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Vancouver Early Music Festival 2012

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— THE ORCHESTRA —<br />

PBO<br />

PacificBaroqueOrchestra<br />

Alexander Weimann<br />

music director<br />

violin i<br />

Chloe Meyers<br />

concert mistress,<br />

violin & viola d’amore<br />

Linda Melsted<br />

violin & viola d’amore<br />

Christi Meyers<br />

Chantal Rémillard<br />

violin ii<br />

Paul Luchkow<br />

Louella Alatiit<br />

Angela Malmberg<br />

Arthur Neele<br />

viola<br />

Glenys Webster<br />

Ellie Nimeroski<br />

violoncello<br />

Nathan Whittaker<br />

Tulio Rondón<br />

violone / double bass<br />

Natalie Mackie<br />

Curtis Daily<br />

oboe & recorder<br />

Matthew Jennejohn<br />

Curtis Foster<br />

bassoon<br />

Katrina Russell<br />

natural horn<br />

Andrew Clark<br />

Steve Denroche<br />

theorbo<br />

Sylvain Bergeron<br />

harpsichord<br />

Alexander Weimann<br />

harpsichord & chamber organ<br />

Christopher Bagan<br />

PBO<br />

PacificBaroqueOrchestra<br />

www.pacificbaroque.com<br />

— PROGRAMME —<br />

Wednesday 15 August g Chan Centre for the Performing Arts<br />

Handel’s “Orlando”<br />

An opera-in-concert performance<br />

Cover illustration of the 1542 edition of Ludovico Ariosto’s “Orlando furioso” (Gabriele Giolito de’ Ferrari, Venice)<br />

Alexander Weimann music director<br />

Tim Mead countertenor Orlando, a knight<br />

Karina Gauvin soprano Angelica, Queen of Cathay<br />

Allyson McHardy alto Medoro, an African Prince<br />

Amanda Forsythe soprano Dorinda, a shepherdess<br />

Nathan Berg bass Zoroastro, a magician<br />

Pacific Baroque Orchestra<br />

This performance of Handel’s “Orlando”<br />

is made possible through the generous assistance of<br />

the Drance Family Fund, the Mary and Gordon Christopher Foundation,<br />

the Nemetz Foundation, the John Hardie Mitchell Family Foundation,<br />

and a number of major anonymous donors.<br />

Special thanks to Carol Tsuyuki and to <strong>Vancouver</strong> Community College<br />

for the use of the double-manual harpsichords after Taskin, built by Craig Tomlinson,<br />

and to Hans-Karl Piltz for the use of the violas d ’amore.<br />

Recordings will be for sale in the lobby during the interval and after the concert<br />

www.earlymusic.bc.ca — Handel’s “Orlando” - page 1 — <strong>Vancouver</strong> <strong>Early</strong> <strong>Music</strong> <strong>Festival</strong> <strong>2012</strong>

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