In Touch - 1st Quarter 2022
Articles on: the continuing biblical story of the Line and the Land; restoring to wholeness (shalom); Christians in Israel; the Leica camera and the Jews; what the Apostle Paul meant when he wrote, 'all Israel will be saved'; the special story of one particular fiddle; CFI UK’s new Echoes of Sorrow exhibition; and Yair Lapid's aim to establish a coalition of nations opposed to a nuclear Iran.
Articles on: the continuing biblical story of the Line and the Land; restoring to wholeness (shalom); Christians in Israel; the Leica camera and the Jews; what the Apostle Paul meant when he wrote, 'all Israel will be saved'; the special story of one particular fiddle; CFI UK’s new Echoes of Sorrow exhibition; and Yair Lapid's aim to establish a coalition of nations opposed to a nuclear Iran.
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<strong>In</strong> Memory<br />
“Never Forget”<br />
Echoes of Sorrow<br />
As 2021 ended we were<br />
concerned that Covid would<br />
disrupt many plans around<br />
the UK to re-establish<br />
annual commemorations for<br />
Holocaust Memorial Day on 27 th January<br />
<strong>2022</strong>. This day, amongst others, marks the<br />
liberation of Auschwitz concentration<br />
camp by the Soviet Union in 1945.<br />
Last year, due to the pandemic, CFI UK<br />
launched our first online memorial event<br />
via YouTube. It was called ‘Light in the<br />
Darkness’, was viewed live by hundreds<br />
onscreen and now has almost 4,500 views.<br />
Although uncertainty caused some CFI<br />
events to be cancelled as early as December<br />
2021, because of government restrictions<br />
and concerns over smaller venues, some<br />
went ahead or were adapted. We thank<br />
the Lord for those who are committed and<br />
were able to work resolutely, praying and<br />
preparing fitting, dignified, educational<br />
events that will continue the remembrance<br />
of those lost and those affected by the<br />
Shoah and Nazi persecution.<br />
Strategic Provision<br />
Before the Lockdown, a CFI supporter from<br />
the Midlands named Rhona gave Julia<br />
and David Soakell custodianship of some<br />
excellent photographs taken in Auschwitz.<br />
She knew a professional photographer<br />
called John Guy, who over the years had<br />
taken dozens of contemporary photos of<br />
the Auschwitz Camp during several trips<br />
to Poland. After some media coverage<br />
and opportunities to share the photos,<br />
Rhona lost touch with him, but felt the<br />
work was too important to leave unseen.<br />
After passing this unique collection of<br />
photographs to Julia and David, she tried<br />
tirelessly to find John, originally from<br />
Liverpool, but without success. Even so,<br />
an exhibition was compiled that gives<br />
full credit to him. It is called ‘Echoes of<br />
Sorrow’, after the title John used for this<br />
work. From more than 80 photos, 13 have<br />
been placed alongside a chronological<br />
narrative which sets the reader in the camp,<br />
showing its development and providing<br />
historical insights through the mid-1940s.<br />
This helps to portray the preciousness of<br />
life, the resilience of the Jewish prisoners,<br />
the heartlessness of the Nazi guards, the<br />
retention of tradition whilst still in the<br />
camp and the wholescale killing of every<br />
generation of Jewish people.<br />
We called one of the most poignant<br />
photos ‘Mountains of Shoes’ – a staggering<br />
portrayal of the lives wrenched from their<br />
homes and security, cunningly taken to<br />
new places for what many thought was a<br />
temporary move, with suitcases and hope<br />
– all dashed and discarded. Most of those<br />
boots, shoes and sandals – of children,<br />
mothers and fathers - represent a life<br />
snuffed out in that very camp.<br />
John Guy’s handwriting appeared on<br />
another image – he had named it ‘Between<br />
Life and Death’. It showed a snowy<br />
scene between the barbed wire fence<br />
beside one of the barracks and the outer<br />
perimeter of the camp, overshadowed by<br />
Library exhibit in the borders of Scotland, overseen by Philip Aitchison<br />
the eerie spotlights used by the guards for<br />
surveillance.<br />
Julia was able to produce three identical<br />
exhibitions with narrative of what took<br />
place in the camp from its construction<br />
to its liberation. <strong>In</strong> January <strong>2022</strong> the<br />
exhibition was displayed in the Scottish<br />
Borders, overseen by Philip Aitchison, as<br />
well as in Middlesbrough, in Eastbourne,<br />
East Sussex and in Brentwood, Essex, at<br />
an event hosted by Moira Dare-Edwards.<br />
Other memorial events were arranged by<br />
CFI Links in the West Midlands, Stoke on<br />
Trent and Rockwell Green Somerset.<br />
Standing alongside<br />
It is important for us as a ministry to stand<br />
alongside the Jewish communities in our<br />
nation – to show solidarity and the need to<br />
remember the Shoah. We must never forget<br />
but press on each year with educating<br />
wider society to recognize the debt we<br />
owe to the Jewish people and showing the<br />
Church the need to repent for 2,000 years<br />
of Christian antisemitism heaped upon<br />
the Jewish people. We have a long way to<br />
go, but we trust each of these events and<br />
commemorations goes some way to repay<br />
our debt and repair our relationship with<br />
God’s chosen people.<br />
8 IN TOUCH • 1 st <strong>Quarter</strong> <strong>2022</strong><br />
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