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Theatrical traditions: stage and screen in Bendigo

This electronic publication accompanies the exhibition Theatrical traditions: stage and screen in Bendigo. Western theatrical traditions came to Bendigo with fortune seekers in the 1850s. Since then, everything from amateur to professional, Shakespeare, opera, live music, eisteddfods, Vaudeville, musicals and comedy have graced the many stages in Bendigo. The beginning of the 20th century heralded the dawn of the motion picture, which by the middle of the century was the most popular form of entertainment. Existing Bendigo theatres quickly adapted and numerous purpose built picture theatres were constructed. Theatrical traditions: stage and screen in Bendigo looked at key moments, venues and people in the evolution of such entertainment in Bendigo.

This electronic publication accompanies the exhibition Theatrical traditions: stage and screen in Bendigo.

Western theatrical traditions came to Bendigo with fortune seekers in the 1850s. Since then, everything from amateur to professional, Shakespeare, opera, live music, eisteddfods, Vaudeville, musicals and comedy have graced the many stages in Bendigo. The beginning of the 20th century heralded the dawn of the motion picture, which by the middle of the century was the most popular form of entertainment. Existing Bendigo theatres quickly adapted and numerous purpose built picture theatres were constructed. Theatrical traditions: stage and screen in Bendigo looked at key moments, venues and people in the evolution of such entertainment in Bendigo.

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16<br />

Previous page:<br />

Commercial<br />

Photographic Co.<br />

20th century<br />

Exterior view of the<br />

Pr<strong>in</strong>cess Theatre, View<br />

Street<br />

1936<br />

black <strong>and</strong> white<br />

photograph<br />

Courtesy Harold<br />

Paynt<strong>in</strong>g Collection,<br />

State Library of<br />

Victoria<br />

Lyle Fowler<br />

Australia 1891 – 1969<br />

Exterior view of the<br />

Plaza Theatre, Mitchell<br />

Street<br />

1936<br />

black <strong>and</strong> white<br />

photograph<br />

Courtesy Harold<br />

Paynt<strong>in</strong>g Collection,<br />

State Library of<br />

Victoria<br />

comfortable up-to-date picture theatre.<br />

Modern conveniences such as heat<strong>in</strong>g<br />

<strong>and</strong> cool<strong>in</strong>g were <strong>in</strong>stalled <strong>in</strong>clud<strong>in</strong>g<br />

heated foot-warmers; purported to be<br />

the best method of ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g the<br />

body at a consistent temperature! 34<br />

The biggest development to<br />

revolutionalise the film <strong>in</strong>dustry s<strong>in</strong>ce<br />

sound on film was C<strong>in</strong>emaScope.<br />

In 1954 the Lyric became the first<br />

<strong>in</strong>dependent theatre <strong>in</strong> Victoria to<br />

<strong>in</strong>stall the wide<strong>screen</strong> technology <strong>and</strong><br />

<strong>in</strong> September of that year, launched<br />

with a highly anticipated gala event,<br />

<strong>in</strong>clud<strong>in</strong>g a <strong>screen</strong><strong>in</strong>g of The Robe. The<br />

C<strong>in</strong>emaScope system was developed <strong>in</strong><br />

Hollywood by 20th Century-Fox <strong>and</strong><br />

resulted <strong>in</strong> an image that was almost<br />

two <strong>and</strong> a half times as wide as it was<br />

high. A new ‘miracle mirror <strong>screen</strong>’<br />

was <strong>in</strong>stalled at the Lyric to cater for the<br />

new C<strong>in</strong>emaScope films. Soon after,<br />

the Royal Pr<strong>in</strong>cess <strong>and</strong> Plaza Theatre<br />

just across Bath Lane from the Lyric,<br />

followed suit refurbish<strong>in</strong>g to <strong>in</strong>corporate<br />

the new wide<strong>screen</strong> technology.<br />

PLAZA THEATRE<br />

The Plaza Theatre opened with a<br />

gala event on 28 December 1934. In<br />

addition to the feature movie Little<br />

Miss Marker starr<strong>in</strong>g Shirley Temple<br />

<strong>and</strong> the associate feature We’re Not<br />

Dress<strong>in</strong>g starr<strong>in</strong>g B<strong>in</strong>g Crosby, the<br />

highlight was the newsreel show<strong>in</strong>g<br />

the wedd<strong>in</strong>g of the Duke of Kent. 35 In<br />

the <strong>in</strong>augural program, address<strong>in</strong>g the<br />

citizens of <strong>Bendigo</strong>, Manag<strong>in</strong>g Director<br />

JL Thornley wrote:<br />

Proudly we present to you a temple<br />

dedicated to the best <strong>in</strong> motion<br />

picture enterta<strong>in</strong>ment. My company<br />

has endeavoured to give you a<br />

theatre that <strong>Bendigo</strong> will be proud<br />

to own. Our ideal has been founded<br />

on comfortable, healthy <strong>and</strong> pleasant<br />

surround<strong>in</strong>gs, with special attention<br />

to ventilation, cool<strong>in</strong>g <strong>and</strong> heat<strong>in</strong>g<br />

<strong>and</strong> strict cleanl<strong>in</strong>ess. We have<br />

endeavoured to build a Theatre that<br />

will be a happy rendezvous for each<br />

<strong>and</strong> everyone of you – every week<br />

<strong>in</strong> the year. 36<br />

The Plaza was located on a narrow strip<br />

of l<strong>and</strong> on the corner of Mitchell Street<br />

<strong>and</strong> Bath Lane with the ma<strong>in</strong> entrance<br />

on Mitchell Street. 37 The theatre was<br />

designed by the architecture firm<br />

Cowper, Murphy <strong>and</strong> Appleford (the<br />

same firm which had designed the<br />

refurbishment of the Pr<strong>in</strong>cess) <strong>and</strong> had<br />

a seat<strong>in</strong>g capacity of 1164. Unlike the<br />

popular Art Deco style of the Pr<strong>in</strong>cess<br />

<strong>and</strong> most other picture theatres be<strong>in</strong>g<br />

built at the time, the <strong>in</strong>terior of the<br />

Plaza was elaborately embellished <strong>in</strong> an<br />

opulent Neo-Gothic style.

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