INFINITI-catalogue-2022 -

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DESIGNERS Andreas Ostwald 12 Callita 2012 Next 2013 Next Table 2016 Eastwod 2019 Andreas Ostwald was born in Germany in 1964. After an apprenticeship as a ceramic modeller and having studied Industrial Design in Kiel, in 1996 he started up his own business, giving life to Ostwalddesign studio. From 1996 to 2006 he taught design at the “Muthesius Hochschule” of Kiel, and since 2005 he is professor at the HFK University of Bremen. In his of product and interior design research, Ostwald is always looking for complete uniqueness, leading to the creation of exclusive products and spaces. Core of his philosophy is the ambition for aesthetic perfection, attainable only through absolute proportions. To Ostwald, an appealing design must be in harmonious relationship not only with its details, but also with the environment: to design products being respectful of man and the environment means researching innovative interaction with the new technological and physical possibilities.
DESIGNERS mC.dsg Úti 2018 Record Living 2018 Record Bench 2018 Record Contract 2018 Ekki 2019 Record Meeting 2019 Sys 2020 mC.dsg is an Italian design studio founded by Matteo Coracin in 2017.The studio takes inspiration mainly from the simple lines, the nature and the emotions that only the cured objects give. Concepts that arise from the “emptiness idea”: products designed first of all to create emotions in their essentiality. “All you need is less” is the philosophy of our design. Objects designed with passion that take their cue from tradition, but are faced with a modern approach, even thinking about the smallest details.
Page 1: Almost Icons Catalogue 2022
Page 5: Seating Solutions Freya 32 Round&Ro
Page 8 and 9: DESIGNERS BrogliatoTraverso 8 Sette
Page 10 and 11: DESIGNERS Favaretto&Partners 10 Ton
Page 14 and 15: DESIGNERS Quaglio Simonelli 14 Demo
Page 16 and 17: DESIGNERS Marcello Ziliani 16 Pin-U
Page 18 and 19: DESIGNERS Fabrizio Batoni 18 Fiorel
Page 20 and 21: DESIGNERS Klaus Nolting 20 Seame 20
Page 22 and 23: DESIGNERS Dorigo Design 22 Porta Ve
Page 24 and 25: DESIGNERS Radice Orlandini 24 Drop
Page 27 and 28: [ˈsɪt əˈraʊnd ðə ˈwɝːld]
Page 29: Venice Mexico City 29 New York Lisb
Page 32 and 33: 32 CLAUS BREINHOLT 2020 [ˈfreɪə]
Page 34 and 35: 34 Cello The cellos are a critical
Page 36 and 37: 36 The upholstered seat is the dist
Page 38 and 39: 38 OLEG PUGACHEV 2020 [raʊnd ənd
Page 40 and 41: 40
Page 42 and 43: 42 The geometric perfection of the
Page 44 and 45: 44 CLAUS BREINHOLT 2018 [kaˈnovə]
Page 46 and 47: Piazza San Marco 55°45'47"N 12°35
Page 48 and 49: 48 Canova wants to elevate plastic
Page 50 and 51: 50 The Skovshoved Petrol Station 55
Page 52 and 53: 52 BROGLIATOTRAVERSO 2019 [ˈfeluː
Page 54 and 55: Montmartre 48°53'7.79"N 2°20'16.8
Page 56 and 57: 56 Feluca has this particular desig
Page 58 and 59: 58 PHILIPPE TABET 2018 [ˌruːˈel]
Page 60 and 61: 60 Mexico City N 19° 25' 42" E 99
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62 Lightness and warmth collide in
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64 FAVARETTO&PARTNERS 2015 [ton’d
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66
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68 Tondina Pop has seat and back in
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70
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72
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74 CLAUS BREINHOLT 2019 [ ̍sikla]
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76 Nove 45°44′N 11°41′E Nove
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78 The colours of the polypropylene
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80 FAVARETTO&PARTNERS 2019 [rəˈli
Page 82 and 83:
82 The chair has a polypropylene sh
Page 84 and 85:
84 CLAUS BREINHOLT 2017 [ˈpjʊr ˈ
Page 86 and 87:
86 Amsterdam 52°22′42″N 4°54
Page 88 and 89:
88 The simple shapes of the shell a
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Mexico City N19°25'42" E99°07'39"
Page 94 and 95:
94 The contrast of the two colours
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98
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100 CLAUS BREINHOLT 2015 [ˈpjʊr
Page 102 and 103:
102 The 4-star base is perfect for
Page 104 and 105:
104 Sādhu and Sādhvī Literally,
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106 CLAUS BREINHOLT 2020 [ˈluːp
Page 108 and 109:
108 Johannesburg 26°12′16″S 28
Page 110 and 111:
110 The ergonomic armrests have a n
Page 112 and 113:
112 CLAUS BREINHOLT 2008 [ˈluːp
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Berlin 52°31′12″N 13°24′18
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116 The wooden shell can be combine
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118 MARCELLO ZILIANI 2013 [ˈkʊki]
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Shakespeare and Company N 48°51'15
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122
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124 ANDREAS OSTWALD 2013 [ˈnekst]
Page 126 and 127:
Ring corner 126 In boxing, each fig
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128
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130 ANDREAS OSTWALD 2019 [ˈiːst
Page 132 and 133:
Orecchiette 132 Bari's cuisine is b
Page 134 and 135:
134 The colour of the seat and back
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136 BROGLIATOTRAVERSO 2016 [ˈsɛtt
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Holland Windmills 138 Windmills are
Page 140 and 141:
140 The chair has a clean design, w
Page 142 and 143:
142 DORIGO DESIGN 2012 [ˈpɔrta ve
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144
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146 The concept of this chair, orig
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148 MC.DSG 2019 [ˈɛkki] mC.dsg wa
Page 150 and 151:
150 Paris Métro The Paris Métro i
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152 The wooden seat and backrest ar
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154 BROGLIATOTRAVERSO 2017 [ˈhɑː
Page 156 and 157:
Great Wall of China 40.68°N 117.23
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158
Page 160 and 161:
160 KAI STANIA 2017 [ˈwʊdˌstɑː
Page 162 and 163:
162 Lightweight, comfortable, highl
Page 164 and 165:
164 KLAUS NOLTING 2014 [seˈame] Li
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166
Page 168 and 169:
168 Seame is 100% green, it is perf
Page 170 and 171:
170 MARC SADLER 2014 [ˈbi] Marc Sa
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172
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174 Circles and square lines take c
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176 MC.DSG 2018 [ˈuti] “Úti”
Page 178 and 179:
178 Ideal for outdoor use, it is al
Page 180 and 181:
180 FABRIZIO BATONI 2013 [fjorelˈl
Page 182 and 183:
Napa St.Galilee Harbor Sausalito, C
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184
Page 186 and 187:
186 RADICE ORLANDINI 2011 [ˈdrɑː
Page 188 and 189:
188 Miami 25°47′16″N 80°13′
Page 190 and 191:
190 Thanks to the hole in the seat,
Page 192 and 193:
192 THOMAS PEDERSEN 2018 [ˈkræm]
Page 194 and 195:
194 Aarhus 56°09′N 10°13′E Aa
Page 196 and 197:
196 The minimalist frame with stron
Page 198 and 199:
198 FAVARETTO&PARTNERS 2019 [ˈbɒm
Page 200 and 201:
200 the soft cold foam padding can
Page 202 and 203:
Pigalle Duperré 48°52′55.8″N
Page 204 and 205:
204 BROGLIATOTRAVERSO 2018 [ˈpeb]
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206 Designed to give personality to
Page 208 and 209:
208 QUAGLIO SIMONELLI 2017 [demwɑ
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210
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212
Page 214 and 215:
214 ANDREAS OSTWALD 2012 [kalˈlita
Page 216 and 217:
216 Machiya Machiya are traditional
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218 Callita looks like a monobloc,
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220 MARCELLO ZILIANI 2010 [pɪn ˈ
Page 222 and 223:
La Défense Paris 48°51′24″N 2
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224
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226 THOMAS PEDERSEN 2018 [ˈkleɪn]
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228
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230 With its plastic seat, Klejn is
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232 THOMAS PEDERSEN 2018 [ˈflɪŋk
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234 The Iceberg 55°45'47"N 12°35'
Page 236 and 237:
236 In the bar or kitchen version,
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238 THOMAS PEDERSEN 2018 [ˈflɪŋk
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240 The wooden seat, curved and pol
Page 242 and 243:
242 CLAUS BREINHOLT 2014 [ˈpjʊr
Page 244 and 245:
244
Page 246 and 247:
246 The curvaceousness of the Mini
Page 248 and 249:
248 RADICE ORLANDINI 2013 [ˈpaɪk
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250
Page 252 and 253:
252 For classic settings, a solutio
Page 254 and 255:
254 FABRIZIO BATONI 2013 [ˈboboʊ]
Page 256 and 257:
256 Academic Theatre of Castelfranc
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258
Page 260 and 261:
260 MC.DSG 2018 [rəˈkɔːrd ˈben
Page 262 and 263:
262 The simplicity and harmony of t
Page 264 and 265:
264 MC.DSG 2020 [ˈsɛs] Sys was bo
Page 266 and 267:
266 Sys is made up of a painted ste
Page 269 and 270:
[tei·blz]
Page 271 and 272:
Landing 271
Page 273 and 274:
Landing 273
Page 275 and 276:
Versable 275
Page 277 and 278:
The Versable family includes fixed
Page 279 and 280:
Next Table 279
Page 281 and 282:
The ideal table as a desk, for dini
Page 283 and 284:
Record Living 283
Page 285 and 286:
Record Living 285
Page 287 and 288:
Record Meeting 287
Page 289 and 290:
Record meeting is available in two
Page 291 and 292:
Record Contract 291
Page 293 and 294:
293 For every type of chair or armc
Page 295 and 296:
Rami 295
Page 297 and 298:
297 The simple and graphic design a
Page 299 and 300:
Diapason 299
Page 301 and 302:
Diapason is a sophisticated table,
Page 303 and 304:
Ruelle Table 303
Page 305 and 306:
Even the base, which rests on a sta
Page 307 and 308:
Feluca Table 307
Page 309 and 310:
309 Feluca Table takes up the struc
Page 311 and 312:
Flink Table 311
Page 313:
313 The solid, round base, like the
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