247 Solution to Exercise 6.4.3 (p. 240) The trombone part is in C in bass clef; the horn players are used to reading parts in F in treble clef. Transpose the notes up a perfect fth and write the new part in treble clef. (a) (b) Figure 6.32: (a) This is the same part transposed up a fth so that it is in F (b) Now write it in treble clef to make it easy for horn players to read. Solution to Exercise 6.4.4 (p. 241) Put the capo on the rst fret to raise the sound by one half step. Then transpose the chords down one half step. You will be playing in G, a nice strong key for guitar, but sounding in A at. For more on transposing chords, see Transposing Chord Names (Section 6.4.6: Transposing Chord Names) Figure 6.33: Giving guitarists the option of playing in G major (with a capo) can make things easier. Solution to Exercise 6.4.5 (p. 245) The best solution here is probably to put the song in the key of G. This is three keys lower, and has easy chords. Figure 6.34 Available for free at Connexions
248 INDEX Index of Keywords and Terms Keywords are listed by the section with that keyword (page numbers are in parentheses). Keywords do not necessarily appear in the text of the page. They are merely associated with that section. Ex. apples, Ÿ1.1 (1) Terms are referenced by the page they appear on. Ex. apples, 1 " "swing" rhythm, 45 A a beat, 32 A Note Name, 85 absolute pitch, 209 accents, Ÿ1.3.1(54), 56, Ÿ1.3.2(57), 58 accidentals, 15 accompaniment, 81 acoustics, Ÿ3.1(93), 132 aeolian, Ÿ6.3(222) aerophone, Ÿ3.2(98) al coda, Ÿ1.2.9(49) al ne, Ÿ1.2.9(49) allegro, Ÿ1.2.8(47) altered chord, 184 altered chords, Ÿ5.4(177) altered note, 184 alto, Ÿ2.7(83), 84 ambitus, 228 amplitude, 96, 96 andante, Ÿ1.2.8(47) antecedent, 73 antinodes, 100, 100 arpeggiated chords, 80 arpeggios, 80 Art music, 88 articulation, Ÿ1.3.2(57), 57, 57 atonal, Ÿ2.8(86), 88 attack, 57, 70 augmented, 135 augmented chord, 172 augmented chords, Ÿ5.2(170) augmented intervals, Ÿ4.5(129) Authentic, 193 authentic cadence, Ÿ5.6(192) B bar, Ÿ2.1(69) bar lines, 3 baritone, Ÿ2.7(83), 84 bars, 3, 33 bass, Ÿ2.7(83), 84 bass clef, Ÿ1.1.2(5), 6 bass line, 81 bass notes, Ÿ5.4(177) beam, 27 beat, Ÿ2.1(69), 69, 69 beats, 32, 221 block chords, 80 blues, 87, Ÿ4.8(148) borrowed division, 38 borrowed divisions, 43 bridge, 198 C C clef, Ÿ1.1.2(5), 7 cadence, Ÿ2.5(79), 81, Ÿ5.6(192), 192, 192 canon, Ÿ2.6(81) Caribbean, 87 cell, Ÿ2.3(71), 74, 74 cent, 220 chant, Ÿ6.3(222) chest register, 83 chord, Ÿ5.1(167), 175 chord progression, Ÿ2.5(79), 80 chord progressions, Ÿ6.1(209) chord symbol, 178 chord symbols, Ÿ5.4(177) chordophone, Ÿ3.2(98) chords, Ÿ2.5(79), 80, 80, Ÿ5.2(170), Ÿ5.3(175), Ÿ5.4(177), Ÿ5.5(185) chorus, Ÿ5.7(195) chromatic, 81, Ÿ2.8(86), 88 chromatic scale, 117, 148 church modes, Ÿ6.3(222), 226 classical, 88, 89 classical music, Ÿ2.8(86), 88 clef, Ÿ1.1.2(5) clef symbol, 6 coda, Ÿ1.2.9(49) color, Ÿ2.2(70), 70, 70, 105 coloratura, Ÿ2.7(83) Coloratura Soprano, 84 common notation, 3 common practice, 87 common time, 35 Available for free at Connexions
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