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The Art of Focus Stacking - Matrix Software

The Art of Focus Stacking - Matrix Software

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A two-Stack Example<br />

Far Shot Near Shot<br />

Here is a photo <strong>of</strong> a little spring diorama <strong>of</strong> some<br />

Michigan ferns emerging. Notice how the ferns in the<br />

front are in focus on the left but those in the back are<br />

not. In the right photo the ferns in the rear are in focus<br />

but those in front are not. Our eye is drawn to the area<br />

in the photo where everything is in focus. Trying to<br />

get the whole scene into focus through manipulating<br />

the DOF would be difficult if only because the woods<br />

where these ferns grow is quite dark.<br />

Now let’s look at a stacked photograph that is a blending<br />

<strong>of</strong> four different photos, each focused on different<br />

areas <strong>of</strong> the scene. As you can see, at least the main<br />

subject (the various ferns) are in focus. But notice the<br />

ferns midway between the front and back ferns are<br />

somewhat out <strong>of</strong> focus. In stacked focus, unless you<br />

shoot hundreds <strong>of</strong> photos, not everything will be in<br />

focus, but you can choose what is and what is not in<br />

focus. Here the two groups <strong>of</strong> ferns (front and back)<br />

are in focus, which makes for a nice effect.<br />

As you look at this photo, see how appealing it is to<br />

have things in focus and to be able to look around the<br />

scene as opposed to being denied that freedom by<br />

having some areas <strong>of</strong> the photo out <strong>of</strong> focus.<br />

I point this out because I believe that focus stacking<br />

or focus bracketing will (in time) become at least as<br />

important to us as HDR or exposure bracketing have<br />

up to this point.<br />

Camera makers may eventually even include focus<br />

bracketing as a feature where, perhaps, we focus on<br />

the front and back areas <strong>of</strong> any scene or object and<br />

the camera produces a series <strong>of</strong> bracketed photos<br />

with the focus at different layers between the two<br />

points we set. We would tell the camera how many<br />

layers or photos we want. This could be very useful<br />

because one <strong>of</strong> the problems <strong>of</strong> focus stacking is<br />

taking the photos fast enough to capture the images<br />

before changes in lighting, etc. set in. This would be a<br />

poor man’s focus stacking because in reality many <strong>of</strong><br />

the best macro lenses do not aut<strong>of</strong>ocus, and so on.<br />

So far the results I am getting are pleasing to me. <strong>The</strong><br />

example used here gives you some idea <strong>of</strong> what a<br />

stacked photo can look like. In fact, farther on we will<br />

look at a bunch <strong>of</strong> stacked photos so that you can get<br />

an idea <strong>of</strong> what they look like and what subjects lend<br />

themselves to focus stacking.<br />

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