02.04.2023 Views

Artsted Catalogue 2022

The “99 Future Blue-Chip artists” is a project that arose from the urgent need within the contemporary art market to find ways to support a new generation of up-and-coming artists, while bringing their vision to a wider audience of collectors and art lovers. For its first-ever edition, “99 Future Blue-Chip Artists” took the form of a printed and curated hardcover edition, featuring artists from all around the globe working across a plethora of media, addressing unique and challenging concepts.

The “99 Future Blue-Chip artists” is a project that arose from the urgent need within the contemporary art market to find ways to support a new generation of up-and-coming artists, while bringing their vision to a wider audience of collectors and art lovers. For its first-ever edition, “99 Future Blue-Chip Artists” took the form of a printed and curated hardcover edition, featuring artists from all around the globe working across a plethora of media, addressing unique and challenging concepts.

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

99 Future Blue-Chip Artists.

#90

WILLIAM GROB

“William Grob is a Berlin-based artist whose work has

always focused on the line between reality and the

psychic world. Working with mixed media, he collages,

paints onto photos, layers his work between the real

and the imagined. Often employing text that makes

no sense and all of it at the same time, he reminds us

of our constant internal monologues when faced with

banal situations in everyday life. His work is fraught

with satire: from New York street scenes highlighting

the prevalence of homelessness against a backdrop

of consumerist culture, to projecting thoughts of strangers

on trains, there is always an element of levity in

their loneliness”. Julia Hoove.

“I was an artist before I could talk. When I was a child

I had a severe speech disorder that shaped my whole

life, as I could not verbally express myself until the age

of seven. Art became my mother tongue, using colour

and form to express my happiness or frustration which

is now, subconsciously, deep-rooted into my practice.

The majority of my work comes from that place. All I

consciously try to create is a sense of understanding

and expressions understandable to anyone.”

227

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!