Understanding Basic Music Theory, 2013a

208 CHAPTER 5. HARMONY AND FORM
Figure 5.56
Notice that the half cadence looks like (and in fact is) a modulation (Section 5.5.6: Modulation) to
the dominant. In this very common progression, the dominant seventh of the dominant (which requires an
accidental) makes the dominant feel like a very strong resting point, and the piece will continue on in the
dominant key for a while, before returning to the tonic key. Also notice the accidental required in the minor
key to make the (major) dominant chord.
Solution to Exercise 5.7.1 (p. 197)
Your answers will depend on the songs you choose. Check them with a teacher if you can. (Bring the music
so the teacher can listen to it while checking your answers.)
Solution to Exercise 5.7.2 (p. 198)
If one is available, have a music teacher check your answers.
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