INFINITI-catalogue-2022 -

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164 KLAUS NOLTING 2014 [seˈame] Light as a feather, yet stable and with an unmistakable design: the Seame family concentrates all Infiniti's know-how in woodworking. The body, made from delicate yet distinctively grained wood panels, is curvaceous and measured, and its contours at the back define the shape and elegantly shape it.
Seame 165
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Almost Icons Catalogue 2022
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Seating Solutions Freya 32 Round&Ro
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DESIGNERS BrogliatoTraverso 8 Sette
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DESIGNERS Favaretto&Partners 10 Ton
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DESIGNERS Andreas Ostwald 12 Callit
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DESIGNERS Quaglio Simonelli 14 Demo
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DESIGNERS Marcello Ziliani 16 Pin-U
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DESIGNERS Fabrizio Batoni 18 Fiorel
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DESIGNERS Klaus Nolting 20 Seame 20
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DESIGNERS Dorigo Design 22 Porta Ve
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DESIGNERS Radice Orlandini 24 Drop
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[ˈsɪt əˈraʊnd ðə ˈwɝːld]
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Venice Mexico City 29 New York Lisb
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32 CLAUS BREINHOLT 2020 [ˈfreɪə]
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34 Cello The cellos are a critical
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36 The upholstered seat is the dist
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38 OLEG PUGACHEV 2020 [raʊnd ənd
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40
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42 The geometric perfection of the
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44 CLAUS BREINHOLT 2018 [kaˈnovə]
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Piazza San Marco 55°45'47"N 12°35
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48 Canova wants to elevate plastic
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50 The Skovshoved Petrol Station 55
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52 BROGLIATOTRAVERSO 2019 [ˈfeluː
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Montmartre 48°53'7.79"N 2°20'16.8
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56 Feluca has this particular desig
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58 PHILIPPE TABET 2018 [ˌruːˈel]
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60 Mexico City N 19° 25' 42" E 99
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62 Lightness and warmth collide in
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64 FAVARETTO&PARTNERS 2015 [ton’d
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66
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68 Tondina Pop has seat and back in
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70
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72
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74 CLAUS BREINHOLT 2019 [ ̍sikla]
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76 Nove 45°44′N 11°41′E Nove
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78 The colours of the polypropylene
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80 FAVARETTO&PARTNERS 2019 [rəˈli
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82 The chair has a polypropylene sh
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84 CLAUS BREINHOLT 2017 [ˈpjʊr ˈ
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86 Amsterdam 52°22′42″N 4°54
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88 The simple shapes of the shell a
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Mexico City N19°25'42" E99°07'39"
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94 The contrast of the two colours
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98
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100 CLAUS BREINHOLT 2015 [ˈpjʊr
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102 The 4-star base is perfect for
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104 Sādhu and Sādhvī Literally,
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106 CLAUS BREINHOLT 2020 [ˈluːp
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108 Johannesburg 26°12′16″S 28
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110 The ergonomic armrests have a n
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112 CLAUS BREINHOLT 2008 [ˈluːp
Page 114 and 115: Berlin 52°31′12″N 13°24′18
Page 116 and 117: 116 The wooden shell can be combine
Page 118 and 119: 118 MARCELLO ZILIANI 2013 [ˈkʊki]
Page 120 and 121: Shakespeare and Company N 48°51'15
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Page 124 and 125: 124 ANDREAS OSTWALD 2013 [ˈnekst]
Page 126 and 127: Ring corner 126 In boxing, each fig
Page 128 and 129: 128
Page 130 and 131: 130 ANDREAS OSTWALD 2019 [ˈiːst
Page 132 and 133: Orecchiette 132 Bari's cuisine is b
Page 134 and 135: 134 The colour of the seat and back
Page 136 and 137: 136 BROGLIATOTRAVERSO 2016 [ˈsɛtt
Page 138 and 139: Holland Windmills 138 Windmills are
Page 140 and 141: 140 The chair has a clean design, w
Page 142 and 143: 142 DORIGO DESIGN 2012 [ˈpɔrta ve
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Page 146 and 147: 146 The concept of this chair, orig
Page 148 and 149: 148 MC.DSG 2019 [ˈɛkki] mC.dsg wa
Page 150 and 151: 150 Paris Métro The Paris Métro i
Page 152 and 153: 152 The wooden seat and backrest ar
Page 154 and 155: 154 BROGLIATOTRAVERSO 2017 [ˈhɑː
Page 156 and 157: Great Wall of China 40.68°N 117.23
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Page 160 and 161: 160 KAI STANIA 2017 [ˈwʊdˌstɑː
Page 162 and 163: 162 Lightweight, comfortable, highl
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Page 168 and 169: 168 Seame is 100% green, it is perf
Page 170 and 171: 170 MARC SADLER 2014 [ˈbi] Marc Sa
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Page 174 and 175: 174 Circles and square lines take c
Page 176 and 177: 176 MC.DSG 2018 [ˈuti] “Úti”
Page 178 and 179: 178 Ideal for outdoor use, it is al
Page 180 and 181: 180 FABRIZIO BATONI 2013 [fjorelˈl
Page 182 and 183: Napa St.Galilee Harbor Sausalito, C
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Page 186 and 187: 186 RADICE ORLANDINI 2011 [ˈdrɑː
Page 188 and 189: 188 Miami 25°47′16″N 80°13′
Page 190 and 191: 190 Thanks to the hole in the seat,
Page 192 and 193: 192 THOMAS PEDERSEN 2018 [ˈkræm]
Page 194 and 195: 194 Aarhus 56°09′N 10°13′E Aa
Page 196 and 197: 196 The minimalist frame with stron
Page 198 and 199: 198 FAVARETTO&PARTNERS 2019 [ˈbɒm
Page 200 and 201: 200 the soft cold foam padding can
Page 202 and 203: Pigalle Duperré 48°52′55.8″N
Page 204 and 205: 204 BROGLIATOTRAVERSO 2018 [ˈpeb]
Page 206 and 207: 206 Designed to give personality to
Page 208 and 209: 208 QUAGLIO SIMONELLI 2017 [demwɑ
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214 ANDREAS OSTWALD 2012 [kalˈlita
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216 Machiya Machiya are traditional
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218 Callita looks like a monobloc,
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220 MARCELLO ZILIANI 2010 [pɪn ˈ
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La Défense Paris 48°51′24″N 2
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224
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226 THOMAS PEDERSEN 2018 [ˈkleɪn]
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228
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230 With its plastic seat, Klejn is
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232 THOMAS PEDERSEN 2018 [ˈflɪŋk
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234 The Iceberg 55°45'47"N 12°35'
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236 In the bar or kitchen version,
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238 THOMAS PEDERSEN 2018 [ˈflɪŋk
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240 The wooden seat, curved and pol
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242 CLAUS BREINHOLT 2014 [ˈpjʊr
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244
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246 The curvaceousness of the Mini
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248 RADICE ORLANDINI 2013 [ˈpaɪk
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250
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252 For classic settings, a solutio
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254 FABRIZIO BATONI 2013 [ˈboboʊ]
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256 Academic Theatre of Castelfranc
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258
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260 MC.DSG 2018 [rəˈkɔːrd ˈben
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262 The simplicity and harmony of t
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264 MC.DSG 2020 [ˈsɛs] Sys was bo
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266 Sys is made up of a painted ste
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[tei·blz]
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Landing 271
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Landing 273
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Versable 275
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The Versable family includes fixed
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Next Table 279
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The ideal table as a desk, for dini
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Record Living 283
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Record Living 285
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Record Meeting 287
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Record meeting is available in two
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Record Contract 291
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293 For every type of chair or armc
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Rami 295
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297 The simple and graphic design a
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Diapason 299
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Diapason is a sophisticated table,
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Ruelle Table 303
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Even the base, which rests on a sta
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Feluca Table 307
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309 Feluca Table takes up the struc
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Flink Table 311
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313 The solid, round base, like the
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