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ZOOM | Summer 2018

A magazine showcasing the natural beauty of the Sunshine Coast of British Columbia, Canada - its people, spectacular scenery, coast lifestyle and vibrant arts scene.

A magazine showcasing the natural beauty of the Sunshine Coast of British Columbia, Canada - its people, spectacular scenery, coast lifestyle and vibrant arts scene.

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What do you get when you mix<br />

aerialists, a zany script, expert<br />

sound effects, theatre, huge<br />

trees, awesome costumes, a<br />

long winding path, and anyone<br />

young or old or marginalized, especially anyone young<br />

or old or marginalized who wants to join the team? Oh,<br />

and give it a good stir so that it comes out different<br />

every time. You might get something like the Rainforest<br />

Circus.<br />

Chad Hershler and Sandy Buck are the brains, brawn,<br />

and spirit behind the Rainforest Circus and the nonprofit<br />

Deer Crossing The Art Farm. They’ve lived on<br />

the Coast since 2007. With a background in writing,<br />

acting, and theatre, Hershler loves stories, preferably<br />

live ones. Buck is a costume designer who worked for<br />

years in film/TV/theatre. They both have a passion for<br />

inclusivity, and together they are a formidable duo.<br />

Nature is always an important theme in these “forest<br />

theatre” productions, but big ideas and big emotions<br />

are always part of the mix. The 2015 “Cosmos” show,<br />

with its soundscapes, aerial “dancing,” and zany<br />

characters, was eerie, beautiful, funny, and memorable.<br />

Hershler has a knack for writing and acting wonderfully<br />

sophisticated, nervy soliloquies that juxtapose so<br />

well with the calm of ancient trees, really bringing the<br />

intensely human together with enduring Nature.<br />

WORDS | NANCY PINCOMBE<br />

And when they say “inclusive,” it’s not just some kind<br />

of nod to political correctness and artspeak. Reaching<br />

out, getting feedback, educating, and involving the<br />

community are woven into every step of their process.<br />

They hold workshops and camps, set up displays at<br />

outdoor markets, and take their show on the road, last<br />

year to Esquimalt, Gabriola Island, and Malcolm Island.<br />

With their core cast, they team up with arts organizations<br />

in what they feel are “underserved” communities and<br />

invite the public. The result is a skeleton show that gets<br />

fleshed out a little differently in each place.<br />

How in the world do they pull it off? So many moving<br />

parts! So many considerations! “Time,” Hershler says,<br />

“you have to allow a lot of time.”<br />

SURPRISES, WONDER & DELIGHT<br />

RAINFOREST<br />

CIRCUS<br />

This dynamic approach is so complex that it starts to<br />

be simple. He explains, “The outcome is important, but<br />

the process is equally important. You can’t compromise<br />

one for the other.”<br />

In this year’s “Submerged,” unexpected underwater<br />

creatures as an estranged couple have to go “deep” to<br />

resolve past issues. This sounds like rich territory for<br />

both Hershler’s insightful writing and Buck’s fantastic<br />

costumes.<br />

10<br />

VISIT WWW.DEERCROSSINGTHEARTFARM.ORG FOR MORE INFORMATION.<br />

PHOTOS BY GRANT SIMMONS (TOP TWO) AND CHLÖE LANGMAID.

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