INFINITI-catalogue-2022 -

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248 RADICE ORLANDINI 2013 [ˈpaɪkəpɒu] Triangular, colourful, unconventional; Picapau breaks the mould and stands out from the crowd. It is a stool with a polypropylene seat and footrest, resting on solid beech legs. Available in three heights and various colours, it is the perfect choice for contract environments.
Picapau 249
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Almost Icons Catalogue 2022
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Seating Solutions Freya 32 Round&Ro
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DESIGNERS BrogliatoTraverso 8 Sette
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DESIGNERS Favaretto&Partners 10 Ton
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DESIGNERS Andreas Ostwald 12 Callit
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DESIGNERS Quaglio Simonelli 14 Demo
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DESIGNERS Marcello Ziliani 16 Pin-U
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DESIGNERS Fabrizio Batoni 18 Fiorel
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DESIGNERS Klaus Nolting 20 Seame 20
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DESIGNERS Dorigo Design 22 Porta Ve
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DESIGNERS Radice Orlandini 24 Drop
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[ˈsɪt əˈraʊnd ðə ˈwɝːld]
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Venice Mexico City 29 New York Lisb
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32 CLAUS BREINHOLT 2020 [ˈfreɪə]
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34 Cello The cellos are a critical
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36 The upholstered seat is the dist
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38 OLEG PUGACHEV 2020 [raʊnd ənd
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40
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42 The geometric perfection of the
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44 CLAUS BREINHOLT 2018 [kaˈnovə]
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Piazza San Marco 55°45'47"N 12°35
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48 Canova wants to elevate plastic
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50 The Skovshoved Petrol Station 55
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52 BROGLIATOTRAVERSO 2019 [ˈfeluː
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Montmartre 48°53'7.79"N 2°20'16.8
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56 Feluca has this particular desig
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58 PHILIPPE TABET 2018 [ˌruːˈel]
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60 Mexico City N 19° 25' 42" E 99
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62 Lightness and warmth collide in
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64 FAVARETTO&PARTNERS 2015 [ton’d
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66
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68 Tondina Pop has seat and back in
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70
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72
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74 CLAUS BREINHOLT 2019 [ ̍sikla]
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76 Nove 45°44′N 11°41′E Nove
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78 The colours of the polypropylene
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80 FAVARETTO&PARTNERS 2019 [rəˈli
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82 The chair has a polypropylene sh
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84 CLAUS BREINHOLT 2017 [ˈpjʊr ˈ
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86 Amsterdam 52°22′42″N 4°54
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88 The simple shapes of the shell a
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Mexico City N19°25'42" E99°07'39"
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94 The contrast of the two colours
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98
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100 CLAUS BREINHOLT 2015 [ˈpjʊr
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102 The 4-star base is perfect for
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104 Sādhu and Sādhvī Literally,
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106 CLAUS BREINHOLT 2020 [ˈluːp
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108 Johannesburg 26°12′16″S 28
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110 The ergonomic armrests have a n
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112 CLAUS BREINHOLT 2008 [ˈluːp
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Berlin 52°31′12″N 13°24′18
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116 The wooden shell can be combine
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118 MARCELLO ZILIANI 2013 [ˈkʊki]
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Shakespeare and Company N 48°51'15
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122
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124 ANDREAS OSTWALD 2013 [ˈnekst]
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Ring corner 126 In boxing, each fig
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128
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130 ANDREAS OSTWALD 2019 [ˈiːst
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Orecchiette 132 Bari's cuisine is b
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134 The colour of the seat and back
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136 BROGLIATOTRAVERSO 2016 [ˈsɛtt
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Holland Windmills 138 Windmills are
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140 The chair has a clean design, w
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142 DORIGO DESIGN 2012 [ˈpɔrta ve
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144
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146 The concept of this chair, orig
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148 MC.DSG 2019 [ˈɛkki] mC.dsg wa
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150 Paris Métro The Paris Métro i
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152 The wooden seat and backrest ar
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154 BROGLIATOTRAVERSO 2017 [ˈhɑː
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Great Wall of China 40.68°N 117.23
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158
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160 KAI STANIA 2017 [ˈwʊdˌstɑː
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162 Lightweight, comfortable, highl
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164 KLAUS NOLTING 2014 [seˈame] Li
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166
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168 Seame is 100% green, it is perf
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170 MARC SADLER 2014 [ˈbi] Marc Sa
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172
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174 Circles and square lines take c
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176 MC.DSG 2018 [ˈuti] “Úti”
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178 Ideal for outdoor use, it is al
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180 FABRIZIO BATONI 2013 [fjorelˈl
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Napa St.Galilee Harbor Sausalito, C
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184
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186 RADICE ORLANDINI 2011 [ˈdrɑː
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188 Miami 25°47′16″N 80°13′
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190 Thanks to the hole in the seat,
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192 THOMAS PEDERSEN 2018 [ˈkræm]
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194 Aarhus 56°09′N 10°13′E Aa
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196 The minimalist frame with stron
Page 198 and 199: 198 FAVARETTO&PARTNERS 2019 [ˈbɒm
Page 200 and 201: 200 the soft cold foam padding can
Page 202 and 203: Pigalle Duperré 48°52′55.8″N
Page 204 and 205: 204 BROGLIATOTRAVERSO 2018 [ˈpeb]
Page 206 and 207: 206 Designed to give personality to
Page 208 and 209: 208 QUAGLIO SIMONELLI 2017 [demwɑ
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Page 214 and 215: 214 ANDREAS OSTWALD 2012 [kalˈlita
Page 216 and 217: 216 Machiya Machiya are traditional
Page 218 and 219: 218 Callita looks like a monobloc,
Page 220 and 221: 220 MARCELLO ZILIANI 2010 [pɪn ˈ
Page 222 and 223: La Défense Paris 48°51′24″N 2
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Page 226 and 227: 226 THOMAS PEDERSEN 2018 [ˈkleɪn]
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Page 230 and 231: 230 With its plastic seat, Klejn is
Page 232 and 233: 232 THOMAS PEDERSEN 2018 [ˈflɪŋk
Page 234 and 235: 234 The Iceberg 55°45'47"N 12°35'
Page 236 and 237: 236 In the bar or kitchen version,
Page 238 and 239: 238 THOMAS PEDERSEN 2018 [ˈflɪŋk
Page 240 and 241: 240 The wooden seat, curved and pol
Page 242 and 243: 242 CLAUS BREINHOLT 2014 [ˈpjʊr
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Page 246 and 247: 246 The curvaceousness of the Mini
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Page 252 and 253: 252 For classic settings, a solutio
Page 254 and 255: 254 FABRIZIO BATONI 2013 [ˈboboʊ]
Page 256 and 257: 256 Academic Theatre of Castelfranc
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Page 260 and 261: 260 MC.DSG 2018 [rəˈkɔːrd ˈben
Page 262 and 263: 262 The simplicity and harmony of t
Page 264 and 265: 264 MC.DSG 2020 [ˈsɛs] Sys was bo
Page 266 and 267: 266 Sys is made up of a painted ste
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Page 271 and 272: Landing 271
Page 273 and 274: Landing 273
Page 275 and 276: Versable 275
Page 277 and 278: The Versable family includes fixed
Page 279 and 280: Next Table 279
Page 281 and 282: The ideal table as a desk, for dini
Page 283 and 284: Record Living 283
Page 285 and 286: Record Living 285
Page 287 and 288: Record Meeting 287
Page 289 and 290: Record meeting is available in two
Page 291 and 292: Record Contract 291
Page 293 and 294: 293 For every type of chair or armc
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Page 297 and 298: 297 The simple and graphic design a
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Diapason 299
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Diapason is a sophisticated table,
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Ruelle Table 303
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Even the base, which rests on a sta
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Feluca Table 307
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309 Feluca Table takes up the struc
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Flink Table 311
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313 The solid, round base, like the
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