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Theatrical traditions: stage and screen in Bendigo

This electronic publication accompanies the exhibition Theatrical traditions: stage and screen in Bendigo. Western theatrical traditions came to Bendigo with fortune seekers in the 1850s. Since then, everything from amateur to professional, Shakespeare, opera, live music, eisteddfods, Vaudeville, musicals and comedy have graced the many stages in Bendigo. The beginning of the 20th century heralded the dawn of the motion picture, which by the middle of the century was the most popular form of entertainment. Existing Bendigo theatres quickly adapted and numerous purpose built picture theatres were constructed. Theatrical traditions: stage and screen in Bendigo looked at key moments, venues and people in the evolution of such entertainment in Bendigo.

This electronic publication accompanies the exhibition Theatrical traditions: stage and screen in Bendigo.

Western theatrical traditions came to Bendigo with fortune seekers in the 1850s. Since then, everything from amateur to professional, Shakespeare, opera, live music, eisteddfods, Vaudeville, musicals and comedy have graced the many stages in Bendigo. The beginning of the 20th century heralded the dawn of the motion picture, which by the middle of the century was the most popular form of entertainment. Existing Bendigo theatres quickly adapted and numerous purpose built picture theatres were constructed. Theatrical traditions: stage and screen in Bendigo looked at key moments, venues and people in the evolution of such entertainment in Bendigo.

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6<br />

Benjam<strong>in</strong> Pierce<br />

Batchelder<br />

born United States<br />

1826<br />

arrived Australia 1856<br />

died 1891<br />

Symonds’ Criterion<br />

Family Hotel, <strong>Bendigo</strong><br />

1861<br />

albumen silver<br />

photograph<br />

Courtesy State<br />

Library of Victoria<br />

Lola Montez<br />

c1846 - c1861<br />

Reproduction of<br />

portrait pa<strong>in</strong>ted<br />

by order of K<strong>in</strong>g<br />

Ludwig I of Bavaria<br />

Reproduced<br />

from the book<br />

Seven Splendid S<strong>in</strong>ners<br />

by W R H<br />

Trowbridge<br />

Courtesy State<br />

Library of Victoria<br />

‘cultured’ citizens. Henry Coleman,<br />

respected for his enterpris<strong>in</strong>g spirit<br />

<strong>and</strong> ability to procure high-quality<br />

enterta<strong>in</strong>ment, managed the Pr<strong>in</strong>cess<br />

Theatre. While cont<strong>in</strong>u<strong>in</strong>g <strong>in</strong> this role,<br />

<strong>in</strong> 1856, Coleman built the Criterion<br />

Theatre on a site adjo<strong>in</strong><strong>in</strong>g the Hotel.<br />

By contemporary st<strong>and</strong>ards the build<strong>in</strong>g<br />

was rudimentary, but at the time its<br />

scale alone would have been impressive.<br />

With a capacity of 1500, accord<strong>in</strong>g to<br />

the <strong>Bendigo</strong> Advertiser <strong>and</strong> Coleman’s<br />

supporters, the new theatre was<br />

‘unparalleled for comfort <strong>and</strong> elegance<br />

<strong>in</strong> the colony...’<strong>and</strong> ‘unrivalled by<br />

any Colonial Prov<strong>in</strong>cial Theatre…’ 6<br />

By 1857, the Criterion Theatre had<br />

been re-named the Haymarket Theatre,<br />

<strong>and</strong> surpris<strong>in</strong>gly, only four years later,<br />

it was sold at auction <strong>and</strong> subsequently<br />

demolished. 7<br />

The most legendary performer to grace<br />

the <strong>stage</strong> at the Criterion was actress<br />

Lola Montez. 8 Born Marie Dolores<br />

Eliza Rosanna Gilbert, the Irish dancer<br />

<strong>and</strong> actress became famous as Lola<br />

Montez the ‘Spanish dancer’. She<br />

received mixed reviews throughout<br />

her checkered theatrical career.<br />

Montez toured the goldfields of<br />

Australia <strong>in</strong> 1855 – 56. Her antics,<br />

both on <strong>and</strong> off <strong>stage</strong>, ga<strong>in</strong>ed her quite<br />

a reputation <strong>and</strong> her arrival <strong>in</strong> <strong>Bendigo</strong><br />

<strong>in</strong> March 1856 was highly anticipated.<br />

Many attended her performances out<br />

of sheer curiosity; others were <strong>in</strong>tent<br />

on witness<strong>in</strong>g her legendary risqué<br />

‘Spider Dance’. 9 One of the most<br />

notable events dur<strong>in</strong>g Montez’s time<br />

<strong>in</strong> <strong>Bendigo</strong> was on 1 April when the<br />

Criterion was struck by lighten<strong>in</strong>g<br />

dur<strong>in</strong>g her performance. The<br />

lighten<strong>in</strong>g entered the build<strong>in</strong>g <strong>and</strong> set<br />

fire to some of the scenery. 10 Montez<br />

rema<strong>in</strong>ed <strong>in</strong> <strong>Bendigo</strong> for several<br />

months. Address<strong>in</strong>g the audience at<br />

the end of one of her performances<br />

declar<strong>in</strong>g that she ‘…would not soon<br />

forget the k<strong>in</strong>dness she met with on<br />

<strong>Bendigo</strong>’. 11<br />

ABBOTT’S LYCEUM<br />

Abbott’s Hotel, operat<strong>in</strong>g <strong>in</strong> the early<br />

days of <strong>Bendigo</strong>, was a two-storey<br />

build<strong>in</strong>g near the corner of Bull Street<br />

<strong>and</strong> Pall Mall. Attached to the hotel<br />

was a small theatre known as the<br />

Lyceum. By 1860, Abbott had closed<br />

the adjo<strong>in</strong><strong>in</strong>g theatre <strong>and</strong> re-built it.<br />

The ambitious New Lyceum Theatre<br />

opened on the 10 December 1860.<br />

With a capacity of 1500, it boasted<br />

a large <strong>stage</strong> framed by an equally<br />

generous proscenium. 12 The launch<strong>in</strong>g<br />

act was Signor <strong>and</strong> Signor<strong>in</strong>a Bianchi<br />

perform<strong>in</strong>g the opera Il Travatore.<br />

The Lyceum was the most well<br />

regarded theatre <strong>in</strong> <strong>Bendigo</strong> at the

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