03 Magazine: March 31, 2023
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Feature | <strong>Magazine</strong> 29<br />
Just a few years ago Meg Gallagher was entrenched in Sydney’s<br />
fashion world, relishing the challenge of being the denim whiz-kid.<br />
‘‘It was my dream job. I got the job I was desperate for when I was<br />
studying fashion,’’ she says.<br />
Yet she had this magnetic pull to come back to Otago, something<br />
she never thought would happen 20 years ago.<br />
‘‘By the time I got my dream job, my passion and focus was on the<br />
art and painting. I was a different person.’’<br />
She started painting in Sydney four years ago, after she had her son,<br />
discovering ‘‘never-ending’’ inspiration from the world around her.<br />
“I was really into this hard-core fashion job and<br />
had all these staff I was responsible for, but it’s so<br />
interesting how easy it was to give it up.”<br />
‘‘It escalated so quickly because everything is so easy to buy online<br />
at the moment. Everyone loved my connection to New Zealand and<br />
Australian landscapes.’’<br />
Personally, it also resonated, as it was her work, whereas in fashion<br />
she was bringing to life someone else’s vision.<br />
‘‘I loved the creative part of it, but it was always their kind of thing.<br />
When I was creating my art, it was that calmness and stillness of me<br />
being able to do things at my own pace.’’<br />
Meg began to question why she was still ‘‘hustling’’ in Sydney.<br />
She knew if she returned to Dunedin she could make art her<br />
primary focus.<br />
‘‘Also slow down a bit, not focus on quick sales. I could choose the<br />
things I wanted to do.’’<br />
So she made the decision and moved back to Dunedin a year ago.<br />
She did have a few qualms about whether her art practice would<br />
continue to be successful.<br />
‘‘But it’s been beyond what I could expect. It’s been so good. I’ve<br />
got a never-ending bucket of inspiration here. I feel so connected to<br />
myself and this place, it’s made me like, so much more considered<br />
and thoughtful as an artist.’’<br />
Coming back was made easier by finding studio space while she<br />
was still stuck in Sydney during Covid. Her brother, an illustrator, was<br />
able to check it out and give it his tick of approval although there<br />
were concerns about the size and cost of the space.<br />
Its positive attributes of being light and airy and in a great location<br />
won them over. They went ahead and hired the space with the aim<br />
of getting other creatives to join them and share it.