13.01.2023 Views

A Memoir of Jane Austen

A Memoir of Jane Austen

A Memoir of Jane Austen

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

More oxford books @ www.OxfordeBook.com

Fore more urdu books visit www.4Urdu.com

NOTE ON THE TEXTS

The text printed here of James Edward Austen-Leigh’s A Memoir

of Jane Austen is that of the second edition of 1871, but with

significant omissions. Issuing it less than a year after the first

edition, Austen-Leigh expanded the second edition in several

ways, incorporating in the main body of his text further correspondence,

family papers, and biographical recollections, much

of it material which had only lately come to light. He also printed

for the first time, and as a sequence of appendices to the biography,

important fragments of unfinished or early drafts of his

aunt Jane Austen’s works. Those expansions which form part of

the body of the text of the second edition (described in the preface

as a ‘narrative . . . somewhat enlarged’, ‘a few more letters’,

and ‘a short specimen of her childish stories’) are retained here.

But the appended Chapter 12, consisting of the cancelled chapter

of Persuasion, and Chapter 13, extracts from and a synopsis of

Sanditon, still under the title of ‘The Last Work’, are omitted;

omitted, too, are Lady Susan and The Watsons, both also published

for the first time in 1871 as an appendix to the Memoir. In

addition, I have restored some elements which were present in

the first edition of 1870 but removed from the second edition:

namely, the second postscript, dated 17 November 1869, defending

Jane Austen from the attack in Mary Russell Mitford’s newly

published Life, and the set of five illustrations––a portrait of Jane

Austen, a facsimile of her handwriting, and family drawings of

Steventon Parsonage, Steventon Manor House, and Chawton

Church––an important feature of the first and of subsequent

editions, but unaccountably left out of the second. The effect of

these cuts and expansions is to deepen the work as memoir and

family record, an impression which the publisher’s calculated

marketing of the second edition did something to obscure. As

Austen-Leigh remarked of the new edition to his American correspondent

Susan Quincy: ‘It will be smaller & less expensive

than the former edition, being made to range with, & to form an

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!