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Magzoid Magazine - Leading Art Magazine of MENA | May 2021

MAGZOID is one of the Leading Premium Art Magazine of the MENA region which has it’s presence Online as well as on the Print Media. Leading Art Magazine for all the Art News, Art Exhibitions, Artist Feature, Art Knowledge, History in Arts, Recent findings in Art world, Global Art Facts and many more.

MAGZOID is one of the Leading Premium Art Magazine of the MENA region which has it’s presence Online as well as on the Print Media. Leading Art Magazine for all the Art News, Art Exhibitions, Artist Feature, Art Knowledge, History in Arts, Recent findings in Art world, Global Art Facts and many more.

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Street artist JR unveils a towering<br />

optical illusion in Florence, Italy<br />

As half <strong>of</strong> Italy heads<br />

back into lockdown,<br />

the French artist<br />

JR has unveiled a<br />

major installation on<br />

the façade <strong>of</strong> the Palazzo Strozzi<br />

in Florence that stresses the<br />

importance <strong>of</strong> maintaining access to<br />

culture during the public health crisis.<br />

The 91-foot spectacle, titled “La<br />

Ferita” or “The Wound”, scales the<br />

Palazzo’s Renaissance façade and<br />

simulates a giant gaping hole in<br />

the front <strong>of</strong> the building. Inside the<br />

architectural tear is an imagined<br />

vision <strong>of</strong> the Palazzo’s interior,<br />

made real by a black and white<br />

photographic collage. The museum’s<br />

director, <strong>Art</strong>uro Galansino, says<br />

that the symbolic wound references<br />

the suffering <strong>of</strong> cultural institutions<br />

that have been forced to close or<br />

otherwise restrict access to their<br />

collections.<br />

“What all these lockdowns have<br />

shown us very clearly is that people<br />

are hungry for culture. They want<br />

to access exhibitions, museums,<br />

libraries, theaters, cinemas, to have<br />

culture back as a fundamental part<br />

<strong>of</strong> their lives,” Galansino tells <strong>Art</strong>net<br />

News. “We want this work to be<br />

seen as an invitation to rediscover<br />

a direct relationship with art and to<br />

explore new forms <strong>of</strong> sharing and<br />

participation—a call to action for art<br />

and culture in this difficult moment.”<br />

JR began his career at age 13<br />

as a graffiti artist in France. His<br />

work, which has been exhibited on<br />

staircases, train carriages and even<br />

atop the Louvre, is a fusion <strong>of</strong> street<br />

art and photography. In his 2015<br />

book “Can art change the world?”<br />

“The beauty <strong>of</strong> our city is an important<br />

legacy which must be experienced and<br />

activated by the people,”<br />

JR writes, “Images are not special.<br />

It is what you do with them.” JR’s<br />

readiness to place context above<br />

content has brought him international<br />

acclaim.<br />

The illusory gash across Palazzo<br />

Strozzi symbolizes the wound all<br />

cultural sites have sustained due to<br />

ongoing pandemic restrictions. The<br />

art industry has been devastated by<br />

the ongoing shutdown <strong>of</strong> museums,<br />

galleries, libraries, theaters and<br />

cinemas — with even the most<br />

revered institutions struggling to<br />

get back on their feet. “(“La Ferita”)<br />

makes visible the deep impact <strong>of</strong><br />

Covid-19 on culture,” says JR.<br />

With the intention to support<br />

the creation and promotion <strong>of</strong><br />

contemporary art in Italy, the<br />

installation also launches the<br />

Palazzo Strozzi’s new Future <strong>Art</strong><br />

Programme. The director hope to<br />

be able to reopen the museum’s<br />

doors as soon as possible. In the<br />

meantime, Galansino speaks <strong>of</strong> a<br />

quiet city that has been denuded<br />

<strong>of</strong> the domestic and international<br />

tourists that are usually part <strong>of</strong> the<br />

fabric <strong>of</strong> daily life. “The beauty <strong>of</strong><br />

our city is an important legacy which<br />

must be experienced and activated<br />

by the people,” he says, adding that<br />

the successive shutdowns have<br />

damaged “not only the economy <strong>of</strong><br />

our territory but also our identity and<br />

our lifestyle.”<br />

“Florence is an extraordinary city<br />

and no lockdown can change that,”<br />

he stresses. “But we need clarity on<br />

the future to be able to properly move<br />

forward and develop plans to work<br />

with artists, cooperate with cultural<br />

partners, and fundraise in the most<br />

effective way.”<br />

-news@magzoid.com<br />

32 <strong>May</strong> <strong>2021</strong><br />

www.magzoid.com

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