Afterthoughts 2

Christos Hatzis
Afterthoughts 2
Flute, Vibraphone and Piano
Facsimile Performance Set
PROMETHEAN EDITIONS
WELLINGTON

Christos Hatzis
Afterthoughts 2
Flute, Vibraphone and Piano
Facsimile Performance Set
Score version Novermber 2007
Afterthoughts 2 was premiered by Laura Chambers, flute; Dan
Morphy, vibraphone; Jamie Drake, piano as part of the Tango
Quattro’s Quicksilver concert at the Richard Bradshaw Amphitheatre, Four
Seasons Centre for the Performing Arts, Toronto, Canada on 28 June 2007.
This edition is a facsimile of the original score provided by the composer.
PEFCHAT2
© 2007 Promethean Editions Limited
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Programme notes
Afterthoughts 2 is part of a cycle of chamber music pieces collectively known
as Parlor Music, which draw their inspiration from popular
music idioms of the first half of the twentieth century. Like its
predecessor, Afterthoughts 1 for piano trio, this particular work was
inspired by the music of the jazz era, particularly the fusion of jazz with the
Latin American tango.
© 2007 Christos Hatzis

Flute
Vibraphone
Piano
Vib.
4
Pno.
3
Afterthoughts II is part of a cycle of chamber music pieces collectively known as Parlor Music, which draw
their inspiration from popular music idioms of the first half of the twentieth century. Like its predecessor,
Afterthoughts I for piano trio, this particular work was inspired by the music of the jazz era, particularly the
fusion of jazz with the Latin American tango.
Copyright © 2007 Christos Hatzis (SOCAN)
All rights reserved

Vib.
7
Pno.
3
Vib.
Pno.
10
3
3
Vib.
Pno.
13
3
-2-

Fl.
Vib.
16
6
6
3
3
3
3
Pno.
Fl.
18
3
Vib.
3 3
3
3
Pno.
-3-

Fl.
20
3
Vib.
3
3
3
3
3
Pno.
3
Fl.
22
3
Vib.
3 3 3
3
Pno.
-4-

Fl.
24
3
Vib.
3 3
3
3
Pno.
3
Fl.
26
3
3
Vib.
3 3
3
3
Pno.
-5-

Fl.
28
3
Vib.
3
3
3
3
Pno.
3
Fl.
30
Vib.
3 3 3
3
Pno.
3
-6-

Vib.
Pno.
32
3
Vib.
35
Pno.
3
Vib.
37
Pno.
-7-

Fl.
Vib.
Pno.
39
3
3
3
3
3
3
3
3
Fl.
Vib.
Pno.
43
3
3
3
3
3
3
3
3
3
3
3
-8-

Fl.
47
3
3
3
3
3
3
Vib.
3
3
3
Pno.
Fl.
50
3
3
3
3
3
3
3
3
3
3
3
3
Vib.
3 3
3
3
Pno.
-9-

Fl.
53
3
3
3 3
3
3
Vib.
3
(no 3
6
3
6
Pno.
3
Fl.
Vib.
56
3
6
6
6
6
6
3
Pno.
6
3
-10-

Fl.
Vib.
59
3
3
6
6
6
3
Pno.
6
Fl.
62
3
3
3
3
Vib.
Pno.
6
6
3 3
3
3
6
3 3
3
3
6
6
6
6
-11-

Fl.
Vib.
Pno.
65
6
6
6
6
3 3
3
6 6
6
3
3
6
6
3
6
3
6
Fl.
68
6
6
3 6
6 6
Vib.
3
6 6
6 6
Pno.
3
3
3
3
3
-12-

Fl.
71
6 6
6
Vib.
Pno.
6
6
6
6
6
6
Fl.
Vib.
74
6
6
3
3
3
6
6
Pno.
3
6
-13-

Fl.
Vib.
77
6
3
3
3
3
6
Pno.
3
6
3 3
3
3
6
6
3 3
3
3
Fl.
80
6
6
6 6
Vib.
Pno.
6
6
6
6
6
3 3
3
6
6
3 3
3
-14-

Fl.
83
6 6
6 3
meno mosso
rit...molto....
3
Vib.
6
6
6
3
Pno.
3 3
3
3
3
3
3 3
3
Fl.
86
3
6
3
Vib.
Pno.
3
3 3
3
3 6
3
3 3
3
3
-15-

Fl.
89
3
3
Vib.
3 3
3
3
Pno.
Fl.
91
3
Vib.
3
3
3
3
Pno.
3
-16-

Fl.
93
N
Vib.
3
3
3
3
Pno.
3
Fl.
Vib.
Pno.
96
3
N
3
3
-17-

Fl.
Vib.
99
Pno.
Fl.
101
N
N
Vib.
Pno.
-18-