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Artsted Catalogue 2022

The “99 Future Blue-Chip artists” is a project that arose from the urgent need within the contemporary art market to find ways to support a new generation of up-and-coming artists, while bringing their vision to a wider audience of collectors and art lovers. For its first-ever edition, “99 Future Blue-Chip Artists” took the form of a printed and curated hardcover edition, featuring artists from all around the globe working across a plethora of media, addressing unique and challenging concepts.

The “99 Future Blue-Chip artists” is a project that arose from the urgent need within the contemporary art market to find ways to support a new generation of up-and-coming artists, while bringing their vision to a wider audience of collectors and art lovers. For its first-ever edition, “99 Future Blue-Chip Artists” took the form of a printed and curated hardcover edition, featuring artists from all around the globe working across a plethora of media, addressing unique and challenging concepts.

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99 Future Blue-Chip Artists.

#79

SHUMAIYA KHAN

Shumaiya Khan is a painter, writer and creative. Born in

Bradford, West Yorkshire to an immigrant south Asian family,

before moving to London to pursue higher education

where she resides to this day. Khan comes from a design-led

background, earning her degree in Design from

the Goldsmiths University of London. Although she has

always painted, she only fully resumed her art practice in

April 2020. Khan is self-taught and her work has always

had an element of experimentation with textures and

motion within an abstract framework built to engage

emotion within her audience.

In her earlier critical theory design work, this has translated

into recording statistics in visually fluid, quantifiable

measurable ways, with ink, ceramics, and plants. Between

2010 to 2019, Khan’s sole focus was on her creative & art

direction roles within fashion, homeware, and beauty. Today

she produces contemporary abstract expressionist

pieces via the use of acrylic, charcoal, chalk, and poetry

across canvas paper and film. Khan's practice aims to

explore juxtapositions around emotive behaviors in the

sphere of; the relationship with ourselves, what it means

to be feminine, the occurrence of coercion & control, and

the fragility & restless motions of life. She has stated previously

that she is compelled to create, being both a meditative

and explorative practice for her. The commentary

which takes place upon viewing her work should provoke

deeper feelings about our own temporary nature.

205

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