Oxford Three-part Repertoire
OUP's series for three-part mixed voices, or SABar, serves choirs of all shapes and sizes across a broad spectrum of styles. Defined by scoring rather than genre or season, the series features practical vocal ranges, clearly presented scores, simple and supportive piano accompaniments, and appealing and inclusive texts - all underpinning quality Oxford repertoire selected specially to meet the needs of community, school, and church choirs. Find out more: https://global.oup.com/academic/content/series/s/oxford-three-part-repertoire-sabar/
OUP's series for three-part mixed voices, or SABar, serves choirs of all shapes and sizes across a broad spectrum of styles. Defined by scoring rather than genre or season, the series features practical vocal ranges, clearly presented scores, simple and supportive piano accompaniments, and appealing and inclusive texts - all underpinning quality Oxford repertoire selected specially to meet the needs of community, school, and church choirs.
Find out more: https://global.oup.com/academic/content/series/s/oxford-three-part-repertoire-sabar/
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14<br />
Sing Love<br />
additional lyrics by<br />
David Major<br />
Words and music by<br />
CHARLES BEALE<br />
SOPRANO<br />
Joyful South African gospel q = 84<br />
°<br />
Vb 4 ∑ ∑ ∑ ∑<br />
ALTO<br />
Vb 4 ∑ ∑ ∑ ∑<br />
5<br />
°<br />
¢<br />
{<br />
BARITONE<br />
Vb<br />
Vb<br />
Bb<br />
Vb<br />
Bb<br />
PIANO<br />
for online perusal only<br />
mf<br />
1. Sing,<br />
mf<br />
1. Sing,<br />
mf<br />
1. Sing,<br />
F<br />
mf<br />
¢<br />
Bb 4 ∑ ∑ ∑ ∑<br />
{<br />
Vb<br />
Joyful South African gospel q = 84<br />
F B¨<br />
F B¨<br />
4 Œ œ Œ<br />
œ œ œ œ Œ<br />
œ œ œ œ Œ<br />
œ œ œ œ œ œ œ<br />
mp . - . - . - . -<br />
Bb t 4 <br />
œ œ r œ. j œ- œ j t <br />
œ œ r œ. œ œœœ t<br />
- œ œ r œ. j œ- œ j t <br />
œ œ r œ. œ œœœ<br />
-<br />
w œ œ j œ œ œ œ œ œ ‰ Œ t<br />
œ<br />
j œ œ œ œ<br />
B¨<br />
F<br />
F<br />
’cause he is your bro - ther!<br />
And feel the rhy-<br />
w œ œ j œ œ œ œ œ œ ‰ Œ t<br />
œ<br />
j œ œ œ œ<br />
’cause he is your bro - ther!<br />
And feel the rhy-<br />
w œ œ J<br />
œ œ œ œ œ œ ‰ Œ t œ J œ œ œ œ<br />
Œ<br />
œ<br />
œ t <br />
Œ<br />
’cause he is your bro - ther!<br />
And feel the rhy-<br />
B¨<br />
œ œ œ œ œ œ œ Œ œ œ œ œ œ<br />
. - . - . - . -<br />
. - œ j t <br />
œ œ r œ. œ œ œ œ t<br />
- œ œ r œ. j - t œ<br />
œ j <br />
œ . -<br />
œ r œ j œ<br />
F<br />
B¨<br />
B¨<br />
F<br />
Œ<br />
F<br />
B¨<br />
B¨<br />
œ œ œ<br />
œ r œ œ œ œ œ<br />
Originally published in Beale and Milloy (eds), Popular Voiceworks 2 (ISBN 978–0–19–336894–1) in an arrangement for flexible voices.<br />
Duration: 3.5 mins<br />
© <strong>Oxford</strong> University Press 2012 and 2020 Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
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