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Valley Symphony Orchestra Education Concert Booklet

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We are looking forward to having you at the VSO’s Education Concerts and cannot wait to share this wonderful

music with you. In this document you will find information and resources relating to the music your students will

be hearing. There are also links to recordings of each piece should you want your class to listen to examples of the

music. Use some or all of these resources to best prepare your class for an exciting Education Concert!

Terms to review

BEFORE PROCEEDING

MAESTRO:

CONCERTMASTER:

SYMPHONY ORCHESTRA:

MOVEMENT:

The conductor of the orchestra.

The first chair violinist and instrumental leader of the orchestra.

A group of instruments traditionally consisting of violin, viola, cello,

bass, flute, oboe, clarinet, bassoon, french horn, trumpet, trombone,

tuba, and percussion.

A self-contained part of a larger work, similar to a chapter within a

book.

What you will see before the performance begins

• Musicians will be on stage warming up.

• The Concertmaster will walk out, the

orchestra will grow silent, and the

audience (that’s you!) will clap.

• The Concertmaster will direct the oboe

player to play a note for the orchestra

to match. This is called the tuning note.

Multiple tuning notes will be played, one

each for woodwinds, brass, and strings.

• After the tuning note, the concertmaster

will sit down and everyone, including the

audience, will stay quiet.

• The Maestro will walk out on stage, the

orchestra will stand, and the audience

will clap.

• Sometimes the Maestro will speak to the

audience, sometimes the Maestro will

start the music right away. Regardless,

this is when the audience starts listening.

Audience Member Expectations

• Stay seated throughout the performance

• Clap at the end of each piece (it is polite

and shows you enjoyed the music!)

• Save talking for after the performance

• Make sure your cell phone is turned off

How to Stay Engaged with the Music

• See if you can tell which musicians are

playing and which musicians are resting.

• Do you recognize the instruments in the

orchestra?

• How are the conductor’s movements

reflecting the music?

• See if you can tap the steady beat on your

leg with the tip of your finger.


Pyotr Ilyich

Tchaikovsky

(1840-1893)

THE NUTCRACKER SUITE, MARCH (1892)

geography

Tchaikovsky was a Russian composer.

He was born in the city of Votkinsk, which is

6,457 miles away from McAllen, Texas!

history

This ballet was adapted from a story by E.T.A. Hoffman

called The Nutcracker and the Mouse King. Ivan

Vsevolozhsky, the director of the Imperial Theatres,

commissioned Tchaikovsky to write the music for this

ballet. Here is a synopsis of The Nutcracker Ballet story.

While this music was intended to be performed as a ballet

with dancers, Tchaikovsky also took selected music from

the ballet and created a suite to be performed only by

orchestra.

Music

A march is a genre of music with a strong, steady beat

that is typically performed by a military band. The U.S.

Army Old Guard Fife and Drum Corps performs music

from around the time of the American Revolution using

instruments and uniforms that would have been found in

that time. Nutcracker dolls were frequently decorated as

soldiers, which is why they are accompanied by militaristic

music.

instruments

Trumpets have a history within many countries’ military, which is why they are

featured in this movement. They are playing staccato, which is when the notes are

short and separated.

vocabulary

What is a Nutcracker?

Besides cracking the shells

of nuts, a nutcracker doll

symbolizes good luck. Within

German folklore they are said to

be protectors of the house. Maybe

that is why the Nutcracker is the one

who saves Marie from the Mouse King.

dance

Ballet is a concert dance that has

a rich history in Russian culture.

Ballerinas typically dance ‘en pointe,’

which is on the tip of their toes. You

may not be able to dance on point, but

you can march along to the beat of the

music!

Would you like to learn more about Tchaikovsky?

Click here for a Classics for Kids composer profile which includes other examples of his music.


Franz

Liszt

(1811-1886)

PIANO CONCERTO NO. 1, EB MAJOR,

MOVEMENT I (1830-1856)

geography

Liszt was a Hungarian composer, but he spent a lot of his life in

Germany.

Check out the map of mainland Europe and see if you can find

Hungary and Germany.

history

This piece was written over a period of 26 years!

Music

A concerto is an instrumental solo that is accompanied by

an orchestra. The solo instrument within this piece is the

piano, which is why it is has the most prominent musical

passages. Frequently, the orchestra and soloist trade off.

The soloist will sometimes play by themselves and it will

be hard to feel a steady beat. This is called a cadenza and is

usually an opportunity for the soloist to show off.

instruments

The piano is a member of the string family.

Inside there are steel strings that are

struck by a small hammer when a key is

pressed. Because the strings are struck,

you could also argue that the piano is a percussion

instrument. There are upright pianos (L) and

grand pianos (R).

language

The native language of Hungary is Hungarian, but Liszt

spoke German, too. He created funny, unofficial lyrics for

this movement in German. The very first thing you hear is

said to have been Liszt mocking his critics! Das versteht ihr

alle nicht, haha! (translation: none of you understand this,

ha-ha!) This motive returns again and again throughout the

movement. The instruments that play the “ha-ha!” change

as the movement progresses. You can hear this at the very

beginning with the woodwind instruments playing the “haha.”

In the middle of the movement,

there is a duet between the

piano and clarinet. The clarinet is a member of the

woodwind family and was developed differently

by German and French musicians. On the left

is a French-keyed clarinet and on the right is

a German-keyed clarinet. All of the clarinet

players in the VSO play on French-system

clarinets.

Click here for other information and activities involving music by Liszt.


Johannes

Brahms

(1833-1897)

HUNGARIAN DANCE NO. 6, D MAJOR

(1858-68)

geography

Brahms was a composer who was born in Hamburg, Germany

(yes, that’s where we get the name Hamburger), but he spent

most of his life living in Vienna, Austria. This was not uncommon

as Vienna was “The Place” for music, similar to how an actor

might originally be from Texas but move to Hollywood because

it’s the center of the entertainment industry.

history

Brahms wrote many Hungarian Dances (21!), but did not

travel to Hungary to compose them. Instead he wrote

them based on melodies he heard from traveling Roma

musicians (formerly known as Gypsies.)

Music

This piece is in Ternary Form. The first section is the

same as the third section. The second section has two

new melodies that are introduced. The melody is slower

and heavier with the violins playing the melody. Can you

hear the three sections? You know the third section has

started when it sounds like the piece has started back at

the beginning.

dance

Some of the Hungarian Dances Brahms wrote were based

on Csárdás, a folk dance from Hungary. It is characterized

by a variation in tempo (speed) and sometimes starts out

slowly and then gradually speeds up. Do you know a dance

that does this?

instruments

Originally written for four hands (two people

playing piano), you will hear this piece performed

by a symphony orchestra. When you take music

written for piano, or another instrument, and

rewrite it for orchestra, it is called orchestration.

Listen to what the four hands version sounds

like! How do they sound different?

via DSO Kids

Click here for more information about Brahms from DSO Kids!


Leroy

Anderson

(1908-1975)

BUGLER’S HOLIDAY (1954)

geography

Anderson was born in Cambridge,

Massachusetts, which is 2,193 miles away from

McAllen!

history

Anderson was a member of the Army and was stationed at

the Pentagon in 1945, but he still composed music while

there. His pieces were very popular while he was still alive,

which was not the case with a lot of composers.

Music

A holiday is another word for a vacation. This music

imagines the fun that buglers have when they are not on

active military duty. How is this music different from the

militaristic trumpeting in The Nutcracker March?

instruments

A bugle is similar to a trumpet, but does not have any valves (buttons.)

Early bugles were made out of animal horns. Traditionally, bugles have

been used in the military to help officers communicate with their

soldiers during battle before the invention of radios.

If you enjoy Bugler’s Holiday, you are sure to love Anderson’s other works, some of which

feature a typewriter and a “clock” as instruments!


Arturo

Marquez

(b. 1950)

CONGA DEL FUEGO NUEVO (2001)

geography

Marquez is a Mexican composer born in Alamos,

Sonora and currently lives in Mexico City. Mexico

City is very close to us compared to where the

other composers are from!

history

Marquez was the son of a mariachi musician and his

grandfather was a Mexican folk musician in Sonora and

Chihuahua, Mexico. He began his musical training by

playing in a mariachi ensemble. In 2006, Marquez was the

first musician to ever win La Medalla De Oro De Bellas Artes

de Mexico (Gold Medal of Fine Arts of Mexico.)

Music

In this piece, the claves (pictured below) are playing the

‘son clave’ rhythm which is the most common way this

instrument is played within Latin music. The claves are a

high-pitched percussion instrument made out of wood.

instruments

Conga drum:

An afro-cuban drum that is tubular and tapered toward the bottom.

It is usually played with the hands. Click the link to see an example of

conga playing!

dance

The Conga is Cuban, but has roots in African dance.

Check out this video of a Cuban dance company for an

example of what a Conga dance can look like. You can

certainly hear the conga drum in this recording!


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Suggested Activities [approx. grade levels noted]

• Figure out what direction you would need to go to get from the

composer’s birth place to where they spent most of their lives. [3-

5]

• Find the steady beat of the music and tap your foot to the beat.

Does it speed up or slow down? Is it easy or difficult to find? [K-5]

• When listening to The Nutcracker March and Bugler’s Holiday, try

marching to the beat. [K-5]

• Listen for a specific instrument within each piece. For instance,

raise your hand when you hear the clarinet in the Liszt. [K-5]

• Clap along with the son clave rhythm in the Marquez [6-8]

• Explore different instruments and what vibrates on each

instrument to produce sound. [K-5]

• Discuss why bigger instruments sound lower and smaller

instruments sound higher. Order the instruments of the orchestra

from lowest-sounding to highest-sounding. [K-5]

• What happens to the vibrations to make the instrument play

softer/louder or higher/lower? [6-8]

• Discuss the materials used to make each instrument. How does the

material affect the sound of the instrument? [6-8]

• What was happening in the United States when Anderson was

writing Bugler’s Holiday? [6-8]


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The 2020 Children’s Education Concerts

are presented with generous sponsorship from:

Concert Guide Author: Meredith Gersten

Design: Black Koi 360

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