INFINITI-catalogue-2022 -

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72
Delicate and irregular wood grains characterise the Tondina collection in plywood, the first born of the family. Stools, chairs and the Lounge armchair add a touch of cosy elegance to the room. 73 Tondina
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Almost Icons Catalogue 2022
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Seating Solutions Freya 32 Round&Ro
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DESIGNERS BrogliatoTraverso 8 Sette
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DESIGNERS Favaretto&Partners 10 Ton
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DESIGNERS Andreas Ostwald 12 Callit
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DESIGNERS Quaglio Simonelli 14 Demo
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DESIGNERS Marcello Ziliani 16 Pin-U
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DESIGNERS Fabrizio Batoni 18 Fiorel
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DESIGNERS Klaus Nolting 20 Seame 20
Page 22 and 23: DESIGNERS Dorigo Design 22 Porta Ve
Page 24 and 25: DESIGNERS Radice Orlandini 24 Drop
Page 27 and 28: [ˈsɪt əˈraʊnd ðə ˈwɝːld]
Page 29: Venice Mexico City 29 New York Lisb
Page 32 and 33: 32 CLAUS BREINHOLT 2020 [ˈfreɪə]
Page 34 and 35: 34 Cello The cellos are a critical
Page 36 and 37: 36 The upholstered seat is the dist
Page 38 and 39: 38 OLEG PUGACHEV 2020 [raʊnd ənd
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Page 42 and 43: 42 The geometric perfection of the
Page 44 and 45: 44 CLAUS BREINHOLT 2018 [kaˈnovə]
Page 46 and 47: Piazza San Marco 55°45'47"N 12°35
Page 48 and 49: 48 Canova wants to elevate plastic
Page 50 and 51: 50 The Skovshoved Petrol Station 55
Page 52 and 53: 52 BROGLIATOTRAVERSO 2019 [ˈfeluː
Page 54 and 55: Montmartre 48°53'7.79"N 2°20'16.8
Page 56 and 57: 56 Feluca has this particular desig
Page 58 and 59: 58 PHILIPPE TABET 2018 [ˌruːˈel]
Page 60 and 61: 60 Mexico City N 19° 25' 42" E 99
Page 62 and 63: 62 Lightness and warmth collide in
Page 64 and 65: 64 FAVARETTO&PARTNERS 2015 [ton’d
Page 66 and 67: 66
Page 68 and 69: 68 Tondina Pop has seat and back in
Page 70 and 71: 70
Page 74 and 75: 74 CLAUS BREINHOLT 2019 [ ̍sikla]
Page 76 and 77: 76 Nove 45°44′N 11°41′E Nove
Page 78 and 79: 78 The colours of the polypropylene
Page 80 and 81: 80 FAVARETTO&PARTNERS 2019 [rəˈli
Page 82 and 83: 82 The chair has a polypropylene sh
Page 84 and 85: 84 CLAUS BREINHOLT 2017 [ˈpjʊr ˈ
Page 86 and 87: 86 Amsterdam 52°22′42″N 4°54
Page 88 and 89: 88 The simple shapes of the shell a
Page 92 and 93: Mexico City N19°25'42" E99°07'39"
Page 94 and 95: 94 The contrast of the two colours
Page 98 and 99: 98
Page 100 and 101: 100 CLAUS BREINHOLT 2015 [ˈpjʊr
Page 102 and 103: 102 The 4-star base is perfect for
Page 104 and 105: 104 Sādhu and Sādhvī Literally,
Page 106 and 107: 106 CLAUS BREINHOLT 2020 [ˈluːp
Page 108 and 109: 108 Johannesburg 26°12′16″S 28
Page 110 and 111: 110 The ergonomic armrests have a n
Page 112 and 113: 112 CLAUS BREINHOLT 2008 [ˈluːp
Page 114 and 115: Berlin 52°31′12″N 13°24′18
Page 116 and 117: 116 The wooden shell can be combine
Page 118 and 119: 118 MARCELLO ZILIANI 2013 [ˈkʊki]
Page 120 and 121: Shakespeare and Company N 48°51'15
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122
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124 ANDREAS OSTWALD 2013 [ˈnekst]
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Ring corner 126 In boxing, each fig
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128
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130 ANDREAS OSTWALD 2019 [ˈiːst
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Orecchiette 132 Bari's cuisine is b
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134 The colour of the seat and back
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136 BROGLIATOTRAVERSO 2016 [ˈsɛtt
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Holland Windmills 138 Windmills are
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140 The chair has a clean design, w
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142 DORIGO DESIGN 2012 [ˈpɔrta ve
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144
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146 The concept of this chair, orig
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148 MC.DSG 2019 [ˈɛkki] mC.dsg wa
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150 Paris Métro The Paris Métro i
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152 The wooden seat and backrest ar
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154 BROGLIATOTRAVERSO 2017 [ˈhɑː
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Great Wall of China 40.68°N 117.23
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158
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160 KAI STANIA 2017 [ˈwʊdˌstɑː
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162 Lightweight, comfortable, highl
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164 KLAUS NOLTING 2014 [seˈame] Li
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166
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168 Seame is 100% green, it is perf
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170 MARC SADLER 2014 [ˈbi] Marc Sa
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172
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174 Circles and square lines take c
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176 MC.DSG 2018 [ˈuti] “Úti”
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178 Ideal for outdoor use, it is al
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180 FABRIZIO BATONI 2013 [fjorelˈl
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Napa St.Galilee Harbor Sausalito, C
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184
Page 186 and 187:
186 RADICE ORLANDINI 2011 [ˈdrɑː
Page 188 and 189:
188 Miami 25°47′16″N 80°13′
Page 190 and 191:
190 Thanks to the hole in the seat,
Page 192 and 193:
192 THOMAS PEDERSEN 2018 [ˈkræm]
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194 Aarhus 56°09′N 10°13′E Aa
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196 The minimalist frame with stron
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198 FAVARETTO&PARTNERS 2019 [ˈbɒm
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200 the soft cold foam padding can
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Pigalle Duperré 48°52′55.8″N
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204 BROGLIATOTRAVERSO 2018 [ˈpeb]
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206 Designed to give personality to
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208 QUAGLIO SIMONELLI 2017 [demwɑ
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210
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212
Page 214 and 215:
214 ANDREAS OSTWALD 2012 [kalˈlita
Page 216 and 217:
216 Machiya Machiya are traditional
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218 Callita looks like a monobloc,
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220 MARCELLO ZILIANI 2010 [pɪn ˈ
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La Défense Paris 48°51′24″N 2
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224
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226 THOMAS PEDERSEN 2018 [ˈkleɪn]
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228
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230 With its plastic seat, Klejn is
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232 THOMAS PEDERSEN 2018 [ˈflɪŋk
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234 The Iceberg 55°45'47"N 12°35'
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236 In the bar or kitchen version,
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238 THOMAS PEDERSEN 2018 [ˈflɪŋk
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240 The wooden seat, curved and pol
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242 CLAUS BREINHOLT 2014 [ˈpjʊr
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244
Page 246 and 247:
246 The curvaceousness of the Mini
Page 248 and 249:
248 RADICE ORLANDINI 2013 [ˈpaɪk
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250
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252 For classic settings, a solutio
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254 FABRIZIO BATONI 2013 [ˈboboʊ]
Page 256 and 257:
256 Academic Theatre of Castelfranc
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258
Page 260 and 261:
260 MC.DSG 2018 [rəˈkɔːrd ˈben
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262 The simplicity and harmony of t
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264 MC.DSG 2020 [ˈsɛs] Sys was bo
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266 Sys is made up of a painted ste
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[tei·blz]
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Landing 271
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Landing 273
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Versable 275
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The Versable family includes fixed
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Next Table 279
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The ideal table as a desk, for dini
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Record Living 283
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Record Living 285
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Record Meeting 287
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Record meeting is available in two
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Record Contract 291
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293 For every type of chair or armc
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Rami 295
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297 The simple and graphic design a
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Diapason 299
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Diapason is a sophisticated table,
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Ruelle Table 303
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Even the base, which rests on a sta
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Feluca Table 307
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309 Feluca Table takes up the struc
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Flink Table 311
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313 The solid, round base, like the
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