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<strong>MONDAY</strong><br />
<strong>ARTPOST</strong><br />
<strong>0306</strong>-<strong>2023</strong><br />
ISSN1918-6991<br />
<strong>MONDAY</strong><strong>ARTPOST</strong>.COM<br />
Columns by Artists and Writers<br />
Bob Black / bq / Cem Turgay / Fiona<br />
Smyth / Gary Michael Dault / Holly Lee/<br />
Kai Chan / Kamelia Pezeshki / Lee Ka-sing<br />
/ Shelley Savor / Tamara Chatterjee /<br />
Wilson Tsang / + ARTIFACT: OP NEWS<br />
(To build up a good collection of original<br />
photograph you might not have to invest<br />
enormous sums of money..)<br />
<strong>MONDAY</strong> <strong>ARTPOST</strong> published on Mondays. Columns by Artists and Writers. All Right Reserved. Published since 2002.<br />
An Ocean and Pounds publication. ISSN 1918-6991. email to: mail@oceanpounds.com
DOUBLE DOUBLE<br />
Reality Irreality Augmented Reality<br />
http://books.oceanpounds.com/2022/10/rar.html<br />
The Book The Reader The Keeper<br />
https://books.oceanpounds.com/2022/09/dd202208.html<br />
Windmills Fields and Marina<br />
http://books.oceanpounds.com/2022/07/wmf.html<br />
Island Peninsula Cape<br />
http://books.oceanpounds.com/2022/05/blog-post.html<br />
The Fence the Garden the Connoisseur<br />
https://books.oceanpounds.com/2022/05/dd202205.html<br />
Hana Picnic Stones<br />
https://books.oceanpounds.com/2022/04/dd202204.html<br />
Terrain Little Red Riding Hood Rosetta<br />
https://books.oceanpounds.com/2022/03/dd202203.htm<br />
Donkey camera and auld lang syne<br />
https://books.oceanpounds.com/2022/02/dd202202.html<br />
City Mirage Snow<br />
http://books.oceanpounds.com/2022/12/cms.html<br />
The Fountain the Shop the Rhythmic Train<br />
https://books.oceanpounds.com/2022/01/dd202201.html<br />
The Painter The Photographer The Alchemist<br />
http://books.oceanpounds.com/2022/12/ppa.html<br />
The galloping jelly pink horse with pea green<br />
spots<br />
http://books.oceanpounds.com/2022/10/phgs.html<br />
(This 4x5 camera was built in 2010 for Holly, to shoot a series of photographs in the parks of<br />
Toronto entitled Shan Hai Jin) / DOUBLE DOUBLE February edition 2022/ Lee Ka-sing
Holly Lee<br />
Nine-Years (2020)<br />
https://books.oceanpounds.com/2020/02/ny.html<br />
Istanbul Postcards (2021)<br />
https://books.oceanpounds.com/2021/07/ip.html<br />
Six Poems (2022)<br />
https://books.oceanpounds.com/2022/11/6p.html<br />
The Air is like a Butterfly (2021)<br />
https://books.oceanpounds.com/2021/07/tab.html<br />
Gary Michael Dault<br />
DOUBLE DOUBLE Box in a Valise a closecropped<br />
(2020)<br />
https://books.oceanpounds.com/2020/05/ddb-cc.html<br />
DOUBLE DOUBLE Box in a Valise on-site<br />
(2020)<br />
https://books.oceanpounds.com/2020/05/ddb-os.html<br />
Kai Chan<br />
Twenty Twenty An exhibition by Kai Chan<br />
https://books.oceanpounds.com/2021/09/tt.html<br />
2K 4.0 (Kai Chan + Lee Ka-sing)<br />
https://books.oceanpounds.com/2022/10/2k40.html<br />
Still Life Still A Book of Vessels (2022)<br />
https://books.oceanpounds.com/2022/09/bv.html<br />
The Book of The Poem (2022)<br />
https://books.oceanpounds.com/2022/08/bp.html<br />
The Nearby Faraway Small Paintings on<br />
Cardboard (2022)<br />
https://books.oceanpounds.com/2022/09/small-paintings-on-cardboard.html<br />
Time Machine (2021) photographs by Lee<br />
Ka-sing, Haiku by Gary Michael Dault<br />
https://books.oceanpounds.com/2021/12/tm.html<br />
Swan House (2021)<br />
https://books.oceanpounds.com/2022/12/swanhouse.html<br />
The Air is like a Butterfly (Poems 2018-2020) / Holly Lee
Calendar Beauty Vintage Calendar posters<br />
from China<br />
https://books.oceanpounds.com/2020/03/cb.html<br />
一 頁 掉 失 了 的 埃 及 史 。 a wandering page of Egyptian history<br />
217 x 50 x 45 mm, gesso, acrylic medium, wood<br />
signed, 2021<br />
Libby Hague<br />
Libby Hague Watercolours<br />
https://books.oceanpounds.com/2022/11/lhw.html<br />
Tomio Nitto<br />
The Diary of Wonders<br />
https://books.oceanpounds.com/2021/10/dw.html<br />
Fiona Smyth<br />
CHEEZ 456<br />
https://books.oceanpounds.com/2022/05/c456.html<br />
Shelley Savor<br />
Mushrooms and Clouds but no Mushroom<br />
Clouds<br />
https://books.oceanpounds.com/2022/09/mcmc.html<br />
The Diary of Wonders / Tomio Nitto
Lee Ka-sing<br />
CODA (2020)<br />
https://books.oceanpounds.com/2022/12/coda.html<br />
Diary of a Sunflower, Book Two (2022)<br />
https://books.oceanpounds.com/2022/12/ds.html<br />
Eighty Two Photographs (2021)<br />
https://books.oceanpounds.com/2021/10/82p.html<br />
Time Machine (2021)<br />
https://books.oceanpounds.com/2021/12/tm.html<br />
Songs from the Acid-free Paper Box (2022)<br />
https://books.oceanpounds.com/2022/10/sa.html<br />
Songs from the Acid-free Paper Box<br />
Museum edition (2022)<br />
https://books.oceanpounds.com/2022/10/sab.html<br />
“That Afternoon” on Mubi, a dialogue: Tsai<br />
Ming Liang and Lee Kang-Sheng (2022)<br />
https://books.oceanpounds.com/2022/11/ta.html<br />
The Travelogue of a Bitter Melon (2022)<br />
https://books.oceanpounds.com/2022/11/tbm.html<br />
Swan House (2021)<br />
https://books.oceanpounds.com/2022/12/swanhouse.html<br />
“Journeys of Leung Ping Kwan” (<strong>2023</strong>)<br />
http://books.oceanpounds.com/<strong>2023</strong>/01/pk.html<br />
Songs from the Acid-free Paper Box / Lee Ka-sing
<strong>ARTPOST</strong> contributors<br />
Cem Turgay lives and works as a photographer in<br />
Turkey.<br />
Fiona Smyth is a painter, illustrator, cartoonist and<br />
instructor in OCAD University's Illustration Program.<br />
For more than three decades, Smyth has made a name<br />
for herself in the local Toronto comic scene as well as<br />
internationally.<br />
http://fiona-smyth.blogspot.com<br />
art-give-away.<br />
This is a program for <strong>MONDAY</strong> <strong>ARTPOST</strong> readers and PATREON members. Every week, we will offer one piece of<br />
work (exhibition print, work print, test print) from the file of our previous Gallery, Studio, Print Program. You only have<br />
to pay a small flat fee for shipping and handling (US$18.00). Each lot is one-off. Delivery will be via mail system only<br />
(anywhere). More about this program - https://oceanpounds.com/pages/takeme<br />
Gary Michael Dault lives in Canada and is noted for<br />
his art critics and writings. He paints and writes poetry<br />
extensively. In 2022, OCEAN POUNDS published two<br />
of his art notebooks in facsimile editions.<br />
Holly Lee lives in Toronto, where she continues to<br />
produce visual and literal work.<br />
en.wikipedia.org/wiki/Holly_Lee<br />
Kai Chan immigrated to Canada from Hong Kong in<br />
the sixties. He’s a notable multi-disciplinary artist who<br />
has exhibited widely in Canada and abroad.<br />
www.kaichan.art<br />
Kamelia Pezeshki is a photographer living in Toronto.<br />
She continues to use film and alternative processes to<br />
make photographs.<br />
www.kamelia-pezeshki.com<br />
Ken Lee is a poet and an architectural designer based<br />
in Toronto. He has been composing poetry in Chinese,<br />
and is only recently starting to experiment with writing<br />
English poetry under the pen name, “bq”.<br />
Lee Ka-sing, founder of OCEAN POUNDS, lives in<br />
Toronto. He writes with images, recent work mostly<br />
photographs in sequence, some of them were presented<br />
in the format of a book.<br />
www.leekasing.com<br />
Robert Black, born in California, is an award-winning<br />
poet and photographer currently based in Toronto.<br />
His work often deals with themes related to language,<br />
transformation, and disappearance.<br />
Shelley Savor lives in Toronto. She paints and draws<br />
with passion, focusing her theme on city life and urban<br />
living experiences.<br />
Tamara Chatterjee is a Toronto photographer who<br />
travels extensively to many parts of the world.<br />
Wilson Tsang is both a visual artist and a musician<br />
from Hong Kong. To date, he has published two art<br />
books for children and four indie music albums.<br />
Yam Lau, born in British Hong Kong, is an artist and<br />
writer based in Toronto; he is currently an Associate<br />
Professor at York University. Lau’s creative work<br />
explores new expressions and qualities of space,<br />
time and the image. He is represented by Christie<br />
Contemporary.<br />
(LOT <strong>2023</strong>-<strong>0306</strong>) 140mm x 190mm, c-type photograph. Use this link to make payment at OCEAN POUNDS for<br />
the shipping and handling (US$18.00) https://oceanpounds.com/products/<strong>2023</strong>-<strong>0306</strong>
Poem a Week<br />
Gary Michael Dault<br />
March Winds<br />
March winds, both feet on the ground*<br />
rush not to get levered like snow<br />
they clear their throats<br />
blow, crack their cheeks<br />
someone has left<br />
an old teakettle<br />
on our front lawn<br />
it whistles in the wind<br />
when you pick it up<br />
and listen at its spout<br />
you can hear a rusty ocean<br />
the wind will die down<br />
squirrels are wrapped in its blanket<br />
birds start to cancel flights<br />
*Patti Smith, M Train (New York: Alfred A. Knopf, 2015), p. 204.
CHEEZ<br />
Fiona Smyth
The Photograph<br />
coordinated by<br />
Kamelia Pezeshki<br />
Untitled by Gordon Hawkins
Travelling Palm<br />
Snapshots<br />
Tamara Chatterjee<br />
Mexico (January, 2019) – We arrived at Uxmal,<br />
delirious from our morning escapade into one<br />
of the many cavernous cenotes in the region.<br />
I took my own path navigating the world<br />
heritage site; while the entourage ran from one<br />
end to the other. The scenic route allowed me<br />
to revisit some of the more memorable haunts,<br />
despite not repeating my ascent to the top of<br />
Pyramid of the Magician.
ARCHIVE.leekasing.com<br />
我 想 寫 一 個 沒 有 標 點 符 號 的 編 年 話 本 , 你 踏 進 來 的 時 候 也 許 剛 才 正 是 一 個 章 回 的 段 落<br />
a vertical story and the cross section<br />
Lee Ka-sing (1997), photograph by Christopher Doyle 杜 可 風 , SPUR MEN Magazine, Japan<br />
(opposite page) Christopher Doyle 杜 可 風 (1997), photograph by Lee Ka-sing, SPUR MEN Magazine, Japan
Caffeine Reveries<br />
Shelley Savor<br />
Slush Pile
ProTesT<br />
Cem Turgay
Leaving Taichung<br />
Station<br />
Bob Black<br />
winter: ii<br />
Snow, leaning slight in its proficiency and desire<br />
tock, tap, tumbled over<br />
and then you rose slipping up upon the air<br />
as a snapping deciduous caught in the tongue of a November updraft,<br />
sound splintering and thoughts specking<br />
as the rain transformed to white song drifts over and away<br />
teethed downward toward the heart buried in the ground:<br />
there go the thoughts, there rain’d the touch, there raced the tail of some copperysuch twig.<br />
Winter calling you across the globe, dreamsong.<br />
But now<br />
what to do with the creek in the neck<br />
the cringe stiffened from watching words drift skyward, transformed breath,<br />
a meerkcat in defense of the sky, the heart<br />
Suricata suricatta,<br />
surrender when the strain comes not from vanity but from the only thing that makes sense<br />
the defied, you defied gravity<br />
pulled me kiteward and made sure we accumulated there:<br />
in the vein of the crook of an aging ligature<br />
in the wash of fractals and limbs,<br />
hearts drifting over the land, the dead, the living and the going,<br />
left, right and the slightly leaning.<br />
We a flurry of blanket alabaster, souls ondinging.<br />
Digging out from the sky’s traveling,<br />
the known unraveling<br />
the skift scattering, a speed boat of cognition traveling in stealth<br />
neve, known and our cornsnow joining, winged.<br />
Away the day and what was spun, osteology’s scaffolding<br />
all of what you have penned<br />
all of what you have kept<br />
all of what you once buried in the back of the yard gone frozen<br />
all of what you once built from trunk and twig and promise gone<br />
we race snow-pawed toward the thawing heart, amending<br />
we gloam our ardor wide and the land unbuckles, still.
Open/Endedness<br />
bq 不 清<br />
代 糖<br />
ARTIFICIAL SWEETENER<br />
城 市 並 未 死 亡 , 它 活 著<br />
窒 息 你 ; 在 燈 火 通 亮 的 地 方<br />
埋 葬 你 , 於 人 海<br />
之 中 。 我 們 往 同 一 個 方 向 前 行<br />
而 光 陰 比 你 走 得 更 快 ——<br />
空 間 與 時 間 物 理 學 讓 我 們 安 頓 下 來<br />
並 裝 懂 , 接 受<br />
每 一 天<br />
僅 是 萬 聖 節<br />
有 些 活 人 愉 快 地 飾 演 亡 靈 而 亡 靈<br />
卻 只 被 少 數 活 人 窺 見 可 是 他 們<br />
不 願 承 認<br />
當 天 晚 上<br />
袋 中 五 彩 繽 紛 的 糖 果<br />
僅 是 他 們 稱 之 為 天 冬<br />
氨 酰 苯 丙 氨 酸 甲 酯 的 色 盲<br />
而 夜 間 沒 有<br />
毒 樹 , 沒 有 毒 果<br />
我 們 逝 去 的 原 因 只 是 腦 袋<br />
長 期 接 收 相 同 的 信 息 而 饑 餓 但<br />
城 市 並 未 死 亡 , 它 活 著<br />
枯 萎 去 了<br />
The city isn‘t dead, it’s alive,<br />
To suffocate you; in brightest places<br />
It buries you, in the midst<br />
Of a crowd. We go forward in the same direction<br />
But time moves faster than you —<br />
The physics of spacetime gets us to settle down<br />
And we pretend we understand it, accepting that<br />
Everyday<br />
Is merely Halloween when<br />
Some living happily play ghosts, while ghosts<br />
Can only be seen by a few of the living who<br />
Are unwilling to acknowledge it.<br />
That night,<br />
The colourful candies inside the pockets<br />
Are really what they call an aspartyl<br />
phenylalanine methyl ester-ish colour blindness.<br />
And at night there aren’t<br />
Any poisonous trees, or poisonous fruits.<br />
The reason for our passing is the brains’<br />
Extended immersion of the same information that leads to starvation but<br />
The city isn’t dead. It is alive<br />
Withering away.
Greenwood<br />
Kai Chan<br />
Webs<br />
pastel, watercolour on paper
From the Notebooks<br />
(2010-<strong>2023</strong>)<br />
Gary Michael Dault<br />
From the Notebooks, 2010-<strong>2023</strong>.<br />
Number 168: Seabird (July 3, 2011)
TANGENTS<br />
Wilson Tsang<br />
The void
ART LOGBOOK<br />
Holly Lee<br />
From the fifties to the nineties, through photographs, homemade films, recordings and<br />
collections, Vivian Maier assembled one of the most fascinating windows into American life<br />
in the second half of the twentieth century.<br />
Vivian Maier<br />
https://artpil.com/vivian-maier/<br />
https://www.vivianmaier.com/gallery/self-portraits-color/<br />
Documentary Film: Finding Vivian Maier (1hr 24min)<br />
https://www.kanopy.com/en/torontopl/video/239989
https://oceanpounds.com New at Poetry section -<br />
New Look. More Content<br />
Gary Michael Dault: FIFTEEN HAIKU MOONS
ARTIFACT: OP NEWS<br />
(To build up a good<br />
collection of original<br />
photograph you might<br />
not have to invest<br />
enormous sums of<br />
money..)
After Holly and Ka-sing resided in Toronto, their studio in<br />
Hong Kong was transformed into a photography gallery.<br />
OP NEWS is a newsletter for the gallery events and also,<br />
to promote the OP Print Program. OP is a program on<br />
collection photographs, Holly and Ka-sing set up in 1995<br />
while they were in Hong Kong.<br />
OP NEWS, published quarterly, is in size of 8.5 x 11 inch,<br />
eight pages each issue, with print-runs of 1000 copies, the<br />
first issue was published in January 1997. 6 issues were<br />
published.<br />
Reprinted here is the issue 2/2, published in September<br />
1998, a special issue featuring a selection of 100<br />
photographs from the OP Print Program. All these prints<br />
were 8x10, released in 20 editions, black and white in fibrebased<br />
silver photographs, or colour c-type prints, signed by<br />
the authors, each sealed with OP blind stamp. When these<br />
prints were released, they were all at a flat price of US$150<br />
each, in today, if available, the price varies from US$500 to<br />
US$1500 each. Of course, there are some exceptions, in a<br />
recent auction at Sotheby’s, an 8x10 photograph from this<br />
program was hammered for US$15000.
OP NEWS, issue 2/1, published March 1998. The first<br />
opening page features the inauguration opening of the OP<br />
fotogallery in Hong Kong.
Under the management of Ocean and Pounds<br />
Since 2008, INDEXG B&B have served curators, artists,<br />
art-admirers, collectors and professionals from different<br />
cities visiting and working in Toronto.<br />
INDEXG B&B<br />
48 Gladstone Avenue, Toronto<br />
Booking:<br />
mail@indexgbb.com<br />
416.535.6957
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