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A Memoir of Jane Austen

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Explanatory Notes 257

wood or iron that fills its corner in peace and quietness. The case is very

different now; she is still a poker–– but a poker of whom everyone is

afraid’ (The Life of Mary Russell Mitford, ed. L’Estrange (1870), i. 305–

6). Mitford does, however, qualify the description a few lines later when

she observes that the friend from whom she has it is, owing to a family

legal dispute, not on good terms with the Austens. The further postscript,

detailing Mitford’s accusation and JEAL’s rejoinder, appeared in

Ed.1 but was omitted from Ed.2. R. W. Chapman restored it in his 1926

reprint of Ed.2.

HENRY AUSTEN, ‘Biographical Notice of the Author’ (1818)

The ‘Biographical Notice’ has a special importance as the first attempt to

provide the public with the details of the novelist’s life, presenting her by

name in its opening page, though not on the title-page, as the author of S&S,

P&P, MP, and E. Written within months of JA’s death, it was prefixed to the

posthumously published NA and P (issued late in December 1817, dated

1818). JEAL drew on details from this short notice in his Memoir as well as

using it as the sole authority for one of JA’s latest letters. The ‘Biographical

Notice’ has remained widely known in the twentieth century, through its

reprinting in R. W. Chapman’s continuously available Oxford edition of The

Novels of Jane Austen (1923).

Jane Austen’s fourth brother, Henry (1771–1850), had a colourful and

varied career. After St John’s College, Oxford, he took up soldiering with

the Oxford Militia, was later partner in a London banking firm, was declared

bankrupt in March 1816, and in December 1816 became a clergyman in the

Church of England. He acted informally as Jane Austen’s literary agent.

According to family tradition, he was Jane Austen’s favourite brother.

137 D’Arblay and . . . Edgeworth: Fanny or Frances Burney (see note to p. 20

above); and Maria Edgeworth (note to p. 72 above), both contemporary

women novelists much admired by JA.

138 stanzas replete . . . and vigour: Henry Austen’s reference to the comic

verses ‘When Winchester races first took their beginning’, written by JA

on her deathbed, caused the next generation of the family much discomfort.

This may explain why the reference is excised from his ‘Memoir’

of 1833. The verses were not published until 1906. See note to p. 130

above.

139 her eloquent blood . . . her modest cheek: paraphrasing John Donne, ‘her

pure and eloquent blood | Spoke in her cheeks’, from ‘Of the Progress of

the Soul. The Second Anniversary’ (1612), ll 244–5.

141 Gilpin on the Picturesque: William Gilpin (1724–1804), author of Three

Essays: on Picturesque Beauty; Picturesque Travel; and on Sketching Landscape

(1792).

Johnson in prose . . . Fielding quite so high: see notes to p. 71 above, where

JEAL appears to be drawing on Henry Austen’s ‘Biographical Notice’.

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