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03 Magazine: March 31, 2023

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Feature | <strong>Magazine</strong> 29<br />

Just a few years ago Meg Gallagher was entrenched in Sydney’s<br />

fashion world, relishing the challenge of being the denim whiz-kid.<br />

‘‘It was my dream job. I got the job I was desperate for when I was<br />

studying fashion,’’ she says.<br />

Yet she had this magnetic pull to come back to Otago, something<br />

she never thought would happen 20 years ago.<br />

‘‘By the time I got my dream job, my passion and focus was on the<br />

art and painting. I was a different person.’’<br />

She started painting in Sydney four years ago, after she had her son,<br />

discovering ‘‘never-ending’’ inspiration from the world around her.<br />

“I was really into this hard-core fashion job and<br />

had all these staff I was responsible for, but it’s so<br />

interesting how easy it was to give it up.”<br />

‘‘It escalated so quickly because everything is so easy to buy online<br />

at the moment. Everyone loved my connection to New Zealand and<br />

Australian landscapes.’’<br />

Personally, it also resonated, as it was her work, whereas in fashion<br />

she was bringing to life someone else’s vision.<br />

‘‘I loved the creative part of it, but it was always their kind of thing.<br />

When I was creating my art, it was that calmness and stillness of me<br />

being able to do things at my own pace.’’<br />

Meg began to question why she was still ‘‘hustling’’ in Sydney.<br />

She knew if she returned to Dunedin she could make art her<br />

primary focus.<br />

‘‘Also slow down a bit, not focus on quick sales. I could choose the<br />

things I wanted to do.’’<br />

So she made the decision and moved back to Dunedin a year ago.<br />

She did have a few qualms about whether her art practice would<br />

continue to be successful.<br />

‘‘But it’s been beyond what I could expect. It’s been so good. I’ve<br />

got a never-ending bucket of inspiration here. I feel so connected to<br />

myself and this place, it’s made me like, so much more considered<br />

and thoughtful as an artist.’’<br />

Coming back was made easier by finding studio space while she<br />

was still stuck in Sydney during Covid. Her brother, an illustrator, was<br />

able to check it out and give it his tick of approval although there<br />

were concerns about the size and cost of the space.<br />

Its positive attributes of being light and airy and in a great location<br />

won them over. They went ahead and hired the space with the aim<br />

of getting other creatives to join them and share it.

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