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<strong>The</strong> third movement, Scherzo (Allegro vivace, playful,<br />
light and very fast) opens with the first theme played by<br />
the strings. A second feature of the movement is the<br />
waltz themes that keep appearing – the first of these<br />
constitutes the second theme.<br />
<strong>The</strong> second section opens in the woodwinds and brass,<br />
with a short, detached string accompaniment. This section<br />
ends with two loud chords. <strong>The</strong> Trio section then starts<br />
with horns, clarinets, bassoons, and trumpets playing<br />
together and the movement’s fourth theme is played by<br />
a woodwind choir. Next, the flutes and bassoons play the<br />
Trio’s opening theme again. <strong>The</strong> Trio then repeats back to<br />
the start of the Scherzo to finish that movement.<br />
<strong>The</strong> final movement, Allegro vivace (very fast), has two<br />
main themes. It begins with a call to attention, with very<br />
loud notes. <strong>The</strong> second theme also has a running rhythm<br />
in the strings while the woodwinds play the melody.<br />
<strong>The</strong>re are fragments of this theme until both main<br />
themes are heard again in their entirety.<br />
A final section expands some of the melodic material<br />
with a short episode where strings, horns and bassoons<br />
play with the full orchestra answering in different keys.<br />
<strong>The</strong> final section is unusually long and the movement’s<br />
introductory rhythm returns before a very sudden, loud<br />
chord that gradually fades away to the end.<br />
DID YOU KNOW?<br />
In March 1827, Schubert was a torchbearer at<br />
Beethoven’s funeral.<br />
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