Leseprobe_Three Men of Letters
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Preface<br />
Like Webern, Berg was born into a middle-class family. His father was in<br />
the export business, and his mother owned a shop selling religious items on the<br />
Stephansplatz in Vienna. The family was relatively well <strong>of</strong>f and had a country<br />
house, the Bergh<strong>of</strong>, on the Ossiachersee in Carinthia, where they spent the summers,<br />
but the death <strong>of</strong> his father when Berg was only ten put a serious constraint<br />
on the family’s finances for the next several years. Although Berg didn’t do particularly<br />
well in school, he did finish his education and, on his mother’s insistence,<br />
in October 1904 got a job in accounting, which he loathed. On the death <strong>of</strong> her<br />
sister in 1906, however, his mother inherited a number <strong>of</strong> properties in Vienna,<br />
and she hired Berg to manage these, so that he was able to quit his job in accountancy,<br />
10 though this new job took a lot <strong>of</strong> his time and tied him to Vienna for the<br />
rest <strong>of</strong> his life, something that neither Schönberg nor Webern ever seemed able<br />
– or perhaps willing – to believe or understand. In 1920 he had to take over the<br />
managing <strong>of</strong> the Bergh<strong>of</strong> as well until it was sold the following year.<br />
Berg was innately a social being, and as an adult he moved in literary and intellectual<br />
circles. Personally he seems to have been the complete opposite <strong>of</strong> Webern:<br />
sophisticated, articulate and level-headed. He married Helene Nahowski,<br />
who was rumoured to be the illegitimate daughter <strong>of</strong> Emperor Franz Joseph I and<br />
who sang, though never pr<strong>of</strong>essionally. Their voluminous correspondence leaves<br />
no doubt at all <strong>of</strong> the enduring love they had for each other, in spite <strong>of</strong> Berg’s<br />
occasional attraction to other women and one now very well-known love later in<br />
life (which was not reciprocated). 11 They had no children, 12 but Berg mentioned<br />
Webern’s children fondly in his letters to Webern.<br />
Berg was continually issued orders and demands, and very frequently complaints,<br />
from both Schönberg and Webern for most <strong>of</strong> the years covered in this<br />
book. Schönberg demanded <strong>of</strong> him a multitude <strong>of</strong> tasks, and Webern, who was<br />
most <strong>of</strong>ten not living in Vienna, made constant demands <strong>of</strong> him as well, on Schönberg’s<br />
behalf, always insisting that these things must be done immediately. In the<br />
10 Rosemary Hilmar, Alban Berg. Leben und Werken in Wien bis zu seinen ersten Erfolgen als Komponist,<br />
Wiener musikwissenschaftliche Beiträge (Vienna: Böhlau, 1978), pp. 28–31.<br />
11 Described by Contantin Floros in Alban Berg and Hanna Fuchs. The Story <strong>of</strong> a Love in <strong>Letters</strong>, trans.<br />
Ernest Bernhardt-Kabisch (Bloomington: Indiana University Press, 2008). The ‘discovery’ <strong>of</strong><br />
Berg’s passion for Hanna Fuchs and his expression <strong>of</strong> the same in his Lyric Suite caused waves <strong>of</strong><br />
excitement in the late 1970s, when it was the subject <strong>of</strong> many articles, most particularly George<br />
Perle’s ‘The Secret Program <strong>of</strong> the Lyric Suite’, in the Newsletter <strong>of</strong> the International Alban Berg Society<br />
5 (June 1977), which was reprinted in German in Musikkonzepte 4. Perle also wrote a monograph<br />
on this subject: Style and Idea in the Lyric Suite <strong>of</strong> Alban Berg (Stuyvesant, NY: Pendragon Press,<br />
1995).<br />
12 On 22 February 1912 Webern wrote to Berg: ‘I wish for you a child as soon as possible! / Without<br />
sentimentality, it’s the most beautiful thing there is.’ Berg had fathered an illegitimate daughter<br />
when he was young and still at home with his parents. She never figured in his life, making herself<br />
known only after his death.<br />
19