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Red Door #28 - The TYPEWRITTEN issue

Featuring the art of Hal Wildson Jessica Esch Tim Youd Danni Storm Chad Reynolds Kevin Stebner Martin Andersen Frank Singleton Leo K. Benjamin Paweshi and illustrations by Richard Polt Including poetry by Michael Favala Goldman Cristian Forte Jack Thacker Lani O'Hanton Un Sio San Hasso Krull Simon Nastac Pankhuri Sinha Laurence James and Pablo Saborio As well as the official program of Nature & Culture - International Poetry Festival Red Transmissions Podcast: The Typewriter Revolution Chicano Tribune: Anniversaries and more. In dedication to Red Door correspondent David H. Rambo. www.reddoormagazine.com

Featuring the art of Hal Wildson
Jessica Esch
Tim Youd
Danni Storm
Chad Reynolds
Kevin Stebner
Martin Andersen
Frank Singleton
Leo K.
Benjamin Paweshi
and illustrations by Richard Polt

Including poetry by
Michael Favala Goldman
Cristian Forte
Jack Thacker
Lani O'Hanton
Un Sio San
Hasso Krull
Simon Nastac
Pankhuri Sinha
Laurence James
and Pablo Saborio

As well as the official program of
Nature & Culture - International Poetry Festival

Red Transmissions Podcast:
The Typewriter Revolution

Chicano Tribune: Anniversaries
and more.

In dedication to Red Door correspondent
David H. Rambo.

www.reddoormagazine.com

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SELF<br />

TAUGHT<br />

TYPER<br />

This recent poem from Laurence<br />

tells of youthful adventures in his<br />

early use of a typewriter.<br />

Laurence is the son of a minister<br />

and a shared experience we have<br />

as boys is typing up the weekly parish<br />

newsletter. My typewriter was<br />

electric, Laurence’s never, always<br />

mechanical and, these days, he has<br />

even put aside that technology,<br />

reverting to longhand in his outdated<br />

desk diaries.<br />

A Z makeshift fingering method all my own<br />

I’m ahammering out the alphabet at Dad,<br />

Padres Parsonage desk<br />

which office hours<br />

have witnessed the birth of sermons<br />

underlined prompts for a Lord’s Day airing at<br />

the pulpit launch<br />

of each missal<br />

and once a month the creation via his hand<br />

cranked duplicator contraption of vicar’s<br />

parish notes<br />

hypnotic the power my new medium has to<br />

take a thing out of itself<br />

out of my hand for itself and put it, so to<br />

speak, out there<br />

nice and impersonal like<br />

that sudden readability of it all astounds<br />

soon I’m flying up, down and across the tiers<br />

of letters making those<br />

clarifying marks of the grammarian<br />

playing the numbers game<br />

going through hoops of scale arpeggio and<br />

triad like a training church organist<br />

rehearsing the prentice piece<br />

in due course naturally<br />

as vocabulary selection I can spell<br />

even an entire first line<br />

a bell on the thing going off in recognition<br />

here and there inevitably the family name<br />

appears<br />

and my own three fore names<br />

the last the call name<br />

with a u<br />

Laurence, Lawrence James<br />

black on white needless to write but<br />

using the full two-tone band width one flick<br />

of a colour coded lever also the red<br />

under one spool of eight up ribbon<br />

unreeling it’s twins spool reeling back in<br />

à la Beckett<br />

à la last tape<br />

of crap<br />

and I did notice that loudhailer gizmo of<br />

yours<br />

do you think one day<br />

I could have a go on it?<br />

055

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