

combined club sits. The seagulls break the silence on what<br />

is a peaceful street. Cracked footpaths and tired car parks<br />

line the way to the club’s front gate, past humble homes<br />

where people give a friendly wave while easing their backs<br />

from work in the garden. In polite words, signs on the

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