06.09.2021 Views

Understanding Basic Music Theory, 2013a

Understanding Basic Music Theory, 2013a

Understanding Basic Music Theory, 2013a

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

189<br />

Figure 5.35<br />

Exercise 5.5.2 (Solution on p. 205.)<br />

Name the chord.<br />

1. Dominant in C major<br />

2. Subdominant in E major<br />

3. Tonic in G sharp major<br />

4. Mediant in F major<br />

5. Supertonic in D major<br />

6. Submediant in C major<br />

7. Dominant seventh in A major<br />

Exercise 5.5.3 (Solution on p. 205.)<br />

The following chord progression is in the key of G major. Identify the relationship of each chord<br />

to the key by both name and number. Which chord is not in the key? Which chord in the key has<br />

been left out of the progression?<br />

Figure 5.36<br />

5.5.5 Minor Keys<br />

Since minor scales (Section 4.4) follow a dierent pattern of intervals (Section 4.5) than major scales, they<br />

will produce chord progressions with important dierences from major key chord progressions.<br />

Exercise 5.5.4 (Solution on p. 206.)<br />

Write (triad) chords that occur in the keys of A minor, E minor, and D minor. Remember to begin<br />

each triad on a note of the natural minor (Section 4.4.3: Relative Minor and Major Keys) scale<br />

Available for free at Connexions

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!