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Understanding Basic Music Theory, 2013a

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163<br />

1. The ratio 4:6 reduced to lowest terms is 2:3. (In other words, they are two ways of writing the same<br />

mathematical relationship. If you are more comfortable with fractions than with ratios, thinkof all<br />

the ratios as fractions instead. 2:3 is just two-thirds, and 4:6 is four-sixths. Four-sixths reduces to<br />

two-thirds.)<br />

2. Six and nine (6:9 also reduces to 2:3); eight and twelve; ten and fteen; and any other combination<br />

that can be reduced to 2:3 (12:18, 14:21 and so on).<br />

3. Harmonics three and four; six and eight; nine and twelve; twelve and sixteen; and so on.<br />

4. 3:4<br />

Solution to Exercise 4.6.2 (p. 143)<br />

Opening both rst and second valves gives the harmonic series one-and-a-half steps lower than "no valves".<br />

Figure 4.70<br />

Solution to Exercise 4.7.1 (p. 146)<br />

E at major (3 ats):<br />

• B at major (2 ats)<br />

• A at major (4 ats)<br />

• C minor (3 ats)<br />

• G minor (2 ats)<br />

• F minor (4 ats)<br />

A minor (no sharps or ats):<br />

• E minor (1 sharp)<br />

• D minor (1 at)<br />

• C major (no sharps or ats)<br />

• G major (1 sharp)<br />

• F major (1 at)<br />

Solution to Exercise 4.7.2 (p. 146)<br />

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