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Essays on Painting

Various pieces from a career in Teaching, Lecturing. Demonstrating and Giving Crits in Painting to all ages.

Various pieces from a career in Teaching, Lecturing. Demonstrating and Giving Crits in Painting to all ages.

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Carol & Oil Lamp

joy to behold. Largely speaking, abstractions work because of where they

are placed, they still have to be proportionate and in the right place.

It is my particular duty as an artist to allocate priorities to the forms in

front of me. I am the one in charge, I am entrusted with the privilege to

extract, to establish order, to play down some things and to emphasize

others and to change according to my own vision. There are always those

who are content to paint subjects ‘the way it was’. I believe that an artist

must take charge, where there is full control there is also full responsibility,

each of us must bear this for our work.

Artists are not cameras. We must be obliged at some stage or other to

abstract what we see and convert it into shapes and forms that are paintable.

SEEING SHAPES INSTEAD OF OBJECTS

30

Each work of art is itself a symbol. You do not paint things but the

forms of things. You cannot create skies, grass, and birds, but you

can create symbols that evoke these things. Your painting symbol

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