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Amusement Parks & Family Entertainment Amusement Parks

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Leagues under the Sea and<br />

drawing Sleeping Beauty.<br />

Animator Art Scott recalls<br />

a plane trip with Walt just before<br />

the park’s completion. “As we<br />

take off Walt is saying, ‘I spoke to<br />

the pilot, I hope he remembers,<br />

I asked him to fly over the park.<br />

There’s nothing like seeing a<br />

park from the air.’ Then he went<br />

over to the window and said,<br />

‘He’s doing it! He’s doing it!’ He<br />

pointed out all the stuff, there’s<br />

this, there’s that, like this little<br />

boy with his giant toy down<br />

there.”<br />

Walt explained to a<br />

reporter why he was so determined<br />

to build a park: “It’s something<br />

that will never be finished,<br />

something I can keep developing<br />

and adding to. When you<br />

wrap up a picture and turn it<br />

over to Technicolor, you’re<br />

through. It’s gone. [The park]<br />

will get more beautiful every year.<br />

And it will get better as I find out<br />

what the public likes. I can’t do<br />

that with a picture; it’s finished and<br />

unchangeable before I find out<br />

whether the public likes it or not.”<br />

Opening the Happiest Place<br />

With construction working<br />

around the clock until opening,<br />

the park was getting ready for<br />

The renovation of Tomorrowland, on right, is reassurance that<br />

Walt’s ideology still lives today and that Disneyland will never<br />

be fully completed.<br />

Designing Disney’s Theme <strong>Parks</strong>:The Architecture<br />

of Reassurance, edited by Karal Ann Marling,<br />

takes an in-depth look at Disneyland’s<br />

evolution from one man’s personal dream to<br />

a multinational enterprise.You can order this<br />

book through the AWN Store. © Flammarion.<br />

television. The unfinished Tomorrowland<br />

was given a banner and<br />

balloons to mask the work waiting<br />

to be done. Camera crews worked<br />

alongside construction crews who<br />

were putting finishing touches on<br />

the park. The park opened to invited<br />

guests on July 17, 1955, and<br />

33,000 people poured into the<br />

park. The ABC television crew ushered<br />

Walt from site to site and kept<br />

a positive spin on<br />

the preview.<br />

Off camera,<br />

chaos ruled:<br />

ladies’ heels sank<br />

into still hot<br />

asphalt on Main<br />

Street; rides broke<br />

down; concessions<br />

ran out of<br />

food and drink;<br />

and a gas leak<br />

was discovered<br />

in Fantasyland<br />

closing it down.<br />

Opening day would come to be<br />

known as Black Sunday, because<br />

of all of its problems. Despite critical<br />

reviews from print media, Walt<br />

encouraged his crews to handle<br />

the problems. He held media dinners<br />

to amend relations with the<br />

press. Within a few weeks, problems<br />

had been wrinkled out and<br />

Disneyland’s crowds were far<br />

exceeding estimates.<br />

Opening day would come to<br />

be known as Black Sunday,<br />

because of all of its<br />

problems.<br />

Walt always believed, “Disneyland<br />

will never be completed.<br />

It will continue to grow as long as<br />

there is imagination left in the<br />

world.” Walt and his successors<br />

have carried out this promise with<br />

changes and additions like Mickey’s<br />

Toontown and the New<br />

Tomorrowland. Walt’s dream has<br />

been brought to many parts of the<br />

globe as well with Tokyo Disneyland,<br />

Disney World, and Disneyland<br />

Paris. Since Walt’s vision and<br />

imagination will never die, his<br />

dream parks will live on forever as<br />

very special places, the magical<br />

reigning champions of quality<br />

theme parks.<br />

Katie Mason was an editorial<br />

assistant at Animation World<br />

Magazine. A longtime animation<br />

reader and fan, she watches cartoons<br />

each Saturday morning<br />

and is currently studying toward<br />

her university degree.<br />

Note: Readers may contact any<br />

Animation World Magazine contributor<br />

by sending an e-mail to<br />

editor@awn.com.<br />

ANIMATION WORLD MAGAZINE December 1998 25

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