02.04.2023 Views

Artsted Catalogue 2022

The “99 Future Blue-Chip artists” is a project that arose from the urgent need within the contemporary art market to find ways to support a new generation of up-and-coming artists, while bringing their vision to a wider audience of collectors and art lovers. For its first-ever edition, “99 Future Blue-Chip Artists” took the form of a printed and curated hardcover edition, featuring artists from all around the globe working across a plethora of media, addressing unique and challenging concepts.

The “99 Future Blue-Chip artists” is a project that arose from the urgent need within the contemporary art market to find ways to support a new generation of up-and-coming artists, while bringing their vision to a wider audience of collectors and art lovers. For its first-ever edition, “99 Future Blue-Chip Artists” took the form of a printed and curated hardcover edition, featuring artists from all around the globe working across a plethora of media, addressing unique and challenging concepts.

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#78

SÈVE FAVRE

Artsted Catalogue, 2023 Edition.

“Passionate about the concept of integration, I concentrate

on transcending the classical boundary between

the artwork and the viewer. The main feature of my art

is interactivity. The keywords that support my concept

is being interaction (be together), variation (be different),

and activity (be active). I named this experience:

« Intervariactivity ».

My goal is to integrate the viewer into my art in a direct

and tactile way. I combine this experience with a strong

digital (virtual) focus and physical (real) way, through

works on canvas, in situ installations, performances,

happening or digital works and projects. My interactive

artworks engage the public in the artistic process in order

to have an impact on their way of thinking about art

and concepts. My goal is to enable the viewer to understand

the research and questioning that an artist

asks himself during the process of experimentation

and creation. The work that emerges from the encounter

between my work and the viewer is plural. My artworks

become personal, variable, changing, permanently

reversible, and therefore multiple. Each painting,

although unique, contains several paintings because

each modification made by the spectator induces a

new design of the artwork. This is why some paintings

are compared with their combinatorial mathematical

calculation so that the viewer realizes the multiple

components of an artwork”.

Artwork: ‘Captation‘, Interactive site-specific installation,

14 x 16 meter, 2022.

200

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