02.04.2023 Views

Artsted Catalogue 2022

The “99 Future Blue-Chip artists” is a project that arose from the urgent need within the contemporary art market to find ways to support a new generation of up-and-coming artists, while bringing their vision to a wider audience of collectors and art lovers. For its first-ever edition, “99 Future Blue-Chip Artists” took the form of a printed and curated hardcover edition, featuring artists from all around the globe working across a plethora of media, addressing unique and challenging concepts.

The “99 Future Blue-Chip artists” is a project that arose from the urgent need within the contemporary art market to find ways to support a new generation of up-and-coming artists, while bringing their vision to a wider audience of collectors and art lovers. For its first-ever edition, “99 Future Blue-Chip Artists” took the form of a printed and curated hardcover edition, featuring artists from all around the globe working across a plethora of media, addressing unique and challenging concepts.

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

#25

ELLIOTT MICKLEBURGH

Artsted Catalogue, 2023 Edition.

“In a world driven by constant exposure to images and

the arrays of communications media that write, store,

and distribute this information, it is easy to become afflicted

by the idea that there is nothing around us, no

thought or object, that cannot be sensibly expressed

through the technologies of convenience that rest under

our fingertips and extend all the way to the horizon of the

visual field. This is a sort of contemporary reformation to

the philosophical aphorism stating that the boundaries

of the world are constructed by the limits of human language

and thought.

Rather than assuming that visual information is regulated

via communication into a perpetual state of accessibility,

Mickleburgh's work is invested in creating accounts of

those images that are not fully manifested in the cogent

universes of the visible and the thinkable. In 1971, for instance,

Bas Jan Ader filmed himself crying but became

so besieged by his melancholy that his tears were left

unexplained. Likewise, the very opportunity to divulge information

through the creation of art is simultaneously

rendered in these works as an opportunity to conceal

and transform something else”.

Artwork: ‘XX.XX.XX (Choreographic Reference for Jewellery

Advert)‘, 2021, Archival inkjet print, 16.5 x 23.4 in.

74

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!