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In Touch - 1st Quarter 2022

Articles on: the continuing biblical story of the Line and the Land; restoring to wholeness (shalom); Christians in Israel; the Leica camera and the Jews; what the Apostle Paul meant when he wrote, 'all Israel will be saved'; the special story of one particular fiddle; CFI UK’s new Echoes of Sorrow exhibition; and Yair Lapid's aim to establish a coalition of nations opposed to a nuclear Iran.

Articles on: the continuing biblical story of the Line and the Land; restoring to wholeness (shalom); Christians in Israel; the Leica camera and the Jews; what the Apostle Paul meant when he wrote, 'all Israel will be saved'; the special story of one particular fiddle; CFI UK’s new Echoes of Sorrow exhibition; and Yair Lapid's aim to establish a coalition of nations opposed to a nuclear Iran.

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<strong>In</strong> Memory<br />

“Never Forget”<br />

Echoes of Sorrow<br />

As 2021 ended we were<br />

concerned that Covid would<br />

disrupt many plans around<br />

the UK to re-establish<br />

annual commemorations for<br />

Holocaust Memorial Day on 27 th January<br />

<strong>2022</strong>. This day, amongst others, marks the<br />

liberation of Auschwitz concentration<br />

camp by the Soviet Union in 1945.<br />

Last year, due to the pandemic, CFI UK<br />

launched our first online memorial event<br />

via YouTube. It was called ‘Light in the<br />

Darkness’, was viewed live by hundreds<br />

onscreen and now has almost 4,500 views.<br />

Although uncertainty caused some CFI<br />

events to be cancelled as early as December<br />

2021, because of government restrictions<br />

and concerns over smaller venues, some<br />

went ahead or were adapted. We thank<br />

the Lord for those who are committed and<br />

were able to work resolutely, praying and<br />

preparing fitting, dignified, educational<br />

events that will continue the remembrance<br />

of those lost and those affected by the<br />

Shoah and Nazi persecution.<br />

Strategic Provision<br />

Before the Lockdown, a CFI supporter from<br />

the Midlands named Rhona gave Julia<br />

and David Soakell custodianship of some<br />

excellent photographs taken in Auschwitz.<br />

She knew a professional photographer<br />

called John Guy, who over the years had<br />

taken dozens of contemporary photos of<br />

the Auschwitz Camp during several trips<br />

to Poland. After some media coverage<br />

and opportunities to share the photos,<br />

Rhona lost touch with him, but felt the<br />

work was too important to leave unseen.<br />

After passing this unique collection of<br />

photographs to Julia and David, she tried<br />

tirelessly to find John, originally from<br />

Liverpool, but without success. Even so,<br />

an exhibition was compiled that gives<br />

full credit to him. It is called ‘Echoes of<br />

Sorrow’, after the title John used for this<br />

work. From more than 80 photos, 13 have<br />

been placed alongside a chronological<br />

narrative which sets the reader in the camp,<br />

showing its development and providing<br />

historical insights through the mid-1940s.<br />

This helps to portray the preciousness of<br />

life, the resilience of the Jewish prisoners,<br />

the heartlessness of the Nazi guards, the<br />

retention of tradition whilst still in the<br />

camp and the wholescale killing of every<br />

generation of Jewish people.<br />

We called one of the most poignant<br />

photos ‘Mountains of Shoes’ – a staggering<br />

portrayal of the lives wrenched from their<br />

homes and security, cunningly taken to<br />

new places for what many thought was a<br />

temporary move, with suitcases and hope<br />

– all dashed and discarded. Most of those<br />

boots, shoes and sandals – of children,<br />

mothers and fathers - represent a life<br />

snuffed out in that very camp.<br />

John Guy’s handwriting appeared on<br />

another image – he had named it ‘Between<br />

Life and Death’. It showed a snowy<br />

scene between the barbed wire fence<br />

beside one of the barracks and the outer<br />

perimeter of the camp, overshadowed by<br />

Library exhibit in the borders of Scotland, overseen by Philip Aitchison<br />

the eerie spotlights used by the guards for<br />

surveillance.<br />

Julia was able to produce three identical<br />

exhibitions with narrative of what took<br />

place in the camp from its construction<br />

to its liberation. <strong>In</strong> January <strong>2022</strong> the<br />

exhibition was displayed in the Scottish<br />

Borders, overseen by Philip Aitchison, as<br />

well as in Middlesbrough, in Eastbourne,<br />

East Sussex and in Brentwood, Essex, at<br />

an event hosted by Moira Dare-Edwards.<br />

Other memorial events were arranged by<br />

CFI Links in the West Midlands, Stoke on<br />

Trent and Rockwell Green Somerset.<br />

Standing alongside<br />

It is important for us as a ministry to stand<br />

alongside the Jewish communities in our<br />

nation – to show solidarity and the need to<br />

remember the Shoah. We must never forget<br />

but press on each year with educating<br />

wider society to recognize the debt we<br />

owe to the Jewish people and showing the<br />

Church the need to repent for 2,000 years<br />

of Christian antisemitism heaped upon<br />

the Jewish people. We have a long way to<br />

go, but we trust each of these events and<br />

commemorations goes some way to repay<br />

our debt and repair our relationship with<br />

God’s chosen people.<br />

8 IN TOUCH • 1 st <strong>Quarter</strong> <strong>2022</strong><br />

twitter.com/cfi_uk<br />

facebook.com/cfiuk<br />

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