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The Audacity of Hope

The junior senator from Illinois discusses how to transform U.S. politics, calling for a return to America's original ideals and revealing how they can address such issues as globalization and the function of religion in public life. Specifications Number of Pages: 375 Genre: Freedom + Security / Law Enforcement, Biography + Autobiography, Social Science Sub-Genre: Presidents + Heads of State Author: Barack Obama Age Range: Adult Language: English Street Date: November 6, 2007 Origin: Made in the USA or Imported

The junior senator from Illinois discusses how to transform U.S. politics, calling for a return to America's original ideals and revealing how they can address such issues as globalization and the function of religion in public life.
Specifications
Number of Pages: 375
Genre: Freedom + Security / Law Enforcement, Biography + Autobiography, Social Science
Sub-Genre: Presidents + Heads of State

Author: Barack Obama
Age Range: Adult
Language: English
Street Date: November 6, 2007

Origin: Made in the USA or Imported

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Still, I was reminded of what my veteran colleagues already knew—that every

statement I made would be subject to scrutiny, dissected by every manner of pundit,

interpreted in ways over which I had no control, and combed through for a potential

error, misstatement, omission, or contradiction that might be filed away by the

opposition party and appear in an unpleasant TV ad somewhere down the road. In an

environment in which a single ill-considered remark can generate more bad publicity

than years of ill-considered policies, it should have come as no surprise to me that on

Capitol Hill jokes got screened, irony became suspect, spontaneity was frowned upon,

and passion was considered downright dangerous. I started to wonder how long it took

for a politician to internalize all this; how long before the committee of scribes and

editors and censors took residence in your head; how long before even the “candid”

moments became scripted, so that you choked up or expressed outrage only on cue.

How long before you started sounding like a politician?

There was another lesson to be learned: As soon as Ms. Noonan’s column hit, it went

racing across the Internet, appearing on every right-wing website as proof of what an

arrogant, shallow boob I was (just the quote Ms. Noonan selected, and not the essay

itself, generally made an appearance on these sites). In that sense, the episode hinted at a

more subtle and corrosive aspect of modern media—how a particular narrative, repeated

over and over again and hurled through cyberspace at the speed of light, eventually

becomes a hard particle of reality; how political caricatures and nuggets of conventional

wisdom lodge themselves in our brain without us ever taking the time to examine them.

For example, it’s hard to find any mention of Democrats these days that doesn’t suggest

we are “weak” and “don’t stand for anything.” Republicans, on the other hand, are

“strong” (if a little mean), and Bush is “decisive” no matter how often he changes his

mind. A vote or speech by Hillary Clinton that runs against type is immediately labeled

calculating; the same move by John McCain burnishes his maverick credentials. “By

law,” according to one caustic observer, my name in any article must be preceded by the

words “rising star”—although Noonan’s piece lays the groundwork for a different if

equally familiar story line: the cautionary tale of a young man who comes to

Washington, loses his head with all the publicity, and ultimately becomes either

calculating or partisan (unless he can somehow manage to move decisively into the

maverick camp).

Of course, the PR machinery of politicians and their parties helps feed these narratives,

and over the last few election cycles, at least, Republicans have been far better at such

“messaging” than the Democrats have been (a cliché that, unfortunately for us

Democrats, really is true). The spin works, though, precisely because the media itself

are hospitable to spin. Every reporter in Washington is working under pressures

imposed by editors and producers, who in turn are answering to publishers or network

executives, who in turn are poring over last week’s ratings or last year’s circulation

figures and trying to survive the growing preference for PlayStation and reality TV. To

make the deadline, to maintain market share and feed the cable news beast, reporters

start to move in packs, working off the same news releases, the same set pieces, the

same stock figures. Meanwhile, for busy and therefore casual news consumers, a wellworn

narrative is not entirely unwelcome. It makes few demands on our thought or

time; it’s quick and easy to digest. Accepting spin is easier on everybody.

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