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n Scene 6 (Dorinda e Medoro)<br />
Recitativo medoro Ecco Dorinda, né sfuggirla io posso.<br />
dorinda Medoro, al fin ti ritrovo<br />
Pure una volta solo; perché poche<br />
Son quelle che lontana da te stia<br />
La tua bella parente; ed ho timore<br />
Che più del sangue a lei t’unisca amore.<br />
dorinda Vorrei gentil Medoro<br />
Poterti prestar fede;<br />
Ma il core non ti crede, e che ingannarmi<br />
Dice, che vuoi. Non posso consolarmi.<br />
Aria di Medoro medoro Se il cor mai ti dirà<br />
Ch’io mi scordi di te,<br />
Rispondigli per me,<br />
Ch’è menzognero<br />
Memoria sì gradita<br />
Altro che con la vita<br />
Mai non si partirà<br />
Dal mio pensiero.<br />
Se il cor mai ti dirà, etc.<br />
(Parte)<br />
n Scene 7 (Dorinda sola)<br />
Recitativo dorinda Povera me! Ben vedo che m’alletta<br />
Con un parlar fallace;<br />
Ma così ancor mi piace,<br />
E ogni sua pargoletta<br />
Mi fa all’udito certa consonanza<br />
Che accorda col desio pur la speranza.<br />
Aria di Dorinda dorinda O care parolette, o dolci sguardi<br />
Sebbene siete bugiardi<br />
Tanto vi crederò.<br />
Ma poi che far potrò<br />
Allor che troppo tardi<br />
Io vi conoscerò.<br />
O care parolette, etc.<br />
(Parte)<br />
(Dorinda and Medoro)<br />
But see Dorinda comes,<br />
nor can I now fly from her presence.<br />
I at least, Medoro,<br />
have found thee once along, for ‘tis but seldom<br />
when thou art present that thy fair relation<br />
is severed from thy side, and much I fear<br />
that ye are both so tenderly united<br />
less by affinity than mutual love.<br />
Lovely Medoro, I would fain believe thee,<br />
but still my heart suspects thy truth, and whispers,<br />
that thou art still determined to deceive me, and<br />
this deprives me of consolation.<br />
If then thy heart, with vain alarms,<br />
tells thee that I forget thy charms,<br />
O answer it for me, my fair,<br />
that it, indeed, deceives thee there.<br />
The soft remembrance of thy love<br />
I cherish with such fond desire,<br />
that it, as the event will prove,<br />
can only with my life expire.<br />
If then thy heart…<br />
(Exit)<br />
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Unhappy me! Too well I am convinced,<br />
that he allures me with fallacious language;<br />
but he retains the power to charm me still,<br />
and each soft accent that he fondly utters,<br />
with so much harmony enchants my ear<br />
that all my hopes accord with my desires.<br />
O charming sounds, O looks relieving,<br />
though ye appear but too deceiving,<br />
I’ll trust you still with my repose.<br />
But what can sooth my sad confusion,<br />
when I discover the delusion<br />
too late to ease me of my woes!<br />
O charming sounds …<br />
(Exit)<br />
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<strong>Vancouver</strong> <strong>Early</strong> <strong>Music</strong> <strong>Festival</strong> <strong>2012</strong> — Handel’s “Orlando” - page 18 — www.earlymusic.bc.ca