Triohia Atu Nei (Preview)

PROMETHEAN EDITIONS
GARETH FARR
Tirohia Atu Nei
Choir (SSAATTBB) & Percussion

Gareth Farr
Tirohia Atu Nei
Choir (SSAATTBB) and Percussion
PROMETHEAN EDITIONS
WELLINGTON

Tirohia Atu Nei (PE060) for Choir (SSAATTBB) and Percussion by
Gareth Farr (2000).
© Promethean Editions Limited 2000
First edition © 2002 Promethean Editions Limited (201508)
Series Editor: Ross Hendy
Editor: Thomas Liggett
ISBN: 978-1-877218-60-6 (print)
ISBN: 978-1-77660-060-1 (ebook)
ISMN: 979-0-67452-054-6 (score)
ISMN: 979-0-67452-055-3 (choral part)
Promethean Editions Limited
PO Box 10-143
Wellington
NEW ZEALAND
http://www.promethean-editions.com
No part of this publication may be reproduced in any form or by
any means without permission in writing from the Publisher.
PE060 – ii

Gareth Farr (1968)
Gareth Farr was born in Wellington, New Zealand. He began his studies in composition and
percussion performance at the University of Auckland. The experience of hearing a visiting
gamelan orchestra prompted his return to Wellington to attend Victoria University, where the
characteristic rhythms and textures of the Indonesian gamelan rapidly became hallmarks of
his own composition. Farr continued with postgraduate study in composition and percussion
at the Eastman School of Music in Rochester, NY, where his teachers included Samuel Adler
and Christopher Rouse.
The inclusion of his works in four events at the 1996 New Zealand International Festival of
the Arts inaugurated his career as a dedicated freelance composer. Since then, Farr’s music
has been heard at, or especially commissioned for, high-profile events including the 50th
anniversary of the New Zealand Symphony Orchestra (From the Depths Sound the Great Sea
Gongs), the opening of the Museum of New Zealand Te Papa Tongarewa (Te Papa), and the
2000 Olympic Games in Sydney (Hikoi, a concerto for percussionist Evelyn Glennie and the
NZSO). In 2003, a commission by the Auckland Festival resulted in Stone and Ice, composed
for the combined forces of the NZSO and the Auckland Philharmonia Orchestra. In 2006
Farr was made an Officer of the New Zealand Order of Merit, for his services to music and
entertainment. In the same year, the Royal New Zealand Ballet toured the country with their
brand new work The Wedding, featuring a score by Gareth Farr. At ninety minutes, it was
among the ballet company’s most ambitious projects, and combined Farr’s talents with those
of prominent New Zealand novelist and librettist Witi Ihimaera.
Farr’s music was integral to Maui – One Man Against the Gods, a stage show four years in the
making. First premiered in 2003, it featured aerial theatre, Maori kapa haka, contemporary
dance and song, with Farr’s stirring music, and toured a number of centres in New Zealand.
In more recent years, Farr has developed a fruitful collaboration with director and librettist
Paul Jenden, producing four comedy musicals. In 2007 Farr was appointed as Composer-
PE060 – iii

in-Residence for the Auckland Philharmonia Orchestra. The residency culminated in 2008
with the premiere of Ex Stasis, a symphonic song cycle for four soloists. In 2008, Farr also
celebrated the world premiere of his work Terra Incognita, for bass solo, choir and orchestra,
performed by Paul Whelan and the Orpheus Choir with the New Zealand Symphony
Orchestra. Farr’s artistic excellence was acknowledged when he received the Arts Foundation
of New Zealand’s Arts Laureate Award 2010, which aims to celebrate significant artistic
achievement as well as nurture future creative endeavours.
In March of 2014 Farr’s Concerto for Piano and Orchestra received its world premiere from
soloist Tony Lee and the New Zealand Symphony Orchestra, conducted by Pietari Inkenen.
Its UK premiere followed one year later, with Lee backed by the BBC Philharmonic, with
conductor Tecwyn Evans. The BBC Philharmonic included Farr’s work alongside Douglas
Lilburn’s Symphony No.2 as a programme to mark the 100th anniversary of the ANZAC
troops’ battle at Gallipoli during World War I. The concerto received critical acclaim,
described by the Dominion Post’s John Button as containing “marvellously free piano
writing surrounded by orchestral sounds that conjure up memories of Prokofiev ballets,
Ravel’s L’Enfant et les Sortileges and even the Bartok First Piano Concerto…the ear was tickled
bar after bar. I have no doubt that this marvellously inventive piano concerto is bound to
develop an international life all its own.”
Farr’s music is particularly influenced by his extensive study of percussion, both Western
and non-Western. Rhythmic elements of his compositions can be linked to the complex and
exciting rhythms of Rarotongan log drum ensembles, Balinese gamelan and other percussion
music of the Pacific Rim.
Latest information about the composer may be found at www.garethfarr.com.
PE060 – iv

Tirohia Atu Nei (2000)
Tirohia Atu Nei is a setting of an old Māori waiata about Matariki, the cluster of stars also
known as the Pleiades. For Māori, the appearance at dawn of Matariki marks the end of the
old year and the beginning of the new, a time to reflect on what has passed and to celebrate
life, light and well-being.
Tirohia atu nei, kā whetūrangitia Matariki,
Te whitu o te tau ē whakamoe mai rā!
He hōmai ana rongo kia kōmai atu au—
Ka māte nei au i te matapōuri,
I te mataporēhu o roto i ā au!
See where Matariki have risen over the horizon,
The seven of the year winking up there!
They come with their message that I may rejoice—
Here I am full of sorrow,
Full of sadness within!
translation by Margaret Orbell
Tirohia Atu Nei was commissioned by the New Zealand Choral Federation. It received its
premiere performance from a massed choir of participants, with Gareth Farr and David
Squire (percussion), conducted by Karen Grylls, at the Sing Aotearoa forum, Ruapehu
College, Ohakune, New Zealand on 4 June 2000.
Performance notes
Tirohia Atu Nei is a setting for choir (SSAATTBB) and two percussionists. The percussion
requirements are listed below. Singers should be encouraged to take care over the
pronunciation of the Maori language.
PE060 – v

Pronunciation guide
Important in the Maori language are the vowel sounds:
vowel long short
a as in far but
e as in bed pet
i as in feet tin
o as in corn pork
u as in noon put
Long vowels are indicated by a macron over the letter (whetūrangitia, rā, hōmai, matapōuri).
When there are two or more vowels together (tirohia, tau, whakamoe, hōmai, nei,
matapōuri), each is pronounced separately.
Consonants peculiar to the Maori language are pronounced as follows:
ng
(wheturangitia, rongo) – as in the English singing, with a soft ‘g’
r
(tirohia, whetūrangitia, rā) – between the sound of ‘l’ and a rolled ‘r’ (an alveolar
tap)
wh
(whetūrangitia, whitu, whakamoe) – between the sound of ‘f’ and the English what
Choir
• 25 crotales (2 chromatic octaves), each individually suspended on a short piece of string,
should be distributed amongst the tenors and basses. These are to be struck pianissimo
with metal beaters, randomly and sparsely throughout mm.2-40 to create a shimmering
sound, the effect evocative of the starry night sky.
Percussion I
• Suspended cymbal, with soft yarn mallets
• Djembe (the given part may be used as a guide for improvisation by the performer)
Percussion II
• Bass Drum, with bass drum beater
• Suspended cymbal (shared with Percussion I), with drum stick
PE060 – vi

Tirohia Atu Nei
Gareth Farr 
Soprano I
&
3
2
Ó = 46
∑
∑
∑
∑
∑
Soprano II
&
3
2
∑
∑
∑
∑
∑
Alto I
&
3
2
∑
∑
∑
∑
∑
Alto II
Tenor
Bass
Percussion I
Percussion II
&
d
?
/
/
3
2
3
2
3
2
2
3
2
3
& 2
3
?
2
3
Ó = 46
∑
∑
∑
Suspended cymbal
Î.
pp æ
Bass drum
Ó Ó ‰ ˛ ˛
p
∑
∑
Crotales
pp
Crotales
pp
(soft yarn mallets)
Î æ.
.
˛
∑
begin playing, sparsely and randomly (continue until end of m.40)
∑
begin playing, sparsely and randomly (continue until end of m.40)
∑
˛ ˛ ˛ ‰ ˛ ˛
J
∑
∑
∑
∑
∑
. Î æ
‰ ˛ ˛ ‰ ˛ ˛ ˛ ˛
∑
∑
Î æ.
.
˛
∑
∑
∑
˛ ‰ ˛ ˛ ˛ .
J
∑
∑
˛
J
∑
∑
∑
. Î æ
‰ ˛ ˛ ‰ ˛ ˛ ‰ ˛ ˛
∑
∑
6
&
&
&
&
d
Ó
Ó
Ó
Ó
Œ
Œ
Œ
Œ
pp
˛
[ng]
pp
ˇ .
[ng]
pp
bˇ .
[ng]
pp
b˛
[ng]
∑
bˇ
ˇ
Î .
Î .
˛ ˛ b˛
bÎ .
∑
˛ ˛ ˛
Ó Œ ˛ bˇ
[ng]
Ó Œ ˇ .
[ng]
Ó Œ
bˇ .
Ó
Œ
[ng]
b˛
[ng]
∑
ˇ
ˇ . ˇ .
Î.
˛ ˛ b˛
˛ ˛ ˛
bÎ.
∑
?
∑
∑
∑
∑
/
Î æ
..
. Î æ
‰ ˛ ˛ ‰ ˛ ˛ ˛ ˛
Î æ
..
. Î æ
‰ ˛ ˛ ‰ ˛ ˛ ‰ ˛ ˛
/
˛
J˛ ˛ ˛ ‰ ˛ ˛
˛
J˛ ‰ ˛ ˛ ˛ .
J˛
&
?
Ó Œ ˛ˇ . bˇ
b b˛ ˇ . ˇ
Ó Œ
β . ˇ.
ˇ
bÎ ˛ .
( ˛ ) b˛
˛ ( ˛ ) ˛
Ó Œ ˛ˇ . bˇ
b b˛ ˇ . ˇ
Ó Œ
ˇ ˛ . ˇ . ˇ . ˇ
bÎ. ˛ ( ˛ ) b˛
˛ ( ˛ )
˛
Tirohia Atu Nei © 2000 Promethean Editions Limited
This edition © 2002 Promethean Editions Limited PE060 – 1
ISMN: 979-0-67452-054-6

10
&
&
Î.
[ng]
˛
[ng]
b˛
˛ ˛ ˛ b˛
b˛
ˇ
˛
˛
bˇ
b˛
ˇ
ˇ
Î .
ˇ .
[ng]
ˇ .
&
ˇ . bˇ .
[ng]
ˇ . ˇ .
b˛
˛ ˛ ˛ ˛ ˛
[ng]
&
d
ˇ
[ng]
bˇ
∑
ˇ
Î.
Crotales
∑
continue ad lib.
ˇ ˇ bˇ
[ng]
Ó
Œ
p˛ ˛ ˛ ˛ ˛ b˛
?
∑
∑
Ti - ro - hi - a
∑
a - tu
/
Î æ
..
. Î æ
‰ ˛ ˛ ‰ ˛ ˛ ˛ ˛
Î æ
..
/
˛
J˛ ˛ ˛ ‰ ˛ ˛
˛
J˛ ‰ ˛ ˛ ˛ .
J˛
&
?
ˇ˛
b˛
β ˛ ˛ b˛
ˇ . bˇ
bˇ . ˇ
( )
ˇ
b˛
˛
b ˛ ˛ ˇ
ˇ Î. . ˇ .
b˛Î˛
. ˛
ˇ .
˛
( ˛ ˛ ˛
)
ˇ ˇ ˛ ˛ b ˛ ˛ ( ˛ ) b˛
Ó Œ
13
&
&
ˇ .
bˇ .
[ng]
ˇ
bˇ
ˇ
˛
b˛
˛ ˛ bˇ
[ng]
b ˇ .
.
ˇ
[ng]
&
&
d
?
b˛
˛ b˛
˛ ˛ ˛
Î.
Î ‰ ˛ b˛
nei, ka whe - tu -
∑
˛
ˇ .
bˇ .
[ng]
ˇ .
b˛
[ng]
b˛
˛ b˛
˛ ˛ ˛ b˛
ra - ngi - ti - - - a Ma - ta - - ri - ki,
∑
ˇ
˛
J
˛
˛
J
/
. Î æ
‰ ˛ ˛ ‰ ˛ ˛ ‰ ˛ ˛
Î æ
..
/
˛
˛ ˛ ˛ ‰ ˛ ˛
J
&
?
ˇÎ˛ . ˇ .
b ˛Î
( ˛)
bˇ
ˇ
b˛
˛ ( ˛ )
‰
˛
b
˛
˛
bˇ
.
˛ ˇ
˛ b ˛ ( ˛ )
˛ ˇˇ .
b˛
j
˛ b ˛ ˛ ˛ b ˛ ˛ ˛ ˛ ˛
˛ .
J
b˛
J
PE060 – 2

15
&
&
ˇ . ˇ .
Î.
Î.
[ng]
˛
[ng]
b˛
˛ ˛ ˛ b˛
b˛
ˇ
˛
˛ .
bˇ
j
b˛
ˇ
ˇ
&
˛ ˛ b˛
˛ ˛ ˛
ˇ .
bˇ .
[ng]
ˇ . ˇ.
&
d
bÎ.
ˇ . Œ Ó
ˇ bˇ
ˇ
[ng]
‰ ˛ ˛ ˛ ˛ b˛
˛ ˛ ˛ ˛ ˛
Î .
bˇ
bˇ
ˇ
?
∑
Te whi - tu o te tau e wha- ka -
∑
moe mai ra!
∑
/
. Î æ
‰ ˛ ˛ ‰ ˛ ˛ ˛ ˛
Î æ
..
. Î æ
‰ ˛ ˛ ‰ ˛ ˛ ‰ ˛ ˛
/
&
?
˛ ˇ ˛ . ˇ.
ˇ . ˇ
Œ ( ˛)
bÎ. b˛
˛ ( ˛ )
˛
˛
J˛ ‰ ˛ ˛ ˛ .
ˇ˛
b˛
β ˛ ˛ b˛
b ˇ .
˛ ˛ ˛ ˛ ˛ ˛ .
j
ˇ b J˛ ˛ . ˛ ˛ ˛ ˛
( )
˛
J
j
ˇ b˛
˛
b˛
.
˛
˛ J˛ ˇ
b
ˇ .
bˇ
Î . ˛ ˇ
( )
18
&
&
Î .
ˇ .
[ng]
ˇ .
ˇ .
bˇ .
[ng]
ˇ
bˇ
ˇ
&
&
d
?
b˛
˛ ˛ ˛ ˛ ˛
[ng]
ˇ ˇ bˇ
[ng]
ˇ Ó Ó
∑
˛ ˛ b˛
˛ ˛ ˛
Î.
‰ ˛ b˛
˛ b˛
b˛
He ho - mai a - na ro - ngo ki - a
∑
˛
˛
J
˛
J˛
/
Î æ
..
. Î æ
‰ ˛ ˛ ‰ ˛ ˛ ˛ ˛
/
˛
˛ ˛ ˛ ‰ ˛ ˛
J
&
?
b˛Î˛
. ˛ ˛
ˇ .
˛ ˛ ˛
ˇ ˇ b ˛ ( ˛ )
ˇÎ˛ .
bˇ
ˇ ˛ ˇ
˛ ( )
‰
˛
b ˛
( ˛ )
b˛
˛ b ˛ ˛ ( ˛)
J˛
˛
˛
J˛
PE060 – 3

20
&
&
˛ b˛
˛ ˛ bˇ
[ng]
b ˇ .
.
ˇ
[ng]
Î.
Î.
&
&
d
?
ˇ .
bˇ .
ˇ .
b˛
[ng]
b˛
ˇ
[ng]
b˛
˛ ˛ b˛
ˇ ‰ j ˛
ko - mai a - - tu au, he
∑
˛ ˛ b˛
˛ ˛ ˛
bÎ.
˛
b˛
˛ b˛
˛ ˛ ˛ ˛ ˛ ˛
ho - mai a - na ro - ngo ki - - a ko -
∑
/
/
Î æ
..
˛
J˛ ‰ ˛ ˛ ˛ .
& b ˇ
.
˛ ˇ
( ˛ b˛
˛ ˇˇ
)
.
b
?
˛ . b˛
j
˛ ˛ b˛
˛˛
ˇ
Œ ‰ J˛
˛
J
. Î æ
‰ ˛ ˛ ‰ ˛ ˛ ‰ ˛ ˛
˛Î˛
. ˛ bˇ˛
˛ ˇ
( ˛ ˛ ˛
)
b ˛ ˛ b ˛ ( ˛ ) ˛ ˛ ˛ J˛ ˛ . ˇ ˛
J˛ ˛ .
22
&
Ó Œ ˛ bˇ
[ng]
Î .
&
&
& Ó
j
d b˛
?
Ó Œ ˇ .
[ng]
Ó Œ
bˇ .
˛
Œ
j
˛ .
[ng]
b˛
[ng]
ˇ
ˇ ‰ j ˛
mai a - tu au, he
∑
Î .
˛ ˛ b˛
˛ ˛ ˛
bÎ .
˛
b˛
˛ b˛
˛ ˛ ˛ ˛ ˛ ˛
ho - mai a - na - ro - ngo ki - - a ko -
∑
/
Î æ
..
. Î æ
‰ ˛ ˛ ‰ ˛ ˛ ˛ ˛
/
˛
˛ ˛ ˛ ‰ ˛ ˛
J
&
?
Ó Œ
bˇˇ ˛ bˇ
.
b˛
J
˛
Œ b˛
ˇ
J˛ ˇ .
‰ J˛
˛Î˛
. ˛ bˇ˛
˛ ˇ
( ˛ ˛ ˛
)
b ˛ ˛ b ˛ ( ˛ ) ˛ ˛ ˛ J˛ ˛ . ˇ J˛ ˛ . ˛
PE060 – 4

24
&
Ó Œ ˛ bˇ
[ah]
ˇ . ˇ .
Î.
[ah]
&
Ó Œ ˇ .
[ah]
Î.
˛
[ah]
b˛
˛ ˛ ˛ b˛
&
& Ó
j
d b˛
Ó Œ . bˇ
˛
j
˛
Œ
Î
[ah]
b˛
[ah]
ˇ
˛ ˛ b˛
˛ ˛ ˛
bÎ.
∑
ˇ . bˇ .
[ah]
ˇ
[ah]
bˇ
∑
ˇ
?
mai a - tu - au.
∑
∑
∑
/
Î æ
..
. Î æ
‰ ˛ ˛ ‰ ˛ ˛ ‰ ˛ ˛
Î æ
..
/
˛
˛ ‰ ˛ ˛ ˛ .
J
˛
J
˛
˛ ˛ ˛ ‰ ˛ ˛
J
&
?
b J˛
Ó Œ ˛ bˇ
bˇˇ .
˛
J˛
Œ
Î
b˛
ˇ
˛ ˇ ˛ . ˇ . ˇ .
Œ ( ˛ )
bÎ.
ˇ
b˛
˛ ( ˛ )
˛
ˇ˛
b˛
β ˛ ˛ b˛
ˇ . bˇ
bˇ . ˇ
( )
27
&
&
b˛
ˇ
˛
˛
bˇ
b˛
ˇ
ˇ
Î.
ˇ .
[ah]
ˇ .
ˇ . bˇ .
[ah]
ˇ
bˇ
ˇ
&
&
d
ˇ . ˇ .
Î.
∑
b˛
˛ ˛ ˛ ˛ ˛
[ah]
ˇ ˇ bˇ
[ah]
Ó
Œ
mp ˛ ˛ ˛ ˛ ˛ b˛
b˛
˛ b˛
˛ ˛ ˛
Î .
Î
‰ ˛ b˛
˛
?
Crotales
∑
continue ad lib.
Ó
Œ
Ti - ro - hi - a a - tu
mp˛ ˛ ˛ ˛ ˛ ˛
nei, ka whe -tu -
Î
‰ b˛
˛ ˛
Ti - ro - hi - a
a - tu
nei, ka whe -tu -
/
. Î æ
‰ ˛ ˛ ‰ ˛ ˛ ˛ ˛
Î æ
..
. Î æ
‰ ˛ ˛ ‰ ˛ ˛ ‰ ˛ ˛
/
˛
J˛ ‰ ˛ ˛ ˛ .
J˛
&
?
ˇ
b˛
˛
b ˛ ˛ ˇ
ˇ Î. . ˇ .
b˛Î˛
. ˛
ˇ .
˛
( ˛ ˛ ˛
)
ˇ ˇ b ( )
Ó Œ
˛ ˛ ˛ ˛ ˛ b ˛
β
ˇ . ˇ .
˛Î
˛
b ( )
bˇ
ˇ
b˛
˛ ( ˛ )
‰ b˛
b
˛
˛
PE060 – 5

30
&
&
&
&
d
?
/
˛
b˛
˛ ˛ bˇ
[ah]
b ˇ .
.
ˇ
[ah]
ˇ .
bˇ .
[ah]
ˇ .
b˛
b˛
˛ b˛
˛ ˛
[ah]
˛ b˛
ra - ngi - ti - - - a Ma - ta - - - ri - ki,
b˛
˛
˛ ˛ ˛ ˛ ˛
ra - ngi - ti - - - a Ma - ta - - - ri - ki,
Î æ
..
ˇ
˛
J
˛
J
˛
˛
˛
J
˛
J
ˇ .
ˇ .
Î.
˛ ˛ b˛
˛ ˛ ˛
bÎ.
. ˇ Œ Ó
. ˇ Œ Ó
. Î æ
‰ ˛ ˛ ‰ ˛ ˛ ˛ ˛
/
˛
J˛ ˛ ˛ ‰ ˛ ˛
& b .
˛ ˇ
˛ˇ
b ˛ ( ˛ )
˛ ˇˇ .
j
? bb˛
b˛
˛ .
˛˛
b ˛ ˛ ˛ ˛ ˛ ˛ ˛
J
˛
J
˛ ˇ ˛ . ˇ . ˇ . ˇ
Œ
( ˛ )
b Î. b˛
˛ ( ˛ )
ˇ .
Œ Ó
˛
32
&
&
&
&
d
?
/
/
&
?
Î.
[ah]
˛
[ah]
b˛
˛ ˛ ˛ b˛
ˇ .
bˇ .
[ah]
ˇ
bˇ
ˇ
[ah]
‰ ˛ ˛ ˛ ˛ b˛
˛ ˛ ˛ ˛ ˛
‰
Î æ
..
˛
Te whi - tu o te tau e wha - ka -
˛ ˛ ˛ ˛ ˛ ˛ ˛ b˛
˛ ˛
Te whi - tu o te tau e wha - ka -
˛ ‰ ˛ ˛ ˛ .
J
ˇ˛
b˛
β ˛ˇ . ˛ b˛
˛ ˛ ˛ ˛ b˛˛˛ ˛ ˛ ˛ ˛ .
b˛
b˛
( )
J˛
j
˛
b˛
ˇ
˛
˛ .
bˇ
ˇ .
ˇ .
Î .
bˇ
ˇ
bˇ
bˇ
j
b˛
moe mai ra!
moe mai ra!
. Î æ
‰ ˛ ˛ ‰ ˛ ˛ ‰ ˛ ˛
ˇ b˛
j
b˛
. ˛
˛
˛ J˛ ˇ
b
ˇ bb
Î . . ˇ ˛ ˇ
( )
ˇ
ˇ
ˇ
ˇ
PE060 – 6

34
&
&
Î .
ˇ .
[ah]
ˇ .
ˇ .
bˇ .
[ah]
ˇ
bˇ
ˇ
&
&
d
?
/
b˛
˛ ˛ ˛ ˛ ˛
[ah]
ˇ ˇ bˇ
[ah]
ˇ Ó Ó
ˇ
Î æ
..
Ó
Ó
˛ ˛ b˛
˛ ˛ ˛
Î.
‰ ˛ b˛
˛ b˛
b˛
‰ b˛
˛ ˛ b˛
˛ b˛
˛
˛
J
˛
J
He ho - mai a - na ro - ngo ki - a
He ho - mai a - na ro - ngo ki - a
. Î æ
‰ ˛ ˛ ‰ ˛ ˛ ˛ ˛
˛
˛
J˛
J˛
/
˛
J˛ ˛ ˛ ‰ ˛ ˛
&
?
b˛Î˛
. ˛
ˇ .
˛ ˛ ˛ ˛
ˇ
ˇ
˛
Ó Ó
b ( ˛ )
ˇÎ˛ .
bˇ
ˇ ( ˛)
˛ ( ˛ ) b ˛
˛
‰ b˛
b˛
˛ b ˛ ˛ ˛
ˇ
˛˛
J
˛ ( )
˛
˛
˛
J
36
&
&
&
&
d
?
˛
b˛
˛ ˛ bˇ
[ah]
b ˇ .
ˇ.
[ah]
ˇ .
bˇ.
ˇ .
b˛
˛
[ah]
b˛
ˇ
b˛
˛ ˛ b˛
[ah]
ˇ ‰ j ˛
b˛
˛ ˛ ˛ ˇ
‰
j
˛
ko - mai a - tu - au, he
Î.
Î.
˛ ˛ b˛
˛ ˛ ˛
bÎ.
˛
b˛
˛ b˛
˛ ˛ ˛ ˛ ˛ ˛
b˛
˛ ˛ b˛
˛ ˛ ˛ ˛ ˛ ˛
ho - mai a - na ro - ngo ki - - a ko -
/
/
&
?
ko - mai a - tu - au, he
Î æ
..
˛
J˛ ‰ ˛ ˛ ˛ .
bˇ
.
˛ ˇ
( ˛ b˛
˛ ˇˇ
)
.
b j
˛ bb˛
˛ ˛ ˛ b˛˛ˇ
ˇ
‰
˛
J
˛
J
ho - mai a - na ro - ngo ki - - a ko -
. Î æ
‰ ˛ ˛ ‰ ˛ ˛ ‰ ˛ ˛
˛Î˛
. ˛ bˇ˛
˛ ˇ
( ˛ ˛ ˛
)
j
b˛
b
b ˛ ˛ ˛ ˛
( ˛ )
˛ ˛ ˛ ˛ ˛
PE060 – 7

38
&
Ó Œ ˛ bˇ
[ah]
Î.
&
&
& Ó
j
d b˛
?
/
Ó Œ ˇ .
[ah]
Ó Œ
bˇ .
˛
Œ
j
˛ .
[ah]
b˛
[ah]
ˇ ‰ j ˛
J˛ ˇ .
‰
j
˛
mai a - tu au, he
˛
J
b˛
mai a - tu au, he
Î æ
..
ˇ
Î.
˛ ˛ b˛
˛ ˛ ˛
bÎ.
˛
b˛
˛ b˛
˛ ˛ ˛ ˛ ˛ ˛
b˛
˛ ˛ b˛
˛ ˛ ˛ ˛ ˛ ˛
ho - mai a - na ro - ngo ki - - a ko -
ho - mai a - na ro - ngo ki - - a ko -
to djembe
Îa.
/
˛
˛ ˛ ˛ ‰ ˛ ˛
J
& Ó Œ ˛ bˇ
bˇˇ .
Œ
? b˛
b˛
ˇ
J
b˛
.
J˛ ˇ ‰
˛
J
‰ ˛ ˛ ‰ ˛ ˛ ˛ ˛
˛Î˛
. ˛ b ˇ˛
˛ ˇ
( ˛ ˛ ˛
)
j
b
b
˛
˛ ˛ ˛
b ˛
( ˛ )
˛ ˛ ˛ ˛ ˛
40
&
&
&
&
d
?
/
/
&
?
Ó
Ó
Ó
Ó
j
b˛
˛ ˛
˛
j
˛
Œ
Œ
Œ
Œ
Î
mai a - tu au.
˛
J
b˛
J˛
Î
mai a - tu au.
mf ˛ ˛ ˛ ˛ ˛ ˛
Ti - ro - hi - a a - tu
mf ˛ ˛ ˛ ˛ ˛ ˛
Ti - ro - hi - a a - tu
mf b˛
˛ ˛ ˛ ˛ ˛
Ti - ro - hi - a a - tu
mf
˛ ˛ ˛ ˛ ˛ ˛
Ti - ro - hi - a a - tu
Crotales stop
Crotales
Djembe ad lib.: use notated rhythms as a guide to improvisation
stop
˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
p
˛ .
J˛ ‰ ˛ ˛ ˛ . ˛
J
p
Ó
b˛
J
b˛
˛
J
Œ
Î
b˛˛
˛
mf
˛ ˛˛
˛ ˛˛
˛ ˛˛
˛ ˛˛
˛ n˛˛
Î
‰ b˛
˛ ˛
nei, ka whe - tu -
Î ‰ ˛ b˛
nei, ka whe - tu -
b Î
‰
˛ ˛ ˛
nei, ka whe - tu -
Î ‰
˛ ˛ ˛
nei, ka whe - tu -
mf j j j
˛ ˛ ˛ ˛ . ˛ ˛ ˛
Ti - ro - hi - a a - tu nei,
mf j j j
b˛
˛ ˛ ˛ . ˛ ˛ ˛
Ti - ro - hi - a a - tu nei,
˛ . ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ . ˛ ˛ ˛
‰ ˛ ˛ ‰ ˛ ˛ ‰ ˛ ˛
b Î Î
‰
˛˛
j
˛˛ b˛
˛˛
˛
j
˛˛
˛
. ˛˛
˛ .
j
˛˛
˛
˛˛
˛
˛
˛
˛˛
˛
˛
˛˛
˛
PE060 – 8

42
&
&
&
&
d
?
/
/
&
?
˛ ˛ ˛ ˛ ˛ n˛
ra - ngi - ti - a Ma - ta - ri - ki,
˛ ˛ b˛
˛ ˛ ˛ ˛
ra - ngi - ti - a Ma - ta - ri - ki,
b˛
˛ ˛ ˛ ˛ ˛ ˛
ra - ngi - ti - a Ma - ta - ri - ki,
b˛
˛ b˛
˛ ˛ ˛ ˛
˛
˛
J
˛
J
˛
J
j
˛
ra - ngi - ti - a Ma - ta - ri - ki,
j
b˛ b
˛
j
˛ ˛ .
j
˛
b˛
ti - ro - hi - a a - tu nei,
j
bb˛
˛
j
˛
.
˛ .
j
˛
bb˛
ti - ro - hi - a a - tu nei,
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
˛ .
˛
b b˛˛
b
bb
b
˛˛
˛
J
˛ ˛˛
˛ ˛˛
b
b
˛
˛ ˛ ˛ ‰ ˛ ˛
J
˛˛
˛
J
˛
.
˛˛
˛
.
˛ ˛˛
n ˛ ˛˛
˛ ˛˛
˛˛
˛
J
˛ ˛˛
J
b
b˛˛
˛
˛
˛
˛
˛
˛ ˛˛
˛
˛
˛ ˛˛
˛
J
˛
J
˛
J
j
˛
˛ b˛˛
J
. ˇ Œ Ó
ˇ .
Œ Ó
. ˇ Œ Ó
ˇ .
Œ Ó
b˛
˛ ˛ ˛ ˛
˛
.
ˇ .
ti - ro - hi - a a - tu nei,
bb˛
˛ ˛ ˛ ˛ b
˛˛ ˇ .
ti - ro - hi - a a - tu nei,
˛ . ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ . ˛ ˛ ˛
‰ ˛ ˛ ‰ ˛ ˛ ˛ ˛
ˇ ˇˇ .
Œ Ó
b
b b ˛˛
˛
˛ ˛˛
˛ ˛˛
˛ ˛˛
b ˛
˛˛
˛ b
˛˛
ˇˇ
ˇ .
44
&
&
&
&
d
?
/
/
&
?
‰
˛ ˛ ˛ ˛ ˛ ˛ ˛
b˛
˛ ˛
Te whi - tu o te tau e wha - ka -
‰ ˛ ˛ ˛ ˛ ˛ ˛ ˛
˛
b˛
Te whi - tu o te tau e wha - ka -
‰ b˛
˛ ˛ ˛ ˛ ˛ ˛
˛ ˛ ˛
Te whi - tu o te tau e wha - ka -
‰ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
j
˛
Te whi - tu o te tau e wha - ka -
˛
j
˛ ˛ .
j
˛ ˛ ˛
ti - ro - hi - a a - tu nei,
j
b˛
˛
j
˛
˛ .
j
˛ ˛ ˛
ti - ro - hi - a a - tu nei,
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
˛ .
‰
j
˛˛ b˛
˛ b˛˛
˛˛
˛
˛ ˛˛
˛ ‰ ˛ ˛ ˛ .
J
˛ ˛˛
j
˛˛
˛
˛ ˛˛
. ˛˛
˛ .
˛ ˛˛
˛ ˛˛
j
˛˛
˛
˛˛
˛
˛˛
˛
˛˛ ˛
˛
˛
˛˛
˛
˛
J˛
˛˛
˛
PE060 – 9
bbb
b
ˇ ˇ ˇ
moe mai ra!
bˇ
ˇ ˇ
moe mai ra!
ˇ
bˇ
moe mai ra!
bˇ
bˇ
moe mai ra!
j
b˛ b
˛
j
˛
b˛ .
j
˛
ti - ro - hi - a a - tu nei,
j
bb˛
b
b
ˇ
˛
j
˛ b b˛ .
j
˛
ti - ro - hi - a a - tu nei,
˛ . ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ . ˛ ˛ ˛
‰ ˛ ˛ ‰ ˛ ˛ ‰ ˛ ˛
˛˛
˛
J
˛ ˛˛
˛˛
˛
J
ˇ
b bˇˇ
b
b˛˛
˛ .
˛˛
˛
J
ˇ
ˇ
˛
˛
ˇ nˇˇ
˛ ˛˛
˛
˛
˛ ˛˛

46
&
&
&
&
d
?
ˇ Ó Ó
ˇ Ó Ó
ˇ Ó Ó
ˇ Ó Ó
˛ ˛ ˛ ˛ ˛
˛ . ˇ
ti - ro - hi - a a - tu nei,
˛ ˛ ˛ ˛ ˛
. b
˛˛ ˇ
‰ ˛ b˛
˛ ˛ ˛ ˛
˛
J
He ho - mai a - na ro - ngo ki - a
‰ ˛ ˛ b˛
˛ ˛ ˛
‰
‰
p .
˛
J
He ho - mai a - na ro - ngo ki - a
˛ ˛ ˛ b˛
˛ ˛
˛
J
He ho - mai a - na ro - ngo ki - a
˛ ˛ ˛ ˛ b˛
˛
j
˛
˛
˛
˛
˛
˛
J
˛
J
j
˛
j
˛
He ho - mai a - na ro - ngo ki - a
Î
ti - - - - - - - - - - -
∑
ti - ro - hi - a a - tu nei,
/
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
˛ Œ Ó Ó
/
&
?
˛ .
J˛ ˛ ˛ ‰ ˛ ˛
ˇ ˇˇ Ó Ó
˛ ˛˛
˛ ˛˛
˛ ˛˛
˛ ˛˛
˛
.
˛˛
˛ b
˛˛
ˇˇ
ˇ
.
˛ Œ Ó Ó
‰
˛˛
˛ .
J˛
b˛˛
˛
˛ ˛˛ ˛
˛ ˛˛
Î
˛ ˛˛
˛
˛˛
˛
J
˛
j˛
˛
48
&
&
&
&
d
?
/
/
&
?
˛ ˛ ˛ ˛ b˛
˛ ˛ ‰ j ˛
ko - mai a - tu au, he
˛ ˛ b˛
˛ ˛ ˛ ˛ ‰ j ˛
ko - mai a - tu au, he
b˛
˛ ˛ ˛ ˛ ˛ ˛ ‰ j
˛
ko - mai a - tu au, he
˛ ˛ ˛ ˛ ˛ ˛ ˛
mf
˛
˛ ˛ ˛ ˛ ˛ ˇ .
- ro - hi - a a - tu nei,
∑
‰ j ˛
ko - mai a - tu au, he
‰
‰
b˛˛
˛
˛
˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
p
˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
p
˛
˛
˛
˛
˛
˛˛
˛
˛
˛
˛ ˛ ˛ ˛ ˛ ˇ .
˛
˛
‰ j˛ ˛˛ ˛
b˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
ho - mai a - na ro - ngo ki - a ko -
˛
b˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
ho - mai a - na ro - ngo ki - a ko -
˛ ˛ b˛
˛ ˛ ˛ ˛ ˛ ˛ ˛
ho - mai a - na ro - ngo ki - a ko -
˛ ˛ ˛ b˛
˛ ˛ ˛ ˛ ˛ ˛
p .
ho - mai a - na ro - ngo ki - a ko -
Î
ti - - - - - - - - - - -
p
. bÎ
ti - - - - - - - - - - -
˛ Œ Ó Ó
mf
˛ Œ Ó Ó
mf
b˛˛
˛
Î .
bÎ .
˛ ˛˛ ˛
˛˛ ˛
˛˛ ˛
˛
˛˛
˛
˛
˛
˛
˛
˛
PE060 – 10

50
&
&
&
&
d
?
/
/
&
?
˛
J
˛
˛
J
Î
mai a - tu au,
˛
J
j
b˛
˛
˛
J
j
˛
Î
mai a - tu au,
˛
Î
mai a - tu au,
j
˛
mf
˛
j
˛
Î
mai a - tu au,
˛
mf
˛
‰
‰
b˛˛
˛
J
˛
˛
˛ ˛ ˛ ˛ ˛ ˇ .
- ro - hi - a a - tu nei.
b˛
˛ ˛ ˛ ˛ ˇ .
- ro - hi - a a - tu nei.
˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
p
˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
p
˛
b˛˛
˛ ˛
˛˛
˛
J
˛ ˛
Î
˛ ˛
˛ ˛ ˇ ˇ .
&
‰ ff b˛
˛ ˛ ˛ b˛
Ka ma - te nei au i te ma -
‰ ff b˛
˛ ˛ ˛ b˛
˛
˛
˛
J
j
˛
˛
˛
J˛
j
˛
Ka ma - te nei au i te ma -
‰ ff b˛
˛ ˛ ˛ b˛
˛
j
˛
˛
j
˛
Ka ma - te nei au i te ma -
‰ ff b˛
˛ ˛ ˛ b˛
˛
j
˛
˛
j
˛
Ka ma - te nei au i te ma -
‰ ff b˛
˛ ˛ ˛ b˛
Ka ma - te nei au i te ma -
‰ ff b˛
˛ ˛ ˛ b˛
Ka ma - te nei au i te ma -
˛ Œ ∑
mf
Suspended cymbal (drum stick)
°b Œ ∑
mf
‰
‰
bb˛b˛
ff
˛˛
˛˛
˛ ˛
b˛
b˛
bb˛
˛ ˛ ˛ bb ˛
˛
˛
˛˛
˛
˛
J
˛
J
˛˛
J
j
˛
˛
˛
˛˛
˛
J˛
J˛
˛˛
J
j
˛
52
&
&
&
&
d
?
˛
˛
˛
˛
˛
˛
b˛
b˛
b˛
‰ ˛
˛
J
˛ ˛ ˛
j
˛ ˛ ˛ ˛
- ta - pou - ri, I te ma - ta - po - - -
b˛
b˛
b ˛ ‰ ˛
- ta - pou - ri, I te ma - ta - po - - -
b˛
b˛
b ˛ ‰ ˛
j
˛ ˛ ˛ ˛
- ta - pou - ri, I te ma - ta - po - - -
b˛
b˛
b˛
b˛
b ˛ ‰
˛
b˛
‰ ˛
b˛
‰
˛
j
˛ ˛ ˛ ˛
˛
J
˛ ˛ ˛
˛
J
˛ ˛ ˛
- ta - pou - ri, I te ma - ta - po - - -
- ta - pou - ri, I te ma - ta - po - - -
b˛
b˛
- ta - pou - ri, I te ma - ta - po - - -
b J˛
b˛
b˛
J
b˛
˛ b˛
re - hu o ro - to i a
b˛
J
b˛
b˛
J
˛
J˛ ‰
b˛
˛ b˛
˛ j ˛ ‰
re - hu o ro - to i a
b˛
J
b˛
j b˛
b˛
˛ ∫˛
˛ j ˛ ‰
re - hu o ro - to i a
j
b˛
b˛
J
b˛
j b˛
b˛
˛ b˛
˛ j ˛
re - hu o ro - to i a
b˛
J
b˛
b˛
J
b˛
˛ b˛
re - hu o ro - to i a
b˛
b˛
J
b˛
˛ b˛
re - hu o ro - to i a
˛
˛
‰
J˛ ‰
J˛
‰
/
∑
∑
/
&
&
˛ ˛
˛
b b˛b ˛
bb ˛
b b˛˛
b b˛
∑
b˛˛ b ‰ ˛ ˛
b ‰
˛
˛
˛˛
J
j
˛
˛ ˛
˛
˛˛
˛
˛˛
˛
bb˛˛
b
J
j
b˛ b
b˛b ˛
bb ˛
bb˛˛
J
j
b˛
˛ b˛
b˛
∑
˛˛
˛
∫˛b˛
b˛ b
˛˛
˛
˛ ˛ ‰
J
j
˛
‰
PE060 – 11

54
&
&
&
&
d
?
bÎ .
au!
bÎ .
au!
bÎ .
au!
bÎ .
au!
bÎ
.
au!
bÎ
.
au!
‰ b˛
˛ ˛ ˛ b˛
Ka ma - te nei au i te ma -
‰ b˛
˛ ˛ ˛ b˛
˛
˛
˛
J
j
˛
˛
˛
˛
J
j
˛
Ka ma - te nei au i te ma -
‰ b˛
˛ ˛ ˛ b˛
‰
˛
j
˛
˛
j
˛
Ka ma - te nei au i te ma -
b˛
˛ ˛ ˛ b˛
˛
j
˛
˛
j
˛
Ka ma - te nei au i te ma -
‰ b˛
˛ ˛ ˛ b˛
‰
Ka ma - te nei au i te ma -
b˛
˛ ˛ ˛ b˛
Ka ma - te nei au i te ma -
˛
˛
˛
J
˛
J
˛
˛
˛
J
˛
J
/
/
&
˛ ˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
mf
Bass drum
˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
mf
bbÎ b Î .
˛ Œ ∑
Suspended cymbal (drum stick)
°b Œ ∑
‰ bb b ˛˛
˛˛
˛˛
˛ ˛
b
b
˛˛
˛˛
˛˛
J
˛˛
˛˛
J
&
.
b b Î .
‰
bb˛
˛ ˛ ˛ bb ˛
˛
j
˛
˛
j
˛
56
&
˛
b˛
b˛
b˛
‰ ˛
J˛ ˛ ˛ ˛
b J˛
b˛
b˛
J
b˛
˛ b˛
˛
˛
J ‰
4
2
&
&
&
d
?
˛
˛
˛
˛
˛
- ta - pou - ri, I te ma - ta - po - -
b˛
b˛
b ˛ ‰ ˛
j
˛ ˛ ˛ ˛
- ta - pou - ri, I te ma - ta - po - -
b˛
b˛
b ˛ ‰ ˛
j
˛ ˛ ˛ ˛
- ta - pou - ri, I te ma - ta - po - -
b˛
b˛
b˛
b˛
b ˛ ‰
˛
b˛
‰ ˛
b˛
‰
˛
j
˛ ˛ ˛ ˛
J˛ ˛ ˛ ˛
- ta - pou - ri, I te ma - ta - po - -
- ta - pou - ri, I te ma - ta - po - -
b˛
b˛
J˛ ˛ ˛ ˛
- ta - pou - ri, I te ma - ta - po - -
re - hu o ro - to i a
b˛
J
b˛
b˛
J
b˛
˛ b˛
˛ j ˛ ‰
re - hu o ro - to i a
b˛
J
b˛
j b˛
b˛
˛ ∫˛
˛ j ˛ ‰
re - hu o ro - to i a
j
b˛
b˛
J
b˛
j b˛
b˛
˛ b˛
˛ j ˛
re - hu o ro - to i a
b˛
J
b˛
b˛
J
b˛
˛ b˛
re - hu o ro - to i a
b˛
b˛
J
b˛
˛ b˛
re - hu o ro - to i a
˛
˛
‰
˛
J ‰
˛
J
‰
4
2
4
2
4
2
4
2
4
2
/
/
&
&
˛ ˛
˛
bb˛b ˛
bb ˛
b b˛˛
b b˛
∑
∑
b˛˛ b ‰ ˛ ˛
b ‰
˛
˛
˛˛
J
j
˛
˛ ˛
˛
˛˛
˛
˛˛
˛
bb˛˛
b
J
j
b˛ b
b˛b ˛
bb ˛
bb˛˛
J
j
b˛
˛ b˛
b˛
∑
∑
˛˛
˛
∫˛b˛
b˛ b
˛˛
˛
˛ ˛ ‰
J
j
˛
‰
4
2
4
2
4
2
4
2
PE060 – 12

58
&
&
&
&
d
?
/
/
&
&
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
bÎ
Œ n˛
au!
[ah]
bÎ
Œ ˇ .
au!
[ah]
bÎ
Œ bˇ .
au!
[ah]
bÎ
Œ ˛ ˇ
au!
[ah]
bÎ
Œ ˛ bˇ
˛ ˛
au!
bÎ
au!
[ah]
ˇ
Œ ˛ bˇ
[ah]
˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛
mf
Bass drum
˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛
mf
b
b b Î Î
Œ nˇ˛˛ˇ
.
b b Î
?
Œ
˛
ˇˇ
b bˇˇ
Î Œ ˛ ˇ
[ah]
Î Œ ˇ .
[ah]
Î Œ bˇ .
[ah]
Î Œ ˛ ˇ
[ah]
Î Œ ˛ bˇ
[ah]
Î Œ ˛ bˇ
[ah]
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛
Î Œ ˇˇ
Î
˛ .
Î
Œ
˛
ˇ
b bˇˇ
60
&
Î
Œ
fff
˛
˛ ˛ ˛ ˛ ˛
2
3
Î ‰ ˛ ˛ ˛
&
&
&
d
?
Î
Î
Î
Î
Î
Œ
Œ
Œ
Œ
Œ
fff
˛
Ti - ro - hi - a
fff
˛
a - tu
˛ ˛ ˛ ˛ ˛
Ti - ro - hi - a
a - tu
˛ ˛ ˛ ˛ ˛
Ti - ro - hi - a
fff
˛
a - tu
˛ ˛ ˛ ˛ ˛
Ti - ro - hi - a
fff
˛
a - tu
˛ ˛ ˛ ˛ ˛
Ti - ro - hi - a
fff
˛
a - tu
˛ ˛ ˛ ˛ b˛
2
3
2
3
2
3
2
3
2
3
nei, ka whe - tu -
Î ‰ ˛ ˛ ˛
nei, ka whe - tu -
Î ‰
b˛
˛ ˛
nei, ka whe - tu -
Î ‰
˛ ˛ ˛
nei, ka whe - tu -
Î ‰ ˛ ˛ ˛
nei, ka whe - tu -
Î ‰ ˛ b˛
˛
/
/
&
?
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
Î
Î
Î
Ti - ro - hi - a
˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛
ff
˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛
ff
Œ
Œ
˛˛
˛
˛
fff
˛
˛˛
˛
˛
˛
˛˛
˛
˛
˛ ˛˛ ˛
a - tu
˛ ˛˛ ˛ ˛˛ ˛
˛˛ ˛˛ ˛˛ b ˛˛
2
3
2
3
2
3
2
3
nei, ka whe - tu -
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
˛ .
˛ ˛ ˛ ‰ ˛ ˛
J
Î Î
‰
b˛˛
Î ‰ ˛˛
˛˛ ˛
˛
b˛
˛˛
˛
˛
˛
PE060 – 13

62
&
&
&
&
d
?
/
/
&
?
b˛
˛ ˛ ˛ ˛ ˛ ˛
ra - ngi - ti - - a Ma - ta - ri - - - ki,
˛ ˛ ˛ ˛ ˛ ˛ ˛
˛
J
˛
˛
J
j
˛ ˛ j ˛
ra - ngi - ti - - a Ma - ta - ri - - - ki,
˛ ˛ n˛
˛ ˛ ˛ ˛
ra - ngi - ti - - a Ma - ta - ri - - - ki,
˛ ˛ ˛ ˛
˛ ˛ ˛
˛
˛ ˛ ˛ ˛
˛ ˛
j
˛
˛
j
˛
j
˛ ˛ j ˛
˛
J
˛ ˛
J
˛
J
˛ ˛
J
ra - ngi - ti - - a Ma - ta - ri - - - ki,
ra - ngi - ti - - a Ma - ta - ri - - - ki,
˛
˛
˛ ˛ ˛
˛
b˛
ra - ngi - ti - - a Ma - ta - ri - - - ki,
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
b
˛
‰ ˛ ˛ ‰ ˛ ˛ ˛ ˛
˛
˛ ˛˛ ˛
˛
˛ n˛˛
˛
˛
˛˛ ˛
j
˛
˛
˛
˛
˛ ˛˛ ˛
˛
˛˛ ˛
˛˛ b
j
˛˛ ˛
˛
J
˛ ˛˛ ˛
˛
j
˛˛ ˛
˛
J
ˇ .
Œ Ó
ˇ .
Œ Ó
ˇ .
Œ Ó
ˇ .
ˇ .
Œ Ó
ˇ .
Œ Ó
. ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ . ˛ ˛ ˛ ˛
f
˛ .
f
ˇˇ . ˇ
˛ ‰ ˛ ˛ ˛ .
J
ˇ .
Œ Ó
Œ
Œ
Ó
Ó
J˛
64
&
&
&
&
d
?
/
/
&
?
‰ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
Te whi - tu o te tau e wha - ka -
‰ ˛ ˛ ˛ ˛ ˛ ˛ ˛
˛ ˛ ˛
Te whi - tu o te tau e wha - ka -
‰ ˛ ˛ ˛ ˛ ˛ ˛ ˛ b˛
˛ ˛
Te whi - tu o te tau e wha - ka -
‰ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
Te whi - tu o te tau e wha - ka -
‰ ˛ ˛ ˛ ˛ ˛ ˛ ˛
˛ ˛ ˛
˛ ˛ ˛
Te whi - tu o te tau e wha - ka -
‰ ˛ ˛ ˛ ˛ b˛
˛ ˛
‰
˛ ˛ ˛
Te whi - tu o te tau e wha - ka -
˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
mf
˛ ˛ ‰ ˛ ˛ ‰ ˛ ˛
mf
‰ ˛˛
˛
˛
˛
‰
˛˛
˛
˛
˛
˛˛
˛
˛
˛
˛˛
˛
˛
˛
˛˛ ˛
˛˛ b
˛˛
˛
˛
˛˛
˛˛
˛
˛
˛
˛˛ b˛
˛˛
˛˛ ˛
˛
˛˛
˛
˛
˛
ˇ
bˇ
moe mai ra!
ˇ ˇ ˇ
moe mai ra!
ˇ ˇ ˇ
moe mai ra!
ˇ
ˇ
moe mai ra!
ˇ
ˇ
moe mai ra!
ˇ
ˇ
moe mai ra!
˛ . ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ . ˛ ˛ ˛
˛ .
ˇ ˇˇ
ˇ
˛ ˛ ˛ ‰ ˛ ˛
J
b
ˇ
ˇˇ
ˇ
ˇ
ˇ
ˇ
ˇˇ
ˇ
ˇ
ˇ
PE060 – 14

66
&
&
&
&
d
?
/
/
&
?
˛ ˛
ˇ Ó Ó
ˇ Ó Ó
ˇ Ó Ó
ˇ Ó Ó
ˇ Ó Ó
ˇ Ó Ó
˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
f
‰ ˛ ˛ ‰ ˛ ˛ ˛ ˛
f
ˇˇ
ˇ
ˇ Ó Ó
ˇ Ó Ó
‰ ˛ ˛ ˛ b˛
˛ ˛
he ho - mai a - na ro - ngo ki - a
‰ ˛ ˛ ˛ ˛ ˛ ˛
‰
‰
he ho - mai a - na ro - ngo ki - a
b˛
˛ ˛ ˛ ˛ ˛
he ho - mai a - na ro - ngo ki - a
˛ ˛ ˛ ˛
˛
˛
J˛
J˛
J˛
j
˛
he ho - mai a - na ro - ngo ki - a
‰ ˛ ˛ ˛
˛ ˛ b˛
˛
˛
˛
˛
˛
J
˛
J
j
˛
j
˛
J˛ ˛ J˛
he ho - mai a - na ro - ngo ki - a
‰ ˛ b˛
˛ .
˛ .
‰ ˛˛ b˛
‰ ˛˛
˛
˛ ˛ ˛ j ˛ ˛ J˛
he ho - mai a - na ro - ngo ki - a
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ . ˛ ˛ ˛ ˛
mf
˛˛ ˛
˛
b˛
J˛ ‰ ˛ ˛ ˛ .
mf
˛˛
˛
˛
b
˛
˛˛ ˛
j
˛
˛ ˛˛
b˛
˛ ˛˛ ˛ ˛
˛˛ ˛
J
j ˛
J˛
˛
˛
J˛
j
˛˛
˛
˛
˛
J
68
&
&
&
&
d
?
/
/
&
?
˛ b˛
˛ ˛ ˛ ˛ ˛ ‰ j ˛
ko - mai a - tu au, he
˛ ˛ ˛ ˛ ˛ ˛ ˛ ‰ j ˛
ko - mai a - tu au, he
˛ ˛ ˛ ˛ ˛ ˛ ˛ ‰ j ˛
ko - mai a - tu au, he
˛
˛ ˛ ˛ ˛ ˛ ˛ ‰ j ˛
ko - mai a - tu au, he
˛ ˛
˛ ˛ ˛ ˛ ˛ ‰ j ˛
ko - mai a - tu au, he
˛
˛
˛ ˛ b˛
˛ ˛ ‰ J˛
ko - mai a - tu au, he
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
˛ ˛˛
‰ ˛ ˛ ‰ ˛ ˛ ‰ ˛ ˛
j
˛
˛
b
˛
˛
˛ ˛˛ ˛
˛
˛ ˛˛ ˛
˛
˛˛ ˛
˛˛ b
˛ ˛˛ ˛
˛˛
˛˛
˛
˛ ‰
˛
j˛
˛ ‰ ˛˛
J
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
ho - mai a - na ro - ngo ki - a ko -
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
ho - mai a - na ro - ngo ki - a ko -
b˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
ho - mai a - na ro - ngo ki - a ko -
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
ho - mai a - na ro - ngo ki - a ko -
˛ ˛ ˛ ˛ b˛
˛ ˛ ˛ ˛ ˛
ho - mai a - na ro - ngo ki - a ko -
˛
b˛
˛
˛ ˛ ˛
˛ ˛ ˛ ˛
ho - mai a - na ro - ngo ki - a ko -
˛ . ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ . ˛ ˛ ˛
˛ .
˛˛ b˛
˛
˛˛ ˛
˛
b˛
˛ ˛˛ ˛
˛
J˛ ˛ ˛ ‰ ˛ ˛
˛˛ ˛
j
˛
˛ ˛˛
b˛
˛ ˛˛
j ˛
˛ ˛ ˛
˛ ˛˛ ˛
˛
˛ ˛˛ ˛
˛˛ ˛
˛˛ ˛
˛ ˛˛ ˛˛
PE060 – 15

70
&
&
&
&
d
?
/
/
&
?
˛
J
˛
˛
J ˇ .
‰ j ˛
mai a - tu au, he
j
˛
˛
j
˛ ˇ .
‰ j ˛
mai a - tu au, he
j
˛
b˛
j
˛ ˇ .
‰ j ˛
mai a - tu au, he
j j
‰
˛ ˛ ˛ ˇ .
j ˛
mai a - tu au, he
˛
J ˛ J˛ ˇ .
‰ j ˛
mai a - tu au, he
b˛
J ˛ ˇ .
J˛ ‰ J˛
mai a - tu au, he
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
‰ ˛ ˛ ‰ ˛ ˛ ˛ ˛
j
˛˛ ˛ b˛˛
˛
J
j
˛˛ ˛
b ˛˛ ˛
J
‰ j˛ ˛
ˇˇ .
ˇ ˇ .
‰ ˛˛
J
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
ho - mai a - na ro - ngo ki - a ko - - -
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
ho - mai a - na ro - ngo ki - a ko - - -
b˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
ho - mai a - na ro - ngo ki - a ko - - -
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
ho - mai a - na ro - ngo ki - a ko - - -
˛ ˛ ˛ ˛ b˛
˛ ˛ ˛ ˛ ˛
ho - mai a - na ro - ngo ki - a ko - - -
˛
b˛
˛
˛ ˛ ˛
˛ ˛ ˛ ˛
ho - mai a - na ro - ngo ki - a ko - - -
˛ . ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ . ˛ ˛ ˛
˛ .
˛˛ b˛
˛
˛˛ ˛
˛
b˛
˛ ˛˛ ˛
˛
J˛ ‰ ˛ ˛ ˛ .
˛˛ ˛
j
˛
˛ ˛˛
b˛
˛ ˛˛
j ˛
˛ ˛ ˛
˛ ˛˛ ˛
˛
˛ ˛˛ ˛
˛˛ ˛
˛˛ ˛
˛ ˛˛ ˛˛
˛
J
4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3
72
& 4 3 ˇ ˛ 2 3
& 4 3 ˇ ˛ 2 3
& 4 3 ˇ ˛ 2 3
& 4 3 ˇ 2 3 ˛
d 4 3 ˇ ˛ 2 3
?
4 3 bˇ
˛ 2 3
/ 4 3 ˛ Œ Œ 2 3
/ 4 3 ˛ Œ Œ 2 3
& 4 3 ˇˇ ˇ
˛˛˛
2 3
?
4 3 ˇ
bˇ ˛ 2 3
mai a - - - - tu
mai a - - - - tu
mai a - - - - tu
mai a - - - - tu
mai a - - - - tu
mai a - - - - tu
ˇ
ˇ
ˇ
ˇ
ˇ
ˇ
ˇˇ ˇ
ˇ
Î
Î
Î
Î
bÎ
bÎ
∑
∑
Î Î
bÎ
bÎ
˛ ˛
Î.
au.
. Î
au.
Î.
au.
Î.
au.
. Î
au.
Î.
au.
˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
f
˛ ˛ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛ ˛ ˛ ˛ ≈ ˛ ˛
f
Î.
Î.
Î.
PE060 – 16
˛
J ‰ Œ Ó Ó
˛
J ‰ Œ Ó Ó
˛ ‰ Œ Ó Ó
J
j
˛ ‰ Œ Ó Ó
˛
J ‰ Œ Ó Ó
j
˛ ‰ Œ Ó Ó
˛ Œ Ó Ó
˛ Œ Ó Ó
˛ ‰ Œ Ó Ó
Jj
˛
‰ Œ Ó Ó
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J

PROMETHEAN EDITIONS