Mack Wilberg Sacred Choral Sampler

Mack Wilberg 

Sacred Choral 

Sampler 

April 2023

Mack Wilberg Sacred Choral 

Sampler 

Mack Wilberg was appointed Music Director of The Tabernacle Choir in 2008, having 

served as Associate Music Director since 1999. He is a former professor of music at 

Brigham Young University, where he received his bachelor's degree; his master's and 

doctoral degrees are from the University of Southern California. Alongside Wilberg's 

conducting responsibilities he is active as a pianist, choral clinician, composer, arranger, 

and guest conductor throughout the United States and abroad. In addition to the many 

compositions he has written for The Tabernacle Choir, his works have been 

performed by artists such as Renée Fleming, Frederica von Stade, Bryn Terfel, Rolando 

Villazón, Deborah Voigt, and The King's Singers. Wilberg's arrangements and 

compositions are performed and recorded all over the world. 

Contents 

All creatures of our God and King SATB and organ more info 1 

All people that on earth do dwell SATB and organ more info 14 

All things bright and beautiful Upper voices 

and piano four 

hands (with 

optional flutes 

more info 29 

All things bright and beautiful SA and piano more info 44 

All Through the Night 

TTBB, piano and 

solo instrument 

more info 53 

Alleluia SATB and piano more info 59 

Amazing grace! SATB and organ more info 71

Arise, O God, and shine SATB and organ more info D VouTube 82 

As a shepherd SATB and organ more info 92 

Be still, my soul SATB and organ 100 

Be thou my vision 

SATB and choir 

and piano fourhands 

Brother James’s Air 

SATB and 

keyboard 

more info 109 

more info D VouTube 120 

Children of the Heavenly Father SATB and piano more info D VouTube 127 

Christ the Lord is risen today SATB and organ more info 134 

Come, thou Fount of Every 

SATB and organ more info 142 

Blessing 

Come, ye thankful people, come SATB and organ more info D VouTube 152 

Down to the River to Pray 

SATB and choir 

and piano fourhands 

more info 162 

Eternal Father, strong to save SATB and piano more info 177 

O Filii et filiae SATB and piano more info D VouTube 185 

For the beauty of the earth SATB and organ more info D VouTube 199 

Gloria in excelsis Deo SATB and piano more info D VouTube 206 

God of our fathers, whose 

almighty hand 

SATB and 

keyboard 

more info D VouTube 222

The Grateful Concert Round! SATB, organ 

with optional 

glockenspiel 

more info 233 

Guide me, O thou great Jehovah SATB and organ more info D VouTube 251 

Hail the day that sees him rise SATB and organ more info 261 

He is risen! 

SATB and 

keyboard 


His voice as the sound SATB and piano more info 279 

How can I keep from singing? SATB and piano more info 288 

How firm a foundation SATB and organ more info 295 

Hymn of Praise SATB and piano more info 307 

I sing the mighty power of God SATB and organ more info D VouTube 323 

In monte Oliveti 

T. Solo and SATB 

(with divisions) 

unaccompanied 


It Is Well with My Soul SATB and organ more info 344 

Jesu, the very thought is sweet SATB and organ more info 355 

The King of love my shepherd is SATB, 2 flutes, 

harp or piano 

more info 367 

Let peace then still the strife SATB and piano more info 375 

Light dawns on a weary world 

SATB and piano 

four-hands 

more info 386

The Lord is my Shepherd 

SSASTTBB and 

organ 

more info 401 

The Lord my pasture will prepare SATB and organ more info 412 

Love divine, all loves excelling SATB and organ more info 419 

Morning has broken 


four hands 

The Morning Trumpet 

SATB 

unaccompanied 

more info D YouTube 433 

more info 441 

My country, ‘tis of thee SATB and organ more info D Youlube 447 

My Song in the Night SATB and piano more info 457 

O God, our help in ages past SATB and piano more info D Youlube 466 

O Light of Life! SATB and organ more info 474 

O splendor of God’s glory bright 


(That Easter day with joy was 

bright) 

Praise to the Lord, the Almighty SATB and organ more info 496 

Praise to the Lord, the Almighty TTBB and Organ more info 509 

Praise, my soul, the King of 


heaven 

Saints Bound for Heaven 

Shenandoah 


four-hands 


four-hands 

more info 535 

more info D Youlube 549

Simple Gifts 

SATB, piccolo, 

flute, 

glockenspiel and 

organ 


Sing praise to him SATB and organ more info 574 

Softly and tenderly 

SSATB and 

piano 

The Call 

SATB (with 

divisions) and 

organ 

The King of love my shepherd is TTBB, 2 flutes, 

harp or piano 

Then We’ll Sing Hosanna 

SATB, clarinet 

(or C 

instrument), 

and piano or 

harp 

more info 586 


more info 608 


This little light of mine SATB and organ more info 626 

Thou Gracious God, whose mercy SATBarB and more info 640 

lends 

piano 

Thou lovely source of true delight SATB and organ more info D VouTube 646 

Tree of Life SATB and piano more info 657 

Videntes Stellam Magi (Seeing 

the Star, the Magi Rejoiced) 

Tenor, Baritone 

and Bass Soli, 

Men’s Choir 

(TBarB), and 

piano or 

chamber group 

more info 672

Wayfarin’ Stranger 

SATB, C 

instrument and 

keyboard 

We’ll Shout and Give Him Glory TBB and piano 

four-hands 


more info 694 

When in our music God is 

SATB and organ more info D VouTube 706 

glorified 

Soft and tenderly SSAA and piano more info 717

SATB choir and organ 


Two Hymns of Praise 

2. All creatures of our 

God and King 

oxford sacred music 

1

ALL CREATURES OF OuR Goo AND KING 

For Mixed Choir (SATB) and Organ* 

St. Francis of Assisi, 

William H. Draper, trans. t 

German Hymn Tune, 

Mack Wilberg, arr. 

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*A f u l lscore and set of p arts for a ltern ative arr ange ments for f u l l orchestr a ( 3f l ( l l l + picc. ), 2o b, 2c l, 2 bsn, 4hn, 3t pt, 3t bn, t b a, ti m p, 

2 perc, org, str ) and for br ass ( 4t pt, 4hn, 3t bn, t b a ), 3 perc ussion, and org an are av ai l a b le on rent a l fro m the P u b lisher. 

t"All Creatures of Our God and King," English translation by William Draper. Copyright© 1927 (renewed) by J. 

Curwen & Sons, Ltd. International copyright secured. All rights reserved. Reprinted by permission. 

© Oxford University Press, Inc. 2002. Assigned to Oxford University Press 2010. Printed in the U.S.A. 

This publication is.for sale only in 

2 

the United States and Canada

4 

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4 



All people that on 

earth do dwell 


14

Commissioned in honour of Terry Price by the Sanctuary Choir of Preston Hollow Presbyterian Church, Dallas, TX, 

upon his retirement and in loving gratitude for his seventeen years of dedicated leadership. 

All people that on earth do dwell 

William Kethe (d. 1594) 

Melody: OLD HUNDREDTH 

attrib. Louis Bourgeois (c.1510–1559) 

arr. MACK WILBERG 


SOPRANO 

ALTO 

 

 

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Duration: c.5 mins 

An accompaniment for orchestra (3fl, 2ob, 2cl, 2bsn, 4hn, 3tpt, 3tbn, tba, timp, 2perc, org, str) is available on rental from the 

publisher’s Hire Library or appropriate agent. 

© Oxford University Press 2016 

Printed in the USA 

OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP 

The Moral Rights of the Arranger have been asserted. Photocopying this copyright material is ILLEGAL. 

15

T./B. 

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Processed in England by Enigma Music Production Services, Amersham, Bucks. 

28

4 

Upper voices and piano four-hands with optional flutes 


All things bright 

and beautiful 

oxford music for upper voices 

29

for my children, 

K., J, J., and C. 

ALL THINGS BRIGHT AND BEAUTIFUL 

For Upper Voices and Piano Four-hands 

(with Optional Flutes)* 

Cecil Frances Alexander (1818-1895) 

17th-century English Melody, 



Bouyantly (J = 62) 

Flute} 

Secondo 

3 

S., A. mf unis. 

All things bright and 

mf 

----- 

J J 

mf_J 

_J 

twhen performing with flutes, the primo part should not play the smaller size notes. 

* Alternative arrangements for 1) upper voices, two flutes, glockenspiel, celeste or piano, harp, and strings and 2) upper 

voices, glockenspiel, two flutes, piano, harp, and optional cello are available on rental from the Publisher. 

30 

© Oxford University Press, Inc. 2002. Assigned to Oxford University Press 2010. 

Printed in U.S.A.

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Cecil Frances Alexander (1818–1895) 

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for my children, K., J., J., and C 

 

 

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Also available scored for (1) four-hands and two flutes (optional) (978-0-19-386497-9); (2) two flutes, glockenspiel, celeste or 

piano, harp, and strings; (3) two flutes, glockenspiel, piano, harp, and optional cello; (2) and (3) available 

for rental from the Publisher. 

Copyright © 2002, Oxford University Press, Inc. and © Oxford University Press 2007. 

I 

Photocopying this copyright material is ILLEGAL. 

--..___,I 

Printed in Great Britain 

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69 

 

f 

 

 

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I 

I I L I I I 

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'--" '--" 

8 

All things bright and beau - ti - ful, all crea - tures- great and- 

------------------------------------------------------------------------------------------------------- 

- r-: r-: - I 

I 

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I 

I I I I L I I -.__,/ 

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f 

 

 

I~ d d ~ 

 

 

~ 

 

J---J for online use only 

 

I 

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50

10 

O, 

72 

 

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I 

I I I I I l l 

r I I I I I 

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' l l ~ 

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small, -- O, -- all things wise and won - der - ful: 

 

------------------------------------------------------------------------------------------------------· 

7 

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l 

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I I \._., 

'---' 

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~ ~ ~ ~ 

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..___,I I I 

 

 

75 


poco rit. 

a little slower 

 

dim. 

I I I 

 

 

 

 

 

I 

I 

 

'i I I 

:::::-1 ' I 

the Lord 

God 

-------------------------------------7 

..--..._ 

,,.---. ---======----- loco 

 

 

 

,, 

' 

I 

dim. 

mp 

 

r 

I I ___,J / - 

~ ~ 

I -I I I 

 

 

 

 

 

- ~,-- ~ 

, 

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I - 

a tempo 

78 

 

I 

 

mf 

I 

 

 

 

' 

I 

made them 

all. 

 

~ 

 

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I 

 

 

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I I ~ 

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mf 

 

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) r=r _l J~ J~ 

 

T""" - T""" - - - - - - - - 

 

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81 

 

 

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---------------------7 

 

loco 

 

 

 

I ~L ~l 

I 

 

7 

l ~ 

 

 

 

 

 

) 

J ::± 

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- 

i 

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\ 

 

 

 

 

f~t 

 

mp 

~ ~ /0 

----------------------------------------------------------7 

,-.. 1,,,-- 

- 

51

TTBB choir and piano with solo instrument 




52

for the Mormon Tabernacle Choir, Craig Jessop, conductor 


Sir Harold Boulton (1859–1935), alt. 

SOLO INSTRUMENT 

Tenderly, with expression q = 60 

mf espress. 

Ar hyd y nos, Welsh lullaby 


 

 

,1cc.1 I 12LC-I I Jt±Js_l I 12LC-I 


TENOR 1 

TENOR 2 

BASS 1 

BASS 2 

PIANO 

 

 

 

 

 


 

 

 

 


 

 

 

mp 

 

 

 

 

 

 

 

 

con Ped. 

JJ 

J 

5 

 

 

 

.............. 

sim. 

 

 

 

 

 

 

 

 

...........___ 

11 I I §,II j I 1 _I 

 

 

 

 

 

 

 

 

 

 

/ -------- 

 

 

 

 

 

A full score and set of parts for a chamber orchestra accompaniment (cl.–hp.–str.) are available on rental from the 

publisher. 

The Mormon Tabernacle Choir with the Orchestra at Temple Square has recorded this piece on the CD Love is 

Spoken Here (SKU 4940651). 

Copyright © 2008, Oxford University Press, Inc. 

OXFORD UNIVERSITY PRESS, 198 MADISON 

53 

AVENUE, NEW YORK, NY 10016 


Printed in the USA

4 

9 

 

T. 1 

T. 2 

unis. mp 

 

 

 

 

 

I 

 

 

Sleep my child and 

 

I I I 

I 

peace 

 

 

at-tend 

thee, 

 

All 

 

through 

' 

 

the night, 

 


I 

I 

 

I 

-------- 

 

/II 

 

 

 

I ""' ~1/1 - 

 

 

 

 

 

 

 

17 

- 

I r - r 

1~1 

I~, 

 

 

,, 

~ 

I 

I 

r 

 

 

_.. 

1J 

 

I I I I I 

13 

 

 

 

 

I 

 

 

 

 

Guard - ian an- gels God 

I 

 

 

will send thee, 

 

All 

 

 

through the night; 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

--+ 

 

 

I r 17 - 

r 

 

 

 

 

 

 

 

_.. 

 

 

I I I I I I I r-, I I I I I I 

t t t 

~ 

I I 

t 

 

 

I I I I I I J 

I 

 

 

I 

17 

 

 

 

I 

I 

 

 

 

 

 

Soft anddrow-sy 

hours 

 

 

 

I I 

I 

I 

I 

 

 

are creep- ing, Hill 

 

 

 

and vale 

I 

 

in 

 

 

 

I 

 

 

slum - ber sleep -ing, 

' 

 

 

 

 

 

 

 

 

 

 

~I I ~---------I I I I I 

_.. 

 

 

 

I 

 

I 

I I J 

I 

I 

1J I 

 

 

 

 

I 

_,_ 

I I 

- 

f 

1-i I 

 

I I I I I I 

' f t 

54 

( )

~ 

 

 

 

 

 

 

5 

21 

 

- ~· 


 

mf espress. 

 

 

 

 

I 

 

I 

 

 

 

I I I 

my lov-ing 

vi 

I 

 

 

- gil keep- ing, All 


 

through 

 

the night. 

 

 

 

 

- 

- 

I~ 

 

 

 

 

 

 

 

., 

 

 

 

 

 

 

 

 

 

 

 

 

I I I I I I I J I 

 

 

 

 

I I" 1~1 ,/ ......... 

I I u 

t I I 

- t 

 

25 

~ 

 

 

 

- - --- 

---+ ---'- 

r 1-J - 

r 

I I I 

--- 

 

 

 

 

I 

--4- 

I I I I 

 

I J 

 

I 

 

 

 

 

I I I I I I 

·1 

I I 

~ 

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___J_ 

I 

- 

t t t I 

--------1 

J~ 

' 

' 

29 

poco rit. 

.-- 

poco rit. 

~I 

r- 

 

I 

 

 

 

t 

----- ---- - ~ 

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I 

 

I 

I 

 

 

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I I 

 

 

--± 

--± 

f 

55 

I 

t 

I 

t

6 

32 

a tempo 

 

 

 

 

 

TENOR SOLO (or SEMI-CHORUS) 

mf 

 

While 

 

 

 

the moon her watch 

 

 

 

is keep- ing, All 

 

through 

 

the 

night, 

 

T. 1 

T. 2 

a tempo 

p (stagger breathing) 

 

 

 

 

 

 

 

 

 

 

B. 1 

B. 2 

oo 

 

 

 

 

 


a tempo 

 

 

 

36 

 

 

 

 

 

While 


 

 

 

the wea - ry world 

 

 

 

is sleep- ing, All 

 

through 

 

the night; 

 

 

 

 

(oo) 

 

 

 

 

 

 

 

 

 

 

 

56 

p

40 mp poco cresc. 

 

 

 

 

 

 

 

 

I I I I 

 

I I I J JI I 1~ 

n I 

 

I 

 

~ 

 

I ,.__,~ I 

I I I l 7 

O’er thy spi - rit gent - ly steal-ing, 

Vi - sions of de - light re veal- 

7 

- - ing, 

 

 

 

 

 

 

 

 

 

I I I I 1~ri I I I I I I J I I I 

 

 

I 

I I 

I I I I I I I I I l 7 

' 

mp poco cresc. 

-- -- 

.~ ~I 

' ' ' 

 

 

---'- -I- ----L ---'- 

:::::t :::t :::::t :::t :::::t LJ 

:::::t 

t= 

Lr ::±- -Ipoco 

cresc. 

 

I I I I 

 

 

 

 

I 

 

 

 

I 

 

I I I 

 

 

 

 

-r 

---'- -I- ---'- 

 

- 

- 

r f f 


44 poco rit. 

a tempo 

_, 

- 

mf espress. 

poco rit. 

a tempo 

 

 

I 

 

I I 

 

 

p 

I 1rn 1 

I I~ 1(11 

 

 

 

 

 

 

I I I I I I I I I I I 

Breathes a pure and ho - ly feel- ing, All through the night. 

 

-- 

I I 

I I 1rn 

I I I 

I I 

 


l'---L.T p 

poco rit. 

a tempo 

 

 

 

 

I ,,-------r- I I I ~I _J~ 

I --------- 

:± - 

---+ I 

I 

I 

mp 

 

 

 

 

 

 

I I I I I I 

I - I - I J 

 

 

 


 

 

 

 

 

 

 

 

 

 

 

t= t t 1r t t 

57

8 

48 

 

l 

I 

- - - ----- - - - 

 

I I I 

poco a poco dim. 

~ J 

I ~I 

J~ 

 

 

I I I I I 

 

I J 

- 

 

I 

 

 

I I I I I I 

 

 

I I 

 

 

 

_j_ 

 

I 

- -= 

l··r I 

52 poco rit. 

t 

- - --- ----- --- 

 

t 

I 

I 

 

a tempo 

-.._ 

 

p 


 

 

 

 

 

 

 

< 

 

 

unis. pp 

 

All 

unis. 

pp 

poco rit. 

 

through 

poco rit. 

 

the 

a tempo 

 

night. 

,,.--.. 

a tempo 

~I 

J,,------- I I J~ 

 

 

 

 

 

 

I I 

 

I I I I I J 

 

 

 

- 

- 

 

 

56 rit. 

-._, 

 

 

--- 

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rit. 

 

 

 

__ 

,,,------.,~ 

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rit. 

 

 

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I 

 

 

 

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t 

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t= f 

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1/'j} 

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p 

 

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58

4 

SATB choir and piano 

Giulio Caccini 

Arranged by Mack Wilberg 

Alleluia 


59

for The Tabernacle Choir and Orchestra at Temple Square 

Alleluia 

SOPRANO 

ALTO 

~ 

& b 

With expression q = 69 

4 

∑ 

∑ 

attrib. Giulio Caccini (1551–1618) 


∑ 

TENOR 

BASS 

? 

b 

" 

4 

∑ 

∑ 

∑ 

PIANO 

◄ 

? 

b 

? 

b 



4 

4 

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œ œ ˙ œ œ 

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œ œ 

p 

------ 

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w 

˙ œ 

con Ped. 

.,,I 

F 

Œ 

w 

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w 

p 

Œ ˙ œ 

w 

w 

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I~ L I ~ 

I I I I 

4 

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I . œ _r œ œ œ œ œ 

œ ˙ 1 1 œ l 1--1 

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1-1 ˙ 

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I 

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b w 

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w 

I I I I 

T./B. 

7 

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l 

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b 

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∑ 

# n 1--1 ˙ œœ . œ œ œ œ 

I # 

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nœ 

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p 

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w 

I 

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F 

∑ 

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w 

p 

w 


Al 

p 

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'---------7 ~ 

--; 

œ ˙ œ 

w 

The Tabernacle Choir and Orchestra at Temple Square have recorded this piece with orchestral accompaniment on the CD 

O Come, Little Children (SKU 5186350). 

Duration: 5.5 mins 

An accompaniment for orchestra (3fl (+picc), 2ob, 2cl, 2bsn, 4hn, str) is available on rental from the publisher’s Hire Library or 

appropriate agent. 




The Moral Rights of the Arranger have been asserted. 60Photocopying this copyright material is ILLEGAL.

10 

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ISBN 978-0-19-353000-3 

70 

111111111111111111111111111111 

9 780193 530003

John Newton (1725–1807) 

Sw: Tpt. 8' or Cornopean 8' Solo, Sw. to Ped. 

Gt: Foundations 8', Fl. 8', 4' 

Ped: Foundations 16', 8' 

SOPRANO 

ALTO 

 

 

for the Mormon Tabernacle Choir and Orchestra at Temple Square 

Amazing grace! 

Moderately, with growing intensity to the end q = 66 

New Britain 

The Southern Harmony 


organ by David J. Hughes 

 


Man. 

TENOR 

BASS 

 

 

Moderately, with growing intensity to the end q = 66 

 

 

 

Sw. f 

 

 

 

----1,.,-___I 

 

I J I 1-1,.,-___ I 

 

 

 

 

 

 

 

 

 

-- ---- 

~ 

 

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{ 

Gt. mp 

:¢ 

 

J 

 

I .-l 

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ORGAN 

7 

13 

19 

 

✓---- ,., ,., 

--- 

--- 

' ' ' ' ' ' 

I I I I I I I 

' 

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/ 

I 

I I 

sempre f 

I 

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,., 

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/ 

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mp 

Ped. 

 

 

 

 

 

- -- 

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I I I 

, 

~ 

+- t- t- t- 

, '· , ,., 

' 

- I I I I I I 

- - F F 

A full score and set of parts for an orchestral accompaniment (picc, 3fl, 2ob, 2cl, 2bn, 4hn, 4tpt(C), 2tbn, btbn, tba, timp, 

perc, bagpipes (opt), hp, org, str) is available on rental from the publisher’s Hire Library or appropriate agent. 

Recorded on Come Thou Fount of Every Blessing: American Folk Hymns and Spirituals (Mormon Tabernacle B001MYIPWS). 

Offprinted from Wilberg, My Song in the Night (ISBN 978–0–19–380499–9). 

© Oxford University Press, Inc. 2009. Assigned to Oxford University Press 2010. All rights reserved. 


OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, 71 GREAT CLARENDON STREET, OXFORD OX2 6DP 


 

 

 

~ 

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25 

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31 

 

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--- 

,,.-..._,,,-- 

TENORS & BASSES unis. mf 

 

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mp 

 

 

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36 

 

 

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grace! how sweet the sound That saved a wretch like me! 

l 

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I 

 

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I 

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72

4 

42 

 

 

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I I I 

1....1 

I once was lost, but now am found, Was blind but 

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I - I 

The Lord has- 

pro - mised good to 

 

r 

 

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' 

 

f - 

I I I I 

now I see. 

I I I I I I 

 

 

 

 

 

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mf 

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I I I 

 

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+ Gt. to Ped. 

 

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54 

 

 

------ 

~ 

 

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'---' 

me, His word my- hope se - cures; 

He will- my- 

' .................' 

 

 

,..-._ 

 

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60 

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shield and por - --- 

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tion be, As long as life en - 

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65 

 

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Sw. + mixt. 

Gt. 

sim. 

 

 

 

r;. '.:"""\ 

 

 

 

 

T""" --+- :i:= t- += F - - 

 

 

 

f 

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sempre marcato 

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70 

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Yea, when this- 

flesh and heart shall 

ff 

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Yea, when this flesh and heart shall 

Gt. 

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fail, And mor - tal life shall cease; I 

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fail, And mor - tal- 

life shall cease; I 

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fail, And mor - tal- 

life shall cease; I 

 

 

 

fail, And mor - tal life shall cease; I 

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--+ --+ --+ --+ --+ --+ ::::j: 

 

 

 


 

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75

7 

83 

 

,,,--..__I 

 

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shall pos - sess, with - in 

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shall pos - sess, ,_ with - in 

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the veil, A 

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- 

87 

 

I I 

 

 

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life of- 

joy and peace. 

 

 

life of joy and peace. 

- 

 

 

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life of- 

joy and peace. 

,,--._ 

 

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+='"" += 

T""" 

 

life of joy and peace. 

Sw. Gt. Sw. 

- 

 

 

 

 

t-F Ft-t- t- r, +=F F+=+=t- t-..- ..-t-..-..- t-F Ft-t- t- r, 

- 

 

- - - - 

I I I 

 

 

I I I I I 

 

 

 

 

---+ ---+ ---+ --+ ...J. ...J. ...J. 

---+ --+ ---+ 

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1-------1,-.._ 1,-.._ 1,-.._ 1------ 

 


"-, 

------ 

76

8 

93 

 

-.........- -- 

 

 

98 

 

 

 

 

 

 

 

 

 

Gt. 

 

 

 

 

 

 

 

 

 

 

 

When 

Sw. 

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ff 

 

ff 

When 

When 

we’ve been there ten thou - sand 


ff 

 

When 

ff 

+ Tpt. 8' 

ff 

 

 

 



Sw. 

+ Reeds 16', 8', Gt. to Ped. 

ff 

sim. 

Gt. 

 

 

 

 

 

 


9 

102 

 

 

 

years, Bright shin - ing as the sun; We’ve 

 

 


 

 

 


 

 

 

 

 

 


 

 

 

 

 

 

 

 

 

 

 

 

107 

 

 

 

no less days to sing God’s praise Than 

 


 

 

 


 

 

 


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Arise, 0 God, and 

shine 


82

for the Chancel Choir of John Knox Presbyterian Church, 

Greenville, South Carolina, William Thomas, Director 

Arise, O God, and Shine 

(Rejoice, the Lord is King) 


William Hurn (1754–1829); 

Charles Wesley (1707–1788) 

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*This section may be perfonned as written or with ATB in unison 89 (soprano singing descant). The congregation may also 

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4 



As a shepherd 


92

David Warner 

SOPRANO 

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online perusal only 

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MACK WILBERG 

I I I I I 7 I I I I I I rT7 

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An accompaniment for chamber orchestra (2hn, hp, str) is available on rental from the publisher’s Hire Library or appropriate agent. 

The Mormon Tabernacle Choir and Orchestra at Temple Square have recorded this piece with orchestral accompaniment on the CD 

Tree of Life: Sacred Music of Mack Wilberg (SKU 5198840). 



The Moral Rights of the Composer have been asserted. 93 Photocopying this copyright material is ILLEGAL. 

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ISBN 978-0-19-352650-1 

. 

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99 

111111111111111111111111111111 

9 780193 526501



Be still, my soul 


100

.. 

for the Mannon Tabernacle Choir, 

Craig Jessop, Music Director 

BE STILL, MY SOUL 



Katharina von Schlegel (b. 1697); 

Jane Borthwick (1813-1897), trans. 

Jean Sibelius (1865-1957); 


Soprano 

Alto 

Organ 

- ~ 

~u 

" " 

With expression, but not too slow (~ = c. 72) 

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6 

With pa-tience 

bear ___ thy 

'---' ------- 

~ 

-------- 

~ 

~ 

t "+" denotes the right thumb playing on the lower manual. 

* A full score and set of parts for an orchestral arrangement (3fl, ob, eh, 2d, 2bn, 2hn, hp, str) are available on rental 

from the Publisher. 

©Oxford University Press, Inc. 2005. Assigned to Oxford University Press 2010 

101 

This publication is for sale only in the United States 

Printed in U.S.A.

4 

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SATB choir and piano four-hands 




109

Commissioned by Northside United Methodist Church, Atlanta, Georgia, in honor of 

Michael F. Moffitt, on the occasion of his twentieth anniversary as Director of Music Ministries 


Ancient Irish 

trans. Mary E. Byrne, 1905 

versed by Eleanor H. Hull, 1912, alt. 

SOPRANO 

., fl 11 

!+ With a lilt .I = 120 

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A full score and set of parts for an orchestral accompaniment (3.0.0.0-2.0.0.0-glk-hp-str) are available on rental from the Publisher. 

©Oxford University Press, Inc. 2008. Assigned to Oxford University Press 2010. 

110 

OXFORD UNIVERSITY PRESS 


Printed in the USA

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119

4 

SATB choir and keyboard 




120



Psalm 23 (adap.) 

JAMES LEITH MACBETH BAIN (c.1840–1925) 

arr. Mack Wilberg 


TENOR 

BASS 

KEYBOARD* 

 

 

 

I: 

 

 

With simple expression h = 66 

TENORS & BASSES unis. 

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A full score and set of parts for an orchestral accompaniment (2fl, 2ob, 2cl, 2bsn, 4hn, str) is available on rental from the 


The Mormon Tabernacle Choir with the Orchestra at Temple Square has recorded this piece with orchestral accompaniment on 

the CD Heavensong: Music of Contemplation and Light (SKU 5035926). 

 

 

:::t 

' 

 

© 2010 Oxford University Press, Inc. Assigned to Oxford University Press 2010 


OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, 121GREAT CLARENDON STREET, OXFORD OX2 6DP 

The Moral Rights of the Arranger have been asserted. Photocopying this copyright material is ILLEGAL.

13 

 

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126

4 



Children of the 

Heavenly Father 


127

Commissioned by Chester Presbyterian Church, Chester, Virginia, 

for the Weekend of Music 2008 in memory of Oliver D. Rudy 

Children of the Heavenly Father 

Caroline Sandell-Berg 

trans. Ernst Olson (1870–1958) 

Trad. Swedish 



SOPRANO 

ALTO 

 

 

 

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of the Heav’n -ly 

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An orchestral accompaniment (cl, 2hn(opt), hp/pno, str) is available on hire/rental from the publisher or appropriate agent. 

 

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Text © Board of Publication of the Lutheran Church in America, admin. Augsburg Fortress. Used by permission. 

Music © Oxford University Press, Inc. 2011. Assigned to Oxford University Press 2010. 




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4 



Christ the Lord 

is risen today 


134

for the Mormon Tabernacle Choir and the Orchestra at Temple Square 

Christ the Lord is risen today 


Tune from Lyra Davidica (1708) 



VOICES 

ORGAN 

PEDAL 

 

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Christ the Lord is ris’n to - day, Al - le - lu - ia! 

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An accompaniment for orchestra (3fl, 2ob, 2cl, 2bsn, 4hn, 3tpt(C), 3tbn, tba, timp, 2perc (susp cym, chimes), org, str) is 

available on rental from the publisher’s Hire Library or appropriate agent. 

The Mormon Tabernacle Choir and the Orchestra at Temple Square have recorded this piece with orchestral accompaniment 

on the CD He is risen (SKU 5119167). 





135

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Love’s re- deem-ing 

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a - gain our 

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glo - rious King, - 

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Where, O death, is 

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now thy 

alt - ed 

now thy 

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sting? 

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sting? - Al - le - lu - ia! 

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*These lyrics (italicized) may be used as an alternative. 

139

53 

 

 

 

 

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Once he 

Made like died 

him, our 

like 

souls 

him 

to 

we 

save, 

rise, 

Al 

- le - lu - ia! 

 

 

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Made like died 

him, our souls 

like him we 

to save, 

Al - le - lu - ia! 

rise, 

 


 

 

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Where 

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cross, the grave, the 

grave? - 

skies, - 

 

 

 

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Where thy- vic - to - ry, O grave? - 

Ours- the- cross, the grave, the skies, - 

Al 

Al 

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140

8 

61 

ff 

 

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Christ the Lord is risen today WILBERG 


65 

 

 

 

 

 

 

 

 

 

 

- ia! 

A - men! 

 

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ISBN 978-0-19-340617-9 

9 ll~~m1111Hw~~II 

:: 

::

OXFORD CHURCH MUSIC 

• 

 

Four American Folk Hymns 

• 

COME, THOU FOUNT 

OF EVERY BLESSING 

A Melody from Wyeth’s 

Repository of Sacred Music, 1813 


for Mixed Choir (SATB) and Organ 

142


4. COME, THOU FOUNT 


OF EVERY BLESSING 

A Melody from Wyeth’s 

Repository of Sacred Music, 1813 


for Mixed Choir (SATB) and Organ 

OXFORD 

UNIVERSITY PRESS 

143

Robert Robinson 

Soprano 

Alto 

.., I 

" .u. ,Ho 

Come, Thou Fount Of Every Blessing 

With conviction and expression ( = c. 60) 

Come, thou 

(No. 4 from Four American Folk Hymns) 

For Mixed Choir (SATB) and Organ 

J 

p ____, , ____, 

Fount of ev ’ry bless ing, Tune my 

Melody from Wyeth’s Repository of Sacred Music, 1813 


I 

heart to sing thy 

4 

, 

, 

, 

S. 

grace; 

Streams of mer cy, nev er ceas ing 

p 

Call for songs of loud est praise. 

, 

Teach 

, 

me 

A. 

Streams of mer cy, nev er ceas ing, 

Call for songs of loud est praise. 

Teach me 

9 

, 

, 

S. 

some mel o dious son net, 


, 

Sung by flam ing tongues a bove; 

, 

Praise the 

A. 

some mel o dious son net, 

Sung by flam ing tongues a bove; 

Praise the 

S. 

A. 

13 

, 

.,..," .u. 

___, ___, 

,Ho I I 

- - - - - _, - - 

.., 

- - 

i 

i 

- 

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mount! I’m fixed up - on it, Mount of thy re - deem -ing love. 

, 

~ 

- - - .. - - - - ... .. 

" .u. ,Ho 

- - 

- 

".., - ... -,; 

- - -· 

:.t ~ -,J ~ :.t ~ -,; 

mount! I’m fixed up - on it, Mount of thy re - deem -ing love. 

".u. i .. n - I I ..n - n 

I 

--- ···-- - - . . -,~ - - - - - - - 

- 

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I 

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p 

" .u. ,Ho 

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' .., - - - - - - - - - -,_ - 

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- - 

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I 

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I ,-- 

~ 

I 

- 

,..._, 

Copyright © 1998, Oxford University Press, Inc. Assigned to Oxford University Press 2010. 

Printed in U.S.A. 

144

4 

18 

, 

m 

, 

mf 

, 

, 

30 

TENOR 


, + 16' 

24 

, 

poco rit. 

a tempo 

8 

Here 

I raise my Eb en 

BASS 

/:'I 

Here I raise my Eb en 

poco rit. 

a tempo 

145

5 

36 

, 

, 

T. 

8 

e 

zer, 

Hith er by thy help I’m come; 

And I hope, by thy good 

B. 

, 

, 

e 

zer, 

Hith er by thy help I’m come; 

And I hope, by thy good 

40 

, 

, 

T. 

8 

plea sure, safe ly to ar rive at home. 

Prone to wan der Lord, I 

B. 

, 

plea sure, safe ly to ar rive at home. 

Prone to wan der Lord, I 

44 

, 

, 

T. 

8 

feel 

it, 

Prone to leave the God I love; 

Here’s my heart, O take and 

, 

, 

feel 

it, 


, 

B. 

Prone to leave the God I love; 

Here’s my heart, O take and 

48 

S. 

Je sus sought me when a strang er, wan d’ring 

A. 

T. 

, 

Je sus sought me when a strang er, wan d’ring 

, 

B. 

8 

seal it, Seal it for thy courts a bove. A strang er, wan d’ring 

, 

, 

seal it, Seal it for thy courts a bove. A strang er, wan d’ring 

146

6 

52 

, 

, 

S. 

from the fold of God; 

, 

He, to res cue me from dan ger, 

(unis.) 

, 

In 

ter 

A. 

T. 


(unis.) 

, 


, 

In 

ter 

B. 

8 


(unis.) 

, 


, 

In 

ter 



, 

In 

ter 

, 

56 

, 

, 

S. 

posed his pre cious blood. 

, 

Prone to wan der, Lord, I feel it, 

, 

Prone 

to 

A. 


, 


(unis.) 

, 

Prone 

to 

T. 

8 



, 


, 

Prone 

to 

B. 



Prone 

to 

i 

147

7 

S. 

A. 

T. 

B. 

60 

' 

II .llo 

II .llo 

8 

eJ 

leave the God I love; 


...........i I 

- 

I I ---..I 


Here’s my heart, O take and seal it, Seal it 

I 

(unis.) 


r 

I 

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r-, 

-- - 

r-, 

L,.....-1 

u 

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l 

I 

---- 

, 

(unis.) 

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Here’s my heart, O take and seal it, Seal ----it 

, 

Here’s my heart, O take and seal it, 

, 

, 

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.. .. 

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I 

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I I I I 


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Seal 

it 

Seal it 

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-- 

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II .llo 

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8 

&..•• 

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for thy courts a - bove. 


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r= - · .. f=~- .. , • - -r= - · .. -,=~- .. , • - 

----------- ·------- ------ ·---- 

------ ------- --------- ---- 

148 

- - - -

8 

69 poco rit. 

a tempo 

S. 

A. 

O to grace 

f 

how great a debt or Dai ly 

O to grace how great a debt or Dai ly 

T. 


B. 

8 


f 

poco rit. 


a tempo 

S. 

75 

------- --------------- -------- ------- --------- 

, 

A. 

T. 

B. 

8 

I’m con strained to be! 




, 

, 

, 

Let thy good ness, like a fet ter, Bind my 



(unis.) 


---------- 

'--" --------------- 

149

9 

S. 

A. 

79 

ossia 

~ r r ir r [] I ~ r r f f 

' 

---- 

Prone to wan der, Lord, I feel it, Prone to 

- 

' 

, , 

wan d’ring heart to Thee. Prone to wan der, Lord, I feel it, Prone to 

, 

, 

, 

8 


, 


(unis.) 

, 


, 

, 

83 

, 

, 

S. 


, 


, 

Seal 

it 

A. 



T. 

B. 


, 

, 

Seal 

it 

T. 

8 


, 


, 

Seal 

it 

B. 



, 

Seal 

it 

, 

, 

150

S. 

A. 

T. 

B. 

.. r-, I ff 

- - 

r1 

,_ r•• 

- - - - - - : : - 

.., I 

10 

87 

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- 

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8 

I 

I 

for thy courts a - bove, Seal it 

(unis.) 

- - - - - 

I\ I I 

- ff 

- 

.., - - - -· 

- 

for thy courts a - bove, Seal 

,. r--, I ff. 

-,_ - • 

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I 

I 

I 

i.,......, 

I 

- 

for thy courts a - bove, Seal it 

(unis.) 

r•• 

. - - - rJ• 

- 

a a 

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for thy courts a - bove, Seal 

I\ J I ~ I I r1 I I r-, I I r1 I I 

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r•• r• 

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r•• r•• r•• 

it 


S. 

A. 

T. 

B. 

ossia 

f f 

~! I r I r I r II 

courts a ' bove. 

' ' 

92 

' 

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:j!: : :j!:" : -:j!:. - '-:j!:. 

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rit. 

,:,, 

151

4 



Come, ye thankful 

people, come 


152

for the Mormon Tabernacle Choir, 


Come, Ye Thankful People, Come 


Henry Alford (1810-1871), alt. George J. Elvey (1816-1893); 


Soprano 

Alto 

Organ 

With conviction and increasing intensity to the end ($ = c. 69) 

unis. 

' ' ' ' 

 

p 

 

{ 

I 

Come, 

 

ye thank-ful 

peo - ple, come, 

 

 

 

p 

 

 

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I I I I I -I I I -- 

 

 

- 

,- 

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,- += .--- --~ 

8' only 

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5 

 

 

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Raise 

 

the song 

 

of 

 

 

 

har - vest home: 

 

' 


I 

 

All 

 

 

 

is safe - ly gath 

 

- ered in, 

 

J-J J- 

 

I 

1----- 1----- 

---- 

------- 

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9 

 

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{ 

 

 

 

 

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I ' ......... ____ ~ 

the win - ter storms be - gin; God, our Mak - er, doth pro - vide - 

 

 

 

 

I 

I 

I 

I I 

--1--1 I I 

---------- 

 

, 

 

 

- _j_ 

- 

 

 

 

t r t--i-1-1 

' 

' 

 

I I 

- 

*A full score and set of parts for an orchestral arrangement (2.2.2.2-4.3.3.1-timp.perc-str-org) are available on rental from 

the Publisher. 

 

I ---+~ 

J--d--J:::=:::: 

- 

© Oxford University Press, Inc. 2005. Assigned to Oxford 153 University Press 2010. 

Printed in U.S.A.

4 

13 

sup- plied: Come to God's own tern - ple, come, 


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Down to the River 

to Pray 


162

SOPRANO 

ALTO 

TENOR 

BASS 

for the Timberline Middle School, Alpine, Utah, 

Jennifer Halverson, Cathy Jolley, Kandis Taylor, conductors, Terry Hill, principal 

Down to the River to Pray 

Moderately, with rhythm h = 72 

SOPRANOS ad lib. & ALTOS 

unis. mp 

 

 

 

As 

TENORS 

 

 

p 

 

Traditional American 


I went down to the riv -er 

to pray, stu- dy - in’ a-bout 

that 

 

 

 

 

 

+- +- +- +- +- +- +- +- 

 

 

 

 


 

PRIMO 

Moderately, with rhythm h = 72 

 

 

 

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good 

 

 

 

 

 

 

 

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old way and who shall wear the star - ry crown. Good Lord, show me the 

 

 

 

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:± :± 

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way! O, sis - ters, let’s go down, let’s go down, 

 

 

 

 

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-I- :::± -I- -I- 

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A full score and set of parts for an orchestral accompaniment (picc, 2fl, 2ob, 2cl, 2bn, 4hn, 3tpt(C), 2tbn, btbn, tba, timp, 

2perc (xylo, wood block), banjo (opt), str) is available on rental from the publisher’s Hire Library or appropriate agent. 


Offprinted from Wilberg, My Song in the Night (ISBN 978–0–19–380499–9). 

 

 

 

 

 

~ :::± 

-I- 

'-----" 

 

 

 

 

 

© Oxford University Press, Inc. 2009. Assigned to Oxford University Press 2010. All rights reserved. 




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4 



Eternal Father, strong 

to save 


177

Written for the state funeral of former President Gerald R. Ford and performed at 

Washington National Cathedral on January 2, 2007 by the Armed Forces Chorus with the 

United States Marine Orchestra, Lt. Col. John Clanton, conductor. 

Eternal Father, strong to save 

William Whiting (1825–78), alt. 

SOPRANO 

ALTO 

John B. Dykes (1823–76) 


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strong to save, Whose arm hath bound the rest-less 

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o - cean deep, Its own ap - point - ed lim - its keep; O 

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Words: Stanzas 2 and 3 were written by Robert Nelson Spencer (1877–1961) © 1940 the Church Pension Fund. 

All rights reserved. Used by permission of Church Publishing Incorporated, New York, NY. 

Music: Copyright © 2007, Oxford University Press, Inc. 

178 

OXFORD UNIVERSITY PRESS, 198 MADISON AVENUE, NEW YORK, NY 10016 


 

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A full score and set of parts for an orchestral accompaniment (3.2.2.2.–4.3.3.1–timp.perc.opt. org–str) are 

available on rental from the Publisher. 

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OXFORD EASTER MUSIC 

MACK WILBERG 

O FILII ET 

FILIAE 

(O Sons and Daughters) 

from Season Songs 

An Easter Celebration for 

Mixed Choir (SATB) and Piano 

OXFORD 


185


Mack Wilberg (b. 1955) is an associate director of the Mormon Tabernacle 

Choir and music director of the Temple Square Chorale. In addition to his conducting 

responsibilities, he has been active as a pianist, chamber musician, clinician, 

composer, arranger, and guest conductor throughout the United States and 

abroad. He is the former director of choral activities at Brigham Young University. 

O FILII ET FILIAE 

O filii et filiae, 

Rex caelestis, Rex gloriae, 

Morte surrexit hodie, alleluia. 

Et mane prima sabbati, 

Ad ostium monumenti 

Accesserunt discipuli, alleluia. 

Beati qui non viderunt, 

Et firmiter crediderunt, 

Vitam aeternam habebunt, alleluia. 

In hoc festo sanctisso 

Sit laus et jubilatio, 

Benedicamus Domino, alleluia. 

De quibus nos humillimas 

Devotas atque debitas 

Deo dicamus gratias, alleluia. 

O ye sons and daughters, 

The King of heaven and glory 

Has risen from death today, alleluia! 

And early on the first sabbath, 

The disciples came 

To the entrance of the tomb, alleluia! 

Blessed are they who have not seen, 

And yet have firmly believed, 

They shall have life eternal, alleluia! 

In this most holy feast 

Let there be praise and jubilation, 

Let us bless the Lord, alleluia! 

For these reasons 

Let us give humble, devout, 

And owing thanks to God, alleluia! 

____________________ 

English translation by Ron Jeffers. Copyright © 1988, Earthsongs, reprinted by permission. 

A full score and set of parts for a chamber-ensemble arrangement (SATB, piccolo, flute, oboe, 

clarinet, bassoon, 3 percusion, and piano four-hands) are available on rental from the Publisher. 

186

SOPRANO 

ALTO 

TENOR 

BASS 

Piano 

..,,.., ll 

fi>r the Bach Society of Minnesota, 

Paul£. Oakley, conductor 

Season Songs 

0 Filii et Filiae 

( 0 Sons and Daughters) 

An Easter Celebration for SATB Choir and Piano 

With rhythmic precision and energy (J = c. 144) 

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Copyright© 2002, Oxford University Press, Inc. 


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the earth 


199


For the beauty of the earth 

Folliott S. Pierpoint 

(1835–1917) 

CONRAD KOCHER (1786–1872) 


SOPRANO 

ALTO 

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An accompaniment for orchestra (3fl, 2ob, 2cl, 2bsn, 2hn, glock, hp (opt), str) is available on hire/rental from the publisher or 


The orchestral arrangement has been recorded by the Mormon Tabernacle Choir and the Orchestra at Temple Square on the CD 

Love is Spoken Here (SKU 4940651). 





9 

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Gloria in excelsis 

Deo 

oxford christmas music 

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David Warner 

SOPRANO 

ALTO 

for the Mormon Tabernacle Choir, Craig Jessop, Music Director 

Gloria in excelsis Deo 

(Christmas Processional) 

MACK WILBERG 

With spirit h = 108 

 

 


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A full score and set of parts for the orchestral accompaniment (picc. 3. 2. 2. 2.–4. 4. 3. 1–timp. 2 perc.–hb. – hp– 

org.–str.) are available on rental from the Publisher. 

The Mormon Tabernacle Choir with the Orchestra at Temple Square has recorded Mack Wilberg’s 

Gloria in excelsis Deo with orchestral accompaniment on the CD “The Wonder of Christmas” (SKU 4964380), 

and the DVD “Christmas with the Mormon Tabernacle Choir,” volume 3 (SKU 4964379). 


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ISBN 978-0-19-387047-5 

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God of our fathers, 

whose almighty 

hand 


222


God of our fathers, whose almighty hand 

Daniel C. Roberts 

(1841–1907) 

GEORGE W. WARREN (1828–1902) 


SOPRANO 

ALTO 

TENOR 

BASS 

 

 

With conviction, growing from verse to verse q = c.96 

 

 

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T./B. 

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With conviction, growing from verse to verse q = c.96 

p 

 

 

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God of our fa - thers, whose al - might - y hand 

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Leads forth in beau - ty all the star ry 

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An accompaniment for orchestra (2fl, 2ob, 2cl, bsn, 4hn, 3tpt(C), 3tbn, tba, timp, 2perc (susp cym, crash cym, chimes, B.D.) org, 

str) is available on hire/rental from the publisher or appropriate agent. 

The orchestral arrangement has been recorded by the Mormon Tabernacle Choir and the Orchestra at Temple Square on the 

CD Spirit of America (SKU 4600686). 




The Moral Rights of the Arranger have been asserted. 223Photocopying this copyright material is ILLEGAL. 

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Of shi - ning worlds in splen-dor 

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Our grate-ful 

songs be - fore thy throne a - rise. 

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Thy love di - vine 

hath led us in the past; 

 

 

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In this free land by thee our lot is cast. 

 

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Be thou our rul er, 

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stay; Thy word our law, thy path our chos - en 

 

 

 

 

 

 

 

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From war’s a - larms, 

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Be thy strong arm our ev - er - sure de - fense. 

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Be thy strong arm our ev - er sure 

 

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Be thy strong arm our 

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Thy true re li 

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- good - ness nour - ish us in peace. 

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Lead us from night to ne - ver - end - ing day; 

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Lead us from night to ne ver 

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And glo - ry, laud, and praise be ev - er thine. 

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SATB choir and organ with optional glockenspiel 


The Grateful Concert 

Round! 


233

Commissioned by Mt. Lebanon United 

Methodist Church, Pittsburgh, Pennsylvania 

in honor of Gretchen Franz, Director of Music 

THE GRATEFUL CONCERT ROUND! 


With Optional Glockenspiel 


Philip Skelton (1707-1767), alt. 

Joyfully, with marked rhythm (J = 116) 


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To God, ye choir a - bove,_ begin a 

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234 

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sense_ or sounds, to swell the grate - ful 

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find for you a voice. From all the bound - less 

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realms_ of space let loud ho-san - nas sound; Loud 

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send, ye won - drous works _ of God, the 

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grate ful con cert 

249

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4 



Guide me, O thou 

great Jehovah 


251

for Bryn Terfel, the Mormon Tabernacle Choir, and the Orchestra at Temple Square 

Guide me, O thou great Jehovah 

William Williams (1717–91) 

v. 1 trans. Peter Williams (1722–96) 

vv. 2–3 trans. William Williams 

JOHN HUGHES (1873–1932) 


SOPRANO 

ALTO 

Nobly q = 76 

 

 

 


TENOR 

BASS 

ORGAN 

PEDAL 

 

 

 

{ 

I 

 

I 

I I 

I i1 J I 

Nobly q = 76 

p 

 

 

cresc. 

I 

 


 

 

I 

 

-'- -'- I 

I 

 

 

 

4 

 

 

 

 

 

 

I I I I I I 

I 

 

 

 

 

·~ - 

I r F - I ~ I 

'\ 

 

 

Solo 

I I r-1 I i..- t- :i= ,,.---.. 

t- 

 

 

 

I I I 

 

f 

r T =± 

I 

 

An accompaniment for orchestra (3fl(+picc), 2ob, 2cl, 2bsn, 4hn, 3tpt(C), 3tbn, tba, timp, 2perc, org, str) is available on rental 

from the publisher’s Hire Library or appropriate agent. 

The Mormon Tabernacle Choir with Bryn Terfel and the Orchestra at Temple Square has recorded this piece with orchestral 

accompaniment on the CD Homeward Bound (Deutsche Grammophon). 





252

T./B. 

4 

8 

 

 

T./B. unis. 

mf 

 

 

 

I 

I 

Guide 

*Guide 

 

me, 

us, 

 

O 

O 

 

 

+= +- J I 

,.-._ 

 

thou 

thou 

 

..--.._ ,,.----. 

,- ,- +- 

great- 

great- 

Je 

Je 

- 

- 

ho 

ho 

- 

- 

vah, † 

vah, 

Pil - grim through 

Guide us to 

 

::± 

-I- 

I 

 

 

~ I 1- I I 

r 

I I I I I 

 

 

this 

the 

 


 

 

I 

 

I 

I 

11 

 

 

 

 

 

 

I 

- ~ 

,,---. ,- 

bar - ren 

prom - ised 

land; 

land. 

 

 

I 

We 

am 

are 

weak, 

weak, 

but 

but 

thou- art- 

thou art 

might - y; 

a - ble; 

 

l 

= 

-'- -I- -'- -I- -'- -Ir: 

_j_ _j_ _j_ 

-I- 

_j_ 

~ 

'-r 

 

 

 

- - 

I I I 

 

 

 

- - 

I 

- - 

- 

,~ 

-'- 

- 

14 

 

I 

l 

---- 

 

 

 

Hold 

Hold 

me 

us 

with 

with 

thy 

thy 

 

 

 

pow’r - ful 

pow’r - ful 

 

hand; 

hand. 

 

 

 

+- l== +- +- 

- 

- 

' ' I 

' 

l I '------ 

Bread 

Ho 

- 

of 

ly 

hea 

Spi 

- 

- 

ven, 

rit, 

I 

 

- 

 

J 

~ I 

~ --+ ,- 

T 

I/ 

I 

 

~ 

I 

*These lyrics (italicized) may be used as an alternative 

†Redeemer may be sung as an alternative to Jehovah 

253

17 

 

 

 

 

,- t- += ,- F += t- ,- F 

l 

bread 

Ho 

- 

of 

ly 

hea 

Spi 

- 

- 

ven, 

rit, 

Feed 

Feed 

me 

us 

till 

till 

I 

the 

want no 

Sa-viour 

more, 

comes, 

 

 

u I '- 

___, 

I I 

 

 

J 

I .,...,--- --,_J 

I 

 

I 

- 

 

5 

 

 


 

 

I 

I 

20 

 

 

 

F +- ~~ t--------...__ ,,- 

 

Feed 

Feed 

me 

us 

till I 

till- the- 

want 

Sav - 

I I I 

 

' I I 

 

 

 

 

 

 

-1 

I I __,, 

Solo 

 

I 

I 

 

{ 

 

 

 

- -- 

- - 

I 

 

 

 

no 

iour 

 

more. 

comes. 

I 

f 

 

' ' :::::::::7 

----- 

---l 

23 

 

 

 

I 

 

 

---- 

- 

- 

 

 

I I I 

 

I I I 

 

 

----1 

I 1........1 I I I 

I 

I ,- 

-------- 

\ 

1.- 

 

mf 

 

 

 

---- - - --- 

254 

,- I I 

I

S./A. 

T./B. 

6 

26 

 

' 

' 

 

I 

I 

I 

- 

O - pen now the crys - tal- 

foun - tain, Whence the 

O - pen, Je - sus, Zi - on’s- 

foun - tains, Let her 

 

,--..._ 

 

 

------ 

l 

I 

 

29 

S./A. unis. 

mf 

mf 

 

 

 

 

J 

 

I J 

- 

I 

 

J I Ir- I 1.- I 

 

-------- -------- ---- '--- 

----- 

 

 

stream doth flow; 

bless - ings 

 

come. 

 

 

T""" 

 

 

 

Let 

Let 

the 

the 

fire 

fi 

- 

and 

ery, 

cloud 

cloud 

- 

- 

heal 

rich 

y- 

pil 

y- 

pil 

,,.---. 

- 

- 

- 

- 

- 

 

ing 

est 

T""" T""" -t- 


 

 

 

I I I I I I 

I I 

I 

I 

 

I 

I 

---- ' 

l 

------ 

 

 

 

lar 

lar 


l 

I 

 

 

 

 

I 

---- 

32 

 

S. 

 

- 

 

I 

A. 

Lead me all my jour - ney through; 

 

 

l 

.__., 

 

 

 

I I 

I 

T""" I 

 

J I J,-- 

I..- I 1.,_ I - - - ~ I 

 

- J I 

Guard 

.__., 

- I I l 

I 

I 

- ' ' 

I I I 

 

 

 

 

I 

I I I 

- 

Strong de - li - v’rer, 

us to this- 

ho - ly home. 

Great Re- 

deem - er, 

.,_-----.. T. 

 

 

-t- :i:= I j I I 

 

T""" - 

 

 

 

 

 

J 

I ::± I d I J 

- - - T""" - 

I 

 

I I I I I I 

 

 

 

 

B. 

 

I I I I I 

---------- 

255 

 

 

 

- 

I 

~ ~

35 

 

 

strong 

great 

 

 

 

{ 

 

 

 

 

 

 

de - li 

Re-deem 

 

 

 

- 

- 

v’rer, 

er, 

 

 

Be 

Bring, 

 

 

 

 

 

 


I I I I I 

thou still my 

oh, bring the 

 

 

 

strength and 

wel - come 

shield, 

day, 

 

 

j I J J J d I J J 

 

 

l- 

 

+- -r- -r- I 7 - 

 

 

 

1--_.,-1 

I I i"i I ...i I I I I I 

__, 

- 

I I I 

 

_L __rJ J 

I V r'F +- - - - - 

7 

 

 

 

 


 

I 

I 

38 

 

 

I 

I I I I I I 

 

 

I I I 

~ 

I I 

Be thou still my strength and 

 

 

l 

I 

 

 

 

41 

Bring, 

oh, 

- - 

bring 

the 

J 

I 

J J I -r- 

~ 

-r- - I 

I 

I 

,,--- 

 

 

 

 

::± 

Solo 

- I :i:::---:i= 

 

 

 

 

 

- 

 

-1 

 

 

 

 

 

 

 

- 

 

--- 

 

 

wel 

 

 

- 

I 

I 

f 

come 

 

 

shield. 

day! 

 

 

I 

 

 

I I I I I J I -1 I I I 

 

 

,, 

I 

J I I 

-------7 :i= t== t== 

T""" - - 

 

 

256 

 

f 

 

~ 

~- 

I I I I I I I 

I I I 

I 

----- - 

_./ 

....I. 

I 

I 

'--- 

__.,, 

I 

 

----

8 

44 

 

f unis. 

 

 

I 

= 

I I 

When I tread the verge of Jor - dan, Bid my an 

~ 

- 

When the earth be - gins to trem - ble, Bid our fear 

~ 

 

unis. 

- 

 

 

l 

I 

 

f 

- xious 

- ful 

,,--..._ ,,----. 

T""" T""" 

- 

 

 

 

- 

I J:: I ::± I 

., 

 

 

 

 

 

 

 

I J-J I I I I I r-, 

I I 

 

I 

 

 

 

 

 


47 

 

 

' 

 

I I 

- 

fears sub - side; 

Death of death, and hell’s- 

de - struc - tion, 

thoughts be still; 

When thy judge - ments spread de - struc - tion, 

 

 

 

 

,,-.._ 

 

T""" ~ T""" 

l 

I 

 

 

 

50 

 

S. 

- 

 

I I r--1 I 

 

 

I 

 

....,;;,;,;,;i A. I I 

I 

Land me safe on Ca - naan’s side; 

 

 

 

 

 

T""" J 

 

Keep 

 

 

l 

---- 

- 

 

' 

 

us 

safe 

- 

on- 

Zi 

- 

on’s 

hill, 

Songs 

Sing - 

T. 

B. 

 

T""" 

:i:= - 

T""" 

 

J J 

T""" 

J 

I J----- 

T""" 

' 

' 

 

 

T""" 

 

- 

 

 

 

I 

of 

ing 

prai - 

prai - 

,-:::::::. 

j 

_n 

 

 

 

 

 

 

 

 

7 7 

I r----i i--, I r----i I i"""i 1- 

1:::: I 

I 7 

- - 

I 

+== 

---------- 

- 

257 

 

I I I 

- I I I i"""i I 

I I 

l 7 I I I l 

--d I --+ J d~d J 

ses, 

ses, 

 

______, 

 

J

1-n A J~r-, 

 

 

I 

I 

 

I I I j 'I 

 

,__, I 

I 

53 

 

 

 

songs of prai - ses, 

sing 

I 

Songs 

will 

of 

ev 

glo 

- 

- 

er 

ry 

give 

un - 

- - 

- ing prai - ses, 

- 

- n I I I J 

to 

to 

-------- 

thee, 

thee, 

 

 

 

 

 

I~ 

~-r;1 ~ ::± 

 

 

 

J~ 

- += - :;::: - - - - - 

., 

 

 

9 

 

I r-i I J I j I 

r1- 

 

,, ,, 

' " 

 

 

 

- 

 

i d 

J ::± ._-i J 

,--, - ~ n~--=2= 

;- - 

 

 

 

 


I 

I I 

I l 

 

I 

l 

56 

 

 

 

 

I 

1 

ff 

1--n J A I I I I I I I 

I- will ev - er- 

Songs- of glo - ry- 

give to 

un - to 

thee, 

thee, 

Songs 

Sing - 

ff 

of prai 

ing prai 

--1 ri J r-, I I 

r-i 1- 

 

 

 

 

 

I 

___., 

---- 

ff 

 

 

I I I I I I I 

~:=:n 

 

 

 

J += J~ d d ::± I J 

 

I 

I 

 

,- -1 I I I I 

--J 

::±-J:"7 d ::± :}- 

 

,, 

' 

----:i= - 

- 

- 

 

 

ses, 

ses, 

 

 

 

I 

 

 

 

 

 

258

10 

59 

 

 

 

 

 

 

 

 

 

 

 

 

I I I I I I I 

I I I I I I 

 

 

songs 

sing 

 

 

 

- 

of 

ing 

prai 

prai 

- 

- 

ses 

ses, 

I 

Songs 

will 

of 

ev - er 

glo - ry 

give 

un - 

 

 

 

- 

,J I J J J 

 

---,- ,- ,l ,- ,- ~ ,1 

 

17 

 

to 

to 

thee, 

thee, 

d 

 

 


---1 n .--::::::=====::::.- 

- 

I 

 

I 

I r-, I 

n- 

_, 

 

I I I I 

 

L 

 

 

' I J 

- 

~ 

 

,-, 

- - ::::;i:::: t- ~ 

' 

 

 

 

I 

62 

 

 

 

 

 

 

~ 

- 

unis. 

I 

Songs 

unis. 

will 

of 

ev 

glo 

- 

- 

I 

er- 

ry- 

give 

un 

 

 

- 

+= -j- ~+= 

t-~ 

- 

to 

to 

thee, 

thee, 

--1 J 

 

 

I 

I I J 

 

 

I 

I 

I I I I 

' 

-- 

~ 

' 

 

-::J J I d 

 

 

~ - 

 

*Solo (I) 

~ 

 

 

- 

I 

 

 

 

 

ff 

------ 

*Two contrasting solo stops are required in this passage 

259

11 

65 

 

 

 

 

 

 

 

 

give 

un 

 

- 

to 

to 

 

 

 

 

 

 

Solo (II) 

 

 

 

 

 

ff 

 

 

 

 

68 rit. 

 

 

 

 

 

thee. 

thee. 

 

 

 

 

 

 

 

 

 

 

 

 


l 

rit. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


260

4 



Hail the day that sees 

him rise 


261

Commissioned by the Chancel Choir of Christ Church United Methodist, 

Louisville, Kentucky, in honour and appreciation of 

Daniel R. Stokes, Director of Music Ministries 

Hail the day that sees him rise 


Henry Francis Lyte (1793–1847)* 

ROBERT WILLIAMS (c.1781–1821) 



Triumphantly q = c.100 

 

I I I 

I I 

 

l 

~ 

I 

- I I 

f 

7 

ORGAN 

Solo (Reeds 16’, 8’) 

- 

 

- 

 

- 

I I I I 

I 

 

 

PEDAL 

5 

 

 

 

 

 

---1 

 

 

 

 

 

 

 

TUTTI VOICES unis. 

9 f 

 

' ' 

 

- ----, 

- 

I 

 

 

I I I - 

Hail, the day that sees him- 

rise, 


 

Praise the Lord! his glo - ries- 

show: Al - le - lu - ia! 

I I 

 

I I 

 

I i--,,,__ 

I i--, 

1~1 I I 

 

I 

l 

 

I I I I I I 

_l_ 

 

 

 

I 

 

r---, I J__ J I 

, 

J 

-1--" +- I 

: 

_J 

T 

*These lyrics (italicized) may be used throughout the year as an alternative to the Easter text. 

An accompaniment for orchestra (2fl, 2ob, 2cl, 2 bsn, 4hn, 3tpt(C), 3tbn, tba, timp, perc, org, str) is available on hire/rental from 

the publisher or appropriate agent. 

I 





13 

- 

'I 

 

 

 

 

 

 

 

I I 

I 

To his throne a - bove the- 

skies; Al - le - lu - ia! 

Saints with - in his courts be - low, 


I 

I I 

 

I ~ 

I r-, 

I,-___ I 

I I 

 

I 

., 

I I I I I I 

 

 

 

J J- kL I l'.--1 I J_ J I 

 

J 

+--" - 

-j- - 

I I I I 

 

 

- 

17 

 

 

I I I I 

 

 

 

I 

Christ, the Lamb for sin - ners giv’n, Al - le - lu - ia! 

An - gels round his throne a - bove, Al - le - lu - ia! 

I 

 

 

 

I I I I r-, - I 1-----.1 r-, 

I I 

·- 

 

I I I I I I 

 

 

- 

 

""- - p- ......, 

~ 

t- ,-, - 

 

I 

I 

 

 

- 

21 

 

I I 'I 

 

 

--- 

 

 

- 

 

 

I 

En - ters now the high - est- 

heav’n. 


All that see and share his- 

love, 


I 

 

 

I I 

 

I r-, 

 

- I 

 

r-, I 

 

 

I 

 

 

,, 

I I I I I I I 

,...._ -::... 

 

 

>- 

I p- 

J - I 

,- 

 

 

/ 

' 

 

I 

I 

I 

 

 

 

 


263 

- 

J ::± I 

J J I I J ::±- 

 

3

S./A. 

4 

25 

 

 

 

 

 

----__, 

- ia! 

..l 

J 

 

 

- ia! 

J 

 

 

= 

- 

I l 

 

J 

J J l 

. 

{ 

- 

I 

I 

7 

Solo 

 

 

 

' ' ' I 

 

 

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29 

l 

I J 

l 

I l _r:::i- I r::l 

l J 

l J 

 

 

{ 

I 

I 

I 

I 

I 

' 

 

,._ 

 

 

- 

J J 

_J 

' 

 

' 

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_[ 

 

 


33 

 

mf 

-- - 

 

- 

' 

There for him high tri - umph waits; Al - le - lu - ia! 

 

Earth to heav’n and heav’n to earth: Al - le - lu - ia! 

I 

I I J 

J J 

 

 

J 

I J I 

 

 

 

l 

--'. I 

I w--1 I I I I 

mf 

 

_± 

 

J I 

 

J 

::± 

..:I 

I 

~ 

 

l 

_[ 

--t 

 

I 

' 

-, 

37 

~ 

 

 

--r- 

 

- 

 

Lift your heads, e - 

' 

' 

ter - nal gates, Al ' - le - lu - ia! 

Tell his won - ders, sing his- 

worth, Al - le - lu - ia! 

l J 

I 

I 

J 

J l 

I 

I 

 

 

 

 

I 

' I 

I I I u-i---1 I I I I 

 

 

I _J: 

J_ I ,,--- 

I 

 

-=I 

 

I 

_t:: 

--+ 

' 


264 

:::::::::i 

~ 

-,------

41 

 

 

 

 

He hath con-quered 

death and sin, 


Age to age and shore to shore, Al - le - lu - ia! 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

45 

 

 

 

Take the King of glo - ry in! 


Praise him, praise him ev - er - more, 


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

49 

 

 

 

 

 

- ia! 

- ia! 

 

 

 

 

7 

 

Solo 

 

 

 

 

 

I 


I 

I 

I I I I I 

- 

I I 

I 

I 

- 

I ,,_'- - 

I ,-t--r1 I I I 

j 

,,---._ 

I I I I I I 

I 

~ 

l 

- 

I I I 

I - 

I I - 

- 

I I I i.....J I I I I I I 

I I n I I I l,,r--n I I I I I 

j 

- 

....1., ~....J. 

-I 

I T' ✓rr 

I I 

I 

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I 

--- 

- 

I 7 7 7 7 7 I 

265 

I 

' 

,, ~ 

I r- 

~....J. 

--- 

I I,, I 

I 

7 

- 

I 

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,::- 

...J. 

 

5

I 

I 

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' 

I 

I 

I 

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I 

I 

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6 

S. 

A. 

T. 

B. 

53 

 

 

 

 

 

 

 

 

 

 

 

57 

mf 

 

 

See, he lifts his hands a - bove! Al - le - lu - ia! 

Praise the Lord, his mer - cies trace: Al - le - lu - ia! 

 

 

 

 

 

 

mf 

 

 

mp 

 

 

 

 

 

61 

 

 

 

 

 

See, he shows the prints of love! Al - le - lu - ia! 

Praise his pro - vi - dence and grace, Al - le - lu - ia! 

 

 

 

 

65 

 

 

 

 

 

Hark! his gra - cious lips be - stow, Al - le - lu - ia! 

All that he for us hath done, Al - le - lu - ia! 

 

 

 

 

 

 

------ ------ 


.J .J i J J J J J.J 

- - 

7 

1--- I- -1111--1-1- 

- 

I 

I' 

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- -1 

1--- 

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I, >- 

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(I 11111 

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266 

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f- 

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~1111 !ti 1-l-- -11 

G 11111 itll!- -1 

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®~ c;: 

I- 

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_11m llllt ' 

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n

69 

 

 

 

Bless-ings 

on his 

All he sends us 

 

73 

- ia! 

- ia! 

ff 

Solo 

 

77 

 

 

 

 

 

 

 

 

 

church 

through 

be 

the 

- low. Al 

Son, Al 

 

 

 

 

 

7 

 

 

 

 

 

 

 

 

 

 

 

- 

- 

 

le 

le 

- 

- 

lu 

lu 

- 

- 

 

 

 


-........--- _____.... 

I- -----i 

I J - 

 

 

 

 

 

 

 

 

 

 

IJ \ 

I- -----i 

 

 

- 

I- -1 , I >++- 

I-- I- 

- 

K""" I 

- 

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Cl 

,__ -----i ( 

- 

- 

267 

a D c::: 

- 

\ - 

- 

- 

- 

l 

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(lII,L -1 

I 

 

 

 

 

 

- - 

I 

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l r 

I---' '----1 

- r;- - 

- 

 

- 

- 

- 

 

- 

- 

 

- - 

7

8 

81 

 

 


SOPRANOS (Descant) 

f 

 

,------._ ~ 

 

*Lord, 

Strings 

be - yond 

and voic - 

our 

es, 

*Lord, be - yond our 

Strings and voic - es, 

mor - 

hands 

tal 

and 

ALTOS & SOME MALE VOICES (Melody) 

f 

I 

' - 

mor - 

hands 

tal- 

and- 

sight, - Al - le - lu - ia! - 

hearts: Al - le - lu - ia! 

 

 

sight, 

hearts: 

TENORS 

f 

 

I I J 

 

J I I J J------1 I I~ 

 

J 

 

BASSES 

*Lord, be - yond our mor - tal sight, Al - le - lu - ia! 

I I I I 1______.,,1 I '----"'' 

- 

Strings and voic - es, hands and hearts: Al - le - lu - ia! 

Al 

Al 

- 

- 

- 

-- 

- - 

- 

----, 

- 

I 

le 

le 

- 

- 

- 

lu 

lu 

- 

- 

ia! 

ia! 

- 

 

 


{ 

~ 

 

 


 

I I 

I 

 

I r-1,-_ 

I r-, 

1~1 I 

I 

~, 

 

I I I I I I 

~ I 

~ 

 

 

-- - - +- 

- 

~ 

J J 1,,, r---. I 

 

J I 

 

 

J 

. _, 

 

I 

 

 

85 

 

- ~ 

,,_ 

- 

 

 

I 

Raise our hearts to reach thy height; - Al - le - lu - ia! - 

In the con - cert, bear your parts, Al - le - lu - ia! 

 

 

 

 

 

 

I I 

7 

Raise our hearts to reach 

In the con - cert, bear 

thy- 

your 

height; 

parts, 

 

 

I I 

J J I I J J-----1 I I~ 

- 

 

J 

 

Raise 

le 

ia! 

{ 

~ 

 

- 

~, - 

- 

- - 

Al 

Al 

- 

- 

le 

le 

- lu - ia! 

- lu - ia! 

I I I 7 I I 7 1_____,1 I '----"'' 

our hearts to reach thy height; Al - 

- lu - - 

In the con - cert, bear your parts, Al - le - lu - ia! - 

I I 

 

 

 

 

 

 

 

 

I I I r--1,-_ I r-, 1-----1 I I I 


 

 

 

 

 

J j I J J I r-- I I I I 

- - 

- 

+- 

- 

- 

 

 

 

I 

I 

' 

 

I 

 

I 

*This verse may be performed as written, or with all voices in unison on the melody, or sopranos on the descant and 

all other voices in unison on the melody. 

268

, ~ 

i1 

I I 

89 

 

 

- I J J 

J J J 1 

J l 

I J 

 

There thy face un - cloud - ed see, Al - le - lu - ia! 

All that breathe, your Lord a - dore, Al - le - lu - ia! 

 

 

 

 



 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

93 

 

 

 

 

Find our heav’n of heav’ns in thee! Al - le - lu - 

Praise him, praise him ev - er - more, Al - le - lu - 

 

 

 

 

 

 

 

 

Find our heav’n of heav’ns in thee! 




 

 

 

 

Find our heav’n of heav’ns in thee! 




 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


--.....- --.....- 

- -11 - 

r- I I - 

i 

-11 

- '1 

i 

-11 , ' 

i 

-11 - 

- 

i 

- ~ -~ 

-1 , I 

-1 

I -1 ~ t 

I 

-1 

( 11 ,I ~ II 

-11 

I I 

269 

. L 

ii - I 

; ( J ~ ~ ---ii, 

' 

-1 ' 

- -11 - 

( 

C J 

-11 

- -1 I,.: 

I -11 ,--- ( , 

I 

r 

-11 

I II ~ [ 

(_II 

I II - -J I - II 

-11 

IT 1n IT I - 

9 

l 

In

10 

97 

 

 

 

 

 

-ia! 

-ia! 

A. div.* 

 

- 

 

 

 

- ia! 

T.* ~I 

-ia! 

-ia! 

________ I 

I 

 

 

 

 

 

 

 

 


I 

 

 

----- 

I I I 

I I I 

l 

 

I I 

7 

 

Solo 

- 

I 

' 

 

- 

I 

 

- I 

 

 

 

 

 

S. 

A. 

T. 

B. 

101 

- ia! 

 

ff 

 

 

Find our heav’n of heav’ns in- 

thee! 

Al - le - 


Al - le - 

ff 

 

 


thee! 

Praise 

{ 

div. 

(opt.) 

- - - 17 

 

 

~I I 


thee! 

Al - le 

Praise 

- Al - le 

 

 

 

 

 

Find 

Praise 

him, 

our 

him, 

' 

div. 1---------1 

' 

I 

- 

praise 

heav’n 

praise 

him 

of 

him 

ev 

- er more, 

ff 

div. 

 

ff 

 

 

 

him, 

 

 

praise 

 

him, 

I 

- 1~1 I 

heav’ns in- 

thee! 

Al - le 

ev - er - more, 

Al - le 

div. 

- ----------- 

~ 

 

Al - le 

ev - er - more, 

Al - le 

 

 

 

._J 

 

,________, 

I I I I r---,_ I 1----. 

7 ,,- f--j_ I V 

_, 

 

 

I I I I 

 

I 

- 

- 

- 

- 

- 

- 

 

 

 

 

I I I 

 

*If both altos and male voices are singing this part, altos should divide here between A and F, and all men on this part should 

sing F. If all voices, or all except sopranos, are singing the melody, all should sing F here. 

270

.,...-.____,.---. 

104 (div.) 

unis. 

 

 

----- 

- lu - - - ia! 

- lu - - - ia! 

 

 

 

 

I 

- lu - - - ia! 

- lu - - - ia! 

 

 

 

 

- lu - - - ia! 

- lu - - - ia! 

{ 

I 

I I I I 

 

 

r 

rit. 

A - men! 

----- 

A - men! 

----- ----- 

rit. 

 

 

 

- 

 

I I I 

 

I I 

 


 

unis. 

~ 

 

 

,_ 

 

- _1 

- lu ---- - - ia! 

- lu - - - ia! 

_I 

 

!!!!:I FFFi ~ 

 

~ 

----=======---- 

 

 

I I 

---------rl/ '-----r 

I 

J 

Solo 

-- 

 

 

- 

 

 

- 

 

108 

 

,,-.___,-___,,-._,,-._ 

 

A - men! 

A - men! 

 

A - men! 

A - men! 

,,.-.__,-__,,-._,,-._ 

 

 

 

------ 

div. 1,-----..I 

 

 

A - men! 

A - men! 

 

 

 

I 

1---------- 

 

 

 

 

 

 

11 


271

4 



He is risen! 


272


He is risen! 

Cecil Frances Alexander (1818–95) 

Benjamin Schmolke (1672–1737) 

trans. Catherine Winkworth* 

KEYBOARD† 

{I 

 

 

 

Triumphantly q = c.80 

(Orchestral introduction) 

 

f marc. 

 

 

 

 

3 

3 

7 

, 

 

i i i 

 

F , 

JOACHIM NEANDER 


 

 

 

 

I I 

! ! J i J J 

 

 

3 

l 

 

 

 

 

3 

3 

 

 

 

 

 

 

 

 

 

 

 

 

I - 

 

 

 

 

 

 

 

I 

 

 

c........r 

 

I'-' 

 

 

3 

r----a - 

 

 

 

 

 

 

 

 

 

-'- ....I. ....I. 

3 

n==,_nn 

 

 

 

 

 

 

 

 

 

 

6 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 

 

 

 

 

 

 

9 

 

 

Introduction may begin here when performing with keyboard accompaniment 

 

f 

 

__r:J 

J]_ J 

 

 

I- 

 

 

 

 

 

 

 

 

 

 

 

3 

 

 

 

 

 

 

 

 

 

*These lyrics (italicized) may be used throughout the year as an alternative to the Easter text. 

†The keyboard part may be played on piano or organ and adapted as necessary. 

An accompaniment for orchestra (2fl, 2ob, 2cl, 2bsn, 4hn, 3tpt, 3tbn, tba, timp, perc, org, str) is available on hire/rental from the 

publisher or appropriate agent. 

© Oxford University Press, Inc. 2011. Assigned to Oxford University Press 2010. Printed in the USA 



273

S./A. 

T./B. 

13 

f unis. 

 

 

 

 

 

He 

O - 

f unis. 

is 

pen 

ris - en! He 

now thy gates 

is 

of 

ris - en! 

beau -ty, 

Tell 

Zi - 

it 

on, 

out 

let 

 

7 7 ---t- +- 

 

 

-I 

-'- 

-t- 

 

- 

 

with 

me 

-'- '--' 

joy 

en 

- 

- 

ful voice. 

ter there, 

 

 

3 

~ 


 

=j 

=~ 

 

 

~ 

 

 

 

 

 

 

mf 3 

 

 

 

i 

I 

' ' 

- 

I 

. 

--t i 

-l 

I 

' 

I 

-II= -I - 

 

 

 

 

' I 

I 

' ' ' ' 

+- +- 

-D Fl i ~ ~ ± ~ -II= 

~ 

~ 

. 

' 

~ 

-f 

I U 

I I 

 

~ 

-t 

' 

~ 

17 

 

 

 

 

 

He 

Where 

- - 

has burst 

my soul 

his 

in 

three days’ 

joy - ful 

pri 

du 

- son; 

- ty 

 

 

I I I 

Let 

Waits 

the 

for 

whole 

him 

 

I I I 

I I I I -'- -'- 

 

wide 

who 

 

:::± "---' 

- 

- 

 

 

 

 

 

 

- I I I I 

' 

,. 

 

 

 

 

 

 

I I I I I I 

I Ir- I Ir- I I I 

 

 

I 

~ 

+- 

20 

 

 

 

 

earth 

an - 

re - joice. 

Death 

swers prayer. 

O, 

 

 

is 

how 

con- quered, man 

bless - ed is 

is 

this 

free. 

place, 

 

-'- -'- ---+ ---+ :::± :::± 

-'- --+ --+ 

I 

 

 

 

 

 

 

 

I I I I I I 

I It- I Ir- I ii ,....,......, I I I 

 

 

3 

 

 

 

 

 

274 

 

 

 

 

 

 

 

 

I I 

I I I 

t ---u- t 'I' 1:.J 

 

 

 

 

- ---'- --;- --;- I I I ---,. I I I ' 

"

4 

23 

 

 

 

 

I 

I 

 

 

 

Christ 

Filled 

has 

with 

won 

sol 

- 

the 

ace, 

vic 

light, 

- to - ry. 

and grace. 

- 

t- 

- 

 

 

I 

 


 

 

 

 

 

l 

~ I 

- 

 

I 

 

 

 

 

 

I I I I I 

-'- 

 

I 

 

I 

I 

 

 

 

 

 

 

I r r t rrru- 

f 3 

::± --+ 

L....J L....J 

I I i........i 

 

 

 

26 

f 

 

 

 

 

 

< 

 

 

Come 

Yes, 

with high and 

my God, I 

ho - ly hymn- ing; Chant 

come be - fore thee, Come 

our- 

thou- 

I I I I I '--' 

f 

mf 

 

 

 

 

Lord’s tri 

al - so 

 

- um- phant lay. 

down to me; 

 

 

I I I I I I J I I I 

J J 

J I J 

 

I 

I I 

,..._ 

I I 

 

 

-'- -'- 

--+ -'- 

I I I t" r r t" r _._ 

 

I 

Ir- I I I I I 

I I 

I 

r-, 

I 

I 

I 

I 

I 

~ 

'""""-, I I I I 

r rr r r r I I I 

6J 

I 

I I I I 

I I I I 

-'- I 

I 

 

30 

 

 

 

 

 

Not 

Where 

 

 

one dark-some 

cloud 

we find thee and 

 

 

 

I -:. I I I I 

I rr I r r I I I 

6J 

I 

I I I I 

is dim- ming Yon - der- 

glo - rious morn - ing ray, 

a - dore thee, There a- 

heav’n on earth must be. 

 

 

I I I I I I J I I I 

J J 

J I J 

 

I I I I I '--' I 

 

< 

 

 

I I 

,..._ 

I I 

 

 

 

 

I I I t" r r - -'- -'- --+ -'- 

t" r _._ 

I 

Ir- 

I 

I I I I 

I I 

I 

r-, 

I 

I 

I 

I 

I I I I 

- I 

275

34 

 

I I I I I I 

 

 

I ' ' I 

 

 

I I I I I I I I~ L.J I 

~ 

Break 

To 

- ing o’er 

my heart, 

the 

O, 

pur - 

en - 

ple 

ter 

east, 

thou, 

Sym 

Let 

- bol of 

it be 

 

J J 

J I I I 1,.,---......,_I 

~r-, 

 

I I 

 

l 

 

 

I ~ 

I I I I 

 

I 

I I □ 

J 

 

J I 

I 

I r-, 

I 

 

 

our 

thy 

- - - - - 

- - - -- - - 

1.,.,..1 I,.____,,,, i.......l I 

b" 

'-" 

I - 1.,.,..1 I I i.......l I ~ 

 

5 

 

 

 

 

 

 

 

 


37 

 

 

 

I I 

I 

 

I I I 

Eas 

tem 

- 

- 

ter 

ple 

feast. 

now. 

I I I 

 

 

 

 

I 

 

 

 

 

l 

 

 

 

 

 

 

 

 

 

 

cresc. 3 

 

 

 

 

 

3 

 

I I I I 

~ 

r r I er u- 

I ~ 

 

 

I I J --LD n 

I I L........J 

40 

DESCANT 

f 

 

 

T I T I 

He 

Thou 

is 

my 

ris - en! He 

faith in - crease 

is 

and 

 

ris - 

quick - 

 

~ 

 

en! 

en, 

He 

Let 

hath 

me 

o - 

keep 

- 

pened 

thy 

 

OTHER VOICES 

f 

...J. 

He 

Thou 

 

...J. 

is 

my 

ris 

faith 

- en! He 

in - crease 

is 

and 

ris 

quick 

- 

- 

en! 

en, 

He 

Let 

i--- 

hath 

me 

 

 

 

 

 

 

l 

f 

 

I I 1 I l ----.J I I 

 

J J J ~ 

J d J_ J J d d J 

 

 

 

o 

keep 

I I I I I r-, 

- 

- 

- 

 

pened 

thy 

276

6 

43 

,-....__ 

 

 

 

' 

 

hea 

gift- 

hea 

gift 

 

 

- ven’s gate. 

di - vine, 

- ven’s gate. 

di - vine, 

We 

How 

We 

How 

- 

- 

are free 

so - e’er 

are 

so 

- 

free 

e’er 

from 

temp 

from 

temp 

- 

- 

sin’s 

ta 

sin’s 

ta 

- 

- 

dark 

tions 

dark 

tions 

pri - son, 

thick - en; 

 

 

-'- 

' -= 

 

 

 

 

 

 

pri - son, 

thick - en; 

I I I I I I I 

3 

 

 

 

I I J J J_ J 

 

 

 

I 

r-, ~ i""i I I I I 

J Jjjfl J ::± J d 

I 

 

 

 

 

 

 

 


46 

~ 

 

 

,..--.._ 

 

Ris - en -to- 

May thy word 

 

I 

Ris - en- 

to 

May thy- 

word 

 

 

 

a 

still 

a 

still 

ho - lier state. 

o’er me shine 

ho 

o’er 

- lier state. 

me shine 

And a bright-er 

As my guid - ing 

And a bright-er 

As my guid - ing 

Eas - ter beam 

star through life, 

 

Eas 

star 

- ter beam 

through life, 

I 

r, r, 

 

 

I I I I I 

I I I I 

 

' 

 

d d ::± 

 

 

 

I I 

I 

- - 

I i.....J I I l I ~ u.., l.,...J I I I I 

3 

J I I j _n I J _l I J I 

 

 

 

 

I I I I 

I 

 

 

 

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TUTTI VOICES 

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His voice 

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279

SOPRANO 

ALTO 

TENOR 

BASS 

PIANO 

for the Mormon Tabernacle Choir and the Orchestra at Temple Square 

His voice as the sound 


Samanthra 

The Southern Harmony 

WILLIAM WALKER 


 

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lips as a foun - tain of right-eous-ness 

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A full score and set of parts for an orchestral accompaniment (3fl (picc), 3ob, rec (opt.), 4hn, hp, str) is available on 

rental from the publisher’s Hire Library or appropriate agent. 

Recorded on Come Thou Fount of Every Blessing: American Folk Hymns and Spirituals (Mormon Tabernacle 

B001MYIPWS). Offprinted from Wilberg, My Song in the Night (Anthology) (ISBN 978–0–19–380499–9). 

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How can I keep 

from singing? 


288


How can I keep from singing? 

SOPRANO 

ALTO 

 

 

 


Words and melody by 

ROBERT LOWRY (1826–99) 


 


TENOR 

BASS 

PIANO 

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First performed by the Mormon Tabernacle Choir and Orchestra at Temple Square on 5 February 2005 at the National 

Conference of the American Choral Directors Association in Los Angeles, CA, conducted by Craig Jessop. 

An accompaniment for chamber orchestra (3fl (3opt), 2C.A., hp, str) is available on rental from the publisher’s Hire Library 

or appropriate agent. 





289

9 

 

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sweet though far - off hymn that hails a new cre - a - tion. - Through all the 

 

 

 

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29 

 

 

 

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songs in the night it’s giv - ing. -- 

 

TENORS & BASSES unis. - 

 

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lift my eyes, the cloud grows 

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291

33 

 

 

 

 

 

thin; I see the blue a-bove 

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smooth, since I first learned to love it. 

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293 

unis.

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How firm a 

foundation 


295

attrib. Robert Keen 

(c.1787) 

SOPRANO 

ALTO 


With resolve h = 69 

How firm a foundation 

anon. 


Organ by Richard Elliott 

 

 


TENOR 

BASS 

 

 

ORGAN 

PEDAL 

6 

 

 

With resolve h = 69 

Solo (Reeds 16', 8') 

 

 

 

ff 

 

 

 

 

 

 

 

 

 

 

 

 

11- 

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f 

 

 

 

 

 

 

 

 

 

 

 

 

 

unis. f poco marc. 

How firm a foun - da - tion, ye Saints of the 

unis. f poco marc. 

 

 

 

 

 

 

 

 

 

 

– Solo 

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t- 

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l 

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A full score and set of parts for an orchestral accompaniment (3fl, 2ob, 2cl, 2bsn, 4hn, 3tpt, 3tbn, tba, timp, perc, org, str) is 

available on hire/rental from the publisher or appropriate agent. 

A recording of How firm a foundation is available on the CD Then Sings My Soul (Mormon Tabernacle Choir 4954471). 

© 2011 Oxford University Press, Inc. Assigned to Oxford University Press 2010 




\ 

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Lord, Is laid for your faith in his ex cel 

 

 

 

 

 

 

 

 

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say than to you he hath said, Who un - to the Sa - vior, who un to 

 

 

 

 

 

 

 

24 

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Sa - vior, Who un - to the Sa - vior for ref - uge have fled? 

 

 

 

 

 

 

 

 

 

 

 

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*If the melody is being played on a solo stop, the + indicates that the lower note should be played by the thumb on an 

adjacent manual. 


306 

ISBN 978-0-19-337282-5 

9 ~JmlHWUl~t

4 



Hymn of Praise 


307

Written for the Mormon Tabernacle Choir and Orchestra at Temple Square 

for the Rededicatory Concerts of the Salt Lake Tabernacle, April 2007 

Hymn of Praise 

David Warner 

MACK WILBERG 

With energy h = c.96 

,,-- 

 

 

 

 

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I I I 

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* KEYBOARD ff 

 

 

 

 

 

 

 

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1-1 1-1 

 

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*The keyboard part my be played on piano or organ and adapted as necessary. 

Accompaniments for orchestra (picc, 2fl, 2ob, 2cl(A), 2bsn, 4hn, 3tpt(C), 3tbn, tba, timp, 3perc, hp, org, str) or brass, organ, and 

percussion (4hn, 3tpt(C), 3tbn, tba, timp, 2perc, org) are available on rental from the publisher’s Hire Library or appropriate 

agent. 

The Mormon Tabernacle Choir and Orchestra at Temple Square have recorded this piece with orchestral accompaniment on 

the CD Glory! Music of Rejoicing (SKU 5063064). 




The Moral Rights of the Composer have been asserted. 308Photocopying this copyright material is ILLEGAL.

S./A. 

19 

 

 


f 

 

 

 

 

 

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T./B. 

 

 

A 

- wake! 

A - wake, a - rise and sing! A - rise and 


 

 

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sing- all- 

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O praise him of end 

SOPRANOS 

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less days! 

 

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43 

 

ALTOS f 

 

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*Melody ‘Old Hundredth’, attrib. Louis Bourgeois (c.1510–60); text by Isaac Watts (1674–1748) 

314 

 

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I sing the mighty 

power of God 


323


I sing the mighty power of God 

Isaac Watts, altd 

(1674–1748) 

Trad. English 



I 8', 4', 1⅓' 

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CD Consider the Lilies (SKU 4537795). 

© Oxford University Press, Inc. 2011. Assigned to Oxford University Press 2010 




4 

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331

SACRED 

T. solo and SATB (with divisions) unaccompanied 

2 

In monte Oliveti 

(On Mount Olivet) 


A 

332

Season Songs 

Mitkt Wilberg 


1. 0 Magnum Mysterium (A Christmas Meditation) 

For SATB, piano, vibraphone, glockenspiel, 

and E-chime · 

A breathlessly quiet mood-piece, chantlike 

and slow-moving 

ISBN 0 19 386097 X 

2. Videntes Stellam Magi (An Epiphany Dance) 

For men's choir (with soloists), woodwinds (piccolo, 

flute, oboe, clarinet, bassoon), piano, and percussion 

A boisterous and energetic piece that portrays the Magi's 

( three soloists) great joy at seeing the star in the East 

ISBN 0 19 386098 8 

3. In Monte Oliveti (A Lenten Reflection) 

For tenor solo and SA.TB unaccompanied 

An expressive Lenten motet ( in Latin) reflective of the 

agony of the Mount of Olives; the tenor sings the words 

of Christ 

ISBN 0 19 386099 6 

4. 0 Filii et Filiae (An Easter Celebration) 

For SATB, piano (four hands), woodwinds, (piccolo, 

flute, oboe, clarinet, bassoon), and percussion 

The rhythmic power of Videntes Stellam Magi is echoed 

in this jubilant finale 

ISBN 0 19 386100 3 

333

Wrillenfor the Bach Society of Minnesota 

Paul E. Oakley, conductor 

IN MONTE OLIVET! 

(On Mount Olivet) 

from Season Songs 

A Lenten Reflection for Mixed Choir and Tenor Solo, Unaccompanied 

Slowly, with expression (J = c. 52) 

,..., A "- ,+ PPd· IVISI · · 

.. 

Soprano 

-· - - - - 

" 

In mon - te 0 - Ii - ve - ti 0 - 

- Alto TI 

r---.> 

f or 

re/iearsa/ 

only 

. 

\ 

... A "- _ ,, ,+ ...,_ .. 

A ~ 

.., 

pp 

-- n 

" - .. 

" 

ll 

.. 

In mon - le 0 

Slowly, with expression (J = c. 52) 

--.. 

r . 

~ ~ 

~ - 

.,. 

pp 

- 

- Ii - ve - ti 0 - 

- 

r- 

- 

ra - vit 

MACK WrLBERG 

ad 

- - - 

ra - vit ad 

- 

- 

4 

Soprano 

,..,,. ,. .. 

- - 

- 

~ 

el 

Pa 

- 

trem; In mon 

- te 0 - Ii 

I 


- ve - ti 

Alto divisi 

A "' II 

. .., U' 

,, 

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"' II 

Pa - 

U' ....- 

-- 

trem; In mon 

- 

PPP 

In 

mon 

- ~· - 

- \:> - 

- le - Ii 

- te 0 - Ii 

- - 

- ve - ti 

- ve - ti 

II 

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PPP 

(#)o. 

.p. 

p_ 

¥L· -fl- 

p. p. 

Copyright © 1998, Oxford University Press, Inc. Assigned to Oxford University Press 2010 

Text and translation: In mo/lie O/iveti oravit ad Patrem: Pater, si jieri potest, transeat a me calu iste. Spiriflls quidem 

prompt us est, caro autem infirma: fiat vo/untas tua. On Mount Olivet he prayed to the Father: Father, if is it possible, let 

this cup pass from me. The spirit indeed is willing, but the flesh is weak: thy will be done. 

334

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7 

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4 



It Is Well with My Soul 


344

Commissioned in memory of the 34 years of faithful service of Apostle Dr Richard M. Avant 

by the Combined Choir of Calvary Baptist Church, Dover, Delaware, 

Director of Music Dion LeMon, Minister of Music Henry A. Greene 

It Is Well with My Soul 

Horatio G. Spafford (1828–88) 

PHILIP P. BLISS (1838–76) 


SOPRANO 

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Duration: 5 mins 

An accompaniment for orchestra (3fl(+picc), 2ob, 2cl, 2bsn, 4hn, 3tpt(C), 3tbn, tba, timp, 2perc, hp, org, str) is available on rental from 

the publisher’s Hire Library or appropriate agent. 







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œ œœ œ 

- 

sin, oh, the bliss of this glo - ri - ous thought! 

-˙ - œ œ # ˙ œ œ œ~ œ -œ nœ 

˙ 

˙˙ 

j 

‰ œ œ 

J 

I I r r r r f=-/1 I I k ____ J 

I 

- 

My 

œ 

J ‰ œ 

w-------------1 I I 

˙ 

I I 

& n 

n˙ 

˙ ˙ 

œ 

. œ 

œ w 

˙ œI I 

I 

œ 

w 

w 

I 

I I 

F 

I --- 

◄ 

I ? nn-I ˙œ 

˙I ˙ œ # - I -I 

˙œ 

˙I - ˙ œI -I ˙œ ˙I - œ nœI œ œI w œI -+ œ œ1- 

\ 

I I I I 

? 

------------- 

w 

w 

w 

348 

I 

˙. 

œ

6 

49 

J I I 

& 

˙ œ œ 

j 

˙ œ # 

œ 

‰ I I I 

˙ 

J œ œ 

˙ œ œ 

sin, not in part, but the whole, - is nailed to the 

œ 

? ˙ œ ˙ œ œ ˙,,----...__ 

J œ T. 

t- - - - - 

‰ œ 

˙ œ œ 

I" I I I 

B. F 

I I I 

& ˙ œ œ ˙I I 

˙ œI I I I I I 

œ 

w ˙. 

# œ œ œ 

I I 

w 

˙. 

œ 

Œ œ ˙ ˙ ˙ 

Œ œ œ œ 

' --- '---" 

""I I I I I 

I I 

' 

œI ? œ œ J-- œ r--J ˙ J,___b: œ œ 

˙ ˙ œ ˙ œ ~J_-J ˙˙ 

œ ˙. 

˙ J œ J ˙ J œ 

w œ ˙ œ 

w 

? 

w 

w 

˙. 

nœ 

w 

˙˙ œ œ 

I I I I I I 1-1 I I I I I I I 

cross, and I 

I J J J J J J 

˙ œ œ 

I 

- 

I ---- I I - I I I 

\ ---- 

I 

I 

w 


54 

J I I I I I I I I I I I 

"' 

I 

' 

; 

' 

& 

? 

& 

? 

? 

˙ œ j 

j 

œ œœ 

˙ œ œ ‰ œœ œ 

œ Œ œ J 

œ 

˙ œ . œ w 

-------- 

 

I 

I I 

l'---1 I I I I I I I I 

J 

bear it no more; - praise the Lord, praise the Lord, O my soul! 

j 

I 1---1 # ˙ œ œ œ œ J ‰ œ nœ 

œ Œ œ j 

------- 

I 

I I - - - - I J I 

œI ˙ I œI . 

œI -- 

J w 

I 

˙ 

I I I I I I 

. œ 

œ œ # ˙ 

wœ œ œ œ ˙œ ˙ 

œ œ œ œ œ œ1--1 ˙ œI I 

œ ˙ ˙ w œ 

....., 

I I I 

w 

œ ˙ œ œ ˙ œ 

w 

˙ 

˙˙ œ œ ˙ 

I I I I I I J-_J -J_ 

w ˙I J œ J ˙ J œ 

w 

" 

' 

#w 

˙. 

nœ 

I 

I I I I I 

I I I I I 

˙ 

' 

349 

˙ 

w 

w

S. 

A. 

T. 

B. 

59 

& 

& œ 

Œ Ó Ó œ Ó 

œ w 

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Œ 

œ œ œ Œ œ œ 

V 

? 

I'- 

l 

- 

& 

? 

? 

- 

- 

œ Œ œ œ w ˙ œ œ w œ Œ 

œ Œ Ó 

œ Œ œ œ 

w 

It is well 

with my soul; 

it is well, it is 

It 

is 

well 

w 

It is well 

with my soul; it is well, it is 

I 

Ó œ œ w Ó 

œ œ œ Œ œ 

------ ------ 

It is well 

with my 

w ˙ œ œ w œ œ 

Œ 

with my 

˙I I 

œ œI w 

˙I œI œI I 1 1 , 1 1 w ˙ 

˙ œ 

˙ w 

œ œ œ œ œ1--1 ˙ œI œI 

w ˙ ˙ 

I 

I 

I 

J œ J ˙ J--J œ œ ˙ œ 

w w J J œ ˙I . ˙I~ 

. 

œ 

˙œ œ œ œ œ œ œ 

˙ 


- - --;:-1 I J I J I J I J 

˙ w ˙ J---~- ˙ d 

I 

- 

w 

soul; 

I 

w 

I 

œ œ 

soul; it is 

w 

it 

œ 

is 

œ Œ œ œ 

I 

œ œ Œ œ œ 

well, it is 

œ 

Œ 

œ œ 

well, it is 

w 

I 

7 


65 

I' 

& 

& 

V 

? 

& 

˙ œ . 

J œ 

well with my 

˙ œ . 

j 

œ 

well with my 

˙ œ . 

j 

œ 

well with my 

˙ œ . 

J œ 

well with my 

cresc. 

w 

soul. 

cresc. 

w 

soul. 

-----------------I 

cresc. 

w 

soul. 

cresc. 

w 

soul. 

w 

w 

#w 

w 

I ˙ 

1-1 ˙ 

w ˙ 

œI œ1-1 ˙ I 

œ œI ˙I œI œ1-1 w #w nw 

œI œI_ 

˙ ˙ 

œ 

? 

cresc. 

˙ œ ˙œ œ ˙œ ˙ ˙ ˙ œ # œ ˙ ˙ ˙ œ ˙œ œ œ 

œ ˙ b œ˙ 

œ ˙œ ˙ œ 

~===t::;;:::=::::::;;::;:::=::::;:=::"".'l=::;:::===~===:!==1~==~==='==t==t:===:::;:::===~==1:::::::;;;;;;;;:::::;:::===!::== # # 

# # 

w 

w 

w 

w 

f 

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I I I I I 

f 

.. - - 

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And 

f 

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f 

b˙ 

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I -- J J -I I~ I ~1 I ~ I ~-J J,,-r--J d---1- d--- 

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And 

f 

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And 

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" 

# # 

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? 

w 

w 

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350

70 

.., # 

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# 

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˙ œ œ 

Lord, 

haste the day when my 

˙ œ œ 

I 

I 

I I 

I 

Lord, haste the day when my faith - shall be sight, the clouds be rolled 

n˙ 

œ œ 

I I I 

Lord, haste the day when my faith shall be sight, the 

- 

˙ œ œ 

Lord, 

haste the 

#˙ w-----1 œ œ œI œI I # ˙ ˙ ˙. 

˙ œ œ 

nœ 

1--1 I I 

w 

n f 

wœ 

˙ œ 

w 

˙ œ œ 

˙ œ œ 

˙ œ œ 

˙ œ œ 

day 

w 

when my 

œ œ œ œ 

' 

I 

' 

faith 

shall be sight, the clouds be rolled 

œ œ œ œ 

œ œ œ œ 

,,,...--:_ 

œ œ œ œ 

faith 

˙. 

shall be 

œ 

˙ Œ œ ˙ œ œ 

I 

I 

I I 

I 

' 

I 

' 

I 

,_ 

I 

˙ Œ œ 

˙ Œ œ ˙ œ œ 

˙ 

sight, 

w 

Œ 

œ 

the 

˙ œ œ 

clouds 

be rolled 

˙ œ œ 

clouds 

w 

˙ . 

I 

I I I I I I I 

I 

' 

˙. 

be rolled 

? # # 

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# 

w œ I 

-1 I I r----.. I I I J= ˙ 

. ˙I nJ:::: œœ 

:::--œ L w ˙I œI 

˙L-_i 

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˙. 

˙ œ 

' 

j 

- 

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I 

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75 

_.., 

# 

& # 

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# 

V # 

# # 

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# # 

' 

I 

˙ œ # œ 

back as a 

˙ 

' 

œ # œ 

˙ œ # œ 

back as a 

-˙ œ # œ 

back as a 

˙ Œ œ 

scroll; 

the 

˙ Œ œ 

I 

I I I I I I I 

back as a scroll; the trump shall re - sound 

˙ Œ œ 

scroll; 

˙ 

scroll; 

Œ 

the 

nœ 

the 

˙ œ œ 

trump 

shall re 

˙ œ œ 

˙ œ œ 

trump 

shall re 

˙ œ œ 

trump 

shall re 

˙ œ œ 

sound 

and the 

˙ 

I 

œ œ 

and the 

˙ œ œ 

sound 

and the 

˙ œ œ 

sound 

and the 

˙ œ œ 

I 

I I I 

I I I I I I 

# 

& # 

# # ˙I œI ˙ 

I 

˙. # œ 

œI œ œ œ ˙ 

˙ ˙ w ˙ œ œ œ 

I I 1---1 1..-1 I I œ 

˙ ˙ 

1--1 ˙ 

w œI œI 

- - - 

< 

? # # 

# œ ˙ # w # œ ---L_J 

œ ˙˙ 

˙ ˙ 

. 

wœ ˙ œ w œ ˙ œ w 

- 

1- I 

- 

I -I I 1---111" #w œ ˙ œ 

I 

- 

- 

- 

Lord 

shall de - 

˙ œ œ 

Lord 

shall de - 

˙ œ œ 

I 

I T I T I I I I I I I I 

I 

I 

I I I I I I 

Lord 

shall de - 

# ˙ œ œ 

Lord 

shall de - 

? # # 

# # 

w 

. ˙ 

nœ 

w 

w 

#w 

351

------ 

80 

J 

# 

& # 

# # œœ 

Œ œ œ œ Œ œ œ ˙ œ . œ w œ 

J 

Œ 

# 

& # 

# # 

# 

V # 

# # 

? # # 

# # 

I I I I I 

- scend; e - ven so, it is well with my soul. 

It is 

œ Œ œ œ 

-scend; e - ven 

œ Œ œ œ 


œ 

Œ 

nœ 

œ 


œ Œ œ œ 

so, it is 

œ Œ œ œ 

œ 

so, it is 

œ 

Œ 

œ 

œ 

so, it is 

˙ 

# 

& # 

# # œ˙ 

. œ œ œ 

œ ˙ œ 


˙ ˙ 

œ 

œ 

I I 1--1 I I I I J-J I 

I I I I - J 

˙ ˙ ˙ -I œ œI 

w 

-- 

I 

-- 

I I I 

I 

I 

I I I 

◄ 

'""' œ I ˙ œ 

? # # 

# w 

I I J œ J- ˙. 

# 

˙ œ œ 

J œ J œ œI œI J œ J ˙ J---J œ œ J œ œI J,-_ 

œ 

- - - - - 

I 

t- - - - - - - - - - - - - 

w w w 

'\ 

r-- 

I 

I 

I 

œ . 

j 

œ 

I I I I I 

well with my 

˙ . œ 

œ 

J 

well with my 

˙ œ . 

œ 

J 

well with my 

w 

------ 

soul. 

w 

------ 

soul. 

w 

soul. 

- 

~ 

œ Œ 

œ Œ 

œ Œ 

I 

œ œ 

Ó 

Ó 

œ œ 

It 

is 

9 


? # # 

# # 

˙ 

n˙ 

˙ 

˙ 

w 

w 

w 

# 

& # 

# # 

85 

J 

# 

& # 

# # 

# # 

V # # 

? # # 

# # 

r, 

w 

well 

Ó œ œ 

It 

is 

Ó œ œ 

-------- 

It is well 

~ 

w 

well 

˙ œ œ 

w 

well 

w 

with my 

˙ œ œ 

with my 

w 

soul; 

Ó œ œ 

with my 

Ó œ œ 

w 

soul; 

with my 

œ Œ œ œ 

# 

& # 

# ˙ œ # - J œ 

w 

J I I I 

˙ 

˙ 

˙I œI w 

œI I I 

œ œ˙ 

œI I I I I 

. œ œ œ 1-. 

˙ œ˙ 

œ 

œ 

it 

is 

Œ œ œ 

soul; it is 

œ Œ œ œ 

soul; it is 

œ 

Œ 

œ 

it 

œ 

is 

œ Œ œ œ 

I I I I I 

I I 

well, it is 

I 

œ Œ œ œ 

well, it is 

œ Œ œ œ 

I I I I 

- - 

F 

I 

I I I I I 

well, it is 

œ 

Œ 

œ 

œ 

well, it is 

◄ 

-J œ ˙ œ 

? # # 

# w 

J J œI ˙I œ1-r--1 œ ˙I œI J œ J ˙ J- œ r-w 

- - - - - - - - - - - - 

I # 

w w w -,- wœ ,---- ˙ 

,---- œ --- 

? # # 

# # 

-- 

w 

˙. 

I 

œ 

w 

352 

˙. 

œ 

˙. 

œ

10 

90 

# 

& # 

# # 

˙ . œ 

J œ 

w 

œ Œ 

Ó 

Ó 

ƒ 

œ 

œ 

w 

# 

& # 

# # 

well with my 

˙ 

. 

œ . 

j 

œ 

soul. 

w 

œ Œ 

ƒ 

œ œ 

w 

It 

is 

well 

˙ œ œ 

# 

V # 

# # 

? # # 

# # 

well with my 

˙ œ . 

J œ 

well with my 

˙ œ . 

J œ 

soul. 

w 

soul. 

w 

œœ 

Œ 

œ 

Œ 

It is 

Ó 

ƒ 

œ œ 

well 

Ó 

w 

ƒ 

œ 

It 

œ 

is 

w 

well 

with my 

˙ œ œ 

# 

& # 

# # 

? # # 

# # 

? # # 

# # 

well with my 

œ œ œ œ 

˙ ˙ 

œ œ œ œ 

w 

w 

& 

------------- 

soul. 

It is well 

wœ . 

˙ œ 

wœ ˙ œ œ 

Solo 16', 8' 

˙ 

ƒ 

w 

œ œ 

˙ 

w 

œ œ 

œ ‰ œ œ ˙ 

œ 

J 

˙. 

Œ ? 

w 

˙ 

with my 

˙ 

œw 

ww ˙ œ 

w 

# 

& # 

# # 

95 

Ó 

œ 

œ 

œ Œ œ œ 

œ Œ œ œ 

˙ œ . 

œ 

J 

# 

& # 

# # 

w 

with 

my 

soul; it is 

œ Œ œ œ 

well, it is 

œ Œ œ œ 

well with my 

˙ 

œ . 

j 

œ 

# 

V # 

# # 

soul; 

Ó 

œ 

œ 

it 

is 

œ Œ œ œ 

well, it is 

œ Œ œ œ 


well with my 

˙ œ . 

œ 

J 

? # # 

# # 

w 

with 

my 

soul; it is 

œ 

Œ 

œ 

œ 

well, it is 

œ 

Œ 

œ 

œ 

well with my 

˙ œ . 

œ 

J 

soul; 

it 

is 

well, it is 

well with my 

# 

& # 

# # œ 

˙w 

œ œ œ 

w œ œ œœ œ œ˙ 


˙ ˙ 

;:::_ wœI ˙I œ œ ˙ œœ 

œ J~- ˙. 

? # # 

# # w 

w 

˙ 

œ œ ˙. œ 

J ˙ 

w 

& 

? # # 

# # 

w 

˙. 

œ 

353 

˙. 

œ 

w

99 

J 

# 

& # 

# # 

------ 

------ 

w ˙ . Œ w w w ˙. 

Œ 

11 

? # # 

# # 

# 

& # 

# # 

I 

◄ 

# 

& # 

# # 

? # # 

# # 

soul, 

with 

my 

soul, 

# 

& # 

# # 

w 

I 

~ 

˙. Œ ww w˙ ˙ w 

I 

˙. 

I 

l'---.-1 

soul, 

with 

my 

# 

V # 

# # 

------ 

- 

soul, 

w------1 ˙˙. 

. Œ w w w ˙. 

~ 

soul, 

w 

soul, 

with 

my 

soul, 

------------ 

-------------1,...._ wœ œ 

1 I ˙ 

˙ œ 

œ wœ ˙ œ œ 

˙˙ 

œ˙ 

I œ œ 

œ œ ˙œ œ wœ ˙ œ 

wœ œ œœ 

œ 

Solo 16', 8' 

I ,.. I I I I I I I I 

˙ 

ƒ 

w 

~ 

œ œ 

˙. 

˙ 

w 

Œ 

œ œ 

with 

w 

˙w 

w 

˙ 

my 

w 

˙˙ 

w 

˙ 

soul, 

w 

˙ 

w 

~ ~ 

r- I 

F 

~ ~ 

I 

I I I I I I I 1---1 I I I 

I 

I 

œ œ 

I 

˙. 

I I I 1-1 I 

w 

w 

Œ 

Œ 

Œ 

# 

& # 

# # 

105 

J 

w 

ww 

w 

------ 

----------- 

rit. 

w 

U 

w 

: : 

# 

& # 

# # 

# 

V # 

# # 

with 

w 

with 

w 

my 

ww 

my 

w 


soul. 

U 

w w w 

----------- 

soul. 

U 

w w w 

'. 

? # # 

# # 

" 

# 

& # 

# 

l 

# 

# 

& # 

# # 

? # # 

# # 

with 

w 

with 

w 

my 

w 

my 

---------1 

I 

œwœ 

˙ 

œ 

˙˙ 

œ œ œ 

œ œ œ ˙ 

I I 

I 

- -I œ œI ˙I ˙I 

U 

˙ ˙˙ w w w 

I 

I I I I 

˙œ 

˙ œ œ ˙. Œ ? œ œI œI U 

Fl ˙ I,_..._= ˙ w œ r1 ˙ œ1-= '- 

I I - 

-- 

~ 

w 

--- 

w 

354 

soul. 

w 

soul. 

w 

~ ~~ ~ 

'. 

- 

w 

rit. 

w 

U 

w 

w 

wu



Jesu, the very 

thought is sweet 


355

Commissioned by Dr. David Berning for the Westminster Oratorio 

Choir and Orchestra, Westminster Presbyterian Church, 

Des Moines, Iowa, Randal Buikema, conductor 

JESU, THE VERY THOUGHT IS SWEET 

Bernard of Clairvaux (1091-1153) 

J.M. Neale (1818-1866), trans. 


(or Two Flutes, Organ and Strings)* 



A I .. 

- 

~ 

,. 

,, 

u 

{ 

- 

u 

With expression, yet simplicity (J = c. 88) 

.. 9-.- 

J _J_ J J bJ 

- 

_J_ 

-· 

- - - 

.. ~ 

-· 

A - ..,,.,._ - ..,,.,._ -::::- 

"' 

~ 

u I I - I I I --1 

'" 

.. 

Pedals .. .. 

7 

I k .. 

~- r~- ~- 'f:· .p.· 

p(celestes to pedal 8' only) 

J J. 

- - 

~ 

~ 

I 

9-. 

J _J_ J J 

- ..,..,._ - ..,..,._ 

- 

- - - 

- ~- 

-· 

- - - 

u I I ,r i r I I I I 

A I I I I I 

.. 

I 

:; 

(~ 

13 

I 

\ 

u 

b~· -(Ir" ~- 'f:· b~· 

-1 

_J_ 

A -::::- - - 

s 

I 

- 

J 

- - 

_J_ 

A 

,, 

,_ 

p ( celestes) 

I 

.. ~ 

•• r • 

I 

• 

I I 

~., 

,,- 

-·- 

k r ~ 

-::::- 

,-. 

-:::- 

J 

I 

i I 

~ 

~-~ 

.: 

-, -~- 

j 

i 

,,,-.___ 

I 

I I T r-- 

I") • 

opranos ffll/J, 

I I 

I 

Je - SU, the ve - ry 

J J j IJ J J. I 

- --· - r • 

,_ 

r • 

""--· 

-· 

u 

I 

I I I 

A I I ffr-~ fr. 

., ~- 

V ~ 

- - - ~- - - 

u -r· I r I I. 'I I r 

.p.· b~· &-" 

-•r ....... 

'" - 

_ 

. 

.. 

J 

- 

"'J------- 

.,,,. 

*This piece may be performed by mixed choir and organ, in which case the organ reads from the part presented in 

this octavo. If performed with flutes and strings, the organ reads from the separate organ part included in the set of 

parts accompanying the full score (available on rental). 

356 

© Oxford University Press, Inc. 2001. Assigned to Oxford University Press 2010. Printed in U.S.A.

4 

19 

( - t k 

u 

-#, 

k 

I ~ 

\ 

(S) 

Ī 

thought 

-~ 

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is 

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I 

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I 

-- 

I 

I 

sweet; in that dear 

u 

... 

, 

k 

I I I 

- =' 

·-· -·~ 

I 

-J 

.,,,..,._ 

I 

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I I I I 

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:. 

I I I 

.J .• .. -J. .. 

.. 

- -· 

- 

~ 

., 

- 

:; 

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I I I 

- - 

- - 

Name all heart - joys meet; 

I 

,_ - - - - - 

I J I I I J I J J 

- - - 

-~ 

I 

I I I 

J. d. 

_J_ 

tiJ _J_ J 

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Ī 

25 

(;, 

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-I 

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I 

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But 0 

than 

J. 

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u 

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d: 

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hon - ey sweet - er 

I I I J J I I 

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J: bJ. 

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far the glimp-ses of his 

I I I I I 

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heart _ 


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heart 

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115 

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Je - SUS, what thou art All Sopranos 

I 

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knows, love of Je - SUS, what thou art. A-lone who hath thee in his 


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knows, love of Je - SUS, what _ thou art 

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knows, love of Je - SUS, what thou art. 

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knows, love of Je - SUS, what thou art_ 

,., J J J I I I I 

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u 

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heart 

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knows, love 

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poco rit. 

a tempo, but slightly slower 

J. I 

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T 

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k 

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r= 

u 

~r r 1-- '77'- _,-, 

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f 

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rit 

(solo flutes) 

I 

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1-,,. 

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r--r===r--------r~---r:::r 

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366

4 

SATB choir, 2 flutes, harp or piano 


The King of love my 

shepherd is 


367


arranged by Mack Wilberg 


1. Saints Bound for Heaven 

For SATB choir and piano four-hands 

Orchestral score and parts available on rental: 1.picc.2.2.2-4.3.3.1-timp.perc-str 

An arrangement of a melody from Walker’s Southern Harmony, 1835 

0-19-386056-2 

2. Death Shall Not Destroy My Comfort 


Orchestral score and parts available on rental: 2.1.ca.2.2-4.3.3.1-str 

An arrangement of a melody from The Olive Leaf, 1878 

0-19-386051-1 

3. We’ll Shout and Give Him Glory 


Orchestral score and parts available on rental: 2.2.2.2-4.3.3.1-timp.perc-str 


0-19-386058-9 

Alternate setting for TBB choir and piano four-hands 

ISBN 0-19-386059-7 

4. Come, Thou Fount of Every Blessing 

For SATB choir and organ 


Alternative arrangement for brass ensemble (score and parts) also available 

on rental: 3-tpt, 3-tbn, 4-hn, tba, timp, perc, org 

An arrangement of a melody from Wyeth’s Repository of Sacred Music, 1813 

0-19-386060-0 

368

[ 

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The King of Love My Shepherd Is 

For Mixed Choir (SATB), Two Flutes, and Harp or Piano 

Henry Baker (1821–1877) 

Flutes 

Harp 

(or Piano) 

\ 

I I 

W W 

W W 3 4 

B 

Simple, yet with expression ( = c.92–98) 

mp 

BBC C 

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espr. 

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mp 

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Irish Tune 


/ / / / / 

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The - King of love my - 

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B C B C C B C B C CG C O 

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shep - herd is, Whose good - ness fail - eth - nev - 

Hp. 

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© Copyright Oxford University © 2000, Oxford Press, University Inc. 2000. Press, Assigned Inc. to Oxford University Press 2010. 

369 

Printed in U.S.A.

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he is mine for - ev - er. 

mp 

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liv - ing - wa - ter flow, My - ran - somed soul he - 

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31 

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W W 

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lead - eth And, where the ver - dant pas - tures 

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Hp. 

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Let peace then still 

the strife 


375

Commissioned by the Carnegie Hall Corporation and premiered on March 14, 2006 in 

Carnegie Hall by its National High School Choral Festival participants and the 

Orchestra of St. Luke’s, conducted by Craig Jessop. 

Let peace then still the strife 

David Warner 

TENOR 

BASS 

 

mp 

 

Let 

With fervent expression h = 52 


TENOR SOLO (or SEMI-CHORUS) 

 

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peace then still 

 

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MACK WILBERG 

 

 

 

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TUTTI MEN 

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waves up - on the 

A full score and set of parts for an orchestral accompaniment (3.2.2.2–4.3.3.1–timp., 2 perc.–org.–str.) are 

available on rental from the Publisher. 

The Mormon Tabernacle Choir with the Orchestra at Temple Square has recorded the orchestral arrangement 

of this piece on the CD Mack Wilberg: Requiem and other choral works (SKU4996466). 

 

 

sea; 

 

 

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© Oxford University Press, Inc. 2008. Assigned to Oxford University Press 2010 

376 

OXFORD UNIVERSITY PRESS, 198 MADISON AVENUE, NEW YORK, NY 10016 


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peace and hope ev - er - last - ing! And 

ev - er - last - ing! And all who wait and 

383

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4 



Light dawns on 

a weary world 


386

Commissioned for and first performed at the 2016 St Olaf Christmas Festival, St Olaf College, 

Northfield, Minnesota, 1–4 December 2016, Artistic Director Anton Armstrong, and 

dedicated to its wonderful student singers, instrumentalists, and conductors. 

Mary Louise Bringle (b. 1953) 

SOPRANO 

ALTO 

Light dawns on a weary world 

Joyfully, with energy q = c.126 

 

 

 

 

MACK WILBERG 


TENOR 

BASS 

 

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© Oxford University Press 2017. Text © GIA Publications, Inc., 7404 S. Mason Ave, Chicago, IL 60638 www.giamusic.com 800.442.1358. 

All rights reserved. Used with permission. 


Light 

dawns on a wea - ry world when 

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The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL. 

387 

Duration: c.2.5 mins

3 

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The Lord is my 

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401

The Lord Is My Shepherd 

For Mixed Choir (SSAATTBB) and Organ* 

Psalm 23, paraphrased by 

James Montgomery (1771–1854) 

Organ 

Andante espressivo 

German Folk melody adapted by 

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--- 

*A full score and set of parts for an alternative arrangement for flute, oboe, harp, and strings are available on rental 

from the Publisher. 

402 


Printed in U.S.A.

[ 

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wan - d’ring, - re - deems when op - pressed, re - stores me when 

--------- 

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h C C C 

i.,...,, I 

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wan - d’ring, - re - deems when op - pressed. 

Tenor 

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mp espr. 

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- 

Through the val - ley and shad - ow--of 

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J C C C C C C C C C C C C C C C C C C C C C C C C 

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O i J i J i J 

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B O 

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death though I stray, since thou art my Guard - ian, --no 

! W i I I I j 

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B O 

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B O 

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B O 

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BO 

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37 

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espr. 

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staff be my stay. - No harm can be - fall with my 

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45 

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mp 

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stagger breathing 

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near. 

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mp 

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(head voice) 

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CB 

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the Lord is my Shep - herd, In the 

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what shall I ask - of thy prov - i - dence more? Oh, 

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what shall I ask - of thy prov - i - dence more? Oh, 

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408

[ 

70 

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what shall I ask of thy prov - i - dence 

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[ 

73 

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more? 

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--- more? - 

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h C mp 

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more? The Lord is my Shep - herd, 

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more? 

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mp 

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7 

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409 

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76 

! W W W W W C C C C B BO 

Lord is my Shep - herd, 

! W W W W W Q Q Q 

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the Lord is my 

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B 

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--- - 

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J i J i 

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BO 

A 

- - - - - 

[ 

79 

] 

! W W W W W C 

(Soprano) 

(Tenor) 

h C T C C C C C B 

I I I I 

the Lord is my Shep - herd, 

Í! W W W W W C B- -BO- - C 

h C , 

- T C 

I I I I I 

Shep - herd, the 

- 

/ 

I 

! W W W I I I 

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B O 

, 

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i J - 

i J X- i 

BO 

J - 

i J - 

i J - i 

BO 

J - 

i J - 

i J 

#W W 

W WW O B 

BO 

BO 

- - - 

410

I 

[ 

82 

= 

'- 

'-- 

] 

poco rit. Meno mosso 

------ 

~ 

my Shep - herd; no 

! W W W W W C 

4 

6 

h C p , 

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II 

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6 

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Í! W W W W ====- pp 

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6 B B B ~ 4 A 

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Lord is my Shep - herd; no 

11 


poco rit. 

Meno mosso 

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W W BO 

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CB 

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4 

6 

p 

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r 

poco rit. a tempo 

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want shall I know. 

-------- 

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6 :: 

B 

4 

B B A 

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want shall I know. 

a tempo 

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A A A ? -.-- 

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poco rit. 

solo 

W W 4 

6 4 T 

h C ,,...-;;;::---. 

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pp 

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6 4 

AO 

A A A A ? 

=II 

411

4 



The Lord my 

pasture will prepare 


412


The Lord my pasture will prepare 

Joseph Addison, altd 

(1672–1719) 

DMITRI BORTNIANSKY 


I 8', 4', 1⅓' 

II 8', 4' 

III 8' 

Pedal 16', 8' 


ORGAN 

PEDAL 

 

 

Gently q = 100 

I 

 

 

 

{ 

I 

 

 

I 

mf 

 

 

III mp 

 

 

 

 

 

 

 

,,.----,1 ,,.----,1 - ,,.----,1 ,,.----,1 

- I J I J--J 

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J -I J- 

 

I 

 

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I I I I I 

 

 

 

 

 

 

 

 

--+ 

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I 

 

I 

S./A. 

7 

 

 

 

14 


 

The Lord my pas - ture will- pre - pare, And feed- 

me 

with a shep - herd’s care. His pre - sence will my wants- 

sup - 

 

 

 

{ I - ...J. ...J. ...J. 

r= r---1:::= 1~r----1 i 

I 

- ,,- ~I 1-- 

I L--.. 

 

- - 

 

 

 

-r- I ~I 

 

 

I ~ - ...J. ...J. ...J. 

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mp 

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The Mormon Tabernacle Choir with the Orchestra at Temple Square has recorded this piece with orchestral accompaniment 

on the CD This is the Christ (SKU 5055982). 

An accompaniment for orchestra (3fl, cl, 2hn, str) is available on hire/rental from the publisher or appropriate agent. 

 

 

 

 

 

I I I I 

I 

----- 

I I I I 

© Oxford University Press 2011 Printed in the USA 



413 

 

 

 

 

 

 

 

I ...J. I ::± 

...J. I I ...J. I I 

 

'-_.; I I 

I 

I 

I ...J. 

:± 

...J. I 

 

 

 

 

-

3 

20 

 

 

- 

- 

I I 

 

 

~ I 

- ply, ..._.,, And guard me with a watch - ful- 

eye. My noon - day 

II 

 

- - 

l 

---'- - 

 

I f 1..-r I f ,.r·--- vf mf I I 

I 

 

I r, 1.--r---1 

I J 

1- 

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- - - 

I I I I 

 

 

 

 

 

---'- I I I ---+ 

26 

 

 

~ 

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I I 

 

I I I 

- 

walks he will- at - tend, - And all- 

my si - lent mid - night 

,.._ 

 

1~1 I 

 

 

 

I ~I 

 

I~ 

., 

 

{ 

I 

I I 


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- J 

- 

J - I J--J I 

I 

I..- .___ I J,-- --::J---- 

 

I I I 

 

 

 

---'- 

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32 

 

 

 

------ 

 

 

---'- 

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hours de - fend. 

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~I I ~I ~I 

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::± 

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414

4 

38 

 

S./A. 


 

 

T. 

 

When 

TENORS mp 

When 

in the sul - try 

I 

 

I I 

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in the sul - try 

- 


 

 

 

 

 

 

 

 

 

,,--.__I ,,--.__I ,- I ----------I 

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I I I I .....J - ...... 

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S./A. 

T. 

44 

 

 

___,, 

 

 

 

glebe 

I 

-- 

A. I 

I faint, Or on the thirst - y moun - tain pant, To 

- I 

 

glebe- I faint, -,.__, Or on- the thirst - y moun - tain pant, - To 

 

B. 

 

 

< 

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S. 

 

BASSES p (lightly) 

 

 

II 

 

To 

 

I 

mf 

 

 

 

 

 

 

 

I 

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I 

I -I- 

 

 

 

 

 

415

50 

 

 

 

r I I 

fer 

- tile vales and dew - y meads My wea - ry, wan - d’ring 

I ,,_ --., I I 

- I 

 

 

' 

- 

I 

fer - tile vales- and dew - y meads My wea ry, 

- 

'--' 

 

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Commissioned by the First Presbyterian Church, Davenport, Iowa, 

in commemoration of ten years of music ministry by Steven R. Jobman 

LOVE DIVINE, ALL LOVES EXCELLING 


Charles Wesley 

"Hyfrydol" by Rowland H. Prichard, 


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432 

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4 SATB choir and piano four-hands 




433



Trad. Gaelic melody 


TENOR 

BASS 

' 

Lilting J = 56 


l'li. ~--- 

PRIMO 

I • I 

I 

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Ī 

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ti .. 

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I 


- 

Morn-ing has 

8""-----------------------------------------------------------------------------------------------------------------1 

A ,, ~..,;._ ... ~. ,,,,..--.., • -,-.....__ ---- ,....-.___ - -~ 

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A full score and set of parts for an orchestral accompaniment (3.2.2.2.-4.0.0.0.-hp-glk-str) is available on rental from the publisher. 

The Mormon Tabernacle Choir with the Orchestra at Temple Square has recorded the orchestral arrangement of this piece on the CD "Consider the 

Lillies" (SKU 4537795). 

Words: Eleanor Farjeon, from Songs of Praise, Enlarged Edition. Copyright© 1931, Oxford University Press. Renewed in USA 1959. 

Reprinted by permission of Harold Ober Associates. 

Music: © Oxford University Press, Inc. 2008. Assigned to Oxford University Press 2010. 


OXFORD UNIVERSITY 434 PRESS 

Photocopying this copyright material is ILLEGAL.

3 

9 

., fl J.I 

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12 

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bird. Praise for the sing - ing, praise for the morn - ing, praise for them, 

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spring - ing fresh from the Word! 

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TENORS & BASSES unzs. mp .lfl-• 

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Sweet the rain's new fall sun-lit from hea - ven, like the first 

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26 

fall on the first grass. Praise for the sweet ness of the wet 

II 

.J. 

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436

5 

29 

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35 

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38 

T. 

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Mine is the sun light; mine is the mom ing born of the 

_, 

J. J J 1 .J.. 

f 

(8)-------------------------------------------------------------------------------------------------------------------------- 


41 

Praise with e - la tion, praise ev-'ry 

(8)-------------------------------------------------------------------------------------------------------------------------- 

. ----. 

==:::=;::=;--ar, 

438

7 

44 

mom ing ,_y-od's re - ere - a tion of the new day! 

~ 

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(8)··------------------------------------------------------------------------------------------------------------------------ 

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(8)------------------------------------------------------------------1 

Praise with e la tion, praise ev-'ry 

439

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51 

rit. 

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tion 

of 

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the 

new 


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Ped. ________,L__________,'-----------1'--->_____, 

ISBN 978-0-19-380463-0 

.H~l!lllll

2 

The Morning 

Trumpet 


SATB unaccompanied 

441 

festival 

OOtcef

originally written for Brigham Young University Men’s Chorus 

The Morning Trumpet 

John Leland (1754–1841) 

B. F. WHITE (1800–79)* 


SOPRANO 

ALTO 

 

 

 

With marked rhythm and articulation q = 88 

 


TENOR 

BASS 

 

 

 

 

T./B. unis. 

O 

 

 

: I J :cl cJ : I J J : I I I 

when shall I see Je - sus and reign with him a - bove, And shall 

5 

 

 

hear** the trum -pet 

sound in that morn - ing; 

 

 

S./A. unis. 

 

 

 

 

And 

from 

the flow-ing 

 

 

 

10 

 

 

 

foun 

 

 

 

 

 

 

 

 

- tain drink ev - er - last - ing love, And 

shall hear the trum - pet 

 

 

14 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

sound in that morn ing. 

 

 

 

 

 

 

--== 

*From The Sacred Harp (1844). 

**The ‘h’ of ‘hear’ should be given emphasis throughout. 

Offprinted from Mack Wilberg Anthems (ISBN 978–0–19–339819–1). 

Also available for TTBB unaccompanied (ISBN 978–0–19–386828–1). 

- O shout with glo - ry! I shall 

© Oxford University Press Inc. 2005. Assigned to Oxford University Press 2010. 


This arrangement © Oxford University Press 2013. 



19 

 

 

 

 

L..J 

 

mount a bove 

 

 

 

 

 

 

 

 

- the skies When I hear the trum-pet 

sound in that morn - 

 

 

 

 

 

 

 

L..J 

 

 

 

 

 

 

3 


24 

 

 

 

 

 

 

-=== 

 

===-- 

 

 

 

 

- ing. O shout with glo ry! 

 

 

 

 

 

 

 

 

 

 

 

 

 

LJ 

 

 

 

 

 

 

- I shall mount a-bove 

the skies When I 

 

 

 

-=== ===-- 

29 

 

,--..._ 

 

 

 

 

 

 

hear the trum pet 

 

 

 

 

 

 

 

- sound in that morn - - ing. 

 

 

 

 

 

 

 

 

 

sound, sound the trum - pet, the trum - pet, the 

 

 

 

 

 

 

 

 

 

 

 

 

33 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

unis. 

 

 

 

 

 

 

 

But 

 

 

 

 

 

now I am a sol - dier, my cap - tain’s gone be - 

 

 

 

 

 

 

 

 

 

 

trum - pet, the trum - pet, the trum - pet, the trum - pet, the trum - pet, the 

 

 

 

 

 

 

38 

 

 

 

- fore, 

 

 

 

 

 

 

 

 

 

 

 

And 

I hear the trum-pet 

sound in that morn - ing. He’s 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

trum - pet, the trum - pet, the trum 443 - pet, the trum - pet, the trum - pet, the

4 

43 

 

 

 

 

 

giv - en me my or - ders and he bids me ne’er give o’er, Till I 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I II I ,........., I r-, I II 

 

 

trum 

- pet, the trum - pet, the trum - pet the trum - pet, the 


47 

 

 

 

I 

 

 

 

 

hear the trum-pet 

sound in that morn - - ing. O shout 

 

 

 

 

 

 

 

 

 

 

 

 

I 11 I II I 11 I 

 

I 

 

 

I 

 

 

trum 

- - 

- pet, the trum - pet, the trum - pet, the trump. f 

f 

-== 

 

I 

I 

with 

 

--=== 

52 

 

 

 

 

glo 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

- ry! I shall mount a - bove the skies When I hear the trum - pet 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

56 

 

 

 

 

 

 

 

 

 

 

 

 

LJ 

 

sound in that morn - ing. O shout with glo ry! 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

'---' 

= 

-== 

 

 

 

 

 

 

- I shall 

 

 

 

 

 

 

61 

 

 

 

 

 

mount a bove 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

- the skies When I hear the trum - pet sound in that 

 

 

 

 

 

 

444

65 

 

 

 

 

morn 

 

 

 

 

 

morn 

- - 

 

ing. 

 

 

 

 

 

...___..,., ...___..,., 

 

 

 

 

 

- ing, that morn - ing, that morn, in that 

(Alto melody) 

morn. 

f 

mf 

 

 

 

 

When 

 

 

 

 

 

 

 

mf 

5 

 

 


69 

 

de - 

 

 

 

 

 

 

shall I be de - liv 

 

 

 

 

 

 

 

 

de 

- 

liv’d 

liv’d 

 

 

 

 

 

 

- ered from this vain 

 

 

 

 

world of sin 

 

 

 

 

 

 

 

And 

 

 

 

 

 

 

 

shall 

 

 

 

73 

 

 

 

 

 

 

 

 


 

 

 

 

 

 

 

 

- sound 

 

 

 

 

in 

that 

morn, 

morn 

 

 

 

 

in that morn. 

 

 

 

 

- - ing. And 

 

 

 

 

 

 

morn, in that morn. 

 

 

 

 

 

 

 

77 

 

 

 

 

 

 

 

 

with my bless - ed Je sus 

 

 

 

 

 

 

 

 

 

 

 

- drink end 

 

 

 

 

 

 

 

- less plea - sures in, 

 

 

 

 

 

 

 

 

 

And 

 

 

 

 

 

 

shall 

 

 

 

81 

 

 

 

 

 


 

 

 

 

 

 

 

 

- sound 

 

 

 

 

in 

that 

morn, 

morn 

 

 

 

 

445 

morn, 

in 

 

 

that 

morn. 

- - ing. O 

 

 

 

 

in 

 

 

 

 

 

that 

 

 

 

 

 

 

morn.

6 

f 

85 

 

 

 

 

 

shout 

 

 

 

 

 

 

 

 

f 

 

 

 

 

 

with glo - ry! I shall mount a - bove the skies When I 

89 

 

 

 

 

 

 

 


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

===-- 

 

 

 

 

 

- sound in that morn 

 

 

 

 

 

 

 

 

L.....d L..J L..J 

 

 

 

 

---=== ===- ===-- 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

- ing. O 

 

 

 

 

 

 


93 

 

 

 

 

 

 

 

shout 

 

 

 

 

 

 

 

 

with 

 

 

 

glo 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

- ry! I shall mount a - bove the skies When I 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

97 

 

 

 

 

 


 

 

 

 

 

 

 

 

mp cresc. 

- sound, sound 

 

 

 

 

 

 

in 

that 

J J 

morn 

ff 

 

J_ 

 

 

 

 

- ing, in that 

morn, in that morn, 

in 

that 

mp cresc. ff 

morn - ing, in that 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

morn 

103 

 

 

 

 

 

 

 

 

 

 

- 

morn, in that 

morn 

 

 

- 

 

 

ing, 

 

 

 

 

 

morn, 

ing, 

in 

that morn, 

 

 

 

 

 

 

 

 

 

 

in that morn, in 

 

 

 

 

 

 

 

 

 

 

 

 

 

that morn - ing. 

 

 

 

 

n n n n 1------1 

 

 

 

 


446

4 



My country, ’tis of 

thee 


447

Commissioned by the Sanctuary Choir and the PrimeTime Singers 

of Roswell United Methodist Church, Roswell, Georgia, to honour 

Dr Michael O’Neal for his twenty years of dedicated service as Director of Worship Arts 

Nobly q = 76 

My country, ’tis of thee 

Samuel F. Smith (1808–95) Tune from Thesaurus Musicus (1744) 


Nobly q = 76 

SOPRANO 

ALTO 

TENOR 

BASS 

ORGAN 

p unis. 

 

I I I I 

 

My 

I I I 

coun - try, ’tis of thee, Sweet land of lib - er - ty, 

 

 

 

 

 

PEDAL 


T./B. 

5 

 

 

 

9 

 

 

 

 

 

Of 

thee I sing; Land where my fa - thers died, 

 

 

 

 

 

 

I I I 

 

 

r---, 

I I I ,- 

I I I I 

 

 

 

 

Land of the pil - grims’ pride, From ev - ’ry moun - tain- 

side 

J I I 

 

I J J-J ---!,,-___J 

 

 

1--- 

I 

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456

Presented to Dr. Paul Magyar by the Adult Choir of Tallowood Baptist Church, 

Houston, Texas, in honor of his tenth anniversary as Minister of Music 

My Song in the Night 

Expression 

American Folk-hymn 



SOPRANO 

ALTO 

With expression (but not too slow) h = 46 

 

 

TENOR 

BASS 

 

 

PIANO 

I 

' 

With expression 

-- 

(but not too slow) h = 46 

 

 

 

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I~ 

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(Ped.) 

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O- 

 

-I- --+ --+ 

A full score and set of parts for an orchestral accompaniment (3hn, hp, str) is available on rental from the publisher’s Hire 

Library or appropriate agent. 


Offprinted from Wilberg, My Song in the Night (Anthology) (ISBN 978–0–19–380499–9). 

© Oxford University Press, Inc. 2009. Assigned to Oxford University Press 2010. All rights reserved. Printed in the USA 



4 

9 

 

 

 

Je 

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mp 

 

 

 

 

 

 

 

 

 

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us with Thy ten - der love, my soul’s de - light, Un - to 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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4 



O God, our help in 

ages past 


466


467

Written for the state funeral of former President Gerald R. Ford and performed at 

Washington National Cathedral on January 2, 2007 by the Armed Forces Chorus with the 

United States Marine Orchestra, Lt. Col. John Clanton, conductor. 

0 God, our help in ages past 

Isaac Watts (1674-1748), alt. WILLIAM CROFT (1678--1727) 

With dignity ~ = c.60-66 



TENOR 

BASS 

With dignity ~ = c.60-66 

~ 

unis.'"!f 

0 

PIANO 

5 

Our 

9 

shel - ter from the storm - y blast, And our e - ter - nal home. 

A full score and set of parts for an orchestral accompaniment (3.2.2.2.--4.3.3.1.-timp.-perc.--opt. org.-str.) are 

available on rental from the publisher. 

Copyright© 2007, Oxford University Press, Inc. 

468 

OXFORD UNIVERSITY PRESS, 198 MADISON A VENUE, NEW YORK, NY 10016 


Printed in the USA

4 

13 


unis. ef 

A 


16 

~ 

20 

as the watch that ends the night Be - fore the ris - ing sun. 

469

5 


f 

0 



a - ges past, Our hope for years to come,__ Be 

- 


thou our guE'd while life shall last, And our e - ter - nal 

470

6 

35 

home, ______ _ and our e ter nal 


_J_ _J_ _J_ 

39 poco rit. 

home, ______ _ 

A 

43 a tempo rit. 

~, ~ j,I, ~ 

- 

~ 

- - - - - - - . - 

~ ~ ~ ~ 

t.J ,,. 

-men! 

471 

- 

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-A-~-R,,______-A-----:-R~,Ji 

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fu 

{.,i 

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rit. 

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n.-----==------n.-----==------• 

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)( I 

i~~~~r 

Processed m the Uruted Kingdom by 

Enigma Music Production Services, Amersham, Bucks,


472

Mack Wilberg is the Associate Music Director of the 

Mormon Tabernacle Choir and the Music Director of the 

Temple Square Chorale. 

He is a former professor of music at Brigham Young 

University, where he received his bachelor’s degree; his 

master’s and doctoral degrees are from the University of 

Southern California. 


In addition to his conducting responsibilities he is active 

as a pianist, choral clinician, composer, arranger, and 

guest conductor throughout the United States and 

abroad. In addition to the many compositions he has 

written for the Mormon Tabernacle Choir, his works have 

been performed by artists such as Renée Fleming, 

Frederica von Stade, Bryn Terfel, The King’s Singers, and 

narrators Walter Cronkite and Claire Bloom. 

Wilberg’s arrangements and compositions are performed 

and recorded all over the world. With their grandeur, 

energy, and craftsmanship, they inspire performers and 

audiences everywhere. 

Have you tried? 

All things bright and beautiful 

Arise, O God, and shine 

The Lord is my shepherd 

Simple Gifts 

Sing Praise to Him 


1 

www.oup.com 

473 

ISBN 978-0-19-387055-0 

111111111111111 IIIIIIIII 

9 780193 870550

4 



O Light of Life! 


474


O Light of Life! 

David Warner 

MACK WILBERG 

SOPRANO 

ALTO 

 

 

With devotion q = 76 

 


TENOR 

BASS 

 

 

ORGAN 

< 

With devotion q = 76 

 

I 

I I 

I 

 

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mp 

 

 

 

 

 

 

 

r , I J Lr r---1 J 

 

I I 

I 

I I 

I 

PEDAL 

 

 

 

 

 

 

 

 

 

 

5 unis. mf 

 

S. 

 

A. I 

 

 

 

 

I 

 

_J_ _J_ 

I I -I- 

-I- -I- 

O Light of Life! O pure Light Di - vine! 

Thou art in 

' 

 

:::. 

' 

_J_ 

 

 

 

I I I I 

10__ 

- 

/ I r I r= 

 

 

 

 

" I J 1--.. 

~ ~ ~ 

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~ ~, 

~ 

 

 

 

 

I 

I 

A full score and set of parts for an orchestral accompaniment (3.2.2.2.–4.0.0.0.–opt.org.–str.) are available on 

rental from the Publisher. 

The Mormon Tabernacle Choir with the Orchestra at Temple Square has recorded this piece on the CD Mack 

Wilberg: Requiem and other choral works (SKU 4996466). 


OXFORD UNIVERSITY PRESS, 198 MADISON 

475 

AVENUE, NEW YORK, NY 10016 


Printed in the USA

3 

10 

 

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us; Our em - ber is Thine. 

Kin - dle our faith, Give 

 

 

 

 

 

 

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hope when we fear, 

Deep - en our love— Thy Fire- 

ap - 

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pray. 

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480

8 

Exultantly 

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unis. 

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Light 

 

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Life! O dear 

 

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11 

106 

unis. rit. 

 

mp 

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484

4 



O splendor of 

God’s glory bright 

( That Easter day 

with joy was bright ) 


485

Commissioned by Peachtree Christian Church, Atlanta, GA, in 2015 

for the 90th anniversary and in loving memory of Dr James Lee Collins, Senior Pastor Emeritus 

O splendor of God’s glory bright 

(That Easter day with joy was bright) 

St Ambrose (c.340–397), 

trans. attrib. Louis F. Benson (1855–1930)* 

5th-cent. Latin hymn, 

trans. J. M. Neale (1818–66), altd * 

_, 

SOPRANO 

ALTO 

# 

& # 

Joyfully q. = 80 

∑ 

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15th-cent. melody 

adap. Michael Praetorius (1571–1621) 


∑ 

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BASS 

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* The main text may be used throughout the year and the alternative (italicized) lyrics may be used during the Easter season. 

j 

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An accompaniment for orchestra (3fl(+picc.), ob, 2cl, 2bsn, 2hn, glock, hp, str) is available on rental from the publisher’s Hire Library 

or appropriate agent. 

7 

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MACK -· 

WILBERG 

·•• 

TWO HYMNS 

OF PRAISE 

1. Praise to the Lord, the Almighty 


496


Dr. Mack Wilberg (b. 1955) is an associate director of the 

Mormon Tabernacle Choir and also conducts the Temple Square 

Chorale. In addition to his conducting responsibilities, he is active 

as a pianist, chamber musician, clinician, composer, arranger, and 

guest conductor throughout the United States and abroad. A 

graduate of Brigham Young University, he holds graduate degrees 

from the University of Southern California. He is the former 

director of the BYU Men’s Chorus and the BYU Concert Choir 

and was a member of the American Piano Quartet, for which he 

has arranged many works. 

497

Joachim Neander (1650–1680), 

trans. by Catherine Winkworth (1829–1878) 

Organ 

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With energy and adoration ( C = 120) 

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The introduction may begin here when 

not performing with brass and percussion. 

(+ 

! Y Y organ) 

g 

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~ _...._,;;;; ~----- - 

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Praise to the Lord, the Almighty 


BO 

W C 

W C 

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Y Y Y Y 

from “Stralsund Gesangbuch,” 1665, 



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*A full score and set of parts for an orchestral arrangement (2.2.2.2-4.3 or 4.3.1-2perc.timp-str-org) or for brass ensemble 

(4.4.3.1-2perc.timp-org) are available on rental from the Publisher. Orchestral and brass arrangements are 

also available for a setting for Men’s Choir (TTBB) with a choral octavo available for sale (ISBN 0-19-386249-2). 

498 

Copyright © 2001, Oxford University Press, Inc. Assigned to Oxford University Press 2010. Printed in U.S.A.

4 

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508

TTBB choir and organ 


Two Hymns of Praise 

1 . Praise to the Lord, 

the Almighty 

oxford music for men's voices 

509

PRAISE TO THE LORD, THE ALMIGHTY 

For TTBB Choir and Organ 

Joachim Neander (1650-1680) 

trans. by Catherine Winkworth (1829-1878) 

from "Stralsund Gesangbuch," 1665 


With energy and adoration (J = 120) 


Organ 

6 

12 

(+organ) 

The intrcxluction may begin here when 

not performing with brass and percussion. 

18 

- - - -· 

• "1• 

'1 I I ~ 1-1 I I J. 

:; ~ 

,r"' --· - - 

r 

~ 

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u I I I 

V -, 

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,. - - - - - .... 

~ 

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J i J - e-~~ 

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r • r • 

I 

I 

I 

* A full score and set of parts for an orchestral arrangement (2.2.2.2-4.3 or 4.3. l-2perc.timp-str-org) or for brass ensemble 

(4.4.3.l-2perc.timp-org) are available on rental from the Publisher. Orchestral and brass arrangements are 

also available for a setting for Mixed Choir (SATB) with the choral octavo available for sale (ISBN 0-19-386248-4). 

510 


Printed in U.S.A.

- 

. 

- 

- 

4 

23 

- 

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f 

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B. 

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Praise to the Lord, the Al - might - y, the King of ere - a - 

f 

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n. 

~ 

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.. - - - , 

- - - - - - 

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Commissioned in honor of the Sanctuary Choir of the First Methodist Houston 

in Celebration of the Retirement of Kenneth Axelson, Director of Worship, 

for his 10 years at First Methodist and for 42 years of full-time church music ministry. 

Praise, my soul, the King of heaven 

Henry F. Lyte (1793–1847), alt. 

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OXFORD UNIVERSITY PRESS, OXFORD 198 UNIVERSITY MADISON 

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534




1 .Saints Bound for 

Heaven 


535




1. Saints Bound for Heaven 


Orchestral score and parts available on rental: l.picc.2.2.2-4.3.3.1-timp.perc-str 

An arrangement of a melody from Walker's Southern Harmony) 1835 

0-19-386056-2 

2. Death Shall Not Destroy My Comfort 


Orchestral score and parts available on rental: 2.l.ca.2.2-4.3.3.1-str 


0-19-386051-1 

3. We)ll Shout and Give Him Glory 




0-19-386058-9 

Alternate setting for TBB choir and piano four-hands 

ISBN 0-19-386059-7 

4. Come) Thou Fount of Every Blessing 

For SATB choir and organ 


Alternative arrangement for brass ensemble ( score and parts) also available 

on rental: 3-tpt, 3-tbn, 4-hn, tba, timp, perc, org 

An arrangement of a melody from Wyeth's Repository of Sacred Music) 1813 

0-19-386060-0 

536


••••• 


1. SAINTS BOUND 

FOR HEAVEN 

••••• 

A Melody from Walker's 

Southern Harmony) 1835 


OXFORD 


537

SAINTS BOUND FOR HEAVEN 


for SATB Choir and Piano Four-Hands 

Melody from Walker's Southern Harmony, 1835 

Arranged by MACK WILBERG 

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548

for The Mormon Tabernacle Choir, 


Shenandoah 

For Mixed Chorus (SATB) and Piano Four-hands* 

Tenor 

Bass 

Secondo 

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] # W W W Flowing, with expression ($ = c. 92) 

W 4 Q Q Q 

Flowing, with expression ($ = c. 92) 

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*A full score and set of parts for an orchestral arrangement (3picc.2.2.2.-4.0.3.1.-hp.str.) are available on rental from the Publisher. 

© Copyright Oxford University © 2005, Oxford Press, University Inc. 2005. Assigned Press, Inc. to Oxford University Press 2010. 549 

Printed in U.S.A.

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Printed in U.S.A.

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pli - ci - ty is gained, to bow and to bend we shan’t be a-shamed. To 

Org. 

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570

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turn, turn will be our de-light, ’til by turn - ing, turn - ing we 

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mp 

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mp 

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mp 

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come ’round right. 

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571 

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p 

Fl. 

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p 

Picc. 

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[ 

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C C C C C C C C C C C C B B 

place just right, ’til by 

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turn-ing, turn-ing we come ’round right. 

, 

X C C C C , C C C C C B B 

’til by turn-ing, turn-ing we come ’round right. 

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p 

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p 

>. 

573 

B 

B 

C 

p 

hj C 

gi 

C 

hj C 

TU 

T 

TU 

T 

TU 

T 

gi 

C TU 

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hj C TU 

T S 

gi 

C TU 

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hj T T S 

S 

S 

S 

TU 

T S

SACRED 

SA TB and organ 

Sing praise to him 


..... ■------ ... 

u ;;;;a.,. 

MUSIC DEPARTMENT 

OXFORD 


574

Johann J. Schutz (1640-1690), 

Frances Elizabeth Cox, trans. 

r-~ Soprano 

~ 

Alto 

\ '-' 

for the Mormon Tabernacle Choir, 


SING PRAISE TO HIM 


With bouyancy and marked rhythm (~ = 116, J = 78) 

Semi-chorus 

mp 

I - . r--. 

- - - 

~ ~ 

-~ 

- 

,~ 

- 

- _, 

- - - , - - - 

~ r 

Sing praise to him who reigns a-bove, the _ Lord of 

from the Bohemian Brethren 's 

Songbook(l 566), alt., 


" 

-_.,- - --· 

"!" ~ 

all _ ere - a - tion, The 


A~ 

~ 

-"' 

'-' 

.. - 

L..'ll•- 

L.. ... - 

I 

~ 

. . 

, - 

- - 

~ 

. . 

, - 

- - 

. . - - 

~ 

.. 

- 

- - 

8' mp 

- - 

Ī 

- . - 

- - 

5 

-,. 

l\u 

A~ 

A~ 

l 

u 

,, _, 

- 

- 

~ 

- 

~ 

- - - - ., - 

I - 

' 

~ 

- - 

I 

r - - 

---- 

source of pow' r, the fount of love, the _ rock of our _ 

'"- . -· - - - - - - - 

I 

. 

- - - ~- - - b•· 

I 

.. - - - 

w 

I 

- 

., - 

- "!" 

sal - va - tion. With 

- - 

- 

8', 2'-= 

~ - 

-= .i:i:,.. A 

• 

- 

, 

- 

mp 

9 

- - - 

~ 

I\'-' 

A~ . I 

~ 

- 

- - ~ ~ 

~ 

- - 

I 

- 

~ 

I I 

r r ~ 

~ 

heal - ing balm my soul he fills and ev - 'ry faith - less 

A~ -=~- -= -= 

1-~ ,.. -= - - -= 

""7 ~ 

w 

r 

u 

l # ~- ,,_ :~ ~ ~ 

•• • 

- 

-= ii· 

t...•• .. - • - 

~ 

~ 

'-- .. _, - - - 

-; 

~ 

. I 

-- - - 

mur - mur stills. 

~ 

To 

--=~ - 

,,,----,. 

-· 

~ 

~ - 

I 

r 

w 

- 

~ 

* A full score and set of parts for an orchestral arrangement (picc.22.2.2-433. l-2/3perc.timp-hp.str.) are available on 

rental from the Publisher. 

575 

© Oxford University Press, Inc. 2002. Assigned to Oxford University Press 2010 Printed in U.S.A.

4 

13 

all praise _ and glo ----------- ·---------- ·------ 

ry! _______________________ 


17 

21 

What his al-might - y pow'r hath made his _ 

576

25 

5 

mer - cy keep eth. By mom - ing glow or eve - ning shade his _ 


29 

eye _ ne'er sleep eth. With - in of his might, Lo! 

33 

577

6 

37 


41 

T., B.unis. 

mp (poco mare.) 

The 

45 

is ne - ver 

far 

a-way, but _ through all grief_ dis - tress - ing, An 

578

7 

49 

joy _ and bless - ing. As 


53 

he leads his own, his cho - sen band. To 

~ 

cresc. 

579


°' 

'-1 ~ 

580

70 

9 


. . 

~ 

74 

S., A. 

mf unis. 

T.,B. 

Thus, 

Thus, 

mo/to cresc. 

77 

a-long, I _ sing a - loud _ thy prais - es, That 

sing a - loud _ thy prais - es, That 

581

10 

81 

may hear the grate - ful song my _ voice un - wea - ried rais es. Be 


grate - ful song my _ voice un - wea - ried rais es. Be 

joy - ful 10 the Lord, my heart! Both soul and bo dy bear your part. To 

}, J _J }, _J 

Both soul and bo dy bear your part. To 

582

11 


93 

583

12 

97 

----- 

To him all praise, ___ 

f unis 


To 

~. 

101 

.. - ',~ 

- - 

r . ~- - 

. 

) A J.1 I 

,,, 

-· - 

- 

- - - -· 

~ 

u 

--------- 

I 

=-_./ 

=-----------~to 

him all praise, and glo - - - - 

\ 

,.---- 

... 

- • - 

- - • 

, - -· . - - 

,- . L 

. . 

I 

I 

' 

him all praise, to him all praise, and glo - - - - 

.. - . - 

'~ 

A J.I I I I ~ 

/ .. 

-· - - .---· - - - - 

~ L - r L 

~ 

' 

i.-- I 

--· 

:::e:~ ~ ,._-;;;_ • 

> 

, , 

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o 

u 

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I I I 1 

584

13 

105 

mo/to cresc. 

mo/to cresc. 

---------- ----------- ------------ 


..-------.. 

109 

> 

all glo ry! _____ 

585

4 

SSATB and piano 




586



SOPRANO 

ALTO 

 

 

Gently, with expression e = 108 

WILL L. THOMPSON (1847–1909) 


 

 

 

 

 


TENOR 

BASS 

 

 

 

S./A. 

PIANO 

5 


mp 

 

 

 

mp unis. 

p 

con Ped. 

 

 

 

I 

 

Soft - ly and ten - der - ly Je - sus is call - ing, Call - ing for you and for 

 

 

,,,...---. 

- 

 

 

'-I- - -I- 

< 

 

' 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

~ ,--I ~ ~ 

r 

11 I'- 

n- Ll.J'-n- 

11 I'- 

i LLI--- 

- - - 

 

 

 

ri---, I ri---, ---! ri---, I ri---, J 

,~1 E r - ------- 

---( 

I 

 

I LJ II I I 

 

 

 

 

8 

 

 

 

I 

I 

I 

~ ~ 

 

me; See, on the por - tals he’s wait - ing and watch-ing, 

----- 

- 

- 

 

-I- - ---+._, 

 

-----r t 

u I 

'-1- ::± 

-I- ::::j:.__,-- -I- -I-- 

 

LJ 

 

,I u 

 

 

1~1 

An accompaniment for small orchestra (fl, 3hn, hp, str) is available on rental from the publisher’s Hire Library or appropriate 

agent. 

A version for upper voice choir and piano (or orchestra) is also available for purchase ISBN 978–0–19–340161–7). 

,I 

Duration 5 mins 

© Oxford University Press 2013. This arrangement © Oxford University Press 2015. Printed in the USA 



587

11 

 

home, 

 

I 

 

 

I 

I 

Watch - ing for you and for 

-- 

me. 

 

 

 

I 

 

 

14 

 

~, 

 

 

 

- 

 

I 

 

l~I - 

home, Ye who are weary, come home; 

 

 

17 

3 

Come 

come 

- 

 

I 

' ' 

 

 

Come home, come 

 

--+ -'- ...J. ---+ ...J.~ 

.._, 

 

-------- 

I 

 

I I I LJ II 

 

 

 

I I I 

 

 

' ' ' ' 

 

 

~ ~ 

 

 

 

--+ -'- 

---+ 

~ 

I I ------1 I I 

 

I 

.,......., 

- 

 

I r 

I 1 I 

 

1--_.,I 

- 

 

I I 

I I I 

T 

- 

- 

 

- is call - ing, Call - ing, O sin- ner, come 

 

,. 

~ 

---+ -'- ---+ -'- 

:::t 

·, I,, 

-'- 

:::± 

I I I u 

II I I 


' 

 

 

Ear - nest- ly, ten - der - ly, Je sus 

I - 

 

 

 

 

 

 

588

4 

20 

 

 

I 

home. 

 

mp 

 

 

 

p 

- 

- 

L ;---...._ ~I 

_!' 

 

 

 

 

~ 

~ 

 

 

 

 

 

 

 

r 

rl I'- 

rr 

I I I'- 

rr 

r I I'- 

rr 

I I I'-' 

 

 

I j 

 

 

 

 

 

 

 

 

 

I I I J 

,.-.. ,.-.. ~ 

 

I 1-----1 - I 1-----1 - 


S. 1 

24 

 

p 

 

Why should we tar - ry when Je - sus is plead - ing, Plead - ing for you and for 

- - 

S. 2 

Why 

mf (melody) 

- 

 

 

should we tar 

- ry when Je - sus is plead - ing, Plead - ing for you and for 

A. 

T. 

 

---'- 

---'- 

Why 

- ry when Je sus 

 

 

* p 

Why 

should we tar 

p (melody) 

 

 

 

- is plead - ing, Plead - ing for you and for 

 

should we tar - ry when Je - sus is plead - ing, Plead - ing for you and for 

- 

' 

 

LH 

LH LH 

,--...._ p 

I I I I I 

 

 

 

 

,~r ,~, 

- 

[ I r r t 

 

I I I I I I 

 

 

 

*If necessary for balance, some altos may sing the second soprano melody throughout. 

589

5 

27 

 

 

- 

' 

 

I I 

me? Why should we lin - ger and heed not his mer cies, 

 

 

me? Why should we lin - ger and heed not his mer - cies, 

 

------- 

 

- 

- - 


 

I 

' 

 

 

 

 


LH LH LH 

 

,~, 

I I I I I I 

 

 

 

t r~c r r 1----- 

 

I 7 I I I I 

 

 

1------1 I I 

30 

 

- - 

 

- 

~ ~ 

 

I I 

I 

' 

Mer - cies for you and for me? Come home, come 

- 

 

I 

' 

' 

~ J 


 

 

 

--+ 

'-_-' 

Mer - cies for you and for me? Come home, come home, come 

 

 

 

- 

I 

 


LH LH LH 

 

,~, 

I I I I I I 

 

 

- 

 

 

 

- 

- 

 

- i r I r r r I 1--- 

I I I I I I 

 

 

 

I I I 


590

6 

33 

-- 

' 

poco rit. 

 

 

 

 

I 

home, Ye who are wea - ry, come home; 

------- 

I I , 

 

 

' .. 


I 

 

I 

 


I 

I 

 

~ 

' 


 

 

 

 

 

 

 

______, 

' - 


LH 

poco rit. 

I 

I .----- 

 

 

 

 

----- 

 

 

 

 

I , 

- 

-r r - I r r r I 

 

 

 

 

I I 

_,---, 

I I 1-----1 

I T 

I 

I 

 

 

 

 

36 

a tempo 

 

 

- 

----.I .. .. 

Ear - nest - ly, ten - der - ly, Je - sus is call - ing, Call - ing, O sin ner, 

- 

 

... 

 

Ear 

- come 

- nest - ly, ten - der - ly, Je - sus is call - ing, Call - ing, O sin- ner, come 

~ 

 

 

 

---'- 

---'- 

 

Ear - nest - ly, ten - der - ly, Je - sus is call - ing, Call - ing, O sin ner, 

 

 

 

 

 

 

~ 

 

~ 

 

Ear 

- come 


' 

a tempo 

LH LH LH 

 

 

 

I I I I I 

 

 

 

 

r------r- i I 

,~, 

r ·-r r I r 

 

I I I I I I 

 

 

 

 

 

591

7 

39 

 

I 

I 

 

home. 

--- 

__, 

 

home. 

 

 

 

 

 

 

 

home. 

 

 

 

 

 


 

 

 

 

home. 

mp 

 

 

 

 

p 

/ 

 

 

- 

--........... ,,--._I 

L. :---....____ 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

~ 

r 

rl 1- 

i 

I I 1---- 

If 

rl 1- 

i I I 

poco cresc. 

I 

 

 

 

 

 

I J I I j 

I J 

,..._ 

·~ ---- 

 

S. 

A. 

43 

 

mf unis. 

 

 

O 

T. 

B. 

 

 

mf 

for the won - der - ful love he has prom-ised, 

Prom - ised for you and for 

p unis. 

,- ,- 

 

 

- 

- - 

- 

I 

 

 

 

 

 

 

 

" 

 

 

I~ 

I 1---1 ,~, I I I I 

' 

 

 

 

 

t 

 

 

 

 

 

 

 

 

 

 

 

 

I I -1 I I I I -1 I I I I -1 I I 

1~ ---1 I 

t 

592

8 

46 

 

 

me! Though we have sinned, he has mer - cy and par - don, 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 

 

 

 

 

 

 

S. 

49 

 

 

Par - don for you and for 

 

me. Come home, come 

A. 

 

Par don 

- for you and for me. Come home, 

mp 

 

 

come 

T./B. 

 

 

Par- don for you and for me. Come 

p 

home, 

 

 

come 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

593

poco rit. 

------------- 

9 

52 

 

 

 

 

I I I I I I 

- 

-------- 

' 

 

I I I 


 

 

,__.,, 

home, Ye who are wea - ry, come home; --------=------ 

------ ----------- 

 

 

 

 

 


poco rit. 

~I 

 

 

 

I~ I I I ~ 

 

--- 

 

I I I I I I I 

' 

 

 

 

 

 

 

 

I I J I i J J J 1 

I I I I I I I I I - - - - - - - 

I 

I 

r r 

55 a tempo 

 

r---, 

 

.. .. I I .. I I 

Ear - nest - ly, ten - der - ly, Je - sus is call - ing, Call - ing, O sin- ner, come 

 

- 

 

- - 

Ear - nest - ly, ten - der - ly, Je - sus is call - ing, Call - ing, O sin- ner, come 

- 

- 

- 

- 

Ear - nest - ly, ten - der - ly, Je - sus is call ing, Call - ing, O sin- ner, come 

a tempo 

- 

 

I I~ 

- ------ 

 

-'- 

I ___,I ___,I .._,I 

I I r 

' 

 

 

 

 

 

 

 

 

~ 

I I I I r-- I I I I I I I 

~ 

I 1-----1 I I 

r I 


594

10 

58 

 

I' 

 

I 

I 

home. 

 

poco rit. 

 

 

- -I- - 

home. 

 

 

 

 


--- ---- 

home. 

 

 

' 

mp 

 

 

 

 

- 

 

p 

 

 

 

 

 

/ ,--____ ,,--._I /' 

poco rit. 

~ ,,--..1 

 

 

 

 

 

 

r 

1 I _J 

r C-L--J r 

rl I 

r 

I l.........l 

- - - 

I 

 

 

 

 

 

I I I I I I J 

 

 

I I I I I 

- 

S. 

62 

 


poco rit. 

mp 

- - .. 

 

 

Ear 


A. 

mp 

- 

 

Ear - nest - ly, ten - der - ly, Je sus 

...... ...... 

- is call - ing, Call - ing, O sin- ner, come 

' 


poco rit. 

I 

--'- 

 

 

,~, 

I I,,,,- ---- I~ 

I I I I 

mp 

 

I 

I 

I J 

 

I I --'- 

I I 

 

595

65 

a tempo 

 

 

home, 

'-_-' 

 

 

p 

 

 

 

 

 

I I I 

'-_-' 

come home, come home, come 

poco rit. 

pp 

 

11 

 

home, 

p 

 

--------- --------- 

--+ --+ --+ --+ --+ --+ --+ --+ 

come 

pp 

home, come home, come 

 

 

 

 


' 

 

a tempo 

mp 

- 

/ 

 

------ 

 

p 

 

 

 

 

r 

~ 

 

 

 

 

 

 

 

r 

:;--...._ 

poco rit. 

 

 

 

r ~ r 

i J...--1 

r ~ 

- 

I I I I I I 

 

 

 

 

68 a tempo 

rit. 

 

 

~--------------- 

- 

 

 

'-- 

home! 

 

--+ --+ --+ --+ 

home! 

,. 

,. 

' 

 

 

p 

 

a tempo 

mp 

 

rit. 

LH p LH LH 

___---._I .::::-----I .::::-----I 

 

 

 

 

 

 

 

 

 

 

r~r r~r r~r I 

I I I I 

 

 

 

 

 

 

-I- 

 


596

4 

SATB (with divisions) and organ 


The Call 


597

Written in honor of Blair and Cyndy Monie for the 

Preston Hollow Presbyterian Church Sanctuary Choir, Dallas, Texas; 

Steven Jobman, Director, and commissioned by the Terry Price Visiting Composer and Conductor Fund 

George Herbert (1593–1633) 

SOPRANO 

ALTO 

# 

& # 

With expression, but not too slow q = 96 

∑ 

The Call 

∑ 

∑ 

MACK WILBERG 

∑ 

TENOR 

BASS 

ORGAN 

PEDAL 

? # # 

# 

& # 

? # # 

4 3 4 3 4 3 4 3 

? # # 4 3 

∑ 

With expression, but not too slow q = 96 

∑ 

I ˙ œ- 

˙ œ- 

˙ œ- 

˙- ˙- ˙- ˙ 

˙- 

. 

I I I I I I I 

P 

IIJ œ œI J œ œI J œ œ1-i--œ I 

˙ . ˙ œ œ1-i--œ I 

- - 

. ˙ . I œ œ 

˙ . J 1- 

- 

p 

œ 

œ 

˙ 

˙ 

˙ . 

œ 

I 

-˙ 

I 

∑ 

∑ 

# 

& # 

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SATB choir, clarinet (or C instrument), 

and piano or harp 


Then We’ll Sing 

Hosanna 


615

S./A. 

*CLARINET in Bb 

Commissioned in memory of Nicole Hayek 

by the Choral Arts Ensemble of Rochester (MN), Michael Culloton, Artistic Director, 

and Zumbro Lutheran Choir (Rochester, MN), Bob Giere, Director 

Then We’ll Sing Hosanna 

American Revivalist Song 


Flowing, with expression q = c.80 

 

 


 

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*This part can alternatively be played by a clarinet in A or a C instrument. These parts are available separately in PDF form as 

downloads from the publisher’s website. 

†The harp part is available separately in PDF form as a download from the publisher’s website. 





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This little light 

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626

Commissioned for Scott H. Atchison in honour of his 35th anniversary as Director of Music and Organist 

at Peachtree Road United Methodist Church, Atlanta, Georgia 

SOPRANO 

ALTO 

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:

Commissioned by the Tanner Gift of Music 

for the King's Singers, Mormon Tabernacle Choir, and Utah Symphony Orchestra, 

Craig Jessop, Conductor 

THou GRAc1ous Goo, WHOSE MERCY LENDS 

Oliver Wendell Holmes (1809-1894) 

For Mixed Choir (SATBarB) and Piano* 

With expression (J = 52) 

~f 

~ **Solo 

cm ~:%.re> Q1 I ; ; J I .l- 

English Folk Tune, 


£J IJ. 

Thou gra-cious God, Whose mer-cy lends The light of home, the smile of _ 


4 

(f~, J 

8 

) ~ I 

friends, 

k 

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old. 

. 

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Thine arms en - fold, 

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• 

Wilt Thou not hear us while we raise, 

**Solo Bass mtp 

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As in the peace - ful days of_ 

- 

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" - - - - - 

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In sweet ac - cord 

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of sol- emn 

. 

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praise, 

,, 

The voic-es_ that have min-gled long 

+Solo Bar.** 

mtp 

In joy-ous flow of mirth and 

J 

* A full score and set of parts for an alternative orchestral arrangement (picc.2.2.2.2.-4.3.3.1.-timp.perc.-hp.str and 

optional organ) are available on rental from the Publisher. 

**May also be sung by semichorus or full choir. 

The Mormon Tabernacle Choir has recorded Mack Wilberg's orchestral arrangement of Thou Gracious God on the CD 

"Peace Like a River" (MTC 0403-2). 

640 

© Oxford University Press, Inc. 2005. Assigned to Oxford University Press 2010. Printed in U.S.A.

16 

3 


21 

Semichorus or Full Choir mp 

For all the 

Semichorus or Full Choir mp 

25 

- ings life has brought, For all the sor - - rowing hours have 

641

4 

28 

unis. 

The hands we 


31 

' 

poco rit. 

a tempo 

sun - 

- shine of the 

34 

mo 

ments fad - ing _ fast, 

The stars that _ 

642

5 

37 

The twi - light ray from ho - lier_ 


40 

44 

643

6 

48 

a tempo 

Fa 

ther; grace Our loving 


51 

54 

Thy peace be 

with 

us 

ev - er_ more. 

Thy mer - cy 

[ 

644

7 

unis. 

with us ev - er_ 

J 


60 

645 

F F

4 



Thou lovely source of 

true delight 


646

Written for the Vienna Presbyterian Church, Vienna, Virginia, for their 125th anniversary 

Lance T. Vining, Director 

Thou lovely source of true delight 

Anne Steele (1716–78), altd, 

additional text by David Warner 

MACK WILBERG 

SOPRANO 

ALTO 

TENOR 

BASS 

With breadth and expression (but not too slow) h = 80 

 

 

 

 

 


S./A. 

T./B. 

With breadth and expression (but not too slow) h = 80 

 

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ORGAN < 

mp cresc. poco a poco 

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f unis. 

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Thou lovely source of true de- light, Un - seen whom I a - 

 

t- ,- 

 

 

 

f unis. 

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r 

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An accompaniment for orchestra (3fl, 2ob, 2cl, 2bsn, 4hn, 3tpt(C), 3tbn, tba, timp, perc, org, str) is available on hire/rental from 

the publisher or appropriate agent. 

© Oxford University Press Inc. 2013. Assigned to Oxford University Press 2010. 



The Moral Rights of the Composer have been asserted. 647Photocopying this copyright material is ILLEGAL. 

-

13 

 

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- dore; Un - veil thy beau - ties to my sight, That I may love thee 

 

 

 

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more, Thy glo - ry o’er cre - a - tion shines; But in thy sa - cred 

 

 

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word, I read in fair - er, bright-er 

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knee, ’Tis here I taste the burn-ing 

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do, Lord, o - pen thou thine eyes to see, My love for thee is 

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tree. Where - e’er my feet do car - ry me, What - e’er my hands shall 

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com - forts droop, And sins and sor - rows rise, Thy love, with cheer - ful 

 

 

 

 

I J J I J J 

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651

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beams of hope, My faint - ing heart sup - plies. But, ah, too soon the 

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chase my fears a - way. Then shall my soul in sing - ing trace The 

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I I I I I I I 

won-ders 

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end-less 

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4 



Tree of Life 


657

Originally commissioned and premiered in 2007 by the Ethos Chamber Singers and Chamber Orchestra, 

Charlotte, North Carolina, Paul E. Oakley, Music Director and Principal Conductor, celebrating the marriage 

of William Belk and Georgia Dunn. This revised version is in memory of Paul E. Oakley (1959–2012). 

Tree of Life 

David Warner 

MACK WILBERG 

SOPRANO 

ALTO 

TENOR 

BASS 

PIANO 

l 

I 

-====== ======- -====== ==- -====== ==- -===== ======l 

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An accompaniment for orchestra (3fl, 2ob, 2cl, 2bsn, 2hn, glock, vib, chimes, handbells (opt.), hp, cel, str) is available on rental from 

the publisher’s Hire Library or appropriate agent. 





The Moral Rights of the Composer and Author have been 658 asserted. Photocopying this copyright material is ILLEGAL.

12 

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Life! 

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rest, 

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sweet, ex - qui - site 

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sweet, ex - qui - site 

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(Ped.) 

taste— 

taste— 

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fruit that makes us 

fruit! In 

thee made 

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d-d J 

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whole!

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b b b 

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I 

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I I I J œ œ Œ ˙ œ œI - J œ I 

œ 

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whole, 

made whole! Thy feast all life re - stores, The 

~ 

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w (Ped.) 

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J 

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w 

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feast all life re - stores, The 

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w 

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9 

 

 


S. 

A.1 

A.2 

T. 

B. 

102 

J 

& b b b 

& b b b 

& b b b 

V b b b 

? 

b b b 

œ œ œ œ 

fruit of 

I 

œ œ œ œ 

fruit of 

I 

œ œ œ œ 

fruit of 

œ œ œ œ 

fruit of 

thy pure 

œ œ œ œ 

fruit of 

thy pure 

n n n 

n n n 

& b b b Œ 

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œ 

œ 

n n w ˙ w 

~ 

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n 

œ ˙ œ ˙ œ ˙ n˙ 

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˙˙ ˙ ˙ 

œ 

( ˙ ) 

l 1 r- 

P P 

f 17 I I I I I 

r 

◄ F (bell-like) 

====- ====- 

-cc:::::::: 

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b b b 

w 

˙ 

˙ n n * 

I ( œ ) 

œ œ œ œ œ œ œ œ œ œ œ 

I J I J I J I J I J I J I 

------ 

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n 

n 

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I 

* 

œ ˙ œ 

love is our 

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love is our 

f 

œ 

œ ˙ œ n n n 

----------- 

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I I 

I 

I -œ -œ -œ 

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-w 

thy pure love is our life for ev - er - more! 

n 

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n f 

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-w 


n 

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-w 


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f 

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life for ev - er - 

f 

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life for ev - er - 

w 

------------- 

more! 

w w 

more! 

dJ 1----1 1~1 J~ 

----------------- 

Bracketed notes from b.104 onwards in the piano part need not be played but show patterns that appear in the full 

orchestral version of the accompaniment. 

665 

w

I 

10 

107 

J 

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V 

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Al 

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Al - le - lu - ia, 

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r r r 

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(Ped.) 

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J œ œI J œ œI ( J œ ) 

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J I J œ œI œ œ 



J I 

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al - le - lu - ia, 


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al 

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w 

Œ ˙ œ 

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ia, 

al 

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le 

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w ˙ 

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& ˙ ˙ ˙ 

˙ ˙ 

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w 

I ( ) 

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I I I ( ˙ ) 

( ˙ ) 

I r 

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I I I I 

r 

◄ 

( œ ) œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ( œ ) œ œ œ 

? 

J I J I J I J I J I ~J I J I J I J I J I 

I 

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(Ped.) 

666 

------

117 

., 

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f 

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al - 

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-===== f 

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J œ ‰ œ I 

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(Ped.) 

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d~-~ 

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CHRISTMAS 

2 

T, Bar, and B Soli, TBarB choir, 

and piano or chamber ensemble 

Videntes Stellam Magi 

(Seeing the Star, the Magi Rejoiced) 


A 

672

Mack Wilberg (b. 1955) is an associate director of the Mormon Tabernacle 

Choir and music director of the Temple Square Chorale. In addition to his conducting 

responsibilities, he has been active as a pianist, chamber musician, clinician, 

composer, arranger, and guest conductor throughout the United States and 

abroad. He is the former director of choral activities at Brigham Young University. 


VIDENTES STELLAM MAGI 

Videntes stellam Magi 

gavisi sunt gaudio magno: 

et intrantes domum 

obtulerunt Domino aurum, 

thus, et myrrham. 

Seeing the star, the Magi 

rejoiced exceedingly with great joy: 

And, entering the house, 

they offered the Lord gold, 

frankincense, and myrrh. 

______________ 

English translation by Ron Jeffers. Copyright © 1988, 

Earthsongs, reprinted by permission. 

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Way farin’ Stranger 


687


Wayfarin’ Stranger 

American folk-hymn 


SOPRANO 

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am a poor way- far - in’ stran-ger 

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--'- 

An accompaniment for orchestra (picc/rec, 2fl (IIopt), ob, ca, 2cl, 2bsn, 2hn, hp, str) is available on hire/rental from the 

publisher or appropriate agent. 


CD Peace Like a River (SKU 4694651). 

© Oxford University Press, Inc. 2011. Assigned to Oxford University Press 2010. Printed in the USA 



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played an octave higher throughout. Oboe should play in the octave as written. 

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TBB choir and piano four-hands 



3. We' Shout and Give 

Him Gory 


694



••••• 

3. WE'LL SHOUT AND 

GIVE HIM GLORY 

••••• 

A Melody from The Olive Leaf; 1878 

For TBB Chorus and Piano Four-Hands 


OXFORD 


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WE'LL SHOUT AND GIVE HIM GLORY 


For TBB Chorus and Piano Four-Hands 

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Melody from The Olive Leaf, 1878 

ARRANGED BY MACK WILBERG 

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When in our music 

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Commissioned by Patricia S. Wooley for Broadway Baptist Church, Fort Worth, Texas 

(Michael Cox, Director of Music; Al Travis, Organist) 

in honor of her parents L.W. and Dina Smith who faithfully served the music ministry. 

When in our music God is glorified 

Fred Pratt Green (1903–2000), altd 

Hymn tune: ENGLEBERG 

Charles Villiers Stanford (1852–1924) 


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An accompaniment for orchestra (picc, 2fl, 2ob, 2cl, 2bsn, 4hn, 3tpts, 3tbns, tba, timp, perc, org, str) is available on rental from the 


Music © Oxford University Press 2022. Words © 1972 Hope Publishing Company, Carol Stream, IL 60188. All rights reserved. 

Used by permission. 



The Moral Rights of the Arranger have been asserted. 707Photocopying this copyright material is ILLEGAL

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717

SOPRANO 1 & 2 

ALTO 1 & 2 

PIANO 

for the women of the Mormon Tabernacle Choir and the Orchestra at Temple Square 



WILL L. THOMPSON (1847–1909) 


 

 

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An accompaniment for small orchestra (fl, 3hn, hp, str) is available on rental from the publisher’s Hire Library or appropriate 

agent. 

The women of the Mormon Tabernacle Choir and the Orchestra at Temple Square have recorded this piece with orchestral 

accompaniment on the CD Come, Thou Fount of Every Blessing (SKU 5014332). 

---- 

© Oxford University Press 2013 Printed in the USA 



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