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RED DOOR 24

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MADHUMATHI. H<br />

OLFACTION OF LOVE<br />

Everytime she breaks the cinnamon sticks, or<br />

Crushes the pods of cardamom<br />

A smile blooms, thinking of him<br />

As a whiff of love-scented memories intoxicate<br />

the air...<br />

Jaggery, and ghee melting<br />

Rose petals softly landing upon desserts...<br />

While peeling the oranges, his citrus-anger she<br />

loves<br />

Freshly plucked turmeric, his stolen kisses...<br />

Jasmine buds, of sweet silences<br />

So many fragrances bursts in her heart as his<br />

memories<br />

That perfume her soul...<br />

He is remembered as a scent, a spoor of love<br />

Wherever she turns...<br />

Like the beautiful bottles of perfumes<br />

Memories are collected and treasured<br />

In the shelves of her heart...<br />

Test strips lay untouched<br />

For<br />

Wholeness is love<br />

And he is adored for all the notes...<br />

Sandal incense carried the voice, of his hushed<br />

eyes<br />

While the sky blushed, drawing the drowsy<br />

blue curtains...<br />

Ah! A sudden jolt!<br />

The doorbell!<br />

Her dream evaporated<br />

She lost her sense of smell for a moment<br />

Odourless tears silently flowed<br />

Love suffered Anosmia.<br />

MADHUMATHI (India).<br />

Bilingual poet, writer (English, Tamil), Madhumathi<br />

is an ardent lover of nature, poetry, photography,<br />

and music. She loves to spread mental<br />

health awareness through writing, strongly<br />

believing in the therapeutic power of words,<br />

and takes part in related awareness activities<br />

to break the stigma, and reiterate the importance<br />

of empathy.<br />

Madhumathi’s poems are published in Anthologies<br />

of Poetry Society India, Chennai Poetry<br />

Circle-CPC, India Poetry Circle-IPC, and Poetic<br />

Prism. Muse India(UGC approved), International<br />

Writer’s Journal, Science Shore, Our Poetry<br />

Archives, Positive Vibes are some of the e-zines<br />

her poems are published with.<br />

multicoloredmoon.wordpress.com/<br />

RICHARD TEMPLE<br />

KEEP ON PUMPING<br />

One hundred and six kilos<br />

of meat, blubber and wiry hair.<br />

Pressure mounting; actions; reactions<br />

as crumbling ivory grinds.<br />

Steel tendons straining,<br />

cracking bone, and leaking marrow.<br />

Gravity dragging like quicksand,<br />

its subtle force crushing,<br />

as chemistry battles nature<br />

to tease open canals of slick red heat.<br />

To wrestle the grey slug,<br />

where mind clings to a phantom of vitality.<br />

Youth.<br />

Energy.<br />

Clarity.<br />

Scarred bellows threaten collapse<br />

with every stinging inhalation.<br />

Wallowing in damp flannelette gasps.<br />

Drawing a muddy memory of breath.<br />

Fragile cartilage creaks and clicks,<br />

as potions burn in gullet.<br />

The lumbering creature flounders,<br />

energy spent through years of disarray.<br />

Focus; a fantastic beast<br />

glimpsed through fogged and cracked glass.<br />

Names and faces blurred to one<br />

leave debris of bewildered distress<br />

and a muffled clatter of voices,<br />

heard, but lost in a thick mire<br />

of ancient feculent compost.<br />

Grasping for thought in its felted cell,<br />

finding only fleeting clues<br />

and an abstract carousel of dimly lit hopes.<br />

And yet, it is so unspeakably tiny.<br />

Helpless; inconsequential.<br />

How did time lay so much weight<br />

on such a fragile spark?<br />

So much expectation<br />

on such a flimsy web?<br />

The one remaining dream:<br />

to keep on pumping.<br />

RICHARD TEMPLE, (Wales)<br />

Richard Temple is a performing poet and student<br />

of creative writing at Lampeter University in Wales.<br />

He is the singer and bass player with the band Dog<br />

Food and has worked previously in music promotion,<br />

video and performance art, as well as song<br />

writing and digital design. His poetry tries to grasp<br />

the common experience of what it is to be human,<br />

through captured streams of consciousness or<br />

collages of visualised imagery.<br />

.<br />

ISSUE #<strong>24</strong> - VISUALIZE - FALL 2020 35

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