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Student Life | Issue 41

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REVIEW

Call Me By Your Name

Book Review

BY ISABEL GLENTON

Call Me by Your Name is a novel that

I find painstakingly difficult to sum

up within the confines of an article.

However, my friend Jasmine managed

to reduce it to five words: “two gay

blokes in France.” Despite this being

amusing and agonisingly wrong, I

wouldn’t be surprised to find that this

is what most people believe is behind

the title. So, as a courtesy to the book,

and André Aciman himself, I will try

my best to give the manuscript a

review befitting of its brilliance.

Within these pages, Elio Perlman

reminisces about the summer of

1983 at his parent’s holiday home

in Bordighera, Italy. The novel

centralises on the adolescent’s

overwhelming infatuation for one of

his father’s yearly-staying doctoral

students, Oliver. Elio’s feverdreamish

recount tows the line of his

resentment and longing for Oliver

while he tries to come to terms with

his sexuality. Aciman eloquently

depicts this story, enticing the

reader to feel Elio’s pain in his own

overdramatised and romanticised

way.

A quotation that I believe perfectly

captures the essence of the novel is,

‘Is it better to speak or to die?’ “Speak”

meaning confess his love for Oliver,

but by confessing his love for Oliver

he runs the risk of being rejected

by Oliver and possibly his family.

This rejection, to Elio’s overthinking

and introverted mind, regards a

fate worse than death. Rest assured

that his hesitation isn’t simply just a

literary ploy, it is also a contextual

barrier; you see, society in the early

eighties was not as liberal as it is

today, and homophobia was far more

prevalent.

However, as much as you see the

book categorised under LGBTQ+

fiction, the fact remains that the word

21 21 •• MARCH ISSUE 2019 41 •• STUDENT LIFE LIFE

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