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Red Door #28 - The TYPEWRITTEN issue

Featuring the art of Hal Wildson Jessica Esch Tim Youd Danni Storm Chad Reynolds Kevin Stebner Martin Andersen Frank Singleton Leo K. Benjamin Paweshi and illustrations by Richard Polt Including poetry by Michael Favala Goldman Cristian Forte Jack Thacker Lani O'Hanton Un Sio San Hasso Krull Simon Nastac Pankhuri Sinha Laurence James and Pablo Saborio As well as the official program of Nature & Culture - International Poetry Festival Red Transmissions Podcast: The Typewriter Revolution Chicano Tribune: Anniversaries and more. In dedication to Red Door correspondent David H. Rambo. www.reddoormagazine.com

Featuring the art of Hal Wildson
Jessica Esch
Tim Youd
Danni Storm
Chad Reynolds
Kevin Stebner
Martin Andersen
Frank Singleton
Leo K.
Benjamin Paweshi
and illustrations by Richard Polt

Including poetry by
Michael Favala Goldman
Cristian Forte
Jack Thacker
Lani O'Hanton
Un Sio San
Hasso Krull
Simon Nastac
Pankhuri Sinha
Laurence James
and Pablo Saborio

As well as the official program of
Nature & Culture - International Poetry Festival

Red Transmissions Podcast:
The Typewriter Revolution

Chicano Tribune: Anniversaries
and more.

In dedication to Red Door correspondent
David H. Rambo.

www.reddoormagazine.com

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What is grass?<br />

<strong>The</strong>re’s a god in the grass<br />

and it tells us our purpose<br />

which is to tear it all up, bit by bit.<br />

All day we take our communion.<br />

We inhabit a holy carpet.<br />

<strong>The</strong>re’s a voice in the trees<br />

and a drone in the sky. To eat,<br />

to sleep, to stand and try to die<br />

is our purgatory. It’s easy enough<br />

to say it – ‘weather’ is a verb.<br />

We go along with rituals.<br />

We entertain possibilities.<br />

Dust rises. Fresh grass. We know<br />

where we are going and will go<br />

in our time – unless pushed.<br />

We are held. We are patient.<br />

<strong>The</strong> operation is tolerated.<br />

Resistance is offered – otherwise<br />

it would be obvious. We are<br />

handled. We struggle. We dig in.<br />

<strong>The</strong>re is a thing we learn and<br />

it comes to us naturally.<br />

Jack Thacker<br />

United Kingdom<br />

Going to the Well<br />

Lani O’Hanlon<br />

Ireland<br />

Soon<br />

we return freely to the green<br />

of our eyes, of our minds<br />

and lower our heads to it.<br />

We understand how to suffer –<br />

maggots, blindness, foot rot, worms,<br />

loneliness, yes, and mastitis.<br />

We are, despite it all, used<br />

to it all and its violence.<br />

Three wells,<br />

as in a fairytale;<br />

the first well is dry,<br />

the second well is dry,<br />

the third well is dry.<br />

A woman asks if there is a well committee<br />

someone to tell us where the water went.<br />

We are thirsty then,<br />

desperate for a drink.<br />

A woman climbs down into the well<br />

begins to dig with an old tin cup.<br />

We wait for a trickle<br />

some hint of moisture to wet our lips<br />

with whatever cure is here.<br />

She holds it up,<br />

we lean forward to see<br />

but in the cup there is only money.<br />

027

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