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The Art of Focus Stacking - Matrix Software

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Processing <strong>Focus</strong> Stacks<br />

Lightroom and Photoshop<br />

I don’t want to get too technical here, but it might be<br />

useful for you to get a visual idea <strong>of</strong> how your stack <strong>of</strong><br />

photos is processed, so here is a quick run through.<br />

I use adobe Lightroom 2.6 to not only catalog all my<br />

photos but also to develop and touch up photos. It really<br />

is a great program, a comfort to use. But to stack<br />

photos I use Adobe Photoshop CS4. Luckily Adobe<br />

has seen to it that these two programs work seamlessly<br />

together so that I can send two or more photos<br />

from Lightroom to Photoshop and back with no trouble.<br />

I will show you how I do it, but you, <strong>of</strong> course, will<br />

come up with your own favorite methods.<br />

After I input my photos to the Lightroom catalog I go<br />

through them to find the stacks and mark them, so<br />

that I don’t mistake a stacked series <strong>of</strong> photos from<br />

just a standard shot or two. So I go through my new<br />

photos and mark the beginning <strong>of</strong> each stack with a<br />

green border which tells me this is a stack that runs<br />

from the green photo until the next different shot. Here<br />

is a screen shot from lightroom on the next page.<br />

As you can see, near the upper left-hand corner, I<br />

have marked a photo with a green border as the first<br />

in a series <strong>of</strong> four photos. In this case the photo is <strong>of</strong><br />

a dying tree trunk that has been drilled out by one <strong>of</strong><br />

Michigan’s Pileated Woodpecker, a bird with a body<br />

about a foot and a half long!<br />

You can see the stack <strong>of</strong> photos both in the main grid<br />

view and in the loupe view running along the bottom <strong>of</strong><br />

the screen as well. <strong>The</strong>re are some other stacks following<br />

this one that are visible.<br />

Lightroom and Photoshop are the trademarks <strong>of</strong><br />

Abobe S<strong>of</strong>tware, Inc.<br />

Archiving Photos<br />

I take lots <strong>of</strong> photos and their individual size keeps<br />

getting larger, what with sensors with more megapixels,<br />

like the Nikon D3x, etc. What to do with them?<br />

How do I protect them from… whatever?<br />

It is good to have as many copies <strong>of</strong> your photos as<br />

you can manage, and stored in different places at<br />

that. I have my computer set up so that when I copy<br />

a new set <strong>of</strong> photos from a flashcard they are written<br />

simultaneously to two separate hard drives. This is<br />

accomplished through RAID formatting which always<br />

keeps two copies <strong>of</strong> all files, separately. <strong>The</strong>refore, if<br />

one disk goes down, the other (hopefully) is intact. In<br />

addition, I also copy all the files to a third disk for even<br />

more protection.<br />

I use Adobe Lightroom to keep track <strong>of</strong> my photos,<br />

as well as to do most developing tasks, like light-balance,<br />

tone, sharpening, and so on. I store each day’s<br />

photo shoot in a separate folder by date, in the format<br />

“YYYY-MM-DD” so that they can appear sequentially<br />

and be sorted by date.<br />

Lightroom has strong keyword capability and attributes<br />

you can tag a photo with, such as “Keep,” “Reject,”<br />

plus five colors and five star ratings. As for keywords,<br />

you can enter almost anything and find it later. I use<br />

the color, five-star rating, keep & reject attributes all<br />

the time, but tend to fall behind on writing out all the<br />

keywords. I do tag my “Keepers” in red, so a search<br />

for all red-bordered photos let’s me find the most important<br />

ones quickly.<br />

I like to browse through my entire collection from time<br />

to time, just because I <strong>of</strong>ten find photos I have overlooked<br />

for one reason or another that now I have a<br />

use for or can touch up to make them useful.<br />

PC or Mac Computer<br />

I have both a Mac and PC and work with images on<br />

both machines, although I do more video work on my<br />

MacPro and still-photo work on the windows-7 PC.<br />

Both computers can handle 64-bit applications. As for<br />

monitors, I have used two monitors for years and find<br />

the extra room indispensible. Lately, I have switched<br />

to a single 30” monitor.<br />

87

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