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Fall 2022 - The Figure

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18<br />

7 × 4 1/2 × 1 3/4”<br />

4 1/2 × 5 × 1 3/8”<br />

1500–500 BC<br />

This Japanese dogu, or clay figurine, depicts a<br />

heavily decorated person. <strong>The</strong> body shape is typical<br />

of the Final Jomon period (c. 1000–300 BC), but<br />

the headdress is markedly different—it consists of a<br />

circular headpiece topped by rectangular protrusions.<br />

<strong>The</strong> purpose of dogu remains a mystery: nearly all<br />

surviving examples are broken at the arms, legs,<br />

or waist, leading scholars to believe they were<br />

deliberately fragmented, possibly to heal the sick by<br />

releasing bad spirits. <strong>The</strong>y also speculate that these<br />

figures are wearing masks—possibly representing the<br />

transformation of the human into the superhuman.<br />

11th century<br />

Figural imagery is widely appreciated in the secular sphere of<br />

Islamic art. This handle or doorknocker fashioned in the form<br />

of a man was most likely placed in a secular setting like a private<br />

home. On the man’s clothes, gold and silver inlay create delicate<br />

knot-scroll motifs characterized by endless loops and dizzying<br />

geometric patterns.

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