Amusement Parks & Family Entertainment Amusement Parks
Amusement Parks & Family Entertainment Amusement Parks
Amusement Parks & Family Entertainment Amusement Parks
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Leagues under the Sea and<br />
drawing Sleeping Beauty.<br />
Animator Art Scott recalls<br />
a plane trip with Walt just before<br />
the park’s completion. “As we<br />
take off Walt is saying, ‘I spoke to<br />
the pilot, I hope he remembers,<br />
I asked him to fly over the park.<br />
There’s nothing like seeing a<br />
park from the air.’ Then he went<br />
over to the window and said,<br />
‘He’s doing it! He’s doing it!’ He<br />
pointed out all the stuff, there’s<br />
this, there’s that, like this little<br />
boy with his giant toy down<br />
there.”<br />
Walt explained to a<br />
reporter why he was so determined<br />
to build a park: “It’s something<br />
that will never be finished,<br />
something I can keep developing<br />
and adding to. When you<br />
wrap up a picture and turn it<br />
over to Technicolor, you’re<br />
through. It’s gone. [The park]<br />
will get more beautiful every year.<br />
And it will get better as I find out<br />
what the public likes. I can’t do<br />
that with a picture; it’s finished and<br />
unchangeable before I find out<br />
whether the public likes it or not.”<br />
Opening the Happiest Place<br />
With construction working<br />
around the clock until opening,<br />
the park was getting ready for<br />
The renovation of Tomorrowland, on right, is reassurance that<br />
Walt’s ideology still lives today and that Disneyland will never<br />
be fully completed.<br />
Designing Disney’s Theme <strong>Parks</strong>:The Architecture<br />
of Reassurance, edited by Karal Ann Marling,<br />
takes an in-depth look at Disneyland’s<br />
evolution from one man’s personal dream to<br />
a multinational enterprise.You can order this<br />
book through the AWN Store. © Flammarion.<br />
television. The unfinished Tomorrowland<br />
was given a banner and<br />
balloons to mask the work waiting<br />
to be done. Camera crews worked<br />
alongside construction crews who<br />
were putting finishing touches on<br />
the park. The park opened to invited<br />
guests on July 17, 1955, and<br />
33,000 people poured into the<br />
park. The ABC television crew ushered<br />
Walt from site to site and kept<br />
a positive spin on<br />
the preview.<br />
Off camera,<br />
chaos ruled:<br />
ladies’ heels sank<br />
into still hot<br />
asphalt on Main<br />
Street; rides broke<br />
down; concessions<br />
ran out of<br />
food and drink;<br />
and a gas leak<br />
was discovered<br />
in Fantasyland<br />
closing it down.<br />
Opening day would come to be<br />
known as Black Sunday, because<br />
of all of its problems. Despite critical<br />
reviews from print media, Walt<br />
encouraged his crews to handle<br />
the problems. He held media dinners<br />
to amend relations with the<br />
press. Within a few weeks, problems<br />
had been wrinkled out and<br />
Disneyland’s crowds were far<br />
exceeding estimates.<br />
Opening day would come to<br />
be known as Black Sunday,<br />
because of all of its<br />
problems.<br />
Walt always believed, “Disneyland<br />
will never be completed.<br />
It will continue to grow as long as<br />
there is imagination left in the<br />
world.” Walt and his successors<br />
have carried out this promise with<br />
changes and additions like Mickey’s<br />
Toontown and the New<br />
Tomorrowland. Walt’s dream has<br />
been brought to many parts of the<br />
globe as well with Tokyo Disneyland,<br />
Disney World, and Disneyland<br />
Paris. Since Walt’s vision and<br />
imagination will never die, his<br />
dream parks will live on forever as<br />
very special places, the magical<br />
reigning champions of quality<br />
theme parks.<br />
Katie Mason was an editorial<br />
assistant at Animation World<br />
Magazine. A longtime animation<br />
reader and fan, she watches cartoons<br />
each Saturday morning<br />
and is currently studying toward<br />
her university degree.<br />
Note: Readers may contact any<br />
Animation World Magazine contributor<br />
by sending an e-mail to<br />
editor@awn.com.<br />
ANIMATION WORLD MAGAZINE December 1998 25