Artsted Catalogue 2022
The “99 Future Blue-Chip artists” is a project that arose from the urgent need within the contemporary art market to find ways to support a new generation of up-and-coming artists, while bringing their vision to a wider audience of collectors and art lovers. For its first-ever edition, “99 Future Blue-Chip Artists” took the form of a printed and curated hardcover edition, featuring artists from all around the globe working across a plethora of media, addressing unique and challenging concepts.
The “99 Future Blue-Chip artists” is a project that arose from the urgent need within the contemporary art market to find ways to support a new generation of up-and-coming artists, while bringing their vision to a wider audience of collectors and art lovers. For its first-ever edition, “99 Future Blue-Chip Artists” took the form of a printed and curated hardcover edition, featuring artists from all around the globe working across a plethora of media, addressing unique and challenging concepts.
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#78
SÈVE FAVRE
Artsted Catalogue, 2023 Edition.
“Passionate about the concept of integration, I concentrate
on transcending the classical boundary between
the artwork and the viewer. The main feature of my art
is interactivity. The keywords that support my concept
is being interaction (be together), variation (be different),
and activity (be active). I named this experience:
« Intervariactivity ».
My goal is to integrate the viewer into my art in a direct
and tactile way. I combine this experience with a strong
digital (virtual) focus and physical (real) way, through
works on canvas, in situ installations, performances,
happening or digital works and projects. My interactive
artworks engage the public in the artistic process in order
to have an impact on their way of thinking about art
and concepts. My goal is to enable the viewer to understand
the research and questioning that an artist
asks himself during the process of experimentation
and creation. The work that emerges from the encounter
between my work and the viewer is plural. My artworks
become personal, variable, changing, permanently
reversible, and therefore multiple. Each painting,
although unique, contains several paintings because
each modification made by the spectator induces a
new design of the artwork. This is why some paintings
are compared with their combinatorial mathematical
calculation so that the viewer realizes the multiple
components of an artwork”.
—
Artwork: ‘Captation‘, Interactive site-specific installation,
14 x 16 meter, 2022.
200