- Page 1 and 2: Queenborough, SheppeyThe Millrind P
- Page 3 and 4: ESSAYSON PAINTINGExperiences of a p
- Page 5: ACKNOWLEDGEMENTSMusic standFirst I
- Page 9 and 10: PREFACEIn 2004 I published ‘into
- Page 11 and 12: THE ESSAYSessays on painting seeks
- Page 13 and 14: After a digression into the world o
- Page 15 and 16: Double Townscape, Colchesteran Ital
- Page 17 and 18: 1. INFLUENCESThese are the artists
- Page 19 and 20: ship and her telling pastels are al
- Page 21 and 22: USING OUR EYESWe use them to locate
- Page 23 and 24: understood the rings they wouldn'th
- Page 25 and 26: the legs). This can be compared wit
- Page 27 and 28: Back Street, Diss showshow I deligh
- Page 29 and 30: which are sentimentallyattractive,
- Page 31 and 32: should not try so much to be a bird
- Page 33 and 34: paint on a support, better describe
- Page 35 and 36: Artists can draw things thatcan nev
- Page 37 and 38: 3. WHAT IS A PAINTINGA painting exi
- Page 39 and 40: served or invented. Transformation
- Page 41 and 42: An early example of my graphic desi
- Page 43 and 44: 4. STARTING OUTWe are who we are as
- Page 45 and 46: Maldon, Yellow Boatflat result was
- Page 47 and 48: more they may beused in a transpare
- Page 49 and 50: experience. More effort expended in
- Page 51 and 52: 5. COMPOSITIONMuch of the writing a
- Page 53 and 54: is drawn to cut the produced line f
- Page 55 and 56: Many writers on composition are fon
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shows examples of an L shape, an S
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Roderigo Moynihan - Teaching Staff
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It needs three objects to form a se
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In the absence of any other definit
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Cosmo Place IICosmo Place III65
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Wells Next the SeaSaturday Art Grou
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6. DRAWINGBut I have never yet, in
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at the end of the stick, and a litt
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Drawing a straight line contour, fi
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THE APPROACH7. WORKING METHODSThere
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others, just as paintings by others
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the wood and the meticulous renderi
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often say “real artists don't use
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Many people take careful note on th
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Knutsford top roadGibraltar Point,
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8. A PAINTING CHECKLISTThis checkli
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No matter how rough thesketch it ha
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If your source is predominantly hor
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Use as few strokes as possible for
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9. COMMERCIALISMThe literature deal
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There is good news in many ways for
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Old Court RestaurantLearning from m
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10. THE QUESTDial Lane, Ipswich by
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TALENTOf course there is always the
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beyond appearance. The works of art
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in this direction, think about tryi
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Harwich SeafrontIt is therefore vit
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Ightham Mote, colour sketchOnly you
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11. USING THE TECHNOLOGYAll art beg
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A prism on a stand may do this, ass
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I cannot agree with the current fee
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12. COLOUR & PAINTMonastiraki, Athe
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Wharfedale Farm IIIbecame widely us
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POISONOUS PIGMENTSOrpiment is a for
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We have all heard about Joshua Reyn
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colour under different names yet th
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13. MY INNOVATIONSPossibly because
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This is a corner plate forpicture f
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for which I used a fine dovetail sa
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The best solution therefore was to
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14. PAINTING TODAYWhat are the Fact
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life-likedness was the greatest pra
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Monet were, on herfirst appearance
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opposed to the Modernist and Postmo
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Throughout the whole history of pai
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feel less defensive leaving them to
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Marino’s Charlotte St. LondonRose
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VISION PROBLEMS15. MY STORYThis is
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As I was fairly competent at drawin
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While at college I made an interest
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completely new to a subject, howeve
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BIBLIOGRAPHYFULL LIST OF RECOMMENDE
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Roberts, Ian - mastering compositio