The Art of Focus Stacking - Matrix Software
The Art of Focus Stacking - Matrix Software
The Art of Focus Stacking - Matrix Software
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A two-Stack Example<br />
Far Shot Near Shot<br />
Here is a photo <strong>of</strong> a little spring diorama <strong>of</strong> some<br />
Michigan ferns emerging. Notice how the ferns in the<br />
front are in focus on the left but those in the back are<br />
not. In the right photo the ferns in the rear are in focus<br />
but those in front are not. Our eye is drawn to the area<br />
in the photo where everything is in focus. Trying to<br />
get the whole scene into focus through manipulating<br />
the DOF would be difficult if only because the woods<br />
where these ferns grow is quite dark.<br />
Now let’s look at a stacked photograph that is a blending<br />
<strong>of</strong> four different photos, each focused on different<br />
areas <strong>of</strong> the scene. As you can see, at least the main<br />
subject (the various ferns) are in focus. But notice the<br />
ferns midway between the front and back ferns are<br />
somewhat out <strong>of</strong> focus. In stacked focus, unless you<br />
shoot hundreds <strong>of</strong> photos, not everything will be in<br />
focus, but you can choose what is and what is not in<br />
focus. Here the two groups <strong>of</strong> ferns (front and back)<br />
are in focus, which makes for a nice effect.<br />
As you look at this photo, see how appealing it is to<br />
have things in focus and to be able to look around the<br />
scene as opposed to being denied that freedom by<br />
having some areas <strong>of</strong> the photo out <strong>of</strong> focus.<br />
I point this out because I believe that focus stacking<br />
or focus bracketing will (in time) become at least as<br />
important to us as HDR or exposure bracketing have<br />
up to this point.<br />
Camera makers may eventually even include focus<br />
bracketing as a feature where, perhaps, we focus on<br />
the front and back areas <strong>of</strong> any scene or object and<br />
the camera produces a series <strong>of</strong> bracketed photos<br />
with the focus at different layers between the two<br />
points we set. We would tell the camera how many<br />
layers or photos we want. This could be very useful<br />
because one <strong>of</strong> the problems <strong>of</strong> focus stacking is<br />
taking the photos fast enough to capture the images<br />
before changes in lighting, etc. set in. This would be a<br />
poor man’s focus stacking because in reality many <strong>of</strong><br />
the best macro lenses do not aut<strong>of</strong>ocus, and so on.<br />
So far the results I am getting are pleasing to me. <strong>The</strong><br />
example used here gives you some idea <strong>of</strong> what a<br />
stacked photo can look like. In fact, farther on we will<br />
look at a bunch <strong>of</strong> stacked photos so that you can get<br />
an idea <strong>of</strong> what they look like and what subjects lend<br />
themselves to focus stacking.<br />
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