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Fall 2022 - The Figure

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Works from the Xuzhou Collection, never before presented in a public museum, are currently on long-term loan<br />

to the Museum and displayed in the Arts of Asia Galleries in the Caroline Wiess Law Building.<br />

Embodying<br />

Buddhist Ideas<br />

BY HAO SHENG<br />

CONSULTING CURATOR OF ASIAN ART<br />

“ It was Buddhism, rather than the western canon,<br />

which gave me the idea of the abstract body. It<br />

gave me the idea that you can make sculpture<br />

about being rather than doing; that you can make<br />

sculpture that becomes a reflexive instrument<br />

rather than existing as a freeze-form in a narrative.”<br />

—Antony Gormley (British sculptor, born 1950)<br />

I N T H E M I X<br />

35<br />

All Ears<br />

<strong>The</strong> only traces of the Buddha’s<br />

early life of princely luxury are<br />

the long earlobes that were once<br />

weighted down by fine jewelry.<br />

Buddhism holds its own teaching as a means, not an end. In an<br />

often-evoked metaphor, a raft ferries seekers over the river of<br />

ignorance. <strong>The</strong> idea that Buddhist art serves as this vehicle for<br />

enlightenment has been instrumental in the creation of sculptures<br />

such as these in the Xuzhou Collection. For an informed<br />

reader of Buddhist images, the seemingly simple, formulaic<br />

Buddha figures manifest layers of ideas. <strong>The</strong>y signal divine<br />

Buddhahood, recount his earthly biography, demonstrate the<br />

practice of the Middle Path, and embody supreme wisdom.<br />

A Buddha figure bears marks of a “Great Being.” <strong>The</strong> ushnisha,<br />

a prominent bump above his head, is a symbol of expanded<br />

wisdom attained at enlightenment. <strong>The</strong> dot on his forehead<br />

between the eyes, called urna, reveals penetrating visions<br />

beyond our mundane world. <strong>The</strong> figures are often burnished<br />

in gold to capture radiant skin that is said to shine light from<br />

each pore. Encouraged by sacred texts, sculptors imagined the<br />

Buddha’s physical perfection by bringing together the loveliest<br />

and most powerful forms in nature. His broad shoulders and<br />

tapered waist are likened to a lion’s torso, his supple arms to<br />

elephant trunks, his half-closed eyelids to the curvy petals of<br />

a lotus flower, and the folds of his robe to calm ripples over a<br />

deep pool (see opposite page).<br />

Height: 15 3/4”<br />

Height: 18 1/8”

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