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Fragments of a Faith Forgotten:<br />
Unearthing the Harry Smith Archives<br />
A still from Harry Smith’s Early Abstractions, a highly<br />
respected avante garde series of animated films. Photo<br />
courtesy of Harry Smith Archives.<br />
The Harry Smith Archives is<br />
a private, not for profit<br />
501c3 organization dedicated<br />
to the preservation, restoration,<br />
and presentation of the<br />
works of American polymath Harry<br />
Everett Smith (1923-1991). The<br />
Harry Smith Archives is housed at<br />
Anthology Film Archives, in New<br />
York City’s Lower East Side, where<br />
Smith’s films have been held for<br />
many years, having been selected<br />
by film scholars for inclusion in the<br />
Archive’s “Essential Cinema” collection<br />
of the major works of film art<br />
in the early 1970s.<br />
Best known to cinephiles<br />
for his experimental films incorporating<br />
ingenious original techniques<br />
of collage animation and<br />
painting directly onto film, Smith<br />
also distinguished himself in many<br />
other fields. In addition to being<br />
one of the most original and cre-<br />
ative of filmmakers,<br />
he was a painter,<br />
well-known musicologist,anthropologist,<br />
linguist, and<br />
magician, who during<br />
his lifetime<br />
amassed a unique<br />
myriad of collections<br />
related to all these<br />
fields.<br />
The Harry Smith collection<br />
consists of<br />
items that were in<br />
his possession at the<br />
time of his death. Archivist Bill Morgan<br />
cataloged his final belongings.<br />
The collection consists of<br />
books (mainly of an anthropological<br />
nature), records, audio recordings,<br />
tarot and playing cards, popup<br />
books, gourds and<br />
realia. (See American<br />
Magus for excerpts<br />
from Bill Morgan’s<br />
interesting catalog of<br />
this collection.)<br />
As a consequence<br />
of his bohemian<br />
lifestyle, Smith lost,<br />
sold, wantonly<br />
destroyed and traded<br />
several lifetimes worth<br />
of collections. Moving<br />
from unpaid hotel bills<br />
at the Chelsea Hotel to<br />
any number of men’s<br />
rooming houses on<br />
the Bowery to Allen<br />
by Rani Singh<br />
Ginsberg’s apartment, Smith’s possessions<br />
took on a life of their<br />
own. Smith packed up and left<br />
under dark of night many times<br />
during his short 67 years, leaving<br />
behind boxes marked with a simple<br />
black-and-white sticker: “Property<br />
of Harry Smith.”<br />
As a consequence of his<br />
bohemian lifestyle, Smith<br />
lost, sold, wantonly<br />
destroyed and traded several<br />
lifetimes worth of<br />
collections.<br />
Uncovering Smith’s life and<br />
collections has been a form of<br />
urban archeology. There are many<br />
layers to be teased apart. One ref-<br />
Harry Smith. Photo © Allen Ginsberg, courtesy of Fahey-<br />
Klein Gallery<br />
ANIMATION WORLD MAGAZINE December 1998 61