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Brevard Live<br />

MIFF - “DON’T KEEP IT UNDER THE HAT”<br />

Review By Matthew Bretz<br />

Every year I’m excited about<br />

attending the now world famous<br />

Melbourne Independent<br />

Film Festival written, directed,<br />

produced and starring the one<br />

and only Terry Cronin and 3 Boys<br />

Productions with a familiar cast<br />

of characters we like to call the<br />

“Cronies.” Honestly, I think I’m<br />

the only one that calls them that,<br />

but I’m trying to start something<br />

here so fingers crossed it’ll catch<br />

on by next year.<br />

Every year I am thoroughly impressed<br />

with how much Terry improves and<br />

tweaks what has become a staple<br />

weekend here in our little, but famous<br />

(I’m learning), corner of the world. No<br />

joke- every year this event just gets<br />

bigger and better.<br />

Once again this year the MIFF was<br />

held at the Oaks 10 Theater in Melbourne,<br />

Florida. I love this for a few<br />

reasons. First of all, the Oaks 10 is the<br />

picture of a classic theater filled with<br />

the kind of pageantry and décor befitting<br />

of the magic that is Hollywood<br />

and film culture in general. Secondly,<br />

the Oaks 10 is locally owned and I love<br />

that we have our own film festival and<br />

its venue is a home grown business.<br />

Thursday night kicked off the fest<br />

with a showing of a short film slash<br />

music video called The Voyagers directed<br />

by Ian Bertel (photo top left).<br />

The video stars local violinist Char<br />

Good (photo top right) and features her<br />

rendition of the Eagles’ Hotel California<br />

while she plays herself through the<br />

lobby, up the elevator and across the<br />

roof of the Hotel Melby in downtown<br />

Melbourne. Occasionally throughout<br />

the video you can catch local graffiti<br />

artist Maslow running around tagging<br />

pieces on the building. Maslow actually<br />

did all of the graffiti work on the<br />

exterior and interior of the hotel. There<br />

is also a mysterious black hatted character<br />

glimpsed a few times, but no one<br />

told me the secret about who that is -<br />

possibly Bertel himself?<br />

“We shot all the footage in one<br />

night and then went into editing and<br />

finished just as the sun was coming<br />

up.” Bertel told the MIFF audience before<br />

the screening. “It was a very long<br />

night, but really has kind of highlighted<br />

my life so far.”<br />

Later, at the after party, Ian told<br />

me he picked Hotel California because<br />

when it was written SoCal was really<br />

starting to grow into itself musically<br />

and artistically, and he thought the rising<br />

of Hotel Melby is symbolic of Melbourne,<br />

Florida about to do the same.<br />

After The Voyagers there was a premiere<br />

screening of Michael Baumgarten’s<br />

new film Hollywood Laundromat<br />

- a gritty and often hilarious look at the<br />

kinds of things that can happen at an<br />

overnight Laundromat in Hollywood.<br />

According to the man himself this film<br />

was shot in only 6 days with some of<br />

the dialogue improvised for character.<br />

No stranger to the MIFF, Baumgarten’s<br />

movies are always a treat and he’s<br />

always good to answer questions about<br />

his process. He’s also, I’ve noticed,<br />

keen to share the limelight with his<br />

cast and crew which I find refreshing.<br />

This year he crossed the country with<br />

actress Natasha Blasick, originally<br />

from Ukraine and her husband Martin<br />

Blasick who created all the music for<br />

the film and performed in a scene of<br />

the film.<br />

When asked why he keeps coming<br />

back to Melbourne every year<br />

Baumgarten replied, “I keep coming<br />

back every year because of the people<br />

continued page 34<br />

32 - Brevard Live November 2022

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