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Brevard Live<br />
MIFF - “DON’T KEEP IT UNDER THE HAT”<br />
Review By Matthew Bretz<br />
Every year I’m excited about<br />
attending the now world famous<br />
Melbourne Independent<br />
Film Festival written, directed,<br />
produced and starring the one<br />
and only Terry Cronin and 3 Boys<br />
Productions with a familiar cast<br />
of characters we like to call the<br />
“Cronies.” Honestly, I think I’m<br />
the only one that calls them that,<br />
but I’m trying to start something<br />
here so fingers crossed it’ll catch<br />
on by next year.<br />
Every year I am thoroughly impressed<br />
with how much Terry improves and<br />
tweaks what has become a staple<br />
weekend here in our little, but famous<br />
(I’m learning), corner of the world. No<br />
joke- every year this event just gets<br />
bigger and better.<br />
Once again this year the MIFF was<br />
held at the Oaks 10 Theater in Melbourne,<br />
Florida. I love this for a few<br />
reasons. First of all, the Oaks 10 is the<br />
picture of a classic theater filled with<br />
the kind of pageantry and décor befitting<br />
of the magic that is Hollywood<br />
and film culture in general. Secondly,<br />
the Oaks 10 is locally owned and I love<br />
that we have our own film festival and<br />
its venue is a home grown business.<br />
Thursday night kicked off the fest<br />
with a showing of a short film slash<br />
music video called The Voyagers directed<br />
by Ian Bertel (photo top left).<br />
The video stars local violinist Char<br />
Good (photo top right) and features her<br />
rendition of the Eagles’ Hotel California<br />
while she plays herself through the<br />
lobby, up the elevator and across the<br />
roof of the Hotel Melby in downtown<br />
Melbourne. Occasionally throughout<br />
the video you can catch local graffiti<br />
artist Maslow running around tagging<br />
pieces on the building. Maslow actually<br />
did all of the graffiti work on the<br />
exterior and interior of the hotel. There<br />
is also a mysterious black hatted character<br />
glimpsed a few times, but no one<br />
told me the secret about who that is -<br />
possibly Bertel himself?<br />
“We shot all the footage in one<br />
night and then went into editing and<br />
finished just as the sun was coming<br />
up.” Bertel told the MIFF audience before<br />
the screening. “It was a very long<br />
night, but really has kind of highlighted<br />
my life so far.”<br />
Later, at the after party, Ian told<br />
me he picked Hotel California because<br />
when it was written SoCal was really<br />
starting to grow into itself musically<br />
and artistically, and he thought the rising<br />
of Hotel Melby is symbolic of Melbourne,<br />
Florida about to do the same.<br />
After The Voyagers there was a premiere<br />
screening of Michael Baumgarten’s<br />
new film Hollywood Laundromat<br />
- a gritty and often hilarious look at the<br />
kinds of things that can happen at an<br />
overnight Laundromat in Hollywood.<br />
According to the man himself this film<br />
was shot in only 6 days with some of<br />
the dialogue improvised for character.<br />
No stranger to the MIFF, Baumgarten’s<br />
movies are always a treat and he’s<br />
always good to answer questions about<br />
his process. He’s also, I’ve noticed,<br />
keen to share the limelight with his<br />
cast and crew which I find refreshing.<br />
This year he crossed the country with<br />
actress Natasha Blasick, originally<br />
from Ukraine and her husband Martin<br />
Blasick who created all the music for<br />
the film and performed in a scene of<br />
the film.<br />
When asked why he keeps coming<br />
back to Melbourne every year<br />
Baumgarten replied, “I keep coming<br />
back every year because of the people<br />
continued page 34<br />
32 - Brevard Live November 2022