INFINITI-catalogue-2022 -

More documents

Recommendations

Info

238 THOMAS PEDERSEN 2018 [ˈflɪŋk ˈwʊd] The iconic infiniti stool, which reminds of the smooth stones of the beaches of the Northern Europe, adds to the range of products a new version with a solid wood seat in black or natural stained ash, which guarantees formal cleanliness and a distinctly Scandinavian style. It is available in three different heights.
Flink Wood 239
Page 1:
Almost Icons Catalogue 2022
Page 5:
Seating Solutions Freya 32 Round&Ro
Page 8 and 9:
DESIGNERS BrogliatoTraverso 8 Sette
Page 10 and 11:
DESIGNERS Favaretto&Partners 10 Ton
Page 12 and 13:
DESIGNERS Andreas Ostwald 12 Callit
Page 14 and 15:
DESIGNERS Quaglio Simonelli 14 Demo
Page 16 and 17:
DESIGNERS Marcello Ziliani 16 Pin-U
Page 18 and 19:
DESIGNERS Fabrizio Batoni 18 Fiorel
Page 20 and 21:
DESIGNERS Klaus Nolting 20 Seame 20
Page 22 and 23:
DESIGNERS Dorigo Design 22 Porta Ve
Page 24 and 25:
DESIGNERS Radice Orlandini 24 Drop
Page 27 and 28:
[ˈsɪt əˈraʊnd ðə ˈwɝːld]
Page 29:
Venice Mexico City 29 New York Lisb
Page 32 and 33:
32 CLAUS BREINHOLT 2020 [ˈfreɪə]
Page 34 and 35:
34 Cello The cellos are a critical
Page 36 and 37:
36 The upholstered seat is the dist
Page 38 and 39:
38 OLEG PUGACHEV 2020 [raʊnd ənd
Page 40 and 41:
40
Page 42 and 43:
42 The geometric perfection of the
Page 44 and 45:
44 CLAUS BREINHOLT 2018 [kaˈnovə]
Page 46 and 47:
Piazza San Marco 55°45'47"N 12°35
Page 48 and 49:
48 Canova wants to elevate plastic
Page 50 and 51:
50 The Skovshoved Petrol Station 55
Page 52 and 53:
52 BROGLIATOTRAVERSO 2019 [ˈfeluː
Page 54 and 55:
Montmartre 48°53'7.79"N 2°20'16.8
Page 56 and 57:
56 Feluca has this particular desig
Page 58 and 59:
58 PHILIPPE TABET 2018 [ˌruːˈel]
Page 60 and 61:
60 Mexico City N 19° 25' 42" E 99
Page 62 and 63:
62 Lightness and warmth collide in
Page 64 and 65:
64 FAVARETTO&PARTNERS 2015 [ton’d
Page 66 and 67:
66
Page 68 and 69:
68 Tondina Pop has seat and back in
Page 70 and 71:
70
Page 72 and 73:
72
Page 74 and 75:
74 CLAUS BREINHOLT 2019 [ ̍sikla]
Page 76 and 77:
76 Nove 45°44′N 11°41′E Nove
Page 78 and 79:
78 The colours of the polypropylene
Page 80 and 81:
80 FAVARETTO&PARTNERS 2019 [rəˈli
Page 82 and 83:
82 The chair has a polypropylene sh
Page 84 and 85:
84 CLAUS BREINHOLT 2017 [ˈpjʊr ˈ
Page 86 and 87:
86 Amsterdam 52°22′42″N 4°54
Page 88 and 89:
88 The simple shapes of the shell a
Page 90 and 91:
Page 92 and 93:
Mexico City N19°25'42" E99°07'39"
Page 94 and 95:
94 The contrast of the two colours
Page 96 and 97:
Page 98 and 99:
98
Page 100 and 101:
100 CLAUS BREINHOLT 2015 [ˈpjʊr
Page 102 and 103:
102 The 4-star base is perfect for
Page 104 and 105:
104 Sādhu and Sādhvī Literally,
Page 106 and 107:
106 CLAUS BREINHOLT 2020 [ˈluːp
Page 108 and 109:
108 Johannesburg 26°12′16″S 28
Page 110 and 111:
110 The ergonomic armrests have a n
Page 112 and 113:
112 CLAUS BREINHOLT 2008 [ˈluːp
Page 114 and 115:
Berlin 52°31′12″N 13°24′18
Page 116 and 117:
116 The wooden shell can be combine
Page 118 and 119:
118 MARCELLO ZILIANI 2013 [ˈkʊki]
Page 120 and 121:
Shakespeare and Company N 48°51'15
Page 122 and 123:
122
Page 124 and 125:
124 ANDREAS OSTWALD 2013 [ˈnekst]
Page 126 and 127:
Ring corner 126 In boxing, each fig
Page 128 and 129:
128
Page 130 and 131:
130 ANDREAS OSTWALD 2019 [ˈiːst
Page 132 and 133:
Orecchiette 132 Bari's cuisine is b
Page 134 and 135:
134 The colour of the seat and back
Page 136 and 137:
136 BROGLIATOTRAVERSO 2016 [ˈsɛtt
Page 138 and 139:
Holland Windmills 138 Windmills are
Page 140 and 141:
140 The chair has a clean design, w
Page 142 and 143:
142 DORIGO DESIGN 2012 [ˈpɔrta ve
Page 144 and 145:
144
Page 146 and 147:
146 The concept of this chair, orig
Page 148 and 149:
148 MC.DSG 2019 [ˈɛkki] mC.dsg wa
Page 150 and 151:
150 Paris Métro The Paris Métro i
Page 152 and 153:
152 The wooden seat and backrest ar
Page 154 and 155:
154 BROGLIATOTRAVERSO 2017 [ˈhɑː
Page 156 and 157:
Great Wall of China 40.68°N 117.23
Page 158 and 159:
158
Page 160 and 161:
160 KAI STANIA 2017 [ˈwʊdˌstɑː
Page 162 and 163:
162 Lightweight, comfortable, highl
Page 164 and 165:
164 KLAUS NOLTING 2014 [seˈame] Li
Page 166 and 167:
166
Page 168 and 169:
168 Seame is 100% green, it is perf
Page 170 and 171:
170 MARC SADLER 2014 [ˈbi] Marc Sa
Page 172 and 173:
172
Page 174 and 175:
174 Circles and square lines take c
Page 176 and 177:
176 MC.DSG 2018 [ˈuti] “Úti”
Page 178 and 179:
178 Ideal for outdoor use, it is al
Page 180 and 181:
180 FABRIZIO BATONI 2013 [fjorelˈl
Page 182 and 183:
Napa St.Galilee Harbor Sausalito, C
Page 184 and 185:
184
Page 186 and 187:
186 RADICE ORLANDINI 2011 [ˈdrɑː
Page 188 and 189: 188 Miami 25°47′16″N 80°13′
Page 190 and 191: 190 Thanks to the hole in the seat,
Page 192 and 193: 192 THOMAS PEDERSEN 2018 [ˈkræm]
Page 194 and 195: 194 Aarhus 56°09′N 10°13′E Aa
Page 196 and 197: 196 The minimalist frame with stron
Page 198 and 199: 198 FAVARETTO&PARTNERS 2019 [ˈbɒm
Page 200 and 201: 200 the soft cold foam padding can
Page 202 and 203: Pigalle Duperré 48°52′55.8″N
Page 204 and 205: 204 BROGLIATOTRAVERSO 2018 [ˈpeb]
Page 206 and 207: 206 Designed to give personality to
Page 208 and 209: 208 QUAGLIO SIMONELLI 2017 [demwɑ
Page 210 and 211: 210
Page 212 and 213: 212
Page 214 and 215: 214 ANDREAS OSTWALD 2012 [kalˈlita
Page 216 and 217: 216 Machiya Machiya are traditional
Page 218 and 219: 218 Callita looks like a monobloc,
Page 220 and 221: 220 MARCELLO ZILIANI 2010 [pɪn ˈ
Page 222 and 223: La Défense Paris 48°51′24″N 2
Page 224 and 225: 224
Page 226 and 227: 226 THOMAS PEDERSEN 2018 [ˈkleɪn]
Page 228 and 229: 228
Page 230 and 231: 230 With its plastic seat, Klejn is
Page 232 and 233: 232 THOMAS PEDERSEN 2018 [ˈflɪŋk
Page 234 and 235: 234 The Iceberg 55°45'47"N 12°35'
Page 236 and 237: 236 In the bar or kitchen version,
Page 240 and 241: 240 The wooden seat, curved and pol
Page 242 and 243: 242 CLAUS BREINHOLT 2014 [ˈpjʊr
Page 244 and 245: 244
Page 246 and 247: 246 The curvaceousness of the Mini
Page 248 and 249: 248 RADICE ORLANDINI 2013 [ˈpaɪk
Page 250 and 251: 250
Page 252 and 253: 252 For classic settings, a solutio
Page 254 and 255: 254 FABRIZIO BATONI 2013 [ˈboboʊ]
Page 256 and 257: 256 Academic Theatre of Castelfranc
Page 258 and 259: 258
Page 260 and 261: 260 MC.DSG 2018 [rəˈkɔːrd ˈben
Page 262 and 263: 262 The simplicity and harmony of t
Page 264 and 265: 264 MC.DSG 2020 [ˈsɛs] Sys was bo
Page 266 and 267: 266 Sys is made up of a painted ste
Page 269 and 270: [tei·blz]
Page 271 and 272: Landing 271
Page 273 and 274: Landing 273
Page 275 and 276: Versable 275
Page 277 and 278: The Versable family includes fixed
Page 279 and 280: Next Table 279
Page 281 and 282: The ideal table as a desk, for dini
Page 283 and 284: Record Living 283
Page 285 and 286: Record Living 285
Page 287 and 288: Record Meeting 287
Page 289 and 290:
Record meeting is available in two
Page 291 and 292:
Record Contract 291
Page 293 and 294:
293 For every type of chair or armc
Page 295 and 296:
Rami 295
Page 297 and 298:
297 The simple and graphic design a
Page 299 and 300:
Diapason 299
Page 301 and 302:
Diapason is a sophisticated table,
Page 303 and 304:
Ruelle Table 303
Page 305 and 306:
Even the base, which rests on a sta
Page 307 and 308:
Feluca Table 307
Page 309 and 310:
309 Feluca Table takes up the struc
Page 311 and 312:
Flink Table 311
Page 313:
313 The solid, round base, like the
show all

INFINITI-catalogue-2022 -

Create successful ePaper yourself

Delete template?

Save as template?