Fall 2022 - The Figure

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Second half of the 13th century The crowned figure in this Iranian ewer holds a double-spouted water-skin from which the vessel’s contents would have been poured. The figurine’s dress is decorated with the renowned and enduring triple-dot motif. Together with the crown, these details indicate that this represents a royal figure. P O R T F O L I O 20 10 1/4 × 5 1/4 × 4 5/8”
21 11 × 4 1/2 × 4 1/2” c. 1849–52 This jaunty figure sports a long cloak that cleverly adapted the human form to the requisite bottle shape, while the top hat accommodated the cork. Production of Rockingham pottery, with its characteristic brown glaze, began in the United States in the 1830s and 1840s. Daniel Greatbach, whose grandfather had worked as a modeler for Josiah Wedgwood, worked first in New Jersey before moving to Bennington, Vermont. Among the objects he created there was this bottle modeled as a man. The form continued an English tradition of figural bottles for gin that local bars distributed to their clients.
Page 1 and 2: THE MUSEUM O F FINE ARTS, HOUSTON M
Page 3 and 4: The Figure Depictions of the figure
Page 5 and 6: A Figure Revisited Primarily known
Page 7 and 8: The exhibition Alberto Giacometti:
Page 9: A Head for Figures Giacometti produ
Page 12 and 13: S U R F A C I N G 10 4 1/8 × 2 ×
Page 14 and 15: 12 15 1/2 × 8 1/2”
Page 17 and 18: Model into Myth BY JAMES CLIFTON DI
Page 19 and 20: Modeled c. 1910 The celebrated Fren
Page 21: Late 19th-early 20th century The Ko
Page 25 and 26: P O R T F O L I O 23 14 1/4 × 15
Page 27: 25 96 × 83 3/4 × 1/4” 1995 Jack
Page 30 and 31: 28 65 × 69” In a 1966 conversati
Page 33 and 34: Sea Change As the 19th century gave
Page 36 and 37: 34 Perfect Form Buddhist sculptors
Page 38 and 39: I N T H E M I X 36 Height: 34 7/8
Page 40 and 41: S E R I E S A Fiery Figure BY LISA
Page 42 and 43: 40 20 × 16” photograph too celeb
Page 44 and 45: Self-Reflection U P C L O S E 42 10
Page 46 and 47: Q&A with F I V E M I N U T E S W I
Page 48 and 49: E X H I B I T I O N F U N D E R S 4
Page 50 and 51: S P R I N G 2 0 2 3 Journeys C O M
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Fall 2022 - The Figure

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